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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E2ABF it is the complementary color #71D540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E2ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E2ABF shade: #932ABA, #A43CCD, #B54EE0, #C660F3 and #D772FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E2ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E2ABF shade: #8E2ABF, #7D18AC, #6C0699, #5B0086 and #4A0073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E2ABF shade: #8F2AC0, #B72AC0, #C02AA1, #C02A78 and #C02A50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E2ABF shade: #8F2AC0, #672AC0, #3E2AC0 and #2A2AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E2ABF shade matches the following richer shades: #8F2AC0, #9517D3 and #9C04E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E2ABF shade: #8F2AC0, #893DAD, #82509A, #7C6387 and #757674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E2ABF shade: #3E2AC0, #662AC0, #8E2AC0, #B62AC0 and #C02AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E2ABF shade: #5D1B7D, #76239F, #8F2AC0, #A43FD5 and #B461DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E2ABF shade: #8E2ABF, #C02A3E and #2AC052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E2ABF shade: #8E2ABF, #C08E2A and #2AC08E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E2ABF shade: #8E2ABF, #C02A3E, #5CC02A and #2AC0AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E2ABF shade: #8E2ABF, #C0432A, #5CC02A and #2AA7C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 78 / 0 / 25

HEX #8E2ABF

RGB 142 42 191

HSL 280.27, 0.64%, 0.46%

LAB 39.86, 63.33, -58.31

 

Complementary color

CMYK 47 / 0 / 70 / 16

HEX #71D540

RGB 113 213 64

HSL 100.27, 0.64%, 0.54%

LAB 76.96, -54.58, 61.49

 

CMYK 21 / 77 / 0 / 27

HEX #932ABA

RGB 147 42 186

HSL 283.75, 0.63%, 0.45%

LAB 40.25, 63.23, -54.71

 

CMYK 20 / 71 / 0 / 20

HEX #A43CCD

RGB 164 60 205

HSL 283.03, 0.59%, 0.52%

LAB 46.35, 63.71, -55.8

 

CMYK 19 / 65 / 0 / 12

HEX #B54EE0

RGB 181 78 224

HSL 282.33, 0.7%, 0.59%

LAB 52.57, 63.63, -56.54

 

CMYK 19 / 60 / 0 / 5

HEX #C660F3

RGB 198 96 243

HSL 281.63, 0.86%, 0.66%

LAB 58.83, 63.22, -57.05

 

CMYK 16 / 55 / 0 / 0

HEX #D772FF

RGB 215 114 255

HSL 282.98, 1%, 0.72%

LAB 64.73, 61.23, -54.16

 

CMYK 26 / 78 / 0 / 25

HEX #8E2ABF

RGB 142 42 191

HSL 280.27, 0.64%, 0.46%

LAB 39.86, 63.33, -58.31

 

CMYK 27 / 86 / 0 / 33

HEX #7D18AC

RGB 125 24 172

HSL 280.95, 0.76%, 0.38%

LAB 33.97, 62.03, -56.75

 

CMYK 29 / 96 / 0 / 40

HEX #6C0699

RGB 108 6 153

HSL 281.63, 0.92%, 0.31%

LAB 28.43, 59.33, -54.39

 

CMYK 32 / 100 / 0 / 47

HEX #5B0086

RGB 91 0 134

HSL 280.75, 1%, 0.26%

LAB 23.49, 54.41, -50.79

 

CMYK 36 / 100 / 0 / 55

HEX #4A0073

RGB 74 0 115

HSL 278.61, 1%, 0.23%

LAB 18.77, 48.3, -46.52

 

CMYK 26 / 78 / 0 / 25

HEX #8F2AC0

RGB 143 42 192

HSL 280.4, 0.64%, 0.46%

LAB 40.08, 63.71, -58.53

 

CMYK 5 / 78 / 0 / 25

HEX #B72AC0

RGB 183 42 192

HSL 296.4, 0.64%, 0.46%

LAB 46.35, 71.19, -48.12

 

CMYK 0 / 78 / 16 / 25

HEX #C02AA1

RGB 192 42 161

HSL 312.4, 0.64%, 0.46%

LAB 46.23, 68.39, -29.94

 

CMYK 0 / 78 / 38 / 25

HEX #C02A78

RGB 192 42 120

HSL 328.8, 0.64%, 0.46%

LAB 44.54, 63.43, -7.66

 

CMYK 0 / 78 / 58 / 25

HEX #C02A50

RGB 192 42 80

HSL 344.8, 0.64%, 0.46%

LAB 43.42, 59.97, 15.59

 

CMYK 26 / 78 / 0 / 25

HEX #8F2AC0

RGB 143 42 192

HSL 280.4, 0.64%, 0.46%

LAB 40.08, 63.71, -58.53

 

CMYK 46 / 78 / 0 / 25

HEX #672AC0

RGB 103 42 192

HSL 264.4, 0.64%, 0.46%

LAB 34.69, 57.21, -67.56

 

CMYK 68 / 78 / 0 / 25

HEX #3E2AC0

RGB 62 42 192

HSL 248, 0.64%, 0.46%

LAB 30.61, 52.21, -74.43

 

CMYK 78 / 78 / 0 / 25

HEX #2A2AC0

RGB 42 42 192

HSL 240, 0.64%, 0.46%

LAB 29.3, 50.6, -76.64

 

CMYK 26 / 78 / 0 / 25

HEX #8F2AC0

RGB 143 42 192

HSL 280.4, 0.64%, 0.46%

LAB 40.08, 63.71, -58.53

 

CMYK 29 / 89 / 0 / 17

HEX #9517D3

RGB 149 23 211

HSL 280.21, 0.8%, 0.46%

LAB 40.74, 73.44, -68.47

 

CMYK 32 / 98 / 0 / 10

HEX #9C04E6

RGB 156 4 230

HSL 280.35, 0.97%, 0.46%

LAB 42.56, 80.41, -76.34

 

CMYK 26 / 78 / 0 / 25

HEX #8F2AC0

RGB 143 42 192

HSL 280.4, 0.64%, 0.46%

LAB 40.08, 63.71, -58.53

 

CMYK 21 / 65 / 0 / 32

HEX #893DAD

RGB 137 61 173

HSL 280.71, 0.48%, 0.46%

LAB 40.69, 50.68, -46.4

 

CMYK 16 / 48 / 0 / 40

HEX #82509A

RGB 130 80 154

HSL 280.54, 0.32%, 0.46%

LAB 42.49, 34.55, -32.28

 

CMYK 8 / 27 / 0 / 47

HEX #7C6387

RGB 124 99 135

HSL 281.67, 0.15%, 0.46%

LAB 45.58, 17.11, -16.15

 

CMYK 1 / 0 / 2 / 54

HEX #757674

RGB 117 118 116

HSL 90, 0.01%, 0.46%

LAB 49.5, -0.78, 0.96

 

CMYK 68 / 78 / 0 / 25

HEX #3E2AC0

RGB 62 42 192

HSL 248, 0.64%, 0.46%

LAB 30.61, 52.21, -74.43

 

CMYK 47 / 78 / 0 / 25

HEX #662AC0

RGB 102 42 192

HSL 264, 0.64%, 0.46%

LAB 34.57, 57.06, -67.76

 

CMYK 26 / 78 / 0 / 25

HEX #8E2AC0

RGB 142 42 192

HSL 280, 0.64%, 0.46%

LAB 39.94, 63.54, -58.78

 

CMYK 5 / 78 / 0 / 25

HEX #B62AC0

RGB 182 42 192

HSL 296, 0.64%, 0.46%

LAB 46.19, 71, -48.39

 

CMYK 0 / 78 / 16 / 25

HEX #C02AA2

RGB 192 42 162

HSL 312, 0.64%, 0.46%

LAB 46.27, 68.53, -30.46

 

CMYK 26 / 78 / 0 / 51

HEX #5D1B7D

RGB 93 27 125

HSL 280.41, 0.64%, 0.3%

LAB 25.54, 45.49, -41.76

 

CMYK 26 / 78 / 0 / 38

HEX #76239F

RGB 118 35 159

HSL 280.16, 0.64%, 0.38%

LAB 33.04, 54.73, -50.47

 

CMYK 26 / 78 / 0 / 25

HEX #8F2AC0

RGB 143 42 192

HSL 280.4, 0.64%, 0.46%

LAB 40.08, 63.71, -58.53

 

CMYK 23 / 70 / 0 / 16

HEX #A43FD5

RGB 164 63 213

HSL 280.4, 0.64%, 0.54%

LAB 47.3, 64.13, -58.87

 

CMYK 18 / 56 / 0 / 14

HEX #B461DC

RGB 180 97 220

HSL 280.49, 0.64%, 0.62%

LAB 55.5, 53.62, -49.61

 

CMYK 26 / 78 / 0 / 25

HEX #8E2ABF

RGB 142 42 191

HSL 280.27, 0.64%, 0.46%

LAB 39.86, 63.33, -58.31

 

CMYK 0 / 78 / 68 / 25

HEX #C02A3E

RGB 192 42 62

HSL 352, 0.64%, 0.46%

LAB 43.08, 58.89, 26.3

 

CMYK 78 / 0 / 57 / 25

HEX #2AC052

RGB 42 192 82

HSL 136, 0.64%, 0.46%

LAB 68.61, -60.85, 44.1

 

CMYK 26 / 78 / 0 / 25

HEX #8E2ABF

RGB 142 42 191

HSL 280.27, 0.64%, 0.46%

LAB 39.86, 63.33, -58.31

 

CMYK 0 / 26 / 78 / 25

HEX #C08E2A

RGB 192 142 42

HSL 40, 0.64%, 0.46%

LAB 62.27, 9.84, 57.01

 

CMYK 78 / 0 / 26 / 25

HEX #2AC08E

RGB 42 192 142

HSL 160, 0.64%, 0.46%

LAB 69.57, -49.83, 14.51

 

CMYK 26 / 78 / 0 / 25

HEX #8E2ABF

RGB 142 42 191

HSL 280.27, 0.64%, 0.46%

LAB 39.86, 63.33, -58.31

 

CMYK 0 / 78 / 68 / 25

HEX #C02A3E

RGB 192 42 62

HSL 352, 0.64%, 0.46%

LAB 43.08, 58.89, 26.3

 

CMYK 52 / 0 / 78 / 25

HEX #5CC02A

RGB 92 192 42

HSL 100, 0.64%, 0.46%

LAB 69.57, -54.21, 61.42

 

CMYK 78 / 0 / 10 / 25

HEX #2AC0AC

RGB 42 192 172

HSL 172, 0.64%, 0.46%

LAB 70.29, -42.26, -0.78

 

CMYK 26 / 78 / 0 / 25

HEX #8E2ABF

RGB 142 42 191

HSL 280.27, 0.64%, 0.46%

LAB 39.86, 63.33, -58.31

 

CMYK 0 / 65 / 78 / 25

HEX #C0432A

RGB 192 67 42

HSL 10, 0.64%, 0.46%

LAB 46.16, 48.81, 41.32

 

CMYK 52 / 0 / 78 / 25

HEX #5CC02A

RGB 92 192 42

HSL 100, 0.64%, 0.46%

LAB 69.57, -54.21, 61.42

 

CMYK 78 / 13 / 0 / 25

HEX #2AA7C0

RGB 42 167 192

HSL 190, 0.64%, 0.46%

LAB 63.29, -24.48, -22.34

 

Description

Color code: HEX #8E2ABF | qconv.com Color code: HEX #8E2ABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 42 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 42 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 78 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 78% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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