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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DF331 it is the complementary color #720CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DF331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DF331 shade: #92F32C, #A3FF3F, #B4FF52, #C5FF65 and #D6FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DF331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DF331 shade: #8DF331, #7CE11E, #6BCF0B, #5ABD00 and #49AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DF331 shade: #8CF330, #C1F330, #F3F030, #F3BC30 and #F38730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DF331 shade: #8CF330, #58F330, #30F33C, #30F371 and #30F3A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DF331 shade matches the following richer shades: #8CF330

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DF331 shade: #8CF330, #8DE142, #8ECF53, #8FBE65 and #90AC77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DF331 shade: #F3F030, #C2F330, #8EF330, #5AF330 and #30F33A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DF331 shade: #63C50B, #77EC0E, #8CF330, #A2F557 and #B7F77E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DF331 shade: #8DF331, #30F3BC and #F330DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DF331 shade: #8DF331, #308EF3 and #F3308E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DF331 shade: #8DF331, #30F3BC, #9530F3 and #F33067

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DF331 shade: #8DF331, #30F0F3, #9530F3 and #F33330

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 80 / 5

HEX #8DF331

RGB 141 243 49

HSL 91.55, 0.89%, 0.57%

LAB 86.99, -58.34, 76.34

 

Complementary color

CMYK 45 / 94 / 0 / 19

HEX #720CCE

RGB 114 12 206

HSL 271.55, 0.89%, 0.43%

LAB 34.59, 70.18, -75.85

 

CMYK 40 / 0 / 82 / 5

HEX #92F32C

RGB 146 243 44

HSL 89.25, 0.89%, 0.56%

LAB 87.19, -56.94, 77.86

 

CMYK 36 / 0 / 75 / 0

HEX #A3FF3F

RGB 163 255 63

HSL 88.75, 1%, 0.62%

LAB 91.53, -55.2, 76.97

 

CMYK 29 / 0 / 68 / 0

HEX #B4FF52

RGB 180 255 82

HSL 86.01, 1%, 0.66%

LAB 92.5, -48.25, 71.85

 

CMYK 23 / 0 / 60 / 0

HEX #C5FF65

RGB 197 255 101

HSL 82.6, 1%, 0.7%

LAB 93.59, -40.78, 65.89

 

CMYK 16 / 0 / 53 / 0

HEX #D6FF78

RGB 214 255 120

HSL 78.22, 1%, 0.74%

LAB 94.81, -32.91, 59.38

 

CMYK 42 / 0 / 80 / 5

HEX #8DF331

RGB 141 243 49

HSL 91.55, 0.89%, 0.57%

LAB 86.99, -58.34, 76.34

 

CMYK 45 / 0 / 87 / 12

HEX #7CE11E

RGB 124 225 30

HSL 91.08, 0.76%, 0.5%

LAB 80.87, -57.54, 75.01

 

CMYK 48 / 0 / 95 / 19

HEX #6BCF0B

RGB 107 207 11

HSL 90.61, 0.9%, 0.43%

LAB 74.68, -56.46, 72.45

 

CMYK 52 / 0 / 100 / 26

HEX #5ABD00

RGB 90 189 0

HSL 91.43, 1%, 0.37%

LAB 68.44, -55.05, 68.38

 

CMYK 57 / 0 / 100 / 33

HEX #49AB00

RGB 73 171 0

HSL 94.39, 1%, 0.34%

LAB 62.12, -53.3, 63.15

 

CMYK 42 / 0 / 80 / 5

HEX #8CF330

RGB 140 243 48

HSL 91.69, 0.89%, 0.57%

LAB 86.94, -58.7, 76.54

 

CMYK 21 / 0 / 80 / 5

HEX #C1F330

RGB 193 243 48

HSL 75.38, 0.89%, 0.57%

LAB 89.7, -40.01, 80.05

 

CMYK 0 / 1 / 80 / 5

HEX #F3F030

RGB 243 240 48

HSL 59.08, 0.89%, 0.57%

LAB 92.39, -18.59, 83.76

 

CMYK 0 / 23 / 80 / 5

HEX #F3BC30

RGB 243 188 48

HSL 43.08, 0.89%, 0.57%

LAB 79.18, 7.62, 72.28

 

CMYK 0 / 44 / 80 / 5

HEX #F38730

RGB 243 135 48

HSL 26.77, 0.89%, 0.57%

LAB 66.97, 35.38, 61.34

 

CMYK 42 / 0 / 80 / 5

HEX #8CF330

RGB 140 243 48

HSL 91.69, 0.89%, 0.57%

LAB 86.94, -58.7, 76.54

 

CMYK 64 / 0 / 80 / 5

HEX #58F330

RGB 88 243 48

HSL 107.69, 0.89%, 0.57%

LAB 85.19, -72.39, 74.3

 

CMYK 80 / 0 / 75 / 5

HEX #30F33C

RGB 48 243 60

HSL 123.69, 0.89%, 0.57%

LAB 84.51, -78.01, 69.92

 

CMYK 80 / 0 / 53 / 5

HEX #30F371

RGB 48 243 113

HSL 140, 0.89%, 0.57%

LAB 84.96, -72.56, 49.29

 

CMYK 80 / 0 / 32 / 5

HEX #30F3A6

RGB 48 243 166

HSL 156.31, 0.89%, 0.57%

LAB 85.75, -63.4, 24.29

 

CMYK 42 / 0 / 80 / 5

HEX #8CF330

RGB 140 243 48

HSL 91.69, 0.89%, 0.57%

LAB 86.94, -58.7, 76.54

 

CMYK 42 / 0 / 80 / 5

HEX #8CF330

RGB 140 243 48

HSL 91.69, 0.89%, 0.57%

LAB 86.94, -58.7, 76.54

 

CMYK 37 / 0 / 71 / 12

HEX #8DE142

RGB 141 225 66

HSL 91.7, 0.73%, 0.57%

LAB 81.79, -50.29, 66.07

 

CMYK 31 / 0 / 60 / 19

HEX #8ECF53

RGB 142 207 83

HSL 91.45, 0.56%, 0.57%

LAB 76.68, -41, 53.85

 

CMYK 25 / 0 / 47 / 25

HEX #8FBE65

RGB 143 190 101

HSL 91.69, 0.41%, 0.57%

LAB 71.96, -31, 39.83

 

CMYK 16 / 0 / 31 / 33

HEX #90AC77

RGB 144 172 119

HSL 91.7, 0.24%, 0.57%

LAB 67.1, -19.34, 24.18

 

CMYK 0 / 1 / 80 / 5

HEX #F3F030

RGB 243 240 48

HSL 59.08, 0.89%, 0.57%

LAB 92.39, -18.59, 83.76

 

CMYK 20 / 0 / 80 / 5

HEX #C2F330

RGB 194 243 48

HSL 75.08, 0.89%, 0.57%

LAB 89.76, -39.63, 80.13

 

CMYK 42 / 0 / 80 / 5

HEX #8EF330

RGB 142 243 48

HSL 91.08, 0.89%, 0.57%

LAB 87.03, -58.07, 76.65

 

CMYK 63 / 0 / 80 / 5

HEX #5AF330

RGB 90 243 48

HSL 107.08, 0.89%, 0.57%

LAB 85.24, -71.97, 74.36

 

CMYK 80 / 0 / 76 / 5

HEX #30F33A

RGB 48 243 58

HSL 123.08, 0.89%, 0.57%

LAB 84.5, -78.15, 70.53

 

CMYK 50 / 0 / 94 / 23

HEX #63C50B

RGB 99 197 11

HSL 91.61, 0.89%, 0.41%

LAB 71.29, -55.15, 69.57

 

CMYK 50 / 0 / 94 / 7

HEX #77EC0E

RGB 119 236 14

HSL 91.62, 0.89%, 0.49%

LAB 83.94, -63.45, 79.81

 

CMYK 42 / 0 / 80 / 5

HEX #8CF330

RGB 140 243 48

HSL 91.69, 0.89%, 0.57%

LAB 86.94, -58.7, 76.54

 

CMYK 34 / 0 / 64 / 4

HEX #A2F557

RGB 162 245 87

HSL 91.52, 0.89%, 0.65%

LAB 88.77, -49.93, 65.74

 

CMYK 26 / 0 / 49 / 3

HEX #B7F77E

RGB 183 247 126

HSL 91.74, 0.88%, 0.73%

LAB 90.82, -39.9, 51.44

 

CMYK 42 / 0 / 80 / 5

HEX #8DF331

RGB 141 243 49

HSL 91.55, 0.89%, 0.57%

LAB 86.99, -58.34, 76.34

 

CMYK 80 / 0 / 23 / 5

HEX #30F3BC

RGB 48 243 188

HSL 163.08, 0.89%, 0.57%

LAB 86.19, -58.58, 13.56

 

CMYK 0 / 80 / 9 / 5

HEX #F330DC

RGB 243 48 220

HSL 307.08, 0.89%, 0.57%

LAB 58.35, 85.64, -44.51

 

CMYK 42 / 0 / 80 / 5

HEX #8DF331

RGB 141 243 49

HSL 91.55, 0.89%, 0.57%

LAB 86.99, -58.34, 76.34

 

CMYK 80 / 42 / 0 / 5

HEX #308EF3

RGB 48 142 243

HSL 211.08, 0.89%, 0.57%

LAB 58.46, 8.03, -58.25

 

CMYK 0 / 80 / 42 / 5

HEX #F3308E

RGB 243 48 142

HSL 331.08, 0.89%, 0.57%

LAB 55.2, 76.66, -4.11

 

CMYK 42 / 0 / 80 / 5

HEX #8DF331

RGB 141 243 49

HSL 91.55, 0.89%, 0.57%

LAB 86.99, -58.34, 76.34

 

CMYK 80 / 0 / 23 / 5

HEX #30F3BC

RGB 48 243 188

HSL 163.08, 0.89%, 0.57%

LAB 86.19, -58.58, 13.56

 

CMYK 39 / 80 / 0 / 5

HEX #9530F3

RGB 149 48 243

HSL 271.08, 0.89%, 0.57%

LAB 45.6, 73.51, -78.76

 

CMYK 0 / 80 / 58 / 5

HEX #F33067

RGB 243 48 103

HSL 343.08, 0.89%, 0.57%

LAB 54.18, 73.63, 17.77

 

CMYK 42 / 0 / 80 / 5

HEX #8DF331

RGB 141 243 49

HSL 91.55, 0.89%, 0.57%

LAB 86.99, -58.34, 76.34

 

CMYK 80 / 1 / 0 / 5

HEX #30F0F3

RGB 48 240 243

HSL 180.92, 0.89%, 0.57%

LAB 86.71, -43.02, -14.45

 

CMYK 39 / 80 / 0 / 5

HEX #9530F3

RGB 149 48 243

HSL 271.08, 0.89%, 0.57%

LAB 45.6, 73.51, -78.76

 

CMYK 0 / 79 / 80 / 5

HEX #F33330

RGB 243 51 48

HSL 0.92, 0.89%, 0.57%

LAB 53.64, 70.36, 48.76

 

Description

Color code: HEX #8DF331 | qconv.com Color code: HEX #8DF331 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 243 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 243 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 80 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 80% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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