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Color name
HEX #8E2D1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E2D1F it is the complementary color #71D2E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E2D1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E2D1F shade: #932D1A, #A43F2D, #B55140, #C66353 and #D77566

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E2D1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E2D1F shade: #8E2D1F, #7D1B0C, #6C0900, #5B0000 and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E2D1F shade: #8E2D1F and #8E1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E2D1F shade: #8E2D1F, #8E4B1F, #8E691F, #8E871F and #778E1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E2D1F shade matches the following richer shades: #8E2D1F, #9C2311 and #AA1803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E2D1F shade: #8E2D1F, #80382D, #72423B, #644D49 and #565757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E2D1F shade: #8E1F4D, #8E1F30, #8E2C1F, #8E4A1F and #8E671F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E2D1F shade: #4B1810, #6C2218, #8E2D1F, #B03827 and #D1432F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E2D1F shade: #8E2D1F, #6B8E1F and #1F3F8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E2D1F shade: #8E2D1F, #1F8E2C and #2C1F8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E2D1F shade: #8E2D1F, #6B8E1F, #1F818E and #421F8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E2D1F shade: #8E2D1F, #4A8E1F, #1F818E and #641F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

Complementary color

CMYK 50 / 6 / 0 / 12

HEX #71D2E0

RGB 113 210 224

HSL 187.57, 0.64%, 0.66%

LAB 79.03, -24.86, -15.75

 

CMYK 0 / 69 / 82 / 42

HEX #932D1A

RGB 147 45 26

HSL 9.42, 0.7%, 0.34%

LAB 34.3, 41.83, 35.24

 

CMYK 0 / 62 / 73 / 36

HEX #A43F2D

RGB 164 63 45

HSL 9.08, 0.57%, 0.41%

LAB 40.63, 40.67, 32.27

 

CMYK 0 / 55 / 65 / 29

HEX #B55140

RGB 181 81 64

HSL 8.72, 0.48%, 0.48%

LAB 47.08, 39.35, 29.62

 

CMYK 0 / 50 / 58 / 22

HEX #C66353

RGB 198 99 83

HSL 8.35, 0.5%, 0.55%

LAB 53.55, 38.02, 27.34

 

CMYK 0 / 46 / 53 / 16

HEX #D77566

RGB 215 117 102

HSL 7.96, 0.59%, 0.62%

LAB 60.01, 36.76, 25.37

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 0 / 78 / 90 / 51

HEX #7D1B0C

RGB 125 27 12

HSL 7.96, 0.82%, 0.27%

LAB 27.21, 40.91, 34.39

 

CMYK 0 / 92 / 100 / 58

HEX #6C0900

RGB 108 9 0

HSL 5, 1%, 0.21%

LAB 21.52, 40.44, 32.5

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 0 / 78 / 78 / 44

HEX #8E1F1F

RGB 142 31 31

HSL 0, 0.64%, 0.34%

LAB 31.42, 45.7, 29.09

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 0 / 47 / 78 / 44

HEX #8E4B1F

RGB 142 75 31

HSL 23.78, 0.64%, 0.34%

LAB 39.38, 24.84, 37.43

 

CMYK 0 / 26 / 78 / 44

HEX #8E691F

RGB 142 105 31

HSL 40, 0.64%, 0.34%

LAB 46.91, 7.49, 44.83

 

CMYK 0 / 5 / 78 / 44

HEX #8E871F

RGB 142 135 31

HSL 56.22, 0.64%, 0.34%

LAB 55.25, -9.41, 52.63

 

CMYK 16 / 0 / 78 / 44

HEX #778E1F

RGB 119 142 31

HSL 72.43, 0.64%, 0.34%

LAB 55.45, -23.37, 52.13

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 0 / 78 / 89 / 39

HEX #9C2311

RGB 156 35 17

HSL 7.77, 0.8%, 0.34%

LAB 34.62, 48.43, 40.71

 

CMYK 0 / 86 / 98 / 33

HEX #AA1803

RGB 170 24 3

HSL 7.54, 0.97%, 0.34%

LAB 36.38, 55.51, 48.83

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 0 / 56 / 65 / 50

HEX #80382D

RGB 128 56 45

HSL 7.95, 0.48%, 0.34%

LAB 33.15, 30.24, 21.87

 

CMYK 0 / 42 / 48 / 55

HEX #72423B

RGB 114 66 59

HSL 7.64, 0.32%, 0.34%

LAB 33.54, 19.94, 13.17

 

CMYK 0 / 23 / 27 / 61

HEX #644D49

RGB 100 77 73

HSL 8.89, 0.16%, 0.34%

LAB 35, 9.01, 6.08

 

CMYK 1 / 0 / 0 / 66

HEX #565757

RGB 86 87 87

HSL 180, 0.01%, 0.34%

LAB 36.9, -0.4, -0.15

 

CMYK 0 / 78 / 46 / 44

HEX #8E1F4D

RGB 142 31 77

HSL 335.14, 0.64%, 0.34%

LAB 32.41, 48.87, 0.61

 

CMYK 0 / 78 / 66 / 44

HEX #8E1F30

RGB 142 31 48

HSL 350.81, 0.64%, 0.34%

LAB 31.68, 46.56, 18.65

 

CMYK 0 / 69 / 78 / 44

HEX #8E2C1F

RGB 142 44 31

HSL 7.03, 0.64%, 0.34%

LAB 33.25, 40.66, 31.06

 

CMYK 0 / 48 / 78 / 44

HEX #8E4A1F

RGB 142 74 31

HSL 23.24, 0.64%, 0.34%

LAB 39.15, 25.4, 37.2

 

CMYK 0 / 27 / 78 / 44

HEX #8E671F

RGB 142 103 31

HSL 38.92, 0.64%, 0.34%

LAB 46.38, 8.65, 44.32

 

CMYK 0 / 68 / 79 / 71

HEX #4B1810

RGB 75 24 16

HSL 8.14, 0.65%, 0.18%

LAB 16.44, 23.66, 17.8

 

CMYK 0 / 69 / 78 / 58

HEX #6C2218

RGB 108 34 24

HSL 7.14, 0.64%, 0.26%

LAB 24.95, 32.3, 24.33

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 0 / 68 / 78 / 31

HEX #B03827

RGB 176 56 39

HSL 7.45, 0.64%, 0.42%

LAB 41.54, 47.81, 37.25

 

CMYK 0 / 68 / 78 / 18

HEX #D1432F

RGB 209 67 47

HSL 7.41, 0.64%, 0.5%

LAB 49.22, 54.76, 42.79

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 25 / 0 / 78 / 44

HEX #6B8E1F

RGB 107 142 31

HSL 78.92, 0.64%, 0.34%

LAB 54.63, -28.44, 51.07

 

CMYK 78 / 56 / 0 / 44

HEX #1F3F8E

RGB 31 63 142

HSL 222.7, 0.64%, 0.34%

LAB 28.9, 18.27, -47.19

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 78 / 0 / 69 / 44

HEX #1F8E2C

RGB 31 142 44

HSL 127.03, 0.64%, 0.34%

LAB 51.63, -50.15, 42.03

 

CMYK 69 / 78 / 0 / 44

HEX #2C1F8E

RGB 44 31 142

HSL 247.03, 0.64%, 0.34%

LAB 21.83, 40.47, -58.73

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 25 / 0 / 78 / 44

HEX #6B8E1F

RGB 107 142 31

HSL 78.92, 0.64%, 0.34%

LAB 54.63, -28.44, 51.07

 

CMYK 78 / 9 / 0 / 44

HEX #1F818E

RGB 31 129 142

HSL 187.03, 0.64%, 0.34%

LAB 49.43, -22.45, -14.91

 

CMYK 54 / 78 / 0 / 44

HEX #421F8E

RGB 66 31 142

HSL 258.92, 0.64%, 0.34%

LAB 23.97, 43.3, -55.13

 

CMYK 0 / 68 / 78 / 44

HEX #8E2D1F

RGB 142 45 31

HSL 7.57, 0.64%, 0.34%

LAB 33.41, 40.23, 31.23

 

CMYK 48 / 0 / 78 / 44

HEX #4A8E1F

RGB 74 142 31

HSL 96.76, 0.64%, 0.34%

LAB 52.84, -40.81, 48.74

 

CMYK 78 / 9 / 0 / 44

HEX #1F818E

RGB 31 129 142

HSL 187.03, 0.64%, 0.34%

LAB 49.43, -22.45, -14.91

 

CMYK 30 / 78 / 0 / 44

HEX #641F8E

RGB 100 31 142

HSL 277.3, 0.64%, 0.34%

LAB 28.49, 49.11, -47.56

 

Description

Color code: HEX #8E2D1F | qconv.com Color code: HEX #8E2D1F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 45 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 45 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 78 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 78% 44% C M Y K

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Provide designers and agencies with accurate color values.

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