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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EB7E2 it is the complementary color #71481D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EB7E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EB7E2 shade: #93B7DD, #A4C9F0, #B5DBFF, #C6EDFF and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EB7E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EB7E2 shade: #8EB7E2, #7DA5CF, #6C93BC, #5B81A9 and #4A6F96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EB7E2 shade: #8DB7E2, #8DA0E2, #928DE2, #A98DE2 and #BF8DE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EB7E2 shade: #8DB7E2, #8DA0E2 and #8D8DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EB7E2 shade matches the following richer shades: #8DB7E2, #82B6ED and #76B6F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EB7E2 shade: #8DB7E2, #99B7D6, #A5B7CB, #B0B7BF and #BCB8B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EB7E2 shade: #8DE2DF, #8DCEE2, #8DB8E2, #8DA1E2 and #908DE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EB7E2 shade: #4C8DD1, #6DA2D9, #8DB7E2, #AECCEA and #CFE0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EB7E2 shade: #8EB7E2, #C88DE2 and #D9E28D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EB7E2 shade: #8EB7E2, #E28DB8 and #B8E28D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EB7E2 shade: #8EB7E2, #C88DE2, #E2B88D and #A7E28D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EB7E2 shade: #8EB7E2, #E28DE2, #E2B88D and #8DE28D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 19 / 0 / 11

HEX #8EB7E2

RGB 142 183 226

HSL 210.71, 0.59%, 0.72%

LAB 72.96, -3.18, -25.92

 

Complementary color

CMYK 0 / 36 / 74 / 56

HEX #71481D

RGB 113 72 29

HSL 30.71, 0.59%, 0.28%

LAB 34.47, 13.28, 32.05

 

CMYK 33 / 17 / 0 / 13

HEX #93B7DD

RGB 147 183 221

HSL 210.81, 0.52%, 0.72%

LAB 73.08, -3.09, -22.99

 

CMYK 32 / 16 / 0 / 6

HEX #A4C9F0

RGB 164 201 240

HSL 210.79, 0.72%, 0.79%

LAB 79.59, -3.28, -23.24

 

CMYK 29 / 14 / 0 / 0

HEX #B5DBFF

RGB 181 219 255

HSL 209.19, 1%, 0.85%

LAB 85.86, -4.4, -21.59

 

CMYK 22 / 7 / 0 / 0

HEX #C6EDFF

RGB 198 237 255

HSL 198.95, 1%, 0.89%

LAB 91.59, -8.76, -12.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 37 / 19 / 0 / 11

HEX #8EB7E2

RGB 142 183 226

HSL 210.71, 0.59%, 0.72%

LAB 72.96, -3.18, -25.92

 

CMYK 40 / 20 / 0 / 19

HEX #7DA5CF

RGB 125 165 207

HSL 210.73, 0.46%, 0.65%

LAB 66.35, -2.91, -25.72

 

CMYK 43 / 22 / 0 / 26

HEX #6C93BC

RGB 108 147 188

HSL 210.75, 0.37%, 0.58%

LAB 59.6, -2.58, -25.54

 

CMYK 46 / 24 / 0 / 34

HEX #5B81A9

RGB 91 129 169

HSL 210.77, 0.31%, 0.51%

LAB 52.72, -2.18, -25.39

 

CMYK 51 / 26 / 0 / 41

HEX #4A6F96

RGB 74 111 150

HSL 210.79, 0.34%, 0.44%

LAB 45.67, -1.68, -25.27

 

CMYK 38 / 19 / 0 / 11

HEX #8DB7E2

RGB 141 183 226

HSL 210.35, 0.59%, 0.72%

LAB 72.91, -3.45, -26.01

 

CMYK 38 / 29 / 0 / 11

HEX #8DA0E2

RGB 141 160 226

HSL 226.59, 0.59%, 0.72%

LAB 66.74, 9.35, -35.52

 

CMYK 35 / 38 / 0 / 11

HEX #928DE2

RGB 146 141 226

HSL 243.53, 0.59%, 0.72%

LAB 62.21, 21.62, -42.58

 

CMYK 25 / 38 / 0 / 11

HEX #A98DE2

RGB 169 141 226

HSL 259.76, 0.59%, 0.72%

LAB 64.14, 28.05, -39.41

 

CMYK 15 / 38 / 0 / 11

HEX #BF8DE2

RGB 191 141 226

HSL 275.29, 0.59%, 0.72%

LAB 66.23, 34.52, -36.01

 

CMYK 38 / 19 / 0 / 11

HEX #8DB7E2

RGB 141 183 226

HSL 210.35, 0.59%, 0.72%

LAB 72.91, -3.45, -26.01

 

CMYK 38 / 29 / 0 / 11

HEX #8DA0E2

RGB 141 160 226

HSL 226.59, 0.59%, 0.72%

LAB 66.74, 9.35, -35.52

 

CMYK 38 / 38 / 0 / 11

HEX #8D8DE2

RGB 141 141 226

HSL 240, 0.59%, 0.72%

LAB 61.83, 20.29, -43.2

 

CMYK 38 / 19 / 0 / 11

HEX #8DB7E2

RGB 141 183 226

HSL 210.35, 0.59%, 0.72%

LAB 72.91, -3.45, -26.01

 

CMYK 45 / 23 / 0 / 7

HEX #82B6ED

RGB 130 182 237

HSL 210.84, 0.75%, 0.72%

LAB 72.44, -2.74, -32.75

 

CMYK 53 / 27 / 0 / 2

HEX #76B6F9

RGB 118 182 249

HSL 210.69, 0.92%, 0.72%

LAB 72.33, -2.01, -39.47

 

CMYK 38 / 19 / 0 / 11

HEX #8DB7E2

RGB 141 183 226

HSL 210.35, 0.59%, 0.72%

LAB 72.91, -3.45, -26.01

 

CMYK 29 / 14 / 0 / 16

HEX #99B7D6

RGB 153 183 214

HSL 210.49, 0.43%, 0.72%

LAB 73.22, -3.09, -18.94

 

CMYK 19 / 10 / 0 / 20

HEX #A5B7CB

RGB 165 183 203

HSL 211.58, 0.27%, 0.72%

LAB 73.66, -1.95, -12.19

 

CMYK 8 / 4 / 0 / 25

HEX #B0B7BF

RGB 176 183 191

HSL 212, 0.1%, 0.72%

LAB 74.1, -0.86, -4.9

 

CMYK 0 / 2 / 4 / 26

HEX #BCB8B4

RGB 188 184 180

HSL 30, 0.06%, 0.72%

LAB 74.99, 0.69, 2.52

 

CMYK 38 / 0 / 1 / 11

HEX #8DE2DF

RGB 141 226 223

HSL 177.88, 0.59%, 0.72%

LAB 84.68, -26.34, -6.67

 

CMYK 38 / 9 / 0 / 11

HEX #8DCEE2

RGB 141 206 226

HSL 194.12, 0.59%, 0.72%

LAB 79.21, -15.62, -16.43

 

CMYK 38 / 19 / 0 / 11

HEX #8DB8E2

RGB 141 184 226

HSL 209.65, 0.59%, 0.72%

LAB 73.18, -3.99, -25.59

 

CMYK 38 / 29 / 0 / 11

HEX #8DA1E2

RGB 141 161 226

HSL 225.88, 0.59%, 0.72%

LAB 67.01, 8.78, -35.11

 

CMYK 36 / 38 / 0 / 11

HEX #908DE2

RGB 144 141 226

HSL 242.12, 0.59%, 0.72%

LAB 62.06, 21.08, -42.83

 

CMYK 64 / 33 / 0 / 18

HEX #4C8DD1

RGB 76 141 209

HSL 210.68, 0.59%, 0.56%

LAB 57.26, 0.32, -41.15

 

CMYK 50 / 25 / 0 / 15

HEX #6DA2D9

RGB 109 162 217

HSL 210.56, 0.59%, 0.64%

LAB 65.04, -2.39, -33.34

 

CMYK 38 / 19 / 0 / 11

HEX #8DB7E2

RGB 141 183 226

HSL 210.35, 0.59%, 0.72%

LAB 72.91, -3.45, -26.01

 

CMYK 26 / 13 / 0 / 8

HEX #AECCEA

RGB 174 204 234

HSL 210, 0.59%, 0.8%

LAB 80.81, -3.42, -18.12

 

CMYK 15 / 8 / 0 / 5

HEX #CFE0F3

RGB 207 224 243

HSL 211.67, 0.6%, 0.88%

LAB 88.47, -1.88, -11.18

 

CMYK 37 / 19 / 0 / 11

HEX #8EB7E2

RGB 142 183 226

HSL 210.71, 0.59%, 0.72%

LAB 72.96, -3.18, -25.92

 

CMYK 12 / 38 / 0 / 11

HEX #C88DE2

RGB 200 141 226

HSL 281.65, 0.59%, 0.72%

LAB 67.14, 37.22, -34.51

 

CMYK 4 / 0 / 38 / 11

HEX #D9E28D

RGB 217 226 141

HSL 66.35, 0.59%, 0.72%

LAB 87.52, -15.81, 40.54

 

CMYK 37 / 19 / 0 / 11

HEX #8EB7E2

RGB 142 183 226

HSL 210.71, 0.59%, 0.72%

LAB 72.96, -3.18, -25.92

 

CMYK 0 / 38 / 19 / 11

HEX #E28DB8

RGB 226 141 184

HSL 329.65, 0.59%, 0.72%

LAB 68.52, 38.08, -8.79

 

CMYK 19 / 0 / 38 / 11

HEX #B8E28D

RGB 184 226 141

HSL 89.65, 0.59%, 0.72%

LAB 85.25, -28.1, 37.17

 

CMYK 37 / 19 / 0 / 11

HEX #8EB7E2

RGB 142 183 226

HSL 210.71, 0.59%, 0.72%

LAB 72.96, -3.18, -25.92

 

CMYK 12 / 38 / 0 / 11

HEX #C88DE2

RGB 200 141 226

HSL 281.65, 0.59%, 0.72%

LAB 67.14, 37.22, -34.51

 

CMYK 0 / 19 / 38 / 11

HEX #E2B88D

RGB 226 184 141

HSL 30.35, 0.59%, 0.72%

LAB 77.5, 9.32, 27.55

 

CMYK 26 / 0 / 38 / 11

HEX #A7E28D

RGB 167 226 141

HSL 101.65, 0.59%, 0.72%

LAB 84.24, -34.07, 35.66

 

CMYK 37 / 19 / 0 / 11

HEX #8EB7E2

RGB 142 183 226

HSL 210.71, 0.59%, 0.72%

LAB 72.96, -3.18, -25.92

 

CMYK 0 / 38 / 0 / 11

HEX #E28DE2

RGB 226 141 226

HSL 300, 0.59%, 0.72%

LAB 69.97, 45.12, -29.91

 

CMYK 0 / 19 / 38 / 11

HEX #E2B88D

RGB 226 184 141

HSL 30.35, 0.59%, 0.72%

LAB 77.5, 9.32, 27.55

 

CMYK 38 / 0 / 38 / 11

HEX #8DE28D

RGB 141 226 141

HSL 120, 0.59%, 0.72%

LAB 82.9, -42.5, 33.65

 

Description

Color code: HEX #8EB7E2 | qconv.com Color code: HEX #8EB7E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 183 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 183 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 19 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 19% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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