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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EB348 it is the complementary color #714CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EB348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EB348 shade: #93B343, #A4C556, #B5D769, #C6E97C and #D7FB8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EB348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EB348 shade: #8EB348, #7DA135, #6C8F22, #5B7D0F and #4A6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EB348 shade: #8EB347, #AAB347, #B39E47, #B38147 and #B36447

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EB348 shade: #8EB347, #71B347, #54B347, #47B358 and #47B375

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EB348 shade matches the following richer shades: #8EB347, #94C733, #9ADB1F and #A0EF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EB348 shade: #8EB347, #879E5B, #818A70, #7B7684 and #756298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EB348 shade: #B39D47, #ACB347, #8FB347, #72B347 and #56B347

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EB348 shade: #5F7830, #76953B, #8EB347, #A0C163 and #B2CC80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EB348 shade: #8EB348, #47B381 and #AC47B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EB348 shade: #8EB348, #478FB3 and #B3478F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EB348 shade: #8EB348, #47B381, #6B47B3 and #B34779

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EB348 shade: #8EB348, #47B3A1, #6B47B3 and #B34759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 60 / 30

HEX #8EB348

RGB 142 179 72

HSL 80.75, 0.43%, 0.49%

LAB 68.36, -29.16, 49.41

 

Complementary color

CMYK 38 / 58 / 0 / 28

HEX #714CB7

RGB 113 76 183

HSL 260.75, 0.43%, 0.51%

LAB 41.37, 39.53, -51.36

 

CMYK 18 / 0 / 63 / 30

HEX #93B343

RGB 147 179 67

HSL 77.14, 0.46%, 0.48%

LAB 68.64, -27.59, 52.03

 

CMYK 17 / 0 / 56 / 23

HEX #A4C556

RGB 164 197 86

HSL 77.84, 0.49%, 0.55%

LAB 75.14, -27.9, 51.12

 

CMYK 16 / 0 / 51 / 16

HEX #B5D769

RGB 181 215 105

HSL 78.55, 0.58%, 0.63%

LAB 81.54, -28.11, 50.06

 

CMYK 15 / 0 / 47 / 9

HEX #C6E97C

RGB 198 233 124

HSL 79.27, 0.71%, 0.7%

LAB 87.84, -28.27, 48.95

 

CMYK 14 / 0 / 43 / 2

HEX #D7FB8F

RGB 215 251 143

HSL 80, 0.93%, 0.77%

LAB 94.07, -28.37, 47.83

 

CMYK 21 / 0 / 60 / 30

HEX #8EB348

RGB 142 179 72

HSL 80.75, 0.43%, 0.49%

LAB 68.36, -29.16, 49.41

 

CMYK 22 / 0 / 67 / 37

HEX #7DA135

RGB 125 161 53

HSL 80, 0.5%, 0.42%

LAB 61.75, -28.84, 50.18

 

CMYK 24 / 0 / 76 / 44

HEX #6C8F22

RGB 108 143 34

HSL 79.27, 0.62%, 0.35%

LAB 55.02, -28.35, 50.43

 

CMYK 27 / 0 / 88 / 51

HEX #5B7D0F

RGB 91 125 15

HSL 78.55, 0.79%, 0.27%

LAB 48.17, -27.61, 49.56

 

CMYK 31 / 0 / 100 / 58

HEX #4A6B00

RGB 74 107 0

HSL 78.5, 1%, 0.21%

LAB 41.17, -26.56, 46.83

 

CMYK 21 / 0 / 60 / 30

HEX #8EB347

RGB 142 179 71

HSL 80.56, 0.43%, 0.49%

LAB 68.35, -29.25, 49.85

 

CMYK 5 / 0 / 60 / 30

HEX #AAB347

RGB 170 179 71

HSL 65, 0.43%, 0.49%

LAB 70.34, -17.81, 52.61

 

CMYK 0 / 12 / 60 / 30

HEX #B39E47

RGB 179 158 71

HSL 48.33, 0.43%, 0.49%

LAB 65.35, -2.98, 47.3

 

CMYK 0 / 28 / 60 / 30

HEX #B38147

RGB 179 129 71

HSL 32.22, 0.43%, 0.49%

LAB 57.79, 12.96, 38.59

 

CMYK 0 / 44 / 60 / 30

HEX #B36447

RGB 179 100 71

HSL 16.11, 0.43%, 0.49%

LAB 50.87, 29.06, 30.22

 

CMYK 21 / 0 / 60 / 30

HEX #8EB347

RGB 142 179 71

HSL 80.56, 0.43%, 0.49%

LAB 68.35, -29.25, 49.85

 

CMYK 37 / 0 / 60 / 30

HEX #71B347

RGB 113 179 71

HSL 96.67, 0.43%, 0.49%

LAB 66.68, -40.04, 47.51

 

CMYK 53 / 0 / 60 / 30

HEX #54B347

RGB 84 179 71

HSL 112.78, 0.43%, 0.49%

LAB 65.42, -49.09, 45.75

 

CMYK 60 / 0 / 51 / 30

HEX #47B358

RGB 71 179 88

HSL 129.44, 0.43%, 0.49%

LAB 65.19, -50.19, 37.21

 

CMYK 60 / 0 / 35 / 30

HEX #47B375

RGB 71 179 117

HSL 145.56, 0.43%, 0.49%

LAB 65.64, -45.24, 22.69

 

CMYK 21 / 0 / 60 / 30

HEX #8EB347

RGB 142 179 71

HSL 80.56, 0.43%, 0.49%

LAB 68.35, -29.25, 49.85

 

CMYK 26 / 0 / 74 / 22

HEX #94C733

RGB 148 199 51

HSL 80.68, 0.59%, 0.49%

LAB 74.43, -37.55, 64.13

 

CMYK 30 / 0 / 86 / 14

HEX #9ADB1F

RGB 154 219 31

HSL 80.74, 0.75%, 0.49%

LAB 80.53, -44.85, 75.1

 

CMYK 33 / 0 / 95 / 6

HEX #A0EF0B

RGB 160 239 11

HSL 80.79, 0.91%, 0.49%

LAB 86.62, -51.4, 82.98

 

CMYK 21 / 0 / 60 / 30

HEX #8EB347

RGB 142 179 71

HSL 80.56, 0.43%, 0.49%

LAB 68.35, -29.25, 49.85

 

CMYK 15 / 0 / 42 / 38

HEX #879E5B

RGB 135 158 91

HSL 80.6, 0.27%, 0.49%

LAB 61.96, -19.55, 32.32

 

CMYK 7 / 0 / 19 / 46

HEX #818A70

RGB 129 138 112

HSL 80.77, 0.1%, 0.49%

LAB 56.1, -8.19, 12.84

 

CMYK 7 / 11 / 0 / 48

HEX #7B7684

RGB 123 118 132

HSL 261.43, 0.06%, 0.49%

LAB 50.49, 4.78, -6.96

 

CMYK 23 / 36 / 0 / 40

HEX #756298

RGB 117 98 152

HSL 261.11, 0.22%, 0.49%

LAB 45.34, 19.36, -26.72

 

CMYK 0 / 12 / 60 / 30

HEX #B39D47

RGB 179 157 71

HSL 47.78, 0.43%, 0.49%

LAB 65.08, -2.44, 47

 

CMYK 4 / 0 / 60 / 30

HEX #ACB347

RGB 172 179 71

HSL 63.89, 0.43%, 0.49%

LAB 70.5, -16.97, 52.83

 

CMYK 20 / 0 / 60 / 30

HEX #8FB347

RGB 143 179 71

HSL 80, 0.43%, 0.49%

LAB 68.41, -28.85, 49.94

 

CMYK 36 / 0 / 60 / 30

HEX #72B347

RGB 114 179 71

HSL 96.11, 0.43%, 0.49%

LAB 66.73, -39.69, 47.58

 

CMYK 52 / 0 / 60 / 30

HEX #56B347

RGB 86 179 71

HSL 111.67, 0.43%, 0.49%

LAB 65.49, -48.54, 45.85

 

CMYK 21 / 0 / 60 / 53

HEX #5F7830

RGB 95 120 48

HSL 80.83, 0.43%, 0.33%

LAB 47.08, -21.27, 35.87

 

CMYK 21 / 0 / 60 / 42

HEX #76953B

RGB 118 149 59

HSL 80.67, 0.43%, 0.41%

LAB 57.72, -25.34, 43.02

 

CMYK 21 / 0 / 60 / 30

HEX #8EB347

RGB 142 179 71

HSL 80.56, 0.43%, 0.49%

LAB 68.35, -29.25, 49.85

 

CMYK 17 / 0 / 49 / 24

HEX #A0C163

RGB 160 193 99

HSL 81.06, 0.43%, 0.57%

LAB 73.88, -26.25, 43.41

 

CMYK 13 / 0 / 37 / 20

HEX #B2CC80

RGB 178 204 128

HSL 80.53, 0.43%, 0.65%

LAB 78.58, -21.34, 35.03

 

CMYK 21 / 0 / 60 / 30

HEX #8EB348

RGB 142 179 72

HSL 80.75, 0.43%, 0.49%

LAB 68.36, -29.16, 49.41

 

CMYK 60 / 0 / 28 / 30

HEX #47B381

RGB 71 179 129

HSL 152.22, 0.43%, 0.49%

LAB 65.88, -42.79, 16.52

 

CMYK 4 / 60 / 0 / 30

HEX #AC47B3

RGB 172 71 179

HSL 296.11, 0.43%, 0.49%

LAB 47.66, 55.9, -38.54

 

CMYK 21 / 0 / 60 / 30

HEX #8EB348

RGB 142 179 72

HSL 80.75, 0.43%, 0.49%

LAB 68.36, -29.16, 49.41

 

CMYK 60 / 20 / 0 / 30

HEX #478FB3

RGB 71 143 179

HSL 200, 0.43%, 0.49%

LAB 56.33, -11.62, -25.63

 

CMYK 0 / 60 / 20 / 30

HEX #B3478F

RGB 179 71 143

HSL 320, 0.43%, 0.49%

LAB 47.07, 51.89, -18.03

 

CMYK 21 / 0 / 60 / 30

HEX #8EB348

RGB 142 179 72

HSL 80.75, 0.43%, 0.49%

LAB 68.36, -29.16, 49.41

 

CMYK 60 / 0 / 28 / 30

HEX #47B381

RGB 71 179 129

HSL 152.22, 0.43%, 0.49%

LAB 65.88, -42.79, 16.52

 

CMYK 40 / 60 / 0 / 30

HEX #6B47B3

RGB 107 71 179

HSL 260, 0.43%, 0.49%

LAB 39.39, 39.91, -52.23

 

CMYK 0 / 60 / 32 / 30

HEX #B34779

RGB 179 71 121

HSL 332.22, 0.43%, 0.49%

LAB 46.27, 48.9, -5.93

 

CMYK 21 / 0 / 60 / 30

HEX #8EB348

RGB 142 179 72

HSL 80.75, 0.43%, 0.49%

LAB 68.36, -29.16, 49.41

 

CMYK 60 / 0 / 10 / 30

HEX #47B3A1

RGB 71 179 161

HSL 170, 0.43%, 0.49%

LAB 66.64, -35.19, -0.01

 

CMYK 40 / 60 / 0 / 30

HEX #6B47B3

RGB 107 71 179

HSL 260, 0.43%, 0.49%

LAB 39.39, 39.91, -52.23

 

CMYK 0 / 60 / 50 / 30

HEX #B34759

RGB 179 71 89

HSL 350, 0.43%, 0.49%

LAB 45.37, 45.43, 12.34

 

Description

Color code: HEX #8EB348 | qconv.com Color code: HEX #8EB348 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 179 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 179 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 60 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 60% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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