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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1265 it is the complementary color #71ED9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1265 shade: #931260, #A42473, #B53686, #C64899 and #D75AAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1265 shade: #8E1265, #7D0052, #6C003F, #5B002C and #4A0019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1265 shade: #8D1164, #8D1143, #8D1121 and #8D1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1265 shade: #8D1164, #8D1185, #73118D, #52118D and #30118D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1265 shade matches the following richer shades: #8D1164 and #990568

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1265 shade: #8D1164, #801E60, #732B5B, #663857 and #5A4553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1265 shade: #72118D, #8D1187, #8D1166, #8D1145 and #8D1124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1265 shade: #430830, #680D4A, #8D1164, #B1167E and #D61A98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1265 shade: #8E1265, #8D5111 and #118D82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1265 shade: #8E1265, #668D11 and #11668D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1265 shade: #8E1265, #8D5111, #118D38 and #114D8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1265 shade: #8E1265, #8D7611, #118D38 and #11288D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 29 / 44

HEX #8E1265

RGB 142 18 101

HSL 319.84, 0.78%, 0.31%

LAB 32.09, 55.03, -15.48

 

Complementary color

CMYK 52 / 0 / 35 / 7

HEX #71ED9A

RGB 113 237 154

HSL 139.84, 0.78%, 0.69%

LAB 85.21, -52.61, 29.92

 

CMYK 0 / 88 / 35 / 42

HEX #931260

RGB 147 18 96

HSL 323.72, 0.78%, 0.32%

LAB 32.88, 55.63, -10.96

 

CMYK 0 / 78 / 30 / 36

HEX #A42473

RGB 164 36 115

HSL 322.97, 0.64%, 0.39%

LAB 38.54, 57.46, -14.13

 

CMYK 0 / 70 / 26 / 29

HEX #B53686

RGB 181 54 134

HSL 322.2, 0.54%, 0.46%

LAB 44.49, 58.23, -16.5

 

CMYK 0 / 64 / 23 / 22

HEX #C64899

RGB 198 72 153

HSL 321.43, 0.53%, 0.53%

LAB 50.62, 58.34, -18.31

 

CMYK 0 / 58 / 20 / 16

HEX #D75AAC

RGB 215 90 172

HSL 320.64, 0.61%, 0.6%

LAB 56.82, 58.07, -19.74

 

CMYK 0 / 87 / 29 / 44

HEX #8E1265

RGB 142 18 101

HSL 319.84, 0.78%, 0.31%

LAB 32.09, 55.03, -15.48

 

CMYK 0 / 100 / 34 / 51

HEX #7D0052

RGB 125 0 82

HSL 320.64, 1%, 0.25%

LAB 26.65, 52.07, -11.66

 

CMYK 0 / 100 / 42 / 58

HEX #6C003F

RGB 108 0 63

HSL 325, 1%, 0.21%

LAB 22.11, 46.11, -5.97

 

CMYK 0 / 100 / 52 / 64

HEX #5B002C

RGB 91 0 44

HSL 330.99, 1%, 0.18%

LAB 17.49, 40.07, 0.18

 

CMYK 0 / 100 / 66 / 71

HEX #4A0019

RGB 74 0 25

HSL 339.73, 1%, 0.15%

LAB 12.77, 33.99, 6.95

 

CMYK 0 / 88 / 29 / 45

HEX #8D1164

RGB 141 17 100

HSL 319.84, 0.78%, 0.31%

LAB 31.77, 54.88, -15.34

 

CMYK 0 / 88 / 52 / 45

HEX #8D1143

RGB 141 17 67

HSL 335.81, 0.78%, 0.31%

LAB 30.57, 51.49, 4.54

 

CMYK 0 / 88 / 77 / 45

HEX #8D1121

RGB 141 17 33

HSL 352.26, 0.78%, 0.31%

LAB 29.85, 49.4, 26.04

 

CMYK 0 / 88 / 88 / 45

HEX #8D1111

RGB 141 17 17

HSL 0, 0.78%, 0.31%

LAB 29.67, 48.89, 35.33

 

CMYK 0 / 88 / 29 / 45

HEX #8D1164

RGB 141 17 100

HSL 319.84, 0.78%, 0.31%

LAB 31.77, 54.88, -15.34

 

CMYK 0 / 88 / 6 / 45

HEX #8D1185

RGB 141 17 133

HSL 303.87, 0.78%, 0.31%

LAB 33.47, 59.45, -33.6

 

CMYK 18 / 88 / 0 / 45

HEX #73118D

RGB 115 17 141

HSL 287.42, 0.78%, 0.31%

LAB 29.33, 55.97, -45.46

 

CMYK 42 / 88 / 0 / 45

HEX #52118D

RGB 82 17 141

HSL 271.45, 0.78%, 0.31%

LAB 24.06, 50.83, -54.29

 

CMYK 66 / 88 / 0 / 45

HEX #30118D

RGB 48 17 141

HSL 255, 0.78%, 0.31%

LAB 19.85, 47.03, -61.37

 

CMYK 0 / 88 / 29 / 45

HEX #8D1164

RGB 141 17 100

HSL 319.84, 0.78%, 0.31%

LAB 31.77, 54.88, -15.34

 

CMYK 0 / 97 / 32 / 40

HEX #990568

RGB 153 5 104

HSL 319.86, 0.94%, 0.31%

LAB 33.73, 59.92, -14.69

 

CMYK 0 / 88 / 29 / 45

HEX #8D1164

RGB 141 17 100

HSL 319.84, 0.78%, 0.31%

LAB 31.77, 54.88, -15.34

 

CMYK 0 / 77 / 25 / 50

HEX #801E60

RGB 128 30 96

HSL 319.59, 0.62%, 0.31%

LAB 30.31, 47.53, -15.21

 

CMYK 0 / 63 / 21 / 55

HEX #732B5B

RGB 115 43 91

HSL 320, 0.46%, 0.31%

LAB 29.73, 37.51, -13.05

 

CMYK 0 / 45 / 15 / 60

HEX #663857

RGB 102 56 87

HSL 319.57, 0.29%, 0.31%

LAB 30.26, 25.2, -9.84

 

CMYK 0 / 23 / 8 / 65

HEX #5A4553

RGB 90 69 83

HSL 320, 0.13%, 0.31%

LAB 31.93, 11.66, -4.9

 

CMYK 19 / 88 / 0 / 45

HEX #72118D

RGB 114 17 141

HSL 286.94, 0.78%, 0.31%

LAB 29.16, 55.8, -45.75

 

CMYK 0 / 88 / 4 / 45

HEX #8D1187

RGB 141 17 135

HSL 302.9, 0.78%, 0.31%

LAB 33.59, 59.76, -34.65

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 88 / 51 / 45

HEX #8D1145

RGB 141 17 69

HSL 334.84, 0.78%, 0.31%

LAB 30.62, 51.66, 3.29

 

CMYK 0 / 88 / 74 / 45

HEX #8D1124

RGB 141 17 36

HSL 350.81, 0.78%, 0.31%

LAB 29.89, 49.53, 24.17

 

CMYK 0 / 88 / 28 / 74

HEX #430830

RGB 67 8 48

HSL 319.32, 0.79%, 0.15%

LAB 13.11, 31.39, -9.86

 

CMYK 0 / 88 / 29 / 59

HEX #680D4A

RGB 104 13 74

HSL 319.78, 0.78%, 0.23%

LAB 22.74, 43.48, -12.65

 

CMYK 0 / 88 / 29 / 45

HEX #8D1164

RGB 141 17 100

HSL 319.84, 0.78%, 0.31%

LAB 31.77, 54.88, -15.34

 

CMYK 0 / 88 / 29 / 31

HEX #B1167E

RGB 177 22 126

HSL 319.74, 0.78%, 0.39%

LAB 40.29, 65.22, -18.09

 

CMYK 0 / 88 / 29 / 16

HEX #D61A98

RGB 214 26 152

HSL 319.79, 0.78%, 0.47%

LAB 48.64, 75.52, -20.5

 

CMYK 0 / 87 / 29 / 44

HEX #8E1265

RGB 142 18 101

HSL 319.84, 0.78%, 0.31%

LAB 32.09, 55.03, -15.48

 

CMYK 0 / 43 / 88 / 45

HEX #8D5111

RGB 141 81 17

HSL 30.97, 0.78%, 0.31%

LAB 40.55, 20.47, 44.49

 

CMYK 88 / 0 / 8 / 45

HEX #118D82

RGB 17 141 130

HSL 174.68, 0.78%, 0.31%

LAB 52.71, -33.46, -3.02

 

CMYK 0 / 87 / 29 / 44

HEX #8E1265

RGB 142 18 101

HSL 319.84, 0.78%, 0.31%

LAB 32.09, 55.03, -15.48

 

CMYK 28 / 0 / 88 / 45

HEX #668D11

RGB 102 141 17

HSL 78.87, 0.78%, 0.31%

LAB 53.94, -30.62, 54.29

 

CMYK 88 / 28 / 0 / 45

HEX #11668D

RGB 17 102 141

HSL 198.87, 0.78%, 0.31%

LAB 40.48, -9.08, -28.13

 

CMYK 0 / 87 / 29 / 44

HEX #8E1265

RGB 142 18 101

HSL 319.84, 0.78%, 0.31%

LAB 32.09, 55.03, -15.48

 

CMYK 0 / 43 / 88 / 45

HEX #8D5111

RGB 141 81 17

HSL 30.97, 0.78%, 0.31%

LAB 40.55, 20.47, 44.49

 

CMYK 88 / 0 / 60 / 45

HEX #118D38

RGB 17 141 56

HSL 138.87, 0.78%, 0.31%

LAB 51.21, -50.04, 35.98

 

CMYK 88 / 45 / 0 / 45

HEX #114D8D

RGB 17 77 141

HSL 210.97, 0.78%, 0.31%

LAB 32.59, 6.84, -40.64

 

CMYK 0 / 87 / 29 / 44

HEX #8E1265

RGB 142 18 101

HSL 319.84, 0.78%, 0.31%

LAB 32.09, 55.03, -15.48

 

CMYK 0 / 16 / 88 / 45

HEX #8D7611

RGB 141 118 17

HSL 48.87, 0.78%, 0.31%

LAB 50.29, -0.93, 52.53

 

CMYK 88 / 0 / 60 / 45

HEX #118D38

RGB 17 141 56

HSL 138.87, 0.78%, 0.31%

LAB 51.21, -50.04, 35.98

 

CMYK 88 / 72 / 0 / 45

HEX #11288D

RGB 17 40 141

HSL 228.87, 0.78%, 0.31%

LAB 22.16, 32.34, -57.62

 

Description

Color code: HEX #8E1265 | qconv.com Color code: HEX #8E1265 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 18 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 18 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 29 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 29% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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