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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EB6FD it is the complementary color #714902. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EB6FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EB6FD shade: #93B6F8, #A4C8FF, #B5DAFF, #C6ECFF and #D7FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EB6FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EB6FD shade: #8EB6FD, #7DA4EA, #6C92D7, #5B80C4 and #4A6EB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EB6FD shade: #8BB4FD, #8B96FD, #A08BFD, #BF8BFD and #DD8BFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EB6FD shade: #8BB4FD, #8B96FD and #8B8BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EB6FD shade matches the following richer shades: #8BB4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EB6FD shade: #8BB4FD, #95B7F4, #9EBAEA, #A8BCE1 and #B1BFD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EB6FD shade: #8BF2FD, #8BD4FD, #8BB5FD, #8B97FD and #9E8BFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EB6FD shade: #3A80FC, #639AFD, #8BB4FD, #B4CFFE and #DDE9FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EB6FD shade: #8EB6FD, #EA8BFD and #E3FD8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EB6FD shade: #8EB6FD, #FD8BB5 and #B5FD8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EB6FD shade: #8EB6FD, #EA8BFD, #FDD48B and #9EFD8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EB6FD shade: #8EB6FD, #FD8BEE, #FDD48B and #8BFD9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 28 / 0 / 1

HEX #8EB6FD

RGB 142 182 253

HSL 218.38, 0.97%, 0.77%

LAB 73.74, 4.65, -39.33

 

Complementary color

CMYK 0 / 35 / 98 / 56

HEX #714902

RGB 113 73 2

HSL 38.38, 0.97%, 0.23%

LAB 34.56, 11.67, 43.03

 

CMYK 41 / 27 / 0 / 3

HEX #93B6F8

RGB 147 182 248

HSL 219.21, 0.88%, 0.77%

LAB 73.83, 4.53, -36.48

 

CMYK 36 / 22 / 0 / 0

HEX #A4C8FF

RGB 164 200 255

HSL 216.26, 1%, 0.82%

LAB 79.85, 0.99, -30.85

 

CMYK 29 / 15 / 0 / 0

HEX #B5DAFF

RGB 181 218 255

HSL 210, 1%, 0.85%

LAB 85.6, -3.88, -21.98

 

CMYK 22 / 7 / 0 / 0

HEX #C6ECFF

RGB 198 236 255

HSL 200, 1%, 0.89%

LAB 91.33, -8.25, -13.25

 

CMYK 16 / 0 / 0 / 0

HEX #D7FEFF

RGB 215 254 255

HSL 181.5, 1%, 0.92%

LAB 97.04, -12.21, -4.66

 

CMYK 44 / 28 / 0 / 1

HEX #8EB6FD

RGB 142 182 253

HSL 218.38, 0.97%, 0.77%

LAB 73.74, 4.65, -39.33

 

CMYK 47 / 30 / 0 / 8

HEX #7DA4EA

RGB 125 164 234

HSL 218.53, 0.72%, 0.7%

LAB 67.17, 5.24, -39.33

 

CMYK 50 / 32 / 0 / 16

HEX #6C92D7

RGB 108 146 215

HSL 218.69, 0.57%, 0.63%

LAB 60.47, 5.93, -39.36

 

CMYK 54 / 35 / 0 / 23

HEX #5B80C4

RGB 91 128 196

HSL 218.86, 0.47%, 0.56%

LAB 53.65, 6.76, -39.43

 

CMYK 58 / 38 / 0 / 31

HEX #4A6EB1

RGB 74 110 177

HSL 219.03, 0.41%, 0.49%

LAB 46.69, 7.79, -39.54

 

CMYK 45 / 29 / 0 / 1

HEX #8BB4FD

RGB 139 180 253

HSL 218.42, 0.97%, 0.77%

LAB 73.04, 5.04, -40.44

 

CMYK 45 / 41 / 0 / 1

HEX #8B96FD

RGB 139 150 253

HSL 234.21, 0.97%, 0.77%

LAB 65.27, 22.13, -52.64

 

CMYK 37 / 45 / 0 / 1

HEX #A08BFD

RGB 160 139 253

HSL 251.05, 0.97%, 0.77%

LAB 64.19, 33.57, -54.27

 

CMYK 25 / 45 / 0 / 1

HEX #BF8BFD

RGB 191 139 253

HSL 267.37, 0.97%, 0.77%

LAB 67, 41.64, -49.63

 

CMYK 13 / 45 / 0 / 1

HEX #DD8BFD

RGB 221 139 253

HSL 283.16, 0.97%, 0.77%

LAB 70.13, 49.87, -44.5

 

CMYK 45 / 29 / 0 / 1

HEX #8BB4FD

RGB 139 180 253

HSL 218.42, 0.97%, 0.77%

LAB 73.04, 5.04, -40.44

 

CMYK 45 / 41 / 0 / 1

HEX #8B96FD

RGB 139 150 253

HSL 234.21, 0.97%, 0.77%

LAB 65.27, 22.13, -52.64

 

CMYK 45 / 45 / 0 / 1

HEX #8B8BFD

RGB 139 139 253

HSL 240, 0.97%, 0.77%

LAB 62.55, 28.51, -56.98

 

CMYK 45 / 29 / 0 / 1

HEX #8BB4FD

RGB 139 180 253

HSL 218.42, 0.97%, 0.77%

LAB 73.04, 5.04, -40.44

 

CMYK 45 / 29 / 0 / 1

HEX #8BB4FD

RGB 139 180 253

HSL 218.42, 0.97%, 0.77%

LAB 73.04, 5.04, -40.44

 

CMYK 39 / 25 / 0 / 4

HEX #95B7F4

RGB 149 183 244

HSL 218.53, 0.81%, 0.77%

LAB 74.05, 3.42, -33.96

 

CMYK 32 / 21 / 0 / 8

HEX #9EBAEA

RGB 158 186 234

HSL 217.89, 0.64%, 0.77%

LAB 75.03, 1.64, -27

 

CMYK 25 / 16 / 0 / 12

HEX #A8BCE1

RGB 168 188 225

HSL 218.95, 0.49%, 0.77%

LAB 75.9, 1.27, -20.75

 

CMYK 18 / 11 / 0 / 16

HEX #B1BFD7

RGB 177 191 215

HSL 217.89, 0.32%, 0.77%

LAB 76.99, 0.18, -13.63

 

CMYK 45 / 4 / 0 / 1

HEX #8BF2FD

RGB 139 242 253

HSL 185.79, 0.97%, 0.77%

LAB 89.9, -27.23, -14.66

 

CMYK 45 / 16 / 0 / 1

HEX #8BD4FD

RGB 139 212 253

HSL 201.58, 0.97%, 0.77%

LAB 81.66, -12.21, -27.13

 

CMYK 45 / 28 / 0 / 1

HEX #8BB5FD

RGB 139 181 253

HSL 217.89, 0.97%, 0.77%

LAB 73.3, 4.48, -40.02

 

CMYK 45 / 40 / 0 / 1

HEX #8B97FD

RGB 139 151 253

HSL 233.68, 0.97%, 0.77%

LAB 65.53, 21.55, -52.24

 

CMYK 38 / 45 / 0 / 1

HEX #9E8BFD

RGB 158 139 253

HSL 250, 0.97%, 0.77%

LAB 64.02, 33.07, -54.54

 

CMYK 77 / 49 / 0 / 1

HEX #3A80FC

RGB 58 128 252

HSL 218.35, 0.97%, 0.61%

LAB 55.45, 20.86, -68.05

 

CMYK 61 / 39 / 0 / 1

HEX #639AFD

RGB 99 154 253

HSL 218.57, 0.97%, 0.69%

LAB 64.04, 11.41, -54.74

 

CMYK 45 / 29 / 0 / 1

HEX #8BB4FD

RGB 139 180 253

HSL 218.42, 0.97%, 0.77%

LAB 73.04, 5.04, -40.44

 

CMYK 29 / 19 / 0 / 0

HEX #B4CFFE

RGB 180 207 254

HSL 218.11, 0.97%, 0.85%

LAB 82.64, 1.41, -25.96

 

CMYK 13 / 8 / 0 / 0

HEX #DDE9FE

RGB 221 233 254

HSL 218.18, 0.94%, 0.93%

LAB 92.05, 0.09, -11.5

 

CMYK 44 / 28 / 0 / 1

HEX #8EB6FD

RGB 142 182 253

HSL 218.38, 0.97%, 0.77%

LAB 73.74, 4.65, -39.33

 

CMYK 8 / 45 / 0 / 1

HEX #EA8BFD

RGB 234 139 253

HSL 290, 0.97%, 0.77%

LAB 71.59, 53.5, -42.11

 

CMYK 10 / 0 / 45 / 1

HEX #E3FD8B

RGB 227 253 139

HSL 73.68, 0.97%, 0.77%

LAB 95.35, -25.29, 51.5

 

CMYK 44 / 28 / 0 / 1

HEX #8EB6FD

RGB 142 182 253

HSL 218.38, 0.97%, 0.77%

LAB 73.74, 4.65, -39.33

 

CMYK 0 / 45 / 28 / 1

HEX #FD8BB5

RGB 253 139 181

HSL 337.89, 0.97%, 0.77%

LAB 71.34, 47.83, -2.57

 

CMYK 28 / 0 / 45 / 1

HEX #B5FD8B

RGB 181 253 139

HSL 97.89, 0.97%, 0.77%

LAB 92.55, -41.74, 47.41

 

CMYK 44 / 28 / 0 / 1

HEX #8EB6FD

RGB 142 182 253

HSL 218.38, 0.97%, 0.77%

LAB 73.74, 4.65, -39.33

 

CMYK 8 / 45 / 0 / 1

HEX #EA8BFD

RGB 234 139 253

HSL 290, 0.97%, 0.77%

LAB 71.59, 53.5, -42.11

 

CMYK 0 / 16 / 45 / 1

HEX #FDD48B

RGB 253 212 139

HSL 38.42, 0.97%, 0.77%

LAB 86.92, 5.15, 41.38

 

CMYK 38 / 0 / 45 / 1

HEX #9EFD8B

RGB 158 253 139

HSL 110, 0.97%, 0.77%

LAB 91.41, -49.14, 45.74

 

CMYK 44 / 28 / 0 / 1

HEX #8EB6FD

RGB 142 182 253

HSL 218.38, 0.97%, 0.77%

LAB 73.74, 4.65, -39.33

 

CMYK 0 / 45 / 6 / 1

HEX #FD8BEE

RGB 253 139 238

HSL 307.89, 0.97%, 0.77%

LAB 73.23, 56.28, -31.2

 

CMYK 0 / 16 / 45 / 1

HEX #FDD48B

RGB 253 212 139

HSL 38.42, 0.97%, 0.77%

LAB 86.92, 5.15, 41.38

 

CMYK 45 / 0 / 39 / 1

HEX #8BFD9B

RGB 139 253 155

HSL 128.42, 0.97%, 0.77%

LAB 90.83, -52.34, 37.04

 

Description

Color code: HEX #8EB6FD | qconv.com Color code: HEX #8EB6FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 182 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 182 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 28 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 28% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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