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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E65EE it is the complementary color #719A11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E65EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E65EE shade: #9365E9, #A477FC, #B589FF, #C69BFF and #D7ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E65EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E65EE shade: #8E65EE, #7D53DB, #6C41C8, #5B2FB5 and #4A1DA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E65EE shade: #8C63EE, #B263EE, #D763EE, #EE63DF and #EE63B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E65EE shade: #8C63EE, #6763EE and #6363EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E65EE shade matches the following richer shades: #8C63EE and #8755FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E65EE shade: #8C63EE, #9271E0, #987FD2, #9D8DC4 and #A39BB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E65EE shade: #6386EE, #6563EE, #8A63EE, #AF63EE and #D463EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E65EE shade: #5619E5, #713EEA, #8C63EE, #A888F2 and #C3ADF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E65EE shade: #8E65EE, #EE63AB and #73EE63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E65EE shade: #8E65EE, #EE8A63 and #63EE8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E65EE shade: #8E65EE, #EE63AB, #C6EE63 and #63EEA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E65EE shade: #8E65EE, #EE6381, #C6EE63 and #63EED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 58 / 0 / 7

HEX #8E65EE

RGB 142 101 238

HSL 257.96, 0.8%, 0.66%

LAB 53.2, 46.78, -63.64

 

Complementary color

CMYK 27 / 0 / 89 / 40

HEX #719A11

RGB 113 154 17

HSL 77.96, 0.8%, 0.34%

LAB 58.66, -32.22, 58.55

 

CMYK 37 / 57 / 0 / 9

HEX #9365E9

RGB 147 101 233

HSL 260.91, 0.75%, 0.65%

LAB 53.38, 46.59, -60.53

 

CMYK 35 / 53 / 0 / 1

HEX #A477FC

RGB 164 119 252

HSL 260.3, 0.96%, 0.73%

LAB 59.99, 45.5, -60.39

 

CMYK 29 / 46 / 0 / 0

HEX #B589FF

RGB 181 137 255

HSL 262.37, 1%, 0.77%

LAB 65.7, 40.56, -52.85

 

CMYK 22 / 39 / 0 / 0

HEX #C69BFF

RGB 198 155 255

HSL 265.8, 1%, 0.8%

LAB 71.33, 35.28, -43.87

 

CMYK 16 / 32 / 0 / 0

HEX #D7ADFF

RGB 215 173 255

HSL 270.73, 1%, 0.84%

LAB 77.01, 30.41, -34.9

 

CMYK 40 / 58 / 0 / 7

HEX #8E65EE

RGB 142 101 238

HSL 257.96, 0.8%, 0.66%

LAB 53.2, 46.78, -63.64

 

CMYK 43 / 62 / 0 / 14

HEX #7D53DB

RGB 125 83 219

HSL 258.53, 0.65%, 0.59%

LAB 46.53, 47.99, -63.78

 

CMYK 46 / 68 / 0 / 22

HEX #6C41C8

RGB 108 65 200

HSL 259.11, 0.55%, 0.52%

LAB 39.81, 49.19, -63.84

 

CMYK 50 / 74 / 0 / 29

HEX #5B2FB5

RGB 91 47 181

HSL 259.7, 0.59%, 0.45%

LAB 33.12, 50.25, -63.69

 

CMYK 54 / 82 / 0 / 36

HEX #4A1DA2

RGB 74 29 162

HSL 260.3, 0.7%, 0.37%

LAB 26.57, 50.84, -63.11

 

CMYK 41 / 58 / 0 / 7

HEX #8C63EE

RGB 140 99 238

HSL 257.7, 0.8%, 0.66%

LAB 52.59, 47.45, -64.63

 

CMYK 25 / 58 / 0 / 7

HEX #B263EE

RGB 178 99 238

HSL 274.1, 0.8%, 0.66%

LAB 56.65, 56.03, -57.9

 

CMYK 10 / 58 / 0 / 7

HEX #D763EE

RGB 215 99 238

HSL 290.07, 0.8%, 0.66%

LAB 61.26, 64.94, -50.27

 

CMYK 0 / 58 / 6 / 7

HEX #EE63DF

RGB 238 99 223

HSL 306.47, 0.8%, 0.66%

LAB 63.7, 68.13, -37.86

 

CMYK 0 / 58 / 22 / 7

HEX #EE63B9

RGB 238 99 185

HSL 322.88, 0.8%, 0.66%

LAB 62.17, 62.55, -18.75

 

CMYK 41 / 58 / 0 / 7

HEX #8C63EE

RGB 140 99 238

HSL 257.7, 0.8%, 0.66%

LAB 52.59, 47.45, -64.63

 

CMYK 57 / 58 / 0 / 7

HEX #6763EE

RGB 103 99 238

HSL 241.73, 0.8%, 0.66%

LAB 49.47, 40.22, -69.83

 

CMYK 58 / 58 / 0 / 7

HEX #6363EE

RGB 99 99 238

HSL 240, 0.8%, 0.66%

LAB 49.19, 39.54, -70.3

 

CMYK 41 / 58 / 0 / 7

HEX #8C63EE

RGB 140 99 238

HSL 257.7, 0.8%, 0.66%

LAB 52.59, 47.45, -64.63

 

CMYK 46 / 66 / 0 / 1

HEX #8755FC

RGB 135 85 252

HSL 257.96, 0.97%, 0.66%

LAB 50.31, 57.67, -76.17

 

CMYK 41 / 58 / 0 / 7

HEX #8C63EE

RGB 140 99 238

HSL 257.7, 0.8%, 0.66%

LAB 52.59, 47.45, -64.63

 

CMYK 35 / 50 / 0 / 12

HEX #9271E0

RGB 146 113 224

HSL 257.84, 0.64%, 0.66%

LAB 55.38, 37.28, -52.27

 

CMYK 28 / 40 / 0 / 18

HEX #987FD2

RGB 152 127 210

HSL 258.07, 0.48%, 0.66%

LAB 58.52, 27.27, -39.4

 

CMYK 20 / 28 / 0 / 23

HEX #9D8DC4

RGB 157 141 196

HSL 257.45, 0.32%, 0.66%

LAB 61.83, 17.34, -26.33

 

CMYK 10 / 15 / 0 / 29

HEX #A39BB6

RGB 163 155 182

HSL 257.78, 0.16%, 0.66%

LAB 65.44, 8.26, -12.93

 

CMYK 58 / 44 / 0 / 7

HEX #6386EE

RGB 99 134 238

HSL 224.89, 0.8%, 0.66%

LAB 57.92, 18.39, -56.24

 

CMYK 58 / 58 / 0 / 7

HEX #6563EE

RGB 101 99 238

HSL 240.86, 0.8%, 0.66%

LAB 49.33, 39.88, -70.06

 

CMYK 42 / 58 / 0 / 7

HEX #8A63EE

RGB 138 99 238

HSL 256.83, 0.8%, 0.66%

LAB 52.4, 47.03, -64.95

 

CMYK 26 / 58 / 0 / 7

HEX #AF63EE

RGB 175 99 238

HSL 272.81, 0.8%, 0.66%

LAB 56.3, 55.33, -58.47

 

CMYK 11 / 58 / 0 / 7

HEX #D463EE

RGB 212 99 238

HSL 288.78, 0.8%, 0.66%

LAB 60.86, 64.2, -50.92

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 52 / 74 / 0 / 8

HEX #713EEA

RGB 113 62 234

HSL 257.79, 0.8%, 0.58%

LAB 42.61, 60.69, -78.74

 

CMYK 41 / 58 / 0 / 7

HEX #8C63EE

RGB 140 99 238

HSL 257.7, 0.8%, 0.66%

LAB 52.59, 47.45, -64.63

 

CMYK 31 / 44 / 0 / 5

HEX #A888F2

RGB 168 136 242

HSL 258.11, 0.8%, 0.74%

LAB 63.63, 34.51, -49.07

 

CMYK 21 / 30 / 0 / 4

HEX #C3ADF6

RGB 195 173 246

HSL 258.08, 0.8%, 0.82%

LAB 74.92, 22.45, -33.44

 

CMYK 40 / 58 / 0 / 7

HEX #8E65EE

RGB 142 101 238

HSL 257.96, 0.8%, 0.66%

LAB 53.2, 46.78, -63.64

 

CMYK 0 / 58 / 28 / 7

HEX #EE63AB

RGB 238 99 171

HSL 328.92, 0.8%, 0.66%

LAB 61.69, 60.72, -11.46

 

CMYK 52 / 0 / 58 / 7

HEX #73EE63

RGB 115 238 99

HSL 113.09, 0.8%, 0.66%

LAB 84.84, -60.29, 55.83

 

CMYK 40 / 58 / 0 / 7

HEX #8E65EE

RGB 142 101 238

HSL 257.96, 0.8%, 0.66%

LAB 53.2, 46.78, -63.64

 

CMYK 0 / 42 / 58 / 7

HEX #EE8A63

RGB 238 138 99

HSL 16.83, 0.8%, 0.66%

LAB 67.47, 34.49, 37.2

 

CMYK 58 / 0 / 42 / 7

HEX #63EE8A

RGB 99 238 138

HSL 136.83, 0.8%, 0.66%

LAB 84.81, -58.88, 37.35

 

CMYK 40 / 58 / 0 / 7

HEX #8E65EE

RGB 142 101 238

HSL 257.96, 0.8%, 0.66%

LAB 53.2, 46.78, -63.64

 

CMYK 0 / 58 / 28 / 7

HEX #EE63AB

RGB 238 99 171

HSL 328.92, 0.8%, 0.66%

LAB 61.69, 60.72, -11.46

 

CMYK 17 / 0 / 58 / 7

HEX #C6EE63

RGB 198 238 99

HSL 77.27, 0.8%, 0.66%

LAB 88.95, -32.91, 61.59

 

CMYK 58 / 0 / 30 / 7

HEX #63EEA6

RGB 99 238 166

HSL 148.92, 0.8%, 0.66%

LAB 85.28, -53.89, 23.81

 

CMYK 40 / 58 / 0 / 7

HEX #8E65EE

RGB 142 101 238

HSL 257.96, 0.8%, 0.66%

LAB 53.2, 46.78, -63.64

 

CMYK 0 / 58 / 46 / 7

HEX #EE6381

RGB 238 99 129

HSL 347.05, 0.8%, 0.66%

LAB 60.5, 56.11, 11.08

 

CMYK 17 / 0 / 58 / 7

HEX #C6EE63

RGB 198 238 99

HSL 77.27, 0.8%, 0.66%

LAB 88.95, -32.91, 61.59

 

CMYK 58 / 0 / 13 / 7

HEX #63EED0

RGB 99 238 208

HSL 167.05, 0.8%, 0.66%

LAB 86.18, -44.77, 3.25

 

Description

Color code: HEX #8E65EE | qconv.com Color code: HEX #8E65EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 101 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 101 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 58 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 58% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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