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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DFA7D it is the complementary color #720582. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DFA7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DFA7D shade: #92FA78, #A3FF8B, #B4FF9E, #C5FFB1 and #D6FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DFA7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DFA7D shade: #8DFA7D, #7CE86A, #6BD657, #5AC444 and #49B231

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DFA7D shade: #8FFA7F, #B0FA7F, #D1FA7F, #F3FA7F and #FAE17F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DFA7D shade: #8FFA7F, #7FFA91, #7FFAB2, #7FFAD3 and #7FFAF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DFA7D shade matches the following richer shades: #8FFA7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DFA7D shade: #8FFA7F, #97F08A, #9FE594, #A7DA9F and #AFCFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DFA7D shade: #D1FA7F, #B0FA7F, #8FFA7F, #7FFA8F and #7FFAB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DFA7D shade: #49F72F, #6CF957, #8FFA7F, #B2FCA7 and #D5FDCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DFA7D shade: #8DFA7D, #7FF2FA and #FA7FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DFA7D shade: #8DFA7D, #7F8FFA and #FA7F8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DFA7D shade: #8DFA7D, #7FF2FA, #EA7FFA and #FA877F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DFA7D shade: #8DFA7D, #7FCDFA, #EA7FFA and #FAAC7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 50 / 2

HEX #8DFA7D

RGB 141 250 125

HSL 112.32, 0.93%, 0.74%

LAB 89.63, -54.75, 49.99

 

Complementary color

CMYK 12 / 96 / 0 / 49

HEX #720582

RGB 114 5 130

HSL 292.32, 0.93%, 0.26%

LAB 27.57, 56.05, -41.46

 

CMYK 42 / 0 / 52 / 2

HEX #92FA78

RGB 146 250 120

HSL 108, 0.93%, 0.73%

LAB 89.78, -53.88, 52.53

 

CMYK 36 / 0 / 45 / 0

HEX #A3FF8B

RGB 163 255 139

HSL 107.59, 1%, 0.77%

LAB 92.21, -48.44, 46.79

 

CMYK 29 / 0 / 38 / 0

HEX #B4FF9E

RGB 180 255 158

HSL 106.39, 1%, 0.81%

LAB 93.32, -40.48, 39.17

 

CMYK 23 / 0 / 31 / 0

HEX #C5FFB1

RGB 197 255 177

HSL 104.62, 1%, 0.85%

LAB 94.55, -32.15, 31.53

 

CMYK 16 / 0 / 23 / 0

HEX #D6FFC4

RGB 214 255 196

HSL 101.69, 1%, 0.88%

LAB 95.91, -23.55, 23.96

 

CMYK 44 / 0 / 50 / 2

HEX #8DFA7D

RGB 141 250 125

HSL 112.32, 0.93%, 0.74%

LAB 89.63, -54.75, 49.99

 

CMYK 47 / 0 / 54 / 9

HEX #7CE86A

RGB 124 232 106

HSL 111.43, 0.73%, 0.66%

LAB 83.46, -54.74, 51.17

 

CMYK 50 / 0 / 59 / 16

HEX #6BD657

RGB 107 214 87

HSL 110.55, 0.61%, 0.59%

LAB 77.23, -54.61, 52.29

 

CMYK 54 / 0 / 65 / 23

HEX #5AC444

RGB 90 196 68

HSL 109.69, 0.52%, 0.52%

LAB 70.92, -54.3, 53.25

 

CMYK 59 / 0 / 72 / 30

HEX #49B231

RGB 73 178 49

HSL 108.84, 0.57%, 0.45%

LAB 64.55, -53.69, 53.89

 

CMYK 43 / 0 / 49 / 2

HEX #8FFA7F

RGB 143 250 127

HSL 112.2, 0.92%, 0.74%

LAB 89.74, -53.92, 49.2

 

CMYK 30 / 0 / 49 / 2

HEX #B0FA7F

RGB 176 250 127

HSL 96.1, 0.92%, 0.74%

LAB 91.29, -43.51, 51.46

 

CMYK 16 / 0 / 49 / 2

HEX #D1FA7F

RGB 209 250 127

HSL 80, 0.92%, 0.74%

LAB 93.21, -31.8, 54.23

 

CMYK 3 / 0 / 49 / 2

HEX #F3FA7F

RGB 243 250 127

HSL 63.41, 0.92%, 0.74%

LAB 95.56, -18.88, 57.6

 

CMYK 0 / 10 / 49 / 2

HEX #FAE17F

RGB 250 225 127

HSL 47.8, 0.92%, 0.74%

LAB 89.72, -3.78, 50.72

 

CMYK 43 / 0 / 49 / 2

HEX #8FFA7F

RGB 143 250 127

HSL 112.2, 0.92%, 0.74%

LAB 89.74, -53.92, 49.2

 

CMYK 49 / 0 / 42 / 2

HEX #7FFA91

RGB 127 250 145

HSL 128.78, 0.92%, 0.74%

LAB 89.36, -55.83, 39.96

 

CMYK 49 / 0 / 29 / 2

HEX #7FFAB2

RGB 127 250 178

HSL 144.88, 0.92%, 0.74%

LAB 89.9, -50.25, 24.17

 

CMYK 49 / 0 / 16 / 2

HEX #7FFAD3

RGB 127 250 211

HSL 160.98, 0.92%, 0.74%

LAB 90.59, -43.56, 8.16

 

CMYK 49 / 0 / 2 / 2

HEX #7FFAF4

RGB 127 250 244

HSL 177.07, 0.92%, 0.74%

LAB 91.42, -35.86, -7.76

 

CMYK 43 / 0 / 49 / 2

HEX #8FFA7F

RGB 143 250 127

HSL 112.2, 0.92%, 0.74%

LAB 89.74, -53.92, 49.2

 

CMYK 43 / 0 / 49 / 2

HEX #8FFA7F

RGB 143 250 127

HSL 112.2, 0.92%, 0.74%

LAB 89.74, -53.92, 49.2

 

CMYK 37 / 0 / 43 / 6

HEX #97F08A

RGB 151 240 138

HSL 112.35, 0.77%, 0.74%

LAB 87.36, -45.92, 41.01

 

CMYK 31 / 0 / 35 / 10

HEX #9FE594

RGB 159 229 148

HSL 111.85, 0.61%, 0.74%

LAB 84.77, -37.1, 32.73

 

CMYK 23 / 0 / 27 / 15

HEX #A7DA9F

RGB 167 218 159

HSL 111.86, 0.44%, 0.74%

LAB 82.3, -27.59, 23.84

 

CMYK 15 / 0 / 18 / 19

HEX #AFCFAA

RGB 175 207 170

HSL 111.89, 0.28%, 0.74%

LAB 79.98, -17.62, 14.9

 

CMYK 16 / 0 / 49 / 2

HEX #D1FA7F

RGB 209 250 127

HSL 80, 0.92%, 0.74%

LAB 93.21, -31.8, 54.23

 

CMYK 30 / 0 / 49 / 2

HEX #B0FA7F

RGB 176 250 127

HSL 96.1, 0.92%, 0.74%

LAB 91.29, -43.51, 51.46

 

CMYK 43 / 0 / 49 / 2

HEX #8FFA7F

RGB 143 250 127

HSL 112.2, 0.92%, 0.74%

LAB 89.74, -53.92, 49.2

 

CMYK 49 / 0 / 43 / 2

HEX #7FFA8F

RGB 127 250 143

HSL 127.8, 0.92%, 0.74%

LAB 89.33, -56.13, 40.9

 

CMYK 49 / 0 / 30 / 2

HEX #7FFAB0

RGB 127 250 176

HSL 143.9, 0.92%, 0.74%

LAB 89.87, -50.63, 25.13

 

CMYK 70 / 0 / 81 / 3

HEX #49F72F

RGB 73 247 47

HSL 112.2, 0.93%, 0.58%

LAB 86.08, -76.49, 75.25

 

CMYK 57 / 0 / 65 / 2

HEX #6CF957

RGB 108 249 87

HSL 112.22, 0.93%, 0.66%

LAB 87.79, -67.19, 64.06

 

CMYK 43 / 0 / 49 / 2

HEX #8FFA7F

RGB 143 250 127

HSL 112.2, 0.92%, 0.74%

LAB 89.74, -53.92, 49.2

 

CMYK 29 / 0 / 34 / 1

HEX #B2FCA7

RGB 178 252 167

HSL 112.24, 0.93%, 0.82%

LAB 92.52, -38.49, 33.64

 

CMYK 16 / 0 / 18 / 1

HEX #D5FDCF

RGB 213 253 207

HSL 112.17, 0.92%, 0.9%

LAB 95.54, -21.15, 17.82

 

CMYK 44 / 0 / 50 / 2

HEX #8DFA7D

RGB 141 250 125

HSL 112.32, 0.93%, 0.74%

LAB 89.63, -54.75, 49.99

 

CMYK 49 / 3 / 0 / 2

HEX #7FF2FA

RGB 127 242 250

HSL 183.9, 0.92%, 0.74%

LAB 89.35, -30.6, -13.96

 

CMYK 0 / 49 / 23 / 2

HEX #FA7FC1

RGB 250 127 193

HSL 327.8, 0.92%, 0.74%

LAB 69.01, 54.35, -12.78

 

CMYK 44 / 0 / 50 / 2

HEX #8DFA7D

RGB 141 250 125

HSL 112.32, 0.93%, 0.74%

LAB 89.63, -54.75, 49.99

 

CMYK 49 / 43 / 0 / 2

HEX #7F8FFA

RGB 127 143 250

HSL 232.2, 0.92%, 0.74%

LAB 62.56, 22.58, -55.36

 

CMYK 0 / 49 / 43 / 2

HEX #FA7F8F

RGB 250 127 143

HSL 352.2, 0.92%, 0.74%

LAB 67.64, 48.35, 13.37

 

CMYK 44 / 0 / 50 / 2

HEX #8DFA7D

RGB 141 250 125

HSL 112.32, 0.93%, 0.74%

LAB 89.63, -54.75, 49.99

 

CMYK 49 / 3 / 0 / 2

HEX #7FF2FA

RGB 127 242 250

HSL 183.9, 0.92%, 0.74%

LAB 89.35, -30.6, -13.96

 

CMYK 6 / 49 / 0 / 2

HEX #EA7FFA

RGB 234 127 250

HSL 292.2, 0.92%, 0.74%

LAB 69.16, 58.89, -44.26

 

CMYK 0 / 46 / 49 / 2

HEX #FA877F

RGB 250 135 127

HSL 3.9, 0.92%, 0.74%

LAB 68.88, 42.85, 24.04

 

CMYK 44 / 0 / 50 / 2

HEX #8DFA7D

RGB 141 250 125

HSL 112.32, 0.93%, 0.74%

LAB 89.63, -54.75, 49.99

 

CMYK 49 / 18 / 0 / 2

HEX #7FCDFA

RGB 127 205 250

HSL 201.95, 0.92%, 0.74%

LAB 79.09, -12.12, -29.52

 

CMYK 6 / 49 / 0 / 2

HEX #EA7FFA

RGB 234 127 250

HSL 292.2, 0.92%, 0.74%

LAB 69.16, 58.89, -44.26

 

CMYK 0 / 31 / 49 / 2

HEX #FAAC7F

RGB 250 172 127

HSL 21.95, 0.92%, 0.74%

LAB 76.9, 23.7, 34.62

 

Description

Color code: HEX #8DFA7D | qconv.com Color code: HEX #8DFA7D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 250 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 250 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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