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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E2878 it is the complementary color #71D787. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E2878. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E2878 shade: #932873, #A43A86, #B54C99, #C65EAC and #D770BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E2878. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E2878 shade: #8E2878, #7D1665, #6C0452, #5B003F and #4A002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E2878 shade: #8F2879, #8F285D, #8F2842 and #8F2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E2878 shade: #8F2879, #8A288F, #6E288F, #52288F and #36288F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E2878 shade matches the following richer shades: #8F2879, #9E1A81 and #AD0B8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E2878 shade: #8F2879, #803771, #724668, #635560 and #546457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E2878 shade: #6D288F, #88288F, #8F287B, #8F285F and #8F2844

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E2878 shade: #4F1643, #6F1F5E, #8F2879, #AF3194 and #C941AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E2878 shade: #8E2878, #8F5228 and #288F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E2878 shade: #8E2878, #7B8F28 and #287B8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E2878 shade: #8E2878, #8F5228, #288F3D and #28668F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E2878 shade: #8E2878, #8F7028, #288F3D and #28478F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 15 / 44

HEX #8E2878

RGB 142 40 120

HSL 312.94, 0.56%, 0.36%

LAB 35.25, 51.11, -22.66

 

Complementary color

CMYK 47 / 0 / 37 / 16

HEX #71D787

RGB 113 215 135

HSL 132.94, 0.56%, 0.64%

LAB 78.38, -46.79, 30.52

 

CMYK 0 / 73 / 22 / 42

HEX #932873

RGB 147 40 115

HSL 317.94, 0.57%, 0.37%

LAB 35.9, 51.69, -18.44

 

CMYK 0 / 65 / 18 / 36

HEX #A43A86

RGB 164 58 134

HSL 316.98, 0.48%, 0.44%

LAB 42.22, 51.95, -20.24

 

CMYK 0 / 58 / 15 / 29

HEX #B54C99

RGB 181 76 153

HSL 316, 0.42%, 0.5%

LAB 48.63, 51.7, -21.59

 

CMYK 0 / 53 / 13 / 22

HEX #C65EAC

RGB 198 94 172

HSL 315, 0.48%, 0.57%

LAB 55.06, 51.18, -22.65

 

CMYK 0 / 48 / 11 / 16

HEX #D770BF

RGB 215 112 191

HSL 313.98, 0.56%, 0.64%

LAB 61.48, 50.54, -23.51

 

CMYK 0 / 72 / 15 / 44

HEX #8E2878

RGB 142 40 120

HSL 312.94, 0.56%, 0.36%

LAB 35.25, 51.11, -22.66

 

CMYK 0 / 82 / 19 / 51

HEX #7D1665

RGB 125 22 101

HSL 313.98, 0.7%, 0.29%

LAB 29.09, 49.99, -20.39

 

CMYK 0 / 96 / 24 / 58

HEX #6C0452

RGB 108 4 82

HSL 315, 0.93%, 0.22%

LAB 23.28, 47.49, -17.15

 

CMYK 0 / 100 / 31 / 64

HEX #5B003F

RGB 91 0 63

HSL 318.46, 1%, 0.18%

LAB 18.29, 42.15, -12.15

 

CMYK 0 / 100 / 41 / 71

HEX #4A002C

RGB 74 0 44

HSL 324.32, 1%, 0.15%

LAB 13.46, 35.79, -6.25

 

CMYK 0 / 72 / 15 / 44

HEX #8F2879

RGB 143 40 121

HSL 312.82, 0.56%, 0.36%

LAB 35.47, 51.52, -22.93

 

CMYK 0 / 72 / 35 / 44

HEX #8F285D

RGB 143 40 93

HSL 329.13, 0.56%, 0.36%

LAB 34.29, 47.69, -6.97

 

CMYK 0 / 72 / 54 / 44

HEX #8F2842

RGB 143 40 66

HSL 344.85, 0.56%, 0.36%

LAB 33.46, 44.9, 9.33

 

CMYK 0 / 72 / 72 / 44

HEX #8F2828

RGB 143 40 40

HSL 0, 0.56%, 0.36%

LAB 32.94, 43.11, 25.35

 

CMYK 0 / 72 / 15 / 44

HEX #8F2879

RGB 143 40 121

HSL 312.82, 0.56%, 0.36%

LAB 35.47, 51.52, -22.93

 

CMYK 3 / 72 / 0 / 44

HEX #8A288F

RGB 138 40 143

HSL 297.09, 0.56%, 0.36%

LAB 35.8, 53.94, -36.11

 

CMYK 23 / 72 / 0 / 44

HEX #6E288F

RGB 110 40 143

HSL 280.78, 0.56%, 0.36%

LAB 31.38, 47.61, -43.43

 

CMYK 43 / 72 / 0 / 44

HEX #52288F

RGB 82 40 143

HSL 264.47, 0.56%, 0.36%

LAB 27.56, 41.79, -49.81

 

CMYK 62 / 72 / 0 / 44

HEX #36288F

RGB 54 40 143

HSL 248.16, 0.56%, 0.36%

LAB 24.59, 36.97, -54.78

 

CMYK 0 / 72 / 15 / 44

HEX #8F2879

RGB 143 40 121

HSL 312.82, 0.56%, 0.36%

LAB 35.47, 51.52, -22.93

 

CMYK 0 / 84 / 18 / 38

HEX #9E1A81

RGB 158 26 129

HSL 313.18, 0.72%, 0.36%

LAB 37.1, 60.53, -25.18

 

CMYK 0 / 94 / 20 / 32

HEX #AD0B8A

RGB 173 11 138

HSL 312.96, 0.88%, 0.36%

LAB 39.51, 67.45, -26.77

 

CMYK 0 / 72 / 15 / 44

HEX #8F2879

RGB 143 40 121

HSL 312.82, 0.56%, 0.36%

LAB 35.47, 51.52, -22.93

 

CMYK 0 / 57 / 12 / 50

HEX #803771

RGB 128 55 113

HSL 312.33, 0.4%, 0.36%

LAB 35.03, 39.29, -18.79

 

CMYK 0 / 39 / 9 / 55

HEX #724668

RGB 114 70 104

HSL 313.64, 0.24%, 0.36%

LAB 35.9, 24.5, -11.97

 

CMYK 0 / 14 / 3 / 61

HEX #635560

RGB 99 85 96

HSL 312.86, 0.08%, 0.36%

LAB 37.83, 7.92, -4.24

 

CMYK 16 / 0 / 13 / 61

HEX #546457

RGB 84 100 87

HSL 131.25, 0.09%, 0.36%

LAB 40.71, -8.94, 5.35

 

CMYK 24 / 72 / 0 / 44

HEX #6D288F

RGB 109 40 143

HSL 280.19, 0.56%, 0.36%

LAB 31.24, 47.39, -43.67

 

CMYK 5 / 72 / 0 / 44

HEX #88288F

RGB 136 40 143

HSL 295.92, 0.56%, 0.36%

LAB 35.47, 53.48, -36.66

 

CMYK 0 / 72 / 14 / 44

HEX #8F287B

RGB 143 40 123

HSL 311.65, 0.56%, 0.36%

LAB 35.57, 51.83, -24.03

 

CMYK 0 / 72 / 34 / 44

HEX #8F285F

RGB 143 40 95

HSL 327.96, 0.56%, 0.36%

LAB 34.36, 47.93, -8.14

 

CMYK 0 / 72 / 52 / 44

HEX #8F2844

RGB 143 40 68

HSL 343.69, 0.56%, 0.36%

LAB 33.51, 45.07, 8.1

 

CMYK 0 / 72 / 15 / 69

HEX #4F1643

RGB 79 22 67

HSL 312.63, 0.56%, 0.2%

LAB 18.55, 32.3, -14.73

 

CMYK 0 / 72 / 15 / 56

HEX #6F1F5E

RGB 111 31 94

HSL 312.75, 0.56%, 0.28%

LAB 27.21, 42.21, -18.96

 

CMYK 0 / 72 / 15 / 44

HEX #8F2879

RGB 143 40 121

HSL 312.82, 0.56%, 0.36%

LAB 35.47, 51.52, -22.93

 

CMYK 0 / 72 / 15 / 31

HEX #AF3194

RGB 175 49 148

HSL 312.86, 0.56%, 0.44%

LAB 43.43, 60.4, -26.71

 

CMYK 0 / 68 / 14 / 21

HEX #C941AC

RGB 201 65 172

HSL 312.79, 0.56%, 0.52%

LAB 50.89, 64.59, -29.05

 

CMYK 0 / 72 / 15 / 44

HEX #8E2878

RGB 142 40 120

HSL 312.94, 0.56%, 0.36%

LAB 35.25, 51.11, -22.66

 

CMYK 0 / 43 / 72 / 44

HEX #8F5228

RGB 143 82 40

HSL 24.47, 0.56%, 0.36%

LAB 41.26, 21.75, 34.81

 

CMYK 72 / 0 / 14 / 44

HEX #288F7B

RGB 40 143 123

HSL 168.35, 0.56%, 0.36%

LAB 53.52, -33.9, 2.25

 

CMYK 0 / 72 / 15 / 44

HEX #8E2878

RGB 142 40 120

HSL 312.94, 0.56%, 0.36%

LAB 35.25, 51.11, -22.66

 

CMYK 14 / 0 / 72 / 44

HEX #7B8F28

RGB 123 143 40

HSL 71.65, 0.56%, 0.36%

LAB 56.1, -21.66, 49.6

 

CMYK 72 / 14 / 0 / 44

HEX #287B8F

RGB 40 123 143

HSL 191.65, 0.56%, 0.36%

LAB 47.75, -17.74, -18.03

 

CMYK 0 / 72 / 15 / 44

HEX #8E2878

RGB 142 40 120

HSL 312.94, 0.56%, 0.36%

LAB 35.25, 51.11, -22.66

 

CMYK 0 / 43 / 72 / 44

HEX #8F5228

RGB 143 82 40

HSL 24.47, 0.56%, 0.36%

LAB 41.26, 21.75, 34.81

 

CMYK 72 / 0 / 57 / 44

HEX #288F3D

RGB 40 143 61

HSL 132.23, 0.56%, 0.36%

LAB 52.32, -46.91, 34.91

 

CMYK 72 / 29 / 0 / 44

HEX #28668F

RGB 40 102 143

HSL 203.88, 0.56%, 0.36%

LAB 41.12, -5.64, -28.3

 

CMYK 0 / 72 / 15 / 44

HEX #8E2878

RGB 142 40 120

HSL 312.94, 0.56%, 0.36%

LAB 35.25, 51.11, -22.66

 

CMYK 0 / 22 / 72 / 44

HEX #8F7028

RGB 143 112 40

HSL 41.94, 0.56%, 0.36%

LAB 48.98, 4.37, 43

 

CMYK 72 / 0 / 57 / 44

HEX #288F3D

RGB 40 143 61

HSL 132.23, 0.56%, 0.36%

LAB 52.32, -46.91, 34.91

 

CMYK 72 / 50 / 0 / 44

HEX #28478F

RGB 40 71 143

HSL 221.94, 0.56%, 0.36%

LAB 31.67, 14.43, -43.3

 

Description

Color code: HEX #8E2878 | qconv.com Color code: HEX #8E2878 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 40 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 40 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 15 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 15% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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