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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E5A1B it is the complementary color #71A5E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E5A1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E5A1B shade: #935A16, #A46C29, #B57E3C, #C6904F and #D7A262

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E5A1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E5A1B shade: #8E5A1B, #7D4808, #6C3600, #5B2400 and #4A1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E5A1B shade: #8D5A1B, #8D3B1B, #8D1C1B and #8D1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E5A1B shade: #8D5A1B, #8D781B, #838D1B, #658D1B and #468D1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E5A1B shade matches the following richer shades: #8D5A1B and #9B5B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E5A1B shade: #8D5A1B, #805829, #725736, #655644 and #575451

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E5A1B shade: #8D1B1B, #8D391B, #8D581B, #8D761B and #868D1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E5A1B shade: #482E0E, #6B4414, #8D5A1B, #B07022 and #D38628

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E5A1B shade: #8E5A1B, #398D1B and #2A1B8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E5A1B shade: #8E5A1B, #1B8D58 and #581B8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E5A1B shade: #8E5A1B, #398D1B, #1B508D and #6F1B8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E5A1B shade: #8E5A1B, #1B8D1F, #1B508D and #8D1B8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 81 / 44

HEX #8E5A1B

RGB 142 90 27

HSL 32.87, 0.68%, 0.33%

LAB 42.98, 16.05, 42.77

 

Complementary color

CMYK 50 / 28 / 0 / 11

HEX #71A5E4

RGB 113 165 228

HSL 212.87, 0.68%, 0.67%

LAB 66.54, 0.11, -37.07

 

CMYK 0 / 39 / 85 / 42

HEX #935A16

RGB 147 90 22

HSL 32.64, 0.74%, 0.33%

LAB 43.61, 18.16, 45.6

 

CMYK 0 / 34 / 75 / 36

HEX #A46C29

RGB 164 108 41

HSL 32.68, 0.6%, 0.4%

LAB 50.43, 16.3, 44.81

 

CMYK 0 / 30 / 67 / 29

HEX #B57E3C

RGB 181 126 60

HSL 32.73, 0.5%, 0.47%

LAB 57.15, 14.75, 43.5

 

CMYK 0 / 27 / 60 / 22

HEX #C6904F

RGB 198 144 79

HSL 32.77, 0.51%, 0.54%

LAB 63.77, 13.44, 42.05

 

CMYK 0 / 25 / 54 / 16

HEX #D7A262

RGB 215 162 98

HSL 32.82, 0.59%, 0.61%

LAB 70.29, 12.32, 40.61

 

CMYK 0 / 37 / 81 / 44

HEX #8E5A1B

RGB 142 90 27

HSL 32.87, 0.68%, 0.33%

LAB 42.98, 16.05, 42.77

 

CMYK 0 / 42 / 94 / 51

HEX #7D4808

RGB 125 72 8

HSL 32.82, 0.88%, 0.26%

LAB 36.01, 18.14, 42.82

 

CMYK 0 / 50 / 100 / 58

HEX #6C3600

RGB 108 54 0

HSL 30, 1%, 0.21%

LAB 28.97, 20.65, 39.52

 

CMYK 0 / 60 / 100 / 64

HEX #5B2400

RGB 91 36 0

HSL 23.74, 1%, 0.18%

LAB 21.89, 23.33, 31.85

 

CMYK 0 / 76 / 100 / 71

HEX #4A1200

RGB 74 18 0

HSL 14.59, 1%, 0.15%

LAB 14.89, 25.57, 22.75

 

CMYK 0 / 36 / 81 / 45

HEX #8D5A1B

RGB 141 90 27

HSL 33.16, 0.68%, 0.33%

LAB 42.84, 15.59, 42.6

 

CMYK 0 / 58 / 81 / 45

HEX #8D3B1B

RGB 141 59 27

HSL 16.84, 0.68%, 0.33%

LAB 35.73, 32.94, 35.75

 

CMYK 0 / 80 / 81 / 45

HEX #8D1C1B

RGB 141 28 27

HSL 0.53, 0.68%, 0.33%

LAB 30.81, 46.22, 30.78

 

CMYK 0 / 81 / 81 / 45

HEX #8D1B1B

RGB 141 27 27

HSL 0, 0.68%, 0.33%

LAB 30.7, 46.53, 30.67

 

CMYK 0 / 36 / 81 / 45

HEX #8D5A1B

RGB 141 90 27

HSL 33.16, 0.68%, 0.33%

LAB 42.84, 15.59, 42.6

 

CMYK 0 / 15 / 81 / 45

HEX #8D781B

RGB 141 120 27

HSL 48.95, 0.68%, 0.33%

LAB 50.89, -1.73, 50

 

CMYK 7 / 0 / 81 / 45

HEX #838D1B

RGB 131 141 27

HSL 65.26, 0.68%, 0.33%

LAB 56.04, -17.75, 54.28

 

CMYK 28 / 0 / 81 / 45

HEX #658D1B

RGB 101 141 27

HSL 81.05, 0.68%, 0.33%

LAB 53.92, -30.62, 51.56

HEX #658D1B

CMYK 50 / 0 / 81 / 45

HEX #468D1B

RGB 70 141 27

HSL 97.37, 0.68%, 0.33%

LAB 52.32, -41.93, 49.5

HEX #468D1B

CMYK 0 / 36 / 81 / 45

HEX #8D5A1B

RGB 141 90 27

HSL 33.16, 0.68%, 0.33%

LAB 42.84, 15.59, 42.6

 

CMYK 0 / 41 / 92 / 39

HEX #9B5B0D

RGB 155 91 13

HSL 32.96, 0.85%, 0.33%

LAB 44.91, 20.97, 50.04

 

CMYK 0 / 36 / 81 / 45

HEX #8D5A1B

RGB 141 90 27

HSL 33.16, 0.68%, 0.33%

LAB 42.84, 15.59, 42.6

 

CMYK 0 / 31 / 68 / 50

HEX #805829

RGB 128 88 41

HSL 32.41, 0.51%, 0.33%

LAB 40.78, 11.49, 33.19

 

CMYK 0 / 24 / 53 / 55

HEX #725736

RGB 114 87 54

HSL 33, 0.36%, 0.33%

LAB 39, 6.68, 23.37

 

CMYK 0 / 15 / 33 / 60

HEX #655644

RGB 101 86 68

HSL 32.73, 0.2%, 0.33%

LAB 37.55, 3.13, 12.77

 

CMYK 0 / 3 / 7 / 66

HEX #575451

RGB 87 84 81

HSL 30, 0.04%, 0.33%

LAB 35.91, 0.6, 2.18

 

CMYK 0 / 81 / 81 / 45

HEX #8D1B1B

RGB 141 27 27

HSL 0, 0.68%, 0.33%

LAB 30.7, 46.53, 30.67

 

CMYK 0 / 60 / 81 / 45

HEX #8D391B

RGB 141 57 27

HSL 15.79, 0.68%, 0.33%

LAB 35.34, 33.97, 35.36

 

CMYK 0 / 38 / 81 / 45

HEX #8D581B

RGB 141 88 27

HSL 32.11, 0.68%, 0.33%

LAB 42.34, 16.75, 42.13

 

CMYK 0 / 16 / 81 / 45

HEX #8D761B

RGB 141 118 27

HSL 47.89, 0.68%, 0.33%

LAB 50.33, -0.6, 49.5

 

CMYK 5 / 0 / 81 / 45

HEX #868D1B

RGB 134 141 27

HSL 63.68, 0.68%, 0.33%

LAB 56.28, -16.4, 54.59

 

CMYK 0 / 36 / 81 / 72

HEX #482E0E

RGB 72 46 14

HSL 33.1, 0.67%, 0.17%

LAB 21.44, 8.5, 24.56

 

CMYK 0 / 36 / 81 / 58

HEX #6B4414

RGB 107 68 20

HSL 33.1, 0.69%, 0.25%

LAB 32.5, 12.37, 34.26

 

CMYK 0 / 36 / 81 / 45

HEX #8D5A1B

RGB 141 90 27

HSL 33.16, 0.68%, 0.33%

LAB 42.84, 15.59, 42.6

 

CMYK 0 / 36 / 81 / 31

HEX #B07022

RGB 176 112 34

HSL 32.96, 0.68%, 0.41%

LAB 52.88, 19.09, 50.7

 

CMYK 0 / 36 / 81 / 17

HEX #D38628

RGB 211 134 40

HSL 32.98, 0.68%, 0.49%

LAB 62.55, 22.41, 58.84

 

CMYK 0 / 37 / 81 / 44

HEX #8E5A1B

RGB 142 90 27

HSL 32.87, 0.68%, 0.33%

LAB 42.98, 16.05, 42.77

 

CMYK 60 / 0 / 81 / 45

HEX #398D1B

RGB 57 141 27

HSL 104.21, 0.68%, 0.33%

LAB 51.84, -45.74, 48.87

 

CMYK 70 / 81 / 0 / 45

HEX #2A1B8D

RGB 42 27 141

HSL 247.89, 0.68%, 0.33%

LAB 20.82, 42.05, -59.78

 

CMYK 0 / 37 / 81 / 44

HEX #8E5A1B

RGB 142 90 27

HSL 32.87, 0.68%, 0.33%

LAB 42.98, 16.05, 42.77

 

CMYK 81 / 0 / 38 / 45

HEX #1B8D58

RGB 27 141 88

HSL 152.11, 0.68%, 0.33%

LAB 51.82, -43.34, 19.81

 

CMYK 38 / 81 / 0 / 45

HEX #581B8D

RGB 88 27 141

HSL 272.11, 0.68%, 0.33%

LAB 26.1, 48.29, -50.91

 

CMYK 0 / 37 / 81 / 44

HEX #8E5A1B

RGB 142 90 27

HSL 32.87, 0.68%, 0.33%

LAB 42.98, 16.05, 42.77

 

CMYK 60 / 0 / 81 / 45

HEX #398D1B

RGB 57 141 27

HSL 104.21, 0.68%, 0.33%

LAB 51.84, -45.74, 48.87

 

CMYK 81 / 43 / 0 / 45

HEX #1B508D

RGB 27 80 141

HSL 212.11, 0.68%, 0.33%

LAB 33.76, 5.81, -38.75

 

CMYK 21 / 81 / 0 / 45

HEX #6F1B8D

RGB 111 27 141

HSL 284.21, 0.68%, 0.33%

LAB 29.63, 52.44, -45.02

 

CMYK 0 / 37 / 81 / 44

HEX #8E5A1B

RGB 142 90 27

HSL 32.87, 0.68%, 0.33%

LAB 42.98, 16.05, 42.77

 

CMYK 81 / 0 / 78 / 45

HEX #1B8D1F

RGB 27 141 31

HSL 122.11, 0.68%, 0.33%

LAB 51.13, -51.56, 46.6

 

CMYK 81 / 43 / 0 / 45

HEX #1B508D

RGB 27 80 141

HSL 212.11, 0.68%, 0.33%

LAB 33.76, 5.81, -38.75

 

CMYK 0 / 81 / 2 / 45

HEX #8D1B8A

RGB 141 27 138

HSL 301.58, 0.68%, 0.33%

LAB 34.56, 57.93, -34.97

 

Description

Color code: HEX #8E5A1B | qconv.com Color code: HEX #8E5A1B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 90 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 90 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 81 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 81% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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