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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1883 it is the complementary color #71E77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1883 shade: #93187E, #A42A91, #B53CA4, #C64EB7 and #D760CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1883 shade: #8E1883, #7D0670, #6C005D, #5B004A and #4A0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1883 shade: #901885, #901865, #901844, #901824 and #901818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1883 shade: #901885, #7B1890, #5B1890, #3A1890 and #1A1890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1883 shade matches the following richer shades: #901885 and #9E0B90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1883 shade: #901885, #82267A, #75346F, #674164 and #594F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1883 shade: #5A1890, #7A1890, #901886, #901866 and #901846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1883 shade: #490C44, #6D1264, #901885, #B31EA5 and #D624C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1883 shade: #8E1883, #903A18 and #18906A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1883 shade: #8E1883, #869018 and #188690

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1883 shade: #8E1883, #903A18, #189022 and #186E90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1883 shade: #8E1883, #905E18, #189022 and #184A90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 8 / 44

HEX #8E1883

RGB 142 24 131

HSL 305.59, 0.71%, 0.33%

LAB 34.07, 57.81, -31.39

 

Complementary color

CMYK 51 / 0 / 46 / 9

HEX #71E77C

RGB 113 231 124

HSL 125.59, 0.71%, 0.67%

LAB 82.98, -55, 41.97

 

CMYK 0 / 84 / 14 / 42

HEX #93187E

RGB 147 24 126

HSL 310.24, 0.72%, 0.34%

LAB 34.73, 58.14, -27.17

 

CMYK 0 / 74 / 12 / 36

HEX #A42A91

RGB 164 42 145

HSL 309.34, 0.59%, 0.4%

LAB 40.56, 59.66, -29.52

 

CMYK 0 / 67 / 9 / 29

HEX #B53CA4

RGB 181 60 164

HSL 308.43, 0.5%, 0.47%

LAB 46.63, 60.25, -31.23

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB7

RGB 198 78 183

HSL 307.5, 0.51%, 0.54%

LAB 52.81, 60.28, -32.52

 

CMYK 0 / 55 / 6 / 16

HEX #D760CA

RGB 215 96 202

HSL 306.55, 0.6%, 0.61%

LAB 59.05, 59.97, -33.52

 

CMYK 0 / 83 / 8 / 44

HEX #8E1883

RGB 142 24 131

HSL 305.59, 0.71%, 0.33%

LAB 34.07, 57.81, -31.39

 

CMYK 0 / 95 / 10 / 51

HEX #7D0670

RGB 125 6 112

HSL 306.55, 0.91%, 0.26%

LAB 28.54, 54.95, -28.35

 

CMYK 0 / 100 / 14 / 58

HEX #6C005D

RGB 108 0 93

HSL 308.33, 1%, 0.21%

LAB 23.6, 49.88, -24

 

CMYK 0 / 100 / 19 / 64

HEX #5B004A

RGB 91 0 74

HSL 311.21, 1%, 0.18%

LAB 18.88, 43.64, -18.86

 

CMYK 0 / 100 / 26 / 71

HEX #4A0037

RGB 74 0 55

HSL 315.41, 1%, 0.15%

LAB 14.01, 37.2, -13.41

 

CMYK 0 / 83 / 8 / 44

HEX #901885

RGB 144 24 133

HSL 305.5, 0.71%, 0.33%

LAB 34.55, 58.54, -31.85

 

CMYK 0 / 83 / 30 / 44

HEX #901865

RGB 144 24 101

HSL 321.5, 0.71%, 0.33%

LAB 32.97, 54.1, -14.1

 

CMYK 0 / 83 / 53 / 44

HEX #901844

RGB 144 24 68

HSL 338, 0.71%, 0.33%

LAB 31.81, 50.7, 5.72

 

CMYK 0 / 83 / 75 / 44

HEX #901824

RGB 144 24 36

HSL 354, 0.71%, 0.33%

LAB 31.14, 48.67, 25.79

 

CMYK 0 / 83 / 83 / 44

HEX #901818

RGB 144 24 24

HSL 0, 0.71%, 0.33%

LAB 30.99, 48.23, 32.91

 

CMYK 0 / 83 / 8 / 44

HEX #901885

RGB 144 24 133

HSL 305.5, 0.71%, 0.33%

LAB 34.55, 58.54, -31.85

 

CMYK 15 / 83 / 0 / 44

HEX #7B1890

RGB 123 24 144

HSL 289.5, 0.71%, 0.33%

LAB 31.53, 56.21, -43.71

 

CMYK 37 / 83 / 0 / 44

HEX #5B1890

RGB 91 24 144

HSL 273.5, 0.71%, 0.33%

LAB 26.42, 50.6, -52.23

 

CMYK 60 / 83 / 0 / 44

HEX #3A1890

RGB 58 24 144

HSL 257, 0.71%, 0.33%

LAB 22.18, 46.05, -59.35

 

CMYK 82 / 83 / 0 / 44

HEX #1A1890

RGB 26 24 144

HSL 241, 0.71%, 0.33%

LAB 19.58, 43.32, -63.74

 

CMYK 0 / 83 / 8 / 44

HEX #901885

RGB 144 24 133

HSL 305.5, 0.71%, 0.33%

LAB 34.55, 58.54, -31.85

 

CMYK 0 / 93 / 9 / 38

HEX #9E0B90

RGB 158 11 144

HSL 305.71, 0.87%, 0.33%

LAB 36.97, 65.33, -34.64

 

CMYK 0 / 83 / 8 / 44

HEX #901885

RGB 144 24 133

HSL 305.5, 0.71%, 0.33%

LAB 34.55, 58.54, -31.85

 

CMYK 0 / 71 / 6 / 49

HEX #82267A

RGB 130 38 122

HSL 305.22, 0.55%, 0.33%

LAB 33, 49.1, -27.59

 

CMYK 0 / 56 / 5 / 54

HEX #75346F

RGB 117 52 111

HSL 305.54, 0.38%, 0.33%

LAB 32.67, 37.04, -21.32

 

CMYK 0 / 37 / 3 / 60

HEX #674164

RGB 103 65 100

HSL 304.74, 0.23%, 0.33%

LAB 33.1, 22.69, -13.84

 

CMYK 0 / 11 / 1 / 65

HEX #594F58

RGB 89 79 88

HSL 306, 0.06%, 0.33%

LAB 34.84, 5.99, -3.76

 

CMYK 38 / 83 / 0 / 44

HEX #5A1890

RGB 90 24 144

HSL 273, 0.71%, 0.33%

LAB 26.28, 50.45, -52.47

 

CMYK 15 / 83 / 0 / 44

HEX #7A1890

RGB 122 24 144

HSL 289, 0.71%, 0.33%

LAB 31.36, 56.02, -43.99

 

CMYK 0 / 83 / 7 / 44

HEX #901886

RGB 144 24 134

HSL 305, 0.71%, 0.33%

LAB 34.61, 58.69, -32.38

 

CMYK 0 / 83 / 29 / 44

HEX #901866

RGB 144 24 102

HSL 321, 0.71%, 0.33%

LAB 33.01, 54.22, -14.68

 

CMYK 0 / 83 / 51 / 44

HEX #901846

RGB 144 24 70

HSL 337, 0.71%, 0.33%

LAB 31.86, 50.87, 4.48

 

CMYK 0 / 84 / 7 / 71

HEX #490C44

RGB 73 12 68

HSL 304.92, 0.72%, 0.17%

LAB 15.99, 34.91, -19.52

 

CMYK 0 / 83 / 8 / 57

HEX #6D1264

RGB 109 18 100

HSL 305.93, 0.72%, 0.25%

LAB 25.58, 47.19, -25.47

 

CMYK 0 / 83 / 8 / 44

HEX #901885

RGB 144 24 133

HSL 305.5, 0.71%, 0.33%

LAB 34.55, 58.54, -31.85

 

CMYK 0 / 83 / 8 / 30

HEX #B31EA5

RGB 179 30 165

HSL 305.64, 0.71%, 0.41%

LAB 43.11, 69.17, -37.39

 

CMYK 0 / 83 / 7 / 16

HEX #D624C6

RGB 214 36 198

HSL 305.39, 0.71%, 0.49%

LAB 51.42, 79.52, -43.21

 

CMYK 0 / 83 / 8 / 44

HEX #8E1883

RGB 142 24 131

HSL 305.59, 0.71%, 0.33%

LAB 34.07, 57.81, -31.39

 

CMYK 0 / 60 / 83 / 44

HEX #903A18

RGB 144 58 24

HSL 17, 0.71%, 0.33%

LAB 36.03, 34.55, 37.73

 

CMYK 83 / 0 / 26 / 44

HEX #18906A

RGB 24 144 106

HSL 161, 0.71%, 0.33%

LAB 53.15, -40.75, 11.44

 

CMYK 0 / 83 / 8 / 44

HEX #8E1883

RGB 142 24 131

HSL 305.59, 0.71%, 0.33%

LAB 34.07, 57.81, -31.39

 

CMYK 7 / 0 / 83 / 44

HEX #869018

RGB 134 144 24

HSL 65, 0.71%, 0.33%

LAB 57.15, -18.07, 56.21

 

CMYK 83 / 7 / 0 / 44

HEX #188690

RGB 24 134 144

HSL 185, 0.71%, 0.33%

LAB 50.99, -25.09, -13.73

 

CMYK 0 / 83 / 8 / 44

HEX #8E1883

RGB 142 24 131

HSL 305.59, 0.71%, 0.33%

LAB 34.07, 57.81, -31.39

 

CMYK 0 / 60 / 83 / 44

HEX #903A18

RGB 144 58 24

HSL 17, 0.71%, 0.33%

LAB 36.03, 34.55, 37.73

 

CMYK 83 / 0 / 76 / 44

HEX #189022

RGB 24 144 34

HSL 125, 0.71%, 0.33%

LAB 52.13, -52.68, 46.5

 

CMYK 83 / 24 / 0 / 44

HEX #186E90

RGB 24 110 144

HSL 197, 0.71%, 0.33%

LAB 43.3, -12.04, -25.52

 

CMYK 0 / 83 / 8 / 44

HEX #8E1883

RGB 142 24 131

HSL 305.59, 0.71%, 0.33%

LAB 34.07, 57.81, -31.39

 

CMYK 0 / 35 / 83 / 44

HEX #905E18

RGB 144 94 24

HSL 35, 0.71%, 0.33%

LAB 44.23, 14.53, 45.24

 

CMYK 83 / 0 / 76 / 44

HEX #189022

RGB 24 144 34

HSL 125, 0.71%, 0.33%

LAB 52.13, -52.68, 46.5

 

CMYK 83 / 49 / 0 / 44

HEX #184A90

RGB 24 74 144

HSL 215, 0.71%, 0.33%

LAB 32.05, 10.74, -43.34

 

Description

Color code: HEX #8E1883 | qconv.com Color code: HEX #8E1883 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 24 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 24 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 8 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 8% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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