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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DF97D it is the complementary color #720682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DF97D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DF97D shade: #92F978, #A3FF8B, #B4FF9E, #C5FFB1 and #D6FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DF97D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DF97D shade: #8DF97D, #7CE76A, #6BD557, #5AC344 and #49B131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DF97D shade: #8CF97B, #ADF97B, #CFF97B, #F1F97B and #F9DF7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DF97D shade: #8CF97B, #7BF98D, #7BF9AF, #7BF9D1 and #7BF9F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DF97D shade matches the following richer shades: #8CF97B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DF97D shade: #8CF97B, #94EE87, #9CE392, #A4D79D and #ADCCA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DF97D shade: #CFF97B, #AEF97B, #8CF97B, #7BF98C and #7BF9AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DF97D shade: #47F52D, #69F754, #8CF97B, #AEFBA3 and #D1FDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DF97D shade: #8DF97D, #7BF0F9 and #F97BBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DF97D shade: #8DF97D, #7B8CF9 and #F97B8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DF97D shade: #8DF97D, #7BF0F9, #E87BF9 and #F9847B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DF97D shade: #8DF97D, #7BCBF9, #E87BF9 and #F9A97B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 50 / 2

HEX #8DF97D

RGB 141 249 125

HSL 112.26, 0.91%, 0.73%

LAB 89.34, -54.35, 49.63

 

Complementary color

CMYK 12 / 95 / 0 / 49

HEX #720682

RGB 114 6 130

HSL 292.26, 0.91%, 0.27%

LAB 27.63, 55.87, -41.36

 

CMYK 41 / 0 / 52 / 2

HEX #92F978

RGB 146 249 120

HSL 107.91, 0.91%, 0.72%

LAB 89.5, -53.48, 52.18

 

CMYK 36 / 0 / 45 / 0

HEX #A3FF8B

RGB 163 255 139

HSL 107.59, 1%, 0.77%

LAB 92.21, -48.44, 46.79

 

CMYK 29 / 0 / 38 / 0

HEX #B4FF9E

RGB 180 255 158

HSL 106.39, 1%, 0.81%

LAB 93.32, -40.48, 39.17

 

CMYK 23 / 0 / 31 / 0

HEX #C5FFB1

RGB 197 255 177

HSL 104.62, 1%, 0.85%

LAB 94.55, -32.15, 31.53

 

CMYK 16 / 0 / 23 / 0

HEX #D6FFC4

RGB 214 255 196

HSL 101.69, 1%, 0.88%

LAB 95.91, -23.55, 23.96

 

CMYK 43 / 0 / 50 / 2

HEX #8DF97D

RGB 141 249 125

HSL 112.26, 0.91%, 0.73%

LAB 89.34, -54.35, 49.63

 

CMYK 46 / 0 / 54 / 9

HEX #7CE76A

RGB 124 231 106

HSL 111.36, 0.72%, 0.66%

LAB 83.17, -54.35, 50.82

 

CMYK 50 / 0 / 59 / 16

HEX #6BD557

RGB 107 213 87

HSL 110.48, 0.6%, 0.59%

LAB 76.92, -54.23, 51.94

 

CMYK 54 / 0 / 65 / 24

HEX #5AC344

RGB 90 195 68

HSL 109.61, 0.51%, 0.52%

LAB 70.61, -53.92, 52.92

 

CMYK 59 / 0 / 72 / 31

HEX #49B131

RGB 73 177 49

HSL 108.75, 0.57%, 0.44%

LAB 64.23, -53.33, 53.56

 

CMYK 44 / 0 / 51 / 2

HEX #8CF97B

RGB 140 249 123

HSL 111.9, 0.91%, 0.73%

LAB 89.28, -54.88, 50.48

 

CMYK 31 / 0 / 51 / 2

HEX #ADF97B

RGB 173 249 123

HSL 96.19, 0.91%, 0.73%

LAB 90.81, -44.53, 52.69

 

CMYK 17 / 0 / 51 / 2

HEX #CFF97B

RGB 207 249 123

HSL 80, 0.91%, 0.73%

LAB 92.77, -32.47, 55.51

 

CMYK 3 / 0 / 51 / 2

HEX #F1F97B

RGB 241 249 123

HSL 63.81, 0.91%, 0.73%

LAB 95.11, -19.52, 58.85

 

CMYK 0 / 10 / 51 / 2

HEX #F9DF7B

RGB 249 223 123

HSL 47.62, 0.91%, 0.73%

LAB 89.09, -3.52, 51.84

 

CMYK 44 / 0 / 51 / 2

HEX #8CF97B

RGB 140 249 123

HSL 111.9, 0.91%, 0.73%

LAB 89.28, -54.88, 50.48

 

CMYK 51 / 0 / 43 / 2

HEX #7BF98D

RGB 123 249 141

HSL 128.57, 0.91%, 0.73%

LAB 88.87, -57.05, 41.25

 

CMYK 51 / 0 / 30 / 2

HEX #7BF9AF

RGB 123 249 175

HSL 144.76, 0.91%, 0.73%

LAB 89.42, -51.36, 25.01

 

CMYK 51 / 0 / 16 / 2

HEX #7BF9D1

RGB 123 249 209

HSL 160.95, 0.91%, 0.73%

LAB 90.12, -44.45, 8.5

 

CMYK 51 / 0 / 3 / 2

HEX #7BF9F2

RGB 123 249 242

HSL 176.67, 0.91%, 0.73%

LAB 90.95, -36.72, -7.43

 

CMYK 44 / 0 / 51 / 2

HEX #8CF97B

RGB 140 249 123

HSL 111.9, 0.91%, 0.73%

LAB 89.28, -54.88, 50.48

 

CMYK 44 / 0 / 51 / 2

HEX #8CF97B

RGB 140 249 123

HSL 111.9, 0.91%, 0.73%

LAB 89.28, -54.88, 50.48

 

CMYK 38 / 0 / 43 / 7

HEX #94EE87

RGB 148 238 135

HSL 112.43, 0.75%, 0.73%

LAB 86.6, -46.4, 41.49

 

CMYK 31 / 0 / 36 / 11

HEX #9CE392

RGB 156 227 146

HSL 112.59, 0.59%, 0.73%

LAB 84.01, -37.46, 32.71

 

CMYK 24 / 0 / 27 / 16

HEX #A4D79D

RGB 164 215 157

HSL 112.76, 0.42%, 0.73%

LAB 81.25, -27.49, 23.41

 

CMYK 15 / 0 / 18 / 20

HEX #ADCCA8

RGB 173 204 168

HSL 111.67, 0.26%, 0.73%

LAB 78.98, -17.14, 14.54

 

CMYK 17 / 0 / 51 / 2

HEX #CFF97B

RGB 207 249 123

HSL 80, 0.91%, 0.73%

LAB 92.77, -32.47, 55.51

 

CMYK 30 / 0 / 51 / 2

HEX #AEF97B

RGB 174 249 123

HSL 95.71, 0.91%, 0.73%

LAB 90.86, -44.19, 52.76

 

CMYK 44 / 0 / 51 / 2

HEX #8CF97B

RGB 140 249 123

HSL 111.9, 0.91%, 0.73%

LAB 89.28, -54.88, 50.48

 

CMYK 51 / 0 / 44 / 2

HEX #7BF98C

RGB 123 249 140

HSL 128.1, 0.91%, 0.73%

LAB 88.85, -57.19, 41.72

 

CMYK 51 / 0 / 30 / 2

HEX #7BF9AE

RGB 123 249 174

HSL 144.29, 0.91%, 0.73%

LAB 89.4, -51.54, 25.49

 

CMYK 71 / 0 / 82 / 4

HEX #47F52D

RGB 71 245 45

HSL 112.2, 0.91%, 0.57%

LAB 85.42, -76.32, 75.13

 

CMYK 57 / 0 / 66 / 3

HEX #69F754

RGB 105 247 84

HSL 112.27, 0.91%, 0.65%

LAB 87.08, -67.47, 64.44

 

CMYK 44 / 0 / 51 / 2

HEX #8CF97B

RGB 140 249 123

HSL 111.9, 0.91%, 0.73%

LAB 89.28, -54.88, 50.48

 

CMYK 31 / 0 / 35 / 2

HEX #AEFBA3

RGB 174 251 163

HSL 112.5, 0.92%, 0.81%

LAB 91.97, -39.92, 34.87

 

CMYK 17 / 0 / 20 / 1

HEX #D1FDCA

RGB 209 253 202

HSL 111.76, 0.93%, 0.89%

LAB 95.19, -23.31, 19.86

 

CMYK 43 / 0 / 50 / 2

HEX #8DF97D

RGB 141 249 125

HSL 112.26, 0.91%, 0.73%

LAB 89.34, -54.35, 49.63

 

CMYK 51 / 4 / 0 / 2

HEX #7BF0F9

RGB 123 240 249

HSL 184.29, 0.91%, 0.73%

LAB 88.62, -30.74, -14.54

 

CMYK 0 / 51 / 24 / 2

HEX #F97BBE

RGB 249 123 190

HSL 328.1, 0.91%, 0.73%

LAB 68.04, 55.54, -12.56

 

CMYK 43 / 0 / 50 / 2

HEX #8DF97D

RGB 141 249 125

HSL 112.26, 0.91%, 0.73%

LAB 89.34, -54.35, 49.63

 

CMYK 51 / 44 / 0 / 2

HEX #7B8CF9

RGB 123 140 249

HSL 231.9, 0.91%, 0.73%

LAB 61.49, 23.17, -56.53

 

CMYK 0 / 51 / 44 / 2

HEX #F97B8C

RGB 249 123 140

HSL 351.9, 0.91%, 0.73%

LAB 66.67, 49.65, 13.69

 

CMYK 43 / 0 / 50 / 2

HEX #8DF97D

RGB 141 249 125

HSL 112.26, 0.91%, 0.73%

LAB 89.34, -54.35, 49.63

 

CMYK 51 / 4 / 0 / 2

HEX #7BF0F9

RGB 123 240 249

HSL 184.29, 0.91%, 0.73%

LAB 88.62, -30.74, -14.54

 

CMYK 7 / 51 / 0 / 2

HEX #E87BF9

RGB 232 123 249

HSL 291.9, 0.91%, 0.73%

LAB 68.14, 60.11, -45.34

 

CMYK 0 / 47 / 51 / 2

HEX #F9847B

RGB 249 132 123

HSL 4.29, 0.91%, 0.73%

LAB 68.07, 43.63, 25.15

 

CMYK 43 / 0 / 50 / 2

HEX #8DF97D

RGB 141 249 125

HSL 112.26, 0.91%, 0.73%

LAB 89.34, -54.35, 49.63

 

CMYK 51 / 18 / 0 / 2

HEX #7BCBF9

RGB 123 203 249

HSL 201.9, 0.91%, 0.73%

LAB 78.32, -12.24, -30.17

 

CMYK 7 / 51 / 0 / 2

HEX #E87BF9

RGB 232 123 249

HSL 291.9, 0.91%, 0.73%

LAB 68.14, 60.11, -45.34

 

CMYK 0 / 32 / 51 / 2

HEX #F9A97B

RGB 249 169 123

HSL 21.9, 0.91%, 0.73%

LAB 76.04, 24.52, 35.59

 

Description

Color code: HEX #8DF97D | qconv.com Color code: HEX #8DF97D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 249 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 249 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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