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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E0463 it is the complementary color #71FB9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E0463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E0463 shade: #93045E, #A41671, #B52884, #C63A97 and #D74CAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E0463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E0463 shade: #8E0463, #7D0050, #6C003D, #5B002A and #4A0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E0463 shade: #900464, #90043F, #900419 and #900404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E0463 shade: #900464, #90048A, #700490, #4A0490 and #240490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E0463 shade matches the following richer shades: #900464

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E0463 shade: #900464, #841060, #781C5B, #6C2857 and #603452

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E0463 shade: #6F0490, #90048C, #900466, #900441 and #90041B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E0463 shade: #40022C, #680348, #900464, #B80580 and #E1069C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E0463 shade: #8E0463, #904A04 and #049082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E0463 shade: #8E0463, #669004 and #046690

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E0463 shade: #8E0463, #904A04, #04902E and #044A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E0463 shade: #8E0463, #907404, #04902E and #042090

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 30 / 44

HEX #8E0463

RGB 142 4 99

HSL 318.7, 0.95%, 0.29%

LAB 31.2, 57.09, -15.55

 

Complementary color

CMYK 55 / 0 / 38 / 2

HEX #71FB9C

RGB 113 251 156

HSL 138.7, 0.95%, 0.71%

LAB 89.35, -57.84, 34.43

 

CMYK 0 / 97 / 36 / 42

HEX #93045E

RGB 147 4 94

HSL 322.24, 0.95%, 0.3%

LAB 32.03, 57.64, -10.95

 

CMYK 0 / 87 / 31 / 36

HEX #A41671

RGB 164 22 113

HSL 321.55, 0.76%, 0.36%

LAB 37.22, 60.76, -14.88

 

CMYK 0 / 78 / 27 / 29

HEX #B52884

RGB 181 40 132

HSL 320.85, 0.64%, 0.43%

LAB 42.77, 62.6, -17.91

 

CMYK 0 / 71 / 24 / 22

HEX #C63A97

RGB 198 58 151

HSL 320.14, 0.55%, 0.5%

LAB 48.59, 63.47, -20.22

 

CMYK 0 / 65 / 21 / 16

HEX #D74CAA

RGB 215 76 170

HSL 319.42, 0.63%, 0.57%

LAB 54.57, 63.71, -22.02

 

CMYK 0 / 97 / 30 / 44

HEX #8E0463

RGB 142 4 99

HSL 318.7, 0.95%, 0.29%

LAB 31.2, 57.09, -15.55

 

CMYK 0 / 100 / 36 / 51

HEX #7D0050

RGB 125 0 80

HSL 321.6, 1%, 0.25%

LAB 26.56, 51.84, -10.46

 

CMYK 0 / 100 / 44 / 58

HEX #6C003D

RGB 108 0 61

HSL 326.11, 1%, 0.21%

LAB 22.03, 45.91, -4.7

 

CMYK 0 / 100 / 54 / 64

HEX #5B002A

RGB 91 0 42

HSL 332.31, 1%, 0.18%

LAB 17.42, 39.89, 1.52

 

CMYK 0 / 100 / 69 / 71

HEX #4A0017

RGB 74 0 23

HSL 341.35, 1%, 0.15%

LAB 12.72, 33.85, 8.39

 

CMYK 0 / 97 / 31 / 44

HEX #900464

RGB 144 4 100

HSL 318.86, 0.95%, 0.29%

LAB 31.66, 57.65, -15.46

 

CMYK 0 / 97 / 56 / 44

HEX #90043F

RGB 144 4 63

HSL 334.71, 0.95%, 0.29%

LAB 30.34, 54.14, 6.98

 

CMYK 0 / 97 / 83 / 44

HEX #900419

RGB 144 4 25

HSL 351, 0.95%, 0.29%

LAB 29.63, 52.19, 30.98

 

CMYK 0 / 97 / 97 / 44

HEX #900404

RGB 144 4 4

HSL 0, 0.95%, 0.29%

LAB 29.48, 51.76, 41.26

 

CMYK 0 / 97 / 31 / 44

HEX #900464

RGB 144 4 100

HSL 318.86, 0.95%, 0.29%

LAB 31.66, 57.65, -15.46

 

CMYK 0 / 97 / 4 / 44

HEX #90048A

RGB 144 4 138

HSL 302.57, 0.95%, 0.29%

LAB 33.67, 62.74, -36.35

 

CMYK 22 / 97 / 0 / 44

HEX #700490

RGB 112 4 144

HSL 286.29, 0.95%, 0.29%

LAB 28.23, 58.48, -49.13

 

CMYK 49 / 97 / 0 / 44

HEX #4A0490

RGB 74 4 144

HSL 270, 0.95%, 0.29%

LAB 22.15, 53.79, -59.34

 

CMYK 75 / 97 / 0 / 44

HEX #240490

RGB 36 4 144

HSL 253.71, 0.95%, 0.29%

LAB 17.81, 51.18, -66.67

 

CMYK 0 / 97 / 31 / 44

HEX #900464

RGB 144 4 100

HSL 318.86, 0.95%, 0.29%

LAB 31.66, 57.65, -15.46

 

CMYK 0 / 97 / 31 / 44

HEX #900464

RGB 144 4 100

HSL 318.86, 0.95%, 0.29%

LAB 31.66, 57.65, -15.46

 

CMYK 0 / 88 / 27 / 48

HEX #841060

RGB 132 16 96

HSL 318.62, 0.78%, 0.29%

LAB 29.71, 52.47, -16.06

 

CMYK 0 / 77 / 24 / 53

HEX #781C5B

RGB 120 28 91

HSL 318.91, 0.62%, 0.29%

LAB 28.32, 45.38, -15.13

 

CMYK 0 / 63 / 19 / 58

HEX #6C2857

RGB 108 40 87

HSL 318.53, 0.46%, 0.29%

LAB 27.83, 36.1, -13.45

 

CMYK 0 / 46 / 15 / 62

HEX #603452

RGB 96 52 82

HSL 319.09, 0.3%, 0.29%

LAB 28.25, 24.43, -9.7

 

CMYK 23 / 97 / 0 / 44

HEX #6F0490

RGB 111 4 144

HSL 285.86, 0.95%, 0.29%

LAB 28.06, 58.33, -49.42

 

CMYK 0 / 97 / 3 / 44

HEX #90048C

RGB 144 4 140

HSL 301.71, 0.95%, 0.29%

LAB 33.79, 63.04, -37.4

 

CMYK 0 / 97 / 29 / 44

HEX #900466

RGB 144 4 102

HSL 318, 0.95%, 0.29%

LAB 31.75, 57.88, -16.61

 

CMYK 0 / 97 / 55 / 44

HEX #900441

RGB 144 4 65

HSL 333.86, 0.95%, 0.29%

LAB 30.39, 54.29, 5.71

 

CMYK 0 / 97 / 81 / 44

HEX #90041B

RGB 144 4 27

HSL 350.14, 0.95%, 0.29%

LAB 29.65, 52.25, 29.78

 

CMYK 0 / 97 / 31 / 75

HEX #40022C

RGB 64 2 44

HSL 319.35, 0.94%, 0.13%

LAB 11.38, 32.45, -9.64

 

CMYK 0 / 97 / 31 / 59

HEX #680348

RGB 104 3 72

HSL 319.01, 0.94%, 0.21%

LAB 21.86, 45.51, -12.64

 

CMYK 0 / 97 / 31 / 44

HEX #900464

RGB 144 4 100

HSL 318.86, 0.95%, 0.29%

LAB 31.66, 57.65, -15.46

 

CMYK 0 / 97 / 30 / 28

HEX #B80580

RGB 184 5 128

HSL 318.77, 0.95%, 0.37%

LAB 40.99, 69.15, -18.14

 

CMYK 0 / 97 / 31 / 12

HEX #E1069C

RGB 225 6 156

HSL 318.9, 0.95%, 0.45%

LAB 50.14, 80.37, -20.41

 

CMYK 0 / 97 / 30 / 44

HEX #8E0463

RGB 142 4 99

HSL 318.7, 0.95%, 0.29%

LAB 31.2, 57.09, -15.55

 

CMYK 0 / 49 / 97 / 44

HEX #904A04

RGB 144 74 4

HSL 30, 0.95%, 0.29%

LAB 39.3, 25.51, 47.73

 

CMYK 97 / 0 / 10 / 44

HEX #049082

RGB 4 144 130

HSL 174, 0.95%, 0.29%

LAB 53.58, -35.54, -1.75

 

CMYK 0 / 97 / 30 / 44

HEX #8E0463

RGB 142 4 99

HSL 318.7, 0.95%, 0.29%

LAB 31.2, 57.09, -15.55

 

CMYK 29 / 0 / 97 / 44

HEX #669004

RGB 102 144 4

HSL 78, 0.95%, 0.29%

LAB 54.85, -32.34, 57.39

 

CMYK 97 / 29 / 0 / 44

HEX #046690

RGB 4 102 144

HSL 198, 0.95%, 0.29%

LAB 40.48, -8.7, -29.95

 

CMYK 0 / 97 / 30 / 44

HEX #8E0463

RGB 142 4 99

HSL 318.7, 0.95%, 0.29%

LAB 31.2, 57.09, -15.55

 

CMYK 0 / 49 / 97 / 44

HEX #904A04

RGB 144 74 4

HSL 30, 0.95%, 0.29%

LAB 39.3, 25.51, 47.73

 

CMYK 97 / 0 / 68 / 44

HEX #04902E

RGB 4 144 46

HSL 138, 0.95%, 0.29%

LAB 52.03, -53.19, 41.51

 

CMYK 97 / 49 / 0 / 44

HEX #044A90

RGB 4 74 144

HSL 210, 0.95%, 0.29%

LAB 31.66, 9.33, -43.98

 

CMYK 0 / 97 / 30 / 44

HEX #8E0463

RGB 142 4 99

HSL 318.7, 0.95%, 0.29%

LAB 31.2, 57.09, -15.55

 

CMYK 0 / 19 / 97 / 44

HEX #907404

RGB 144 116 4

HSL 48, 0.95%, 0.29%

LAB 50.01, 1.36, 55.24

 

CMYK 97 / 0 / 68 / 44

HEX #04902E

RGB 4 144 46

HSL 138, 0.95%, 0.29%

LAB 52.03, -53.19, 41.51

 

CMYK 97 / 78 / 0 / 44

HEX #042090

RGB 4 32 144

HSL 228, 0.95%, 0.29%

LAB 20.33, 37.96, -62.52

 

Description

Color code: HEX #8E0463 | qconv.com Color code: HEX #8E0463 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 4 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 4 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 30 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 30% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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