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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EC829 it is the complementary color #7137D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EC829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EC829 shade: #93C824, #A4DA37, #B5EC4A, #C6FE5D and #D7FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EC829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EC829 shade: #8EC829, #7DB616, #6CA403, #5B9200 and #4A8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EC829 shade: #8DC729, #B8C729, #C7AB29, #C78129 and #C75629

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EC829 shade: #8DC729, #63C729, #38C729, #29C744 and #29C76F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EC829 shade matches the following richer shades: #8DC729, #92DA15 and #98EE02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EC829 shade: #8DC729, #88B43C, #83A050, #7E8D63 and #787976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EC829 shade: #C7AA29, #BAC729, #90C729, #65C729 and #3BC729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EC829 shade: #5D821B, #75A522, #8DC729, #A1D841 and #B2DF63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EC829 shade: #8EC829, #29C780 and #BF29C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EC829 shade: #8EC829, #2990C7 and #C72990

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EC829 shade: #8EC829, #29C780, #6029C7 and #C72970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EC829 shade: #8EC829, #29C7AF, #6029C7 and #C72940

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 80 / 22

HEX #8EC829

RGB 142 200 41

HSL 81.89, 0.66%, 0.47%

LAB 74.33, -40.76, 66.99

 

Complementary color

CMYK 47 / 74 / 0 / 16

HEX #7137D6

RGB 113 55 214

HSL 261.89, 0.66%, 0.53%

LAB 39.75, 58.66, -72.02

 

CMYK 27 / 0 / 82 / 22

HEX #93C824

RGB 147 200 36

HSL 79.39, 0.69%, 0.46%

LAB 74.6, -39.06, 68.68

 

CMYK 25 / 0 / 75 / 15

HEX #A4DA37

RGB 164 218 55

HSL 79.88, 0.69%, 0.54%

LAB 80.91, -39.71, 69.36

 

CMYK 23 / 0 / 69 / 7

HEX #B5EC4A

RGB 181 236 74

HSL 80.37, 0.81%, 0.61%

LAB 87.15, -40.2, 69.31

 

CMYK 22 / 0 / 63 / 0

HEX #C6FE5D

RGB 198 254 93

HSL 80.87, 0.99%, 0.68%

LAB 93.31, -40.57, 68.83

 

CMYK 16 / 0 / 56 / 0

HEX #D7FF70

RGB 215 255 112

HSL 76.78, 1%, 0.72%

LAB 94.8, -33.23, 62.89

 

CMYK 29 / 0 / 80 / 22

HEX #8EC829

RGB 142 200 41

HSL 81.89, 0.66%, 0.47%

LAB 74.33, -40.76, 66.99

 

CMYK 31 / 0 / 88 / 29

HEX #7DB616

RGB 125 182 22

HSL 81.38, 0.78%, 0.4%

LAB 67.93, -39.99, 65.61

 

CMYK 34 / 0 / 98 / 36

HEX #6CA403

RGB 108 164 3

HSL 80.87, 0.96%, 0.33%

LAB 61.43, -38.99, 62.85

 

CMYK 38 / 0 / 100 / 43

HEX #5B9200

RGB 91 146 0

HSL 82.6, 1%, 0.29%

LAB 54.85, -37.64, 57.79

 

CMYK 42 / 0 / 100 / 50

HEX #4A8000

RGB 74 128 0

HSL 85.31, 1%, 0.25%

LAB 48.13, -36.17, 52.2

 

CMYK 29 / 0 / 79 / 22

HEX #8DC729

RGB 141 199 41

HSL 82.03, 0.66%, 0.47%

LAB 73.98, -40.7, 66.65

 

CMYK 8 / 0 / 79 / 22

HEX #B8C729

RGB 184 199 41

HSL 65.7, 0.66%, 0.47%

LAB 76.8, -23.46, 70.24

 

CMYK 0 / 14 / 79 / 22

HEX #C7AB29

RGB 199 171 41

HSL 49.37, 0.66%, 0.47%

LAB 70.47, -2.73, 65.1

 

CMYK 0 / 35 / 79 / 22

HEX #C78129

RGB 199 129 41

HSL 33.42, 0.66%, 0.47%

LAB 59.89, 20.01, 55.48

 

CMYK 0 / 57 / 79 / 22

HEX #C75629

RGB 199 86 41

HSL 17.09, 0.66%, 0.47%

LAB 50.64, 42.59, 46.68

 

CMYK 29 / 0 / 79 / 22

HEX #8DC729

RGB 141 199 41

HSL 82.03, 0.66%, 0.47%

LAB 73.98, -40.7, 66.65

 

CMYK 50 / 0 / 79 / 22

HEX #63C729

RGB 99 199 41

HSL 97.97, 0.66%, 0.47%

LAB 72, -54.87, 64.1

 

CMYK 72 / 0 / 79 / 22

HEX #38C729

RGB 56 199 41

HSL 114.3, 0.66%, 0.47%

LAB 70.77, -64.9, 62.5

 

CMYK 79 / 0 / 66 / 22

HEX #29C744

RGB 41 199 68

HSL 130.25, 0.66%, 0.47%

LAB 70.69, -64.9, 52.66

 

CMYK 79 / 0 / 44 / 22

HEX #29C76F

RGB 41 199 111

HSL 146.58, 0.66%, 0.47%

LAB 71.19, -58.89, 33.04

 

CMYK 29 / 0 / 79 / 22

HEX #8DC729

RGB 141 199 41

HSL 82.03, 0.66%, 0.47%

LAB 73.98, -40.7, 66.65

 

CMYK 33 / 0 / 90 / 15

HEX #92DA15

RGB 146 218 21

HSL 81.93, 0.82%, 0.47%

LAB 79.79, -47.6, 76.06

 

CMYK 36 / 0 / 99 / 7

HEX #98EE02

RGB 152 238 2

HSL 81.86, 0.98%, 0.47%

LAB 85.92, -53.89, 82.99

 

CMYK 29 / 0 / 79 / 22

HEX #8DC729

RGB 141 199 41

HSL 82.03, 0.66%, 0.47%

LAB 73.98, -40.7, 66.65

 

CMYK 24 / 0 / 67 / 29

HEX #88B43C

RGB 136 180 60

HSL 82, 0.5%, 0.47%

LAB 68.17, -32.94, 54.26

 

CMYK 18 / 0 / 50 / 37

HEX #83A050

RGB 131 160 80

HSL 81.75, 0.33%, 0.47%

LAB 62.12, -23.46, 38.13

 

CMYK 11 / 0 / 30 / 45

HEX #7E8D63

RGB 126 141 99

HSL 81.43, 0.18%, 0.47%

LAB 56.47, -13.11, 20.66

 

CMYK 1 / 0 / 2 / 53

HEX #787976

RGB 120 121 118

HSL 80, 0.01%, 0.47%

LAB 50.66, -0.97, 1.5

 

CMYK 0 / 15 / 79 / 22

HEX #C7AA29

RGB 199 170 41

HSL 48.99, 0.66%, 0.47%

LAB 70.21, -2.2, 64.87

 

CMYK 7 / 0 / 79 / 22

HEX #BAC729

RGB 186 199 41

HSL 64.94, 0.66%, 0.47%

LAB 76.95, -22.62, 70.43

 

CMYK 28 / 0 / 79 / 22

HEX #90C729

RGB 144 199 41

HSL 80.89, 0.66%, 0.47%

LAB 74.15, -39.56, 66.87

 

CMYK 49 / 0 / 79 / 22

HEX #65C729

RGB 101 199 41

HSL 97.22, 0.66%, 0.47%

LAB 72.08, -54.28, 64.2

 

CMYK 70 / 0 / 79 / 22

HEX #3BC729

RGB 59 199 41

HSL 113.16, 0.66%, 0.47%

LAB 70.83, -64.37, 62.58

 

CMYK 28 / 0 / 79 / 49

HEX #5D821B

RGB 93 130 27

HSL 81.55, 0.66%, 0.31%

LAB 49.94, -28.66, 47.69

 

CMYK 29 / 0 / 79 / 35

HEX #75A522

RGB 117 165 34

HSL 81.98, 0.66%, 0.39%

LAB 62.34, -35.04, 57.52

 

CMYK 29 / 0 / 79 / 22

HEX #8DC729

RGB 141 199 41

HSL 82.03, 0.66%, 0.47%

LAB 73.98, -40.7, 66.65

 

CMYK 25 / 0 / 70 / 15

HEX #A1D841

RGB 161 216 65

HSL 81.85, 0.66%, 0.55%

LAB 80.22, -39.4, 65.2

 

CMYK 20 / 0 / 56 / 13

HEX #B2DF63

RGB 178 223 99

HSL 81.77, 0.66%, 0.63%

LAB 83.52, -33.56, 55.09

 

CMYK 29 / 0 / 80 / 22

HEX #8EC829

RGB 142 200 41

HSL 81.89, 0.66%, 0.47%

LAB 74.33, -40.76, 66.99

 

CMYK 79 / 0 / 36 / 22

HEX #29C780

RGB 41 199 128

HSL 153.04, 0.66%, 0.47%

LAB 71.47, -55.67, 24.59

 

CMYK 4 / 79 / 0 / 22

HEX #BF29C7

RGB 191 41 199

HSL 296.96, 0.66%, 0.47%

LAB 47.99, 74.14, -49.49

 

CMYK 29 / 0 / 80 / 22

HEX #8EC829

RGB 142 200 41

HSL 81.89, 0.66%, 0.47%

LAB 74.33, -40.76, 66.99

 

CMYK 79 / 28 / 0 / 22

HEX #2990C7

RGB 41 144 199

HSL 200.89, 0.66%, 0.47%

LAB 56.63, -9.83, -36.58

 

CMYK 0 / 79 / 28 / 22

HEX #C72990

RGB 199 41 144

HSL 320.89, 0.66%, 0.47%

LAB 46.63, 68.1, -19.01

 

CMYK 29 / 0 / 80 / 22

HEX #8EC829

RGB 142 200 41

HSL 81.89, 0.66%, 0.47%

LAB 74.33, -40.76, 66.99

 

CMYK 79 / 0 / 36 / 22

HEX #29C780

RGB 41 199 128

HSL 153.04, 0.66%, 0.47%

LAB 71.47, -55.67, 24.59

 

CMYK 52 / 79 / 0 / 22

HEX #6029C7

RGB 96 41 199

HSL 260.89, 0.66%, 0.47%

LAB 34.39, 58.46, -72.19

 

CMYK 0 / 79 / 44 / 22

HEX #C72970

RGB 199 41 112

HSL 333.04, 0.66%, 0.47%

LAB 45.49, 64.72, -1.18

 

CMYK 29 / 0 / 80 / 22

HEX #8EC829

RGB 142 200 41

HSL 81.89, 0.66%, 0.47%

LAB 74.33, -40.76, 66.99

 

CMYK 79 / 0 / 12 / 22

HEX #29C7AF

RGB 41 199 175

HSL 170.89, 0.66%, 0.47%

LAB 72.5, -44.58, 0.8

 

CMYK 52 / 79 / 0 / 22

HEX #6029C7

RGB 96 41 199

HSL 260.89, 0.66%, 0.47%

LAB 34.39, 58.46, -72.19

 

CMYK 0 / 79 / 68 / 22

HEX #C72940

RGB 199 41 64

HSL 351.27, 0.66%, 0.47%

LAB 44.37, 61.28, 26.98

 

Description

Color code: HEX #8EC829 | qconv.com Color code: HEX #8EC829 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 200 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 200 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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