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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E2FA4 it is the complementary color #71D05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E2FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E2FA4 shade: #932F9F, #A441B2, #B553C5, #C665D8 and #D777EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E2FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E2FA4 shade: #8E2FA4, #7D1D91, #6C0B7E, #5B006B and #4A0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E2FA4 shade: #8C2FA2, #A22F99, #A22F7A, #A22F5B and #A22F3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E2FA4 shade: #8C2FA2, #6D2FA2, #4E2FA2 and #2F2FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E2FA4 shade matches the following richer shades: #8C2FA2, #971EB3 and #A20DC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E2FA4 shade: #8C2FA2, #824091, #775180, #6D626F and #62735E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E2FA4 shade: #4E2FA2, #6C2FA2, #8B2FA2, #A22F9A and #A22F7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E2FA4 shade: #551C62, #712682, #8C2FA2, #A838C2 and #B756CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E2FA4 shade: #8E2FA4, #A22F2F and #2FA25D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E2FA4 shade: #8E2FA4, #A28B2F and #2FA28B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E2FA4 shade: #8E2FA4, #A22F2F, #46A22F and #2FA2A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E2FA4 shade: #8E2FA4, #A2522F, #46A22F and #2F80A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 71 / 0 / 36

HEX #8E2FA4

RGB 142 47 164

HSL 288.72, 0.55%, 0.41%

LAB 38.66, 56.08, -44.24

 

Complementary color

CMYK 46 / 0 / 56 / 18

HEX #71D05B

RGB 113 208 91

HSL 108.72, 0.55%, 0.59%

LAB 75.69, -50.09, 48.76

 

CMYK 8 / 70 / 0 / 38

HEX #932F9F

RGB 147 47 159

HSL 293.57, 0.54%, 0.4%

LAB 39.14, 56.26, -40.43

 

CMYK 8 / 63 / 0 / 30

HEX #A441B2

RGB 164 65 178

HSL 292.57, 0.47%, 0.48%

LAB 45.48, 56.37, -41.49

 

CMYK 8 / 58 / 0 / 23

HEX #B553C5

RGB 181 83 197

HSL 291.58, 0.5%, 0.55%

LAB 51.88, 56.05, -42.23

 

CMYK 8 / 53 / 0 / 15

HEX #C665D8

RGB 198 101 216

HSL 290.61, 0.6%, 0.62%

LAB 58.29, 55.51, -42.79

 

CMYK 9 / 49 / 0 / 8

HEX #D777EB

RGB 215 119 235

HSL 289.66, 0.74%, 0.69%

LAB 64.67, 54.86, -43.22

 

CMYK 13 / 71 / 0 / 36

HEX #8E2FA4

RGB 142 47 164

HSL 288.72, 0.55%, 0.41%

LAB 38.66, 56.08, -44.24

 

CMYK 14 / 80 / 0 / 43

HEX #7D1D91

RGB 125 29 145

HSL 289.66, 0.67%, 0.34%

LAB 32.44, 55.3, -42.83

 

CMYK 14 / 91 / 0 / 51

HEX #6C0B7E

RGB 108 11 126

HSL 290.61, 0.84%, 0.27%

LAB 26.55, 53.21, -40.64

 

CMYK 15 / 100 / 0 / 58

HEX #5B006B

RGB 91 0 107

HSL 291.03, 1%, 0.21%

LAB 21.15, 49.12, -37.31

 

CMYK 16 / 100 / 0 / 65

HEX #4A0058

RGB 74 0 88

HSL 290.45, 1%, 0.17%

LAB 16.31, 42.76, -32.72

 

CMYK 14 / 71 / 0 / 36

HEX #8C2FA2

RGB 140 47 162

HSL 288.52, 0.55%, 0.41%

LAB 38.23, 55.25, -43.75

 

CMYK 0 / 71 / 6 / 36

HEX #A22F99

RGB 162 47 153

HSL 304.7, 0.55%, 0.41%

LAB 41.24, 58.72, -33.33

 

CMYK 0 / 71 / 25 / 36

HEX #A22F7A

RGB 162 47 122

HSL 320.87, 0.55%, 0.41%

LAB 39.78, 54.11, -16.63

 

CMYK 0 / 71 / 44 / 36

HEX #A22F5B

RGB 162 47 91

HSL 337.04, 0.55%, 0.41%

LAB 38.67, 50.43, 1.17

 

CMYK 0 / 71 / 63 / 36

HEX #A22F3C

RGB 162 47 60

HSL 353.22, 0.55%, 0.41%

LAB 37.92, 47.83, 19.79

 

CMYK 14 / 71 / 0 / 36

HEX #8C2FA2

RGB 140 47 162

HSL 288.52, 0.55%, 0.41%

LAB 38.23, 55.25, -43.75

 

CMYK 33 / 71 / 0 / 36

HEX #6D2FA2

RGB 109 47 162

HSL 272.35, 0.55%, 0.41%

LAB 33.76, 48.6, -51.18

 

CMYK 52 / 71 / 0 / 36

HEX #4E2FA2

RGB 78 47 162

HSL 256.17, 0.55%, 0.41%

LAB 30.06, 42.73, -57.36

 

CMYK 71 / 71 / 0 / 36

HEX #2F2FA2

RGB 47 47 162

HSL 240, 0.55%, 0.41%

LAB 27.42, 38.25, -61.79

 

CMYK 14 / 71 / 0 / 36

HEX #8C2FA2

RGB 140 47 162

HSL 288.52, 0.55%, 0.41%

LAB 38.23, 55.25, -43.75

 

CMYK 16 / 83 / 0 / 30

HEX #971EB3

RGB 151 30 179

HSL 288.72, 0.71%, 0.41%

LAB 39.18, 66.17, -52.28

 

CMYK 17 / 93 / 0 / 23

HEX #A20DC4

RGB 162 13 196

HSL 288.85, 0.88%, 0.41%

LAB 41.14, 74.08, -59.01

 

CMYK 14 / 71 / 0 / 36

HEX #8C2FA2

RGB 140 47 162

HSL 288.52, 0.55%, 0.41%

LAB 38.23, 55.25, -43.75

 

CMYK 10 / 56 / 0 / 43

HEX #824091

RGB 130 64 145

HSL 288.89, 0.39%, 0.41%

LAB 38.65, 41.38, -32.89

 

CMYK 7 / 37 / 0 / 50

HEX #775180

RGB 119 81 128

HSL 288.51, 0.22%, 0.41%

LAB 40.19, 24.64, -20.22

 

CMYK 2 / 12 / 0 / 56

HEX #6D626F

RGB 109 98 111

HSL 290.77, 0.06%, 0.41%

LAB 42.96, 7, -5.73

 

CMYK 15 / 0 / 18 / 55

HEX #62735E

RGB 98 115 94

HSL 108.57, 0.1%, 0.41%

LAB 46.53, -10.69, 9.54

 

CMYK 52 / 71 / 0 / 36

HEX #4E2FA2

RGB 78 47 162

HSL 256.17, 0.55%, 0.41%

LAB 30.06, 42.73, -57.36

 

CMYK 33 / 71 / 0 / 36

HEX #6C2FA2

RGB 108 47 162

HSL 271.83, 0.55%, 0.41%

LAB 33.63, 48.4, -51.4

 

CMYK 14 / 71 / 0 / 36

HEX #8B2FA2

RGB 139 47 162

HSL 288, 0.55%, 0.41%

LAB 38.08, 55.03, -44

 

CMYK 0 / 71 / 5 / 36

HEX #A22F9A

RGB 162 47 154

HSL 304.17, 0.55%, 0.41%

LAB 41.29, 58.88, -33.85

 

CMYK 0 / 71 / 23 / 36

HEX #A22F7C

RGB 162 47 124

HSL 319.83, 0.55%, 0.41%

LAB 39.86, 54.38, -17.74

 

CMYK 13 / 71 / 0 / 62

HEX #551C62

RGB 85 28 98

HSL 288.86, 0.56%, 0.25%

LAB 22.46, 37.3, -29.38

 

CMYK 13 / 71 / 0 / 49

HEX #712682

RGB 113 38 130

HSL 288.91, 0.55%, 0.33%

LAB 30.66, 46.41, -36.49

 

CMYK 14 / 71 / 0 / 36

HEX #8C2FA2

RGB 140 47 162

HSL 288.52, 0.55%, 0.41%

LAB 38.23, 55.25, -43.75

 

CMYK 13 / 71 / 0 / 24

HEX #A838C2

RGB 168 56 194

HSL 288.7, 0.55%, 0.49%

LAB 45.7, 63.95, -50.46

 

CMYK 11 / 58 / 0 / 19

HEX #B756CE

RGB 183 86 206

HSL 288.5, 0.55%, 0.57%

LAB 53.14, 56.89, -45.38

 

CMYK 13 / 71 / 0 / 36

HEX #8E2FA4

RGB 142 47 164

HSL 288.72, 0.55%, 0.41%

LAB 38.66, 56.08, -44.24

 

CMYK 0 / 71 / 71 / 36

HEX #A22F2F

RGB 162 47 47

HSL 0, 0.55%, 0.41%

LAB 37.7, 47.07, 27.58

 

CMYK 71 / 0 / 43 / 36

HEX #2FA25D

RGB 47 162 93

HSL 144, 0.55%, 0.41%

LAB 59.19, -47.63, 26.89

 

CMYK 13 / 71 / 0 / 36

HEX #8E2FA4

RGB 142 47 164

HSL 288.72, 0.55%, 0.41%

LAB 38.66, 56.08, -44.24

 

CMYK 0 / 14 / 71 / 36

HEX #A28B2F

RGB 162 139 47

HSL 48, 0.55%, 0.41%

LAB 58.37, -1.72, 50.15

 

CMYK 71 / 0 / 14 / 36

HEX #2FA28B

RGB 47 162 139

HSL 168, 0.55%, 0.41%

LAB 60.17, -37.23, 2.79

 

CMYK 13 / 71 / 0 / 36

HEX #8E2FA4

RGB 142 47 164

HSL 288.72, 0.55%, 0.41%

LAB 38.66, 56.08, -44.24

 

CMYK 0 / 71 / 71 / 36

HEX #A22F2F

RGB 162 47 47

HSL 0, 0.55%, 0.41%

LAB 37.7, 47.07, 27.58

 

CMYK 57 / 0 / 71 / 36

HEX #46A22F

RGB 70 162 47

HSL 108, 0.55%, 0.41%

LAB 59.3, -48.71, 49.22

 

CMYK 71 / 0 / 0 / 36

HEX #2FA2A2

RGB 47 162 162

HSL 180, 0.55%, 0.41%

LAB 60.83, -30.75, -9.21

 

CMYK 13 / 71 / 0 / 36

HEX #8E2FA4

RGB 142 47 164

HSL 288.72, 0.55%, 0.41%

LAB 38.66, 56.08, -44.24

 

CMYK 0 / 49 / 71 / 36

HEX #A2522F

RGB 162 82 47

HSL 18.26, 0.55%, 0.41%

LAB 44.12, 30.27, 35

 

CMYK 57 / 0 / 71 / 36

HEX #46A22F

RGB 70 162 47

HSL 108, 0.55%, 0.41%

LAB 59.3, -48.71, 49.22

 

CMYK 71 / 21 / 0 / 36

HEX #2F80A2

RGB 47 128 162

HSL 197.74, 0.55%, 0.41%

LAB 50.28, -13.02, -25.26

 

Description

Color code: HEX #8E2FA4 | qconv.com Color code: HEX #8E2FA4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 47 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 47 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 71 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 71% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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