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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EC013 it is the complementary color #713FEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EC013. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EC013 shade: #93C00E, #A4D221, #B5E434, #C6F647 and #D7FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EC013. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EC013 shade: #8EC013, #7DAE00, #6C9C00, #5B8A00 and #4A7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EC013 shade: #8DBE13, #BBBE13, #BE9313, #BE6513 and #BE3713

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EC013 shade: #8DBE13, #5EBE13, #30BE13, #13BE24 and #13BE52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EC013 shade matches the following richer shades: #8DBE13 and #94CF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EC013 shade: #8DBE13, #86AD24, #7E9C35, #778C46 and #707B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EC013 shade: #BE9313, #BBBE13, #8EBE13, #60BE13 and #32BE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EC013 shade: #55730B, #71990F, #8DBE13, #A8E417 and #B8EB38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EC013 shade: #8EC013, #13BE66 and #AA13BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EC013 shade: #8EC013, #138EBE and #BE138E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EC013 shade: #8EC013, #13BE66, #4313BE and #BE136B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EC013 shade: #8EC013, #13BE99, #4313BE and #BE1338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 90 / 25

HEX #8EC013

RGB 142 192 19

HSL 77.34, 0.82%, 0.41%

LAB 71.89, -37.95, 69.83

 

Complementary color

CMYK 52 / 73 / 0 / 7

HEX #713FEC

RGB 113 63 236

HSL 257.34, 0.82%, 0.59%

LAB 42.95, 60.75, -79.32

 

CMYK 23 / 0 / 93 / 25

HEX #93C00E

RGB 147 192 14

HSL 75.17, 0.86%, 0.4%

LAB 72.18, -36.07, 70.93

 

CMYK 22 / 0 / 84 / 18

HEX #A4D221

RGB 164 210 33

HSL 75.59, 0.73%, 0.48%

LAB 78.52, -37.03, 73.2

 

CMYK 21 / 0 / 77 / 11

HEX #B5E434

RGB 181 228 52

HSL 76.02, 0.77%, 0.55%

LAB 84.77, -37.8, 74.25

 

CMYK 20 / 0 / 71 / 4

HEX #C6F647

RGB 198 246 71

HSL 76.46, 0.91%, 0.62%

LAB 90.95, -38.4, 74.5

 

CMYK 16 / 0 / 65 / 0

HEX #D7FF5A

RGB 215 255 90

HSL 74.55, 1%, 0.68%

LAB 94.61, -34.85, 71.69

 

CMYK 26 / 0 / 90 / 25

HEX #8EC013

RGB 142 192 19

HSL 77.34, 0.82%, 0.41%

LAB 71.89, -37.95, 69.83

 

CMYK 28 / 0 / 100 / 32

HEX #7DAE00

RGB 125 174 0

HSL 76.9, 1%, 0.34%

LAB 65.46, -36.89, 66.78

 

CMYK 31 / 0 / 100 / 39

HEX #6C9C00

RGB 108 156 0

HSL 78.46, 1%, 0.31%

LAB 58.94, -35.51, 61.36

 

CMYK 34 / 0 / 100 / 46

HEX #5B8A00

RGB 91 138 0

HSL 80.43, 1%, 0.27%

LAB 52.29, -34.09, 55.82

 

CMYK 38 / 0 / 100 / 53

HEX #4A7800

RGB 74 120 0

HSL 83, 1%, 0.24%

LAB 45.48, -32.64, 50.15

 

CMYK 26 / 0 / 90 / 25

HEX #8DBE13

RGB 141 190 19

HSL 77.19, 0.82%, 0.41%

LAB 71.24, -37.44, 69.27

 

CMYK 2 / 0 / 90 / 25

HEX #BBBE13

RGB 187 190 19

HSL 61.05, 0.82%, 0.41%

LAB 74.47, -18.33, 73.22

 

CMYK 0 / 23 / 90 / 25

HEX #BE9313

RGB 190 147 19

HSL 44.91, 0.82%, 0.41%

LAB 63.23, 5.56, 64.55

 

CMYK 0 / 47 / 90 / 25

HEX #BE6513

RGB 190 101 19

HSL 28.77, 0.82%, 0.41%

LAB 52.18, 30.74, 56.06

 

CMYK 0 / 71 / 90 / 25

HEX #BE3713

RGB 190 55 19

HSL 12.63, 0.82%, 0.41%

LAB 43.84, 52.38, 49.81

 

CMYK 26 / 0 / 90 / 25

HEX #8DBE13

RGB 141 190 19

HSL 77.19, 0.82%, 0.41%

LAB 71.24, -37.44, 69.27

 

CMYK 51 / 0 / 90 / 25

HEX #5EBE13

RGB 94 190 19

HSL 93.68, 0.82%, 0.41%

LAB 68.93, -53.86, 66.42

 

CMYK 75 / 0 / 90 / 25

HEX #30BE13

RGB 48 190 19

HSL 109.82, 0.82%, 0.41%

LAB 67.65, -64.42, 64.82

 

CMYK 90 / 0 / 81 / 25

HEX #13BE24

RGB 19 190 36

HSL 125.96, 0.82%, 0.41%

LAB 67.35, -66.9, 60.54

 

CMYK 90 / 0 / 57 / 25

HEX #13BE52

RGB 19 190 82

HSL 142.11, 0.82%, 0.41%

LAB 67.71, -62.39, 42.97

 

CMYK 26 / 0 / 90 / 25

HEX #8DBE13

RGB 141 190 19

HSL 77.19, 0.82%, 0.41%

LAB 71.24, -37.44, 69.27

 

CMYK 29 / 0 / 99 / 19

HEX #94CF02

RGB 148 207 2

HSL 77.27, 0.98%, 0.41%

LAB 76.63, -42.49, 75.71

 

CMYK 26 / 0 / 90 / 25

HEX #8DBE13

RGB 141 190 19

HSL 77.19, 0.82%, 0.41%

LAB 71.24, -37.44, 69.27

 

CMYK 23 / 0 / 79 / 32

HEX #86AD24

RGB 134 173 36

HSL 77.08, 0.66%, 0.41%

LAB 65.81, -31.88, 60.49

 

CMYK 19 / 0 / 66 / 39

HEX #7E9C35

RGB 126 156 53

HSL 77.48, 0.49%, 0.41%

LAB 60.31, -26.01, 48.69

 

CMYK 15 / 0 / 50 / 45

HEX #778C46

RGB 119 140 70

HSL 78, 0.33%, 0.41%

LAB 55.2, -19.26, 34.66

 

CMYK 9 / 0 / 30 / 52

HEX #707B56

RGB 112 123 86

HSL 77.84, 0.18%, 0.41%

LAB 49.84, -10.93, 18.92

 

CMYK 0 / 23 / 90 / 25

HEX #BE9313

RGB 190 147 19

HSL 44.91, 0.82%, 0.41%

LAB 63.23, 5.56, 64.55

 

CMYK 2 / 0 / 90 / 25

HEX #BBBE13

RGB 187 190 19

HSL 61.05, 0.82%, 0.41%

LAB 74.47, -18.33, 73.22

 

CMYK 25 / 0 / 90 / 25

HEX #8EBE13

RGB 142 190 19

HSL 76.84, 0.82%, 0.41%

LAB 71.3, -37.05, 69.35

 

CMYK 49 / 0 / 90 / 25

HEX #60BE13

RGB 96 190 19

HSL 92.98, 0.82%, 0.41%

LAB 69.01, -53.26, 66.52

 

CMYK 74 / 0 / 90 / 25

HEX #32BE13

RGB 50 190 19

HSL 109.12, 0.82%, 0.41%

LAB 67.69, -64.1, 64.87

 

CMYK 26 / 0 / 90 / 55

HEX #55730B

RGB 85 115 11

HSL 77.31, 0.83%, 0.25%

LAB 44.54, -25.41, 47.26

 

CMYK 26 / 0 / 90 / 40

HEX #71990F

RGB 113 153 15

HSL 77.39, 0.82%, 0.33%

LAB 58.35, -31.81, 58.68

 

CMYK 26 / 0 / 90 / 25

HEX #8DBE13

RGB 141 190 19

HSL 77.19, 0.82%, 0.41%

LAB 71.24, -37.44, 69.27

 

CMYK 26 / 0 / 90 / 11

HEX #A8E417

RGB 168 228 23

HSL 77.56, 0.82%, 0.49%

LAB 83.9, -43.68, 79.61

 

CMYK 22 / 0 / 76 / 8

HEX #B8EB38

RGB 184 235 56

HSL 77.09, 0.82%, 0.57%

LAB 86.94, -39.59, 75.15

 

CMYK 26 / 0 / 90 / 25

HEX #8EC013

RGB 142 192 19

HSL 77.34, 0.82%, 0.41%

LAB 71.89, -37.95, 69.83

 

CMYK 90 / 0 / 46 / 25

HEX #13BE66

RGB 19 190 102

HSL 149.12, 0.82%, 0.41%

LAB 67.97, -59.26, 33.44

 

CMYK 11 / 90 / 0 / 25

HEX #AA13BE

RGB 170 19 190

HSL 292.98, 0.82%, 0.41%

LAB 42.35, 73.49, -53.48

 

CMYK 26 / 0 / 90 / 25

HEX #8EC013

RGB 142 192 19

HSL 77.34, 0.82%, 0.41%

LAB 71.89, -37.95, 69.83

 

CMYK 90 / 25 / 0 / 25

HEX #138EBE

RGB 19 142 190

HSL 196.84, 0.82%, 0.41%

LAB 55.28, -13.68, -33.61

 

CMYK 0 / 90 / 25 / 25

HEX #BE138E

RGB 190 19 142

HSL 316.84, 0.82%, 0.41%

LAB 43.31, 70.38, -23.05

 

CMYK 26 / 0 / 90 / 25

HEX #8EC013

RGB 142 192 19

HSL 77.34, 0.82%, 0.41%

LAB 71.89, -37.95, 69.83

 

CMYK 90 / 0 / 46 / 25

HEX #13BE66

RGB 19 190 102

HSL 149.12, 0.82%, 0.41%

LAB 67.97, -59.26, 33.44

 

CMYK 65 / 90 / 0 / 25

HEX #4313BE

RGB 67 19 190

HSL 256.84, 0.82%, 0.41%

LAB 27.78, 61.01, -77.91

 

CMYK 0 / 90 / 44 / 25

HEX #BE136B

RGB 190 19 107

HSL 329.12, 0.82%, 0.41%

LAB 41.96, 66.73, -3.47

 

CMYK 26 / 0 / 90 / 25

HEX #8EC013

RGB 142 192 19

HSL 77.34, 0.82%, 0.41%

LAB 71.89, -37.95, 69.83

 

CMYK 90 / 0 / 19 / 25

HEX #13BE99

RGB 19 190 153

HSL 167.02, 0.82%, 0.41%

LAB 68.94, -48.22, 7.61

 

CMYK 65 / 90 / 0 / 25

HEX #4313BE

RGB 67 19 190

HSL 256.84, 0.82%, 0.41%

LAB 27.78, 61.01, -77.91

 

CMYK 0 / 90 / 71 / 25

HEX #BE1338

RGB 190 19 56

HSL 347.02, 0.82%, 0.41%

LAB 40.73, 63.3, 27.01

 

Description

Color code: HEX #8EC013 | qconv.com Color code: HEX #8EC013 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 192 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 192 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 90 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 90% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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