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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DF209 it is the complementary color #720DF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DF209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DF209 shade: #92F204, #A3FF17, #B4FF2A, #C5FF3D and #D6FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DF209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DF209 shade: #8DF209, #7CE000, #6BCE00, #5ABC00 and #49AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DF209 shade: #8CF109, #CBF109, #F1D909, #F19A09 and #F15B09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DF209 shade: #8CF109, #4EF109, #0FF109, #09F141 and #09F180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DF209 shade matches the following richer shades: #8CF109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DF209 shade: #8CF109, #8ADD1D, #87C931, #84B545 and #82A05A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DF209 shade: #F1DA09, #CAF109, #8CF109, #4EF109 and #10F109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DF209 shade: #5EA206, #75C907, #8CF109, #9FF72C and #B1F954

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DF209 shade: #8DF209, #09F19C and #F109E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DF209 shade: #8DF209, #098CF1 and #F1098C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DF209 shade: #8DF209, #09F19C, #6D09F1 and #F1095E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DF209 shade: #8DF209, #09F1E2, #6D09F1 and #F10918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 96 / 5

HEX #8DF209

RGB 141 242 9

HSL 86.01, 0.93%, 0.49%

LAB 86.6, -59.03, 82.74

 

Complementary color

CMYK 54 / 95 / 0 / 4

HEX #720DF6

RGB 114 13 246

HSL 266.01, 0.93%, 0.51%

LAB 38.76, 78.76, -91.86

 

CMYK 40 / 0 / 98 / 5

HEX #92F204

RGB 146 242 4

HSL 84.2, 0.97%, 0.48%

LAB 86.81, -57.46, 83.4

 

CMYK 36 / 0 / 91 / 0

HEX #A3FF17

RGB 163 255 23

HSL 83.79, 1%, 0.55%

LAB 91.4, -56.58, 85.59

 

CMYK 29 / 0 / 84 / 0

HEX #B4FF2A

RGB 180 255 42

HSL 81.13, 1%, 0.58%

LAB 92.31, -50.18, 83.44

 

CMYK 23 / 0 / 76 / 0

HEX #C5FF3D

RGB 197 255 61

HSL 77.94, 1%, 0.62%

LAB 93.33, -43.23, 79.9

 

CMYK 16 / 0 / 69 / 0

HEX #D6FF50

RGB 214 255 80

HSL 74.06, 1%, 0.66%

LAB 94.48, -35.83, 75.22

 

CMYK 42 / 0 / 96 / 5

HEX #8DF209

RGB 141 242 9

HSL 86.01, 0.93%, 0.49%

LAB 86.6, -59.03, 82.74

 

CMYK 45 / 0 / 100 / 12

HEX #7CE000

RGB 124 224 0

HSL 86.79, 1%, 0.44%

LAB 80.51, -57.74, 78.41

 

CMYK 48 / 0 / 100 / 19

HEX #6BCE00

RGB 107 206 0

HSL 88.83, 1%, 0.4%

LAB 74.36, -56.26, 73.3

 

CMYK 52 / 0 / 100 / 26

HEX #5ABC00

RGB 90 188 0

HSL 91.28, 1%, 0.37%

LAB 68.12, -54.68, 68.13

 

CMYK 57 / 0 / 100 / 33

HEX #49AA00

RGB 73 170 0

HSL 94.24, 1%, 0.33%

LAB 61.8, -52.95, 62.9

 

CMYK 42 / 0 / 96 / 5

HEX #8CF109

RGB 140 241 9

HSL 86.12, 0.93%, 0.49%

LAB 86.26, -58.97, 82.46

 

CMYK 16 / 0 / 96 / 5

HEX #CBF109

RGB 203 241 9

HSL 69.83, 0.93%, 0.49%

LAB 89.69, -36.04, 86.6

 

CMYK 0 / 10 / 96 / 5

HEX #F1D909

RGB 241 217 9

HSL 53.79, 0.93%, 0.49%

LAB 86.18, -8.82, 85.25

 

CMYK 0 / 36 / 96 / 5

HEX #F19A09

RGB 241 154 9

HSL 37.5, 0.93%, 0.49%

LAB 70.75, 23.9, 74.29

 

CMYK 0 / 62 / 96 / 5

HEX #F15B09

RGB 241 91 9

HSL 21.21, 0.93%, 0.49%

LAB 58.23, 54.95, 66.23

 

CMYK 42 / 0 / 96 / 5

HEX #8CF109

RGB 140 241 9

HSL 86.12, 0.93%, 0.49%

LAB 86.26, -58.97, 82.46

 

CMYK 68 / 0 / 96 / 5

HEX #4EF109

RGB 78 241 9

HSL 102.16, 0.93%, 0.49%

LAB 84.25, -74.95, 80.01

 

CMYK 94 / 0 / 96 / 5

HEX #0FF109

RGB 15 241 9

HSL 118.45, 0.93%, 0.49%

LAB 83.46, -81.95, 79.03

 

CMYK 96 / 0 / 73 / 5

HEX #09F141

RGB 9 241 65

HSL 134.48, 0.93%, 0.49%

LAB 83.63, -79.71, 67.31

 

CMYK 96 / 0 / 47 / 5

HEX #09F180

RGB 9 241 128

HSL 150.78, 0.93%, 0.49%

LAB 84.24, -72.11, 41.24

 

CMYK 42 / 0 / 96 / 5

HEX #8CF109

RGB 140 241 9

HSL 86.12, 0.93%, 0.49%

LAB 86.26, -58.97, 82.46

 

CMYK 42 / 0 / 96 / 5

HEX #8CF109

RGB 140 241 9

HSL 86.12, 0.93%, 0.49%

LAB 86.26, -58.97, 82.46

 

CMYK 38 / 0 / 87 / 13

HEX #8ADD1D

RGB 138 221 29

HSL 85.94, 0.77%, 0.49%

LAB 80.29, -51.44, 74.96

 

CMYK 33 / 0 / 76 / 21

HEX #87C931

RGB 135 201 49

HSL 86.05, 0.61%, 0.49%

LAB 74.28, -43.38, 64.39

 

CMYK 27 / 0 / 62 / 29

HEX #84B545

RGB 132 181 69

HSL 86.25, 0.45%, 0.49%

LAB 68.3, -34.23, 50.51

 

CMYK 19 / 0 / 44 / 37

HEX #82A05A

RGB 130 160 90

HSL 85.71, 0.28%, 0.49%

LAB 62.19, -22.66, 33.06

 

CMYK 0 / 10 / 96 / 5

HEX #F1DA09

RGB 241 218 9

HSL 54.05, 0.93%, 0.49%

LAB 86.44, -9.32, 85.44

 

CMYK 16 / 0 / 96 / 5

HEX #CAF109

RGB 202 241 9

HSL 70.09, 0.93%, 0.49%

LAB 89.62, -36.44, 86.52

 

CMYK 42 / 0 / 96 / 5

HEX #8CF109

RGB 140 241 9

HSL 86.12, 0.93%, 0.49%

LAB 86.26, -58.97, 82.46

 

CMYK 68 / 0 / 96 / 5

HEX #4EF109

RGB 78 241 9

HSL 102.16, 0.93%, 0.49%

LAB 84.25, -74.95, 80.01

 

CMYK 93 / 0 / 96 / 5

HEX #10F109

RGB 16 241 9

HSL 118.19, 0.93%, 0.49%

LAB 83.46, -81.91, 79.04

 

CMYK 42 / 0 / 96 / 36

HEX #5EA206

RGB 94 162 6

HSL 86.15, 0.93%, 0.33%

LAB 60.1, -43.19, 61.07

 

CMYK 42 / 0 / 97 / 21

HEX #75C907

RGB 117 201 7

HSL 85.98, 0.93%, 0.41%

LAB 73.27, -51.04, 71.9

 

CMYK 42 / 0 / 96 / 5

HEX #8CF109

RGB 140 241 9

HSL 86.12, 0.93%, 0.49%

LAB 86.26, -58.97, 82.46

 

CMYK 36 / 0 / 82 / 3

HEX #9FF72C

RGB 159 247 44

HSL 86.01, 0.93%, 0.57%

LAB 88.96, -54.19, 79.66

 

CMYK 29 / 0 / 66 / 2

HEX #B1F954

RGB 177 249 84

HSL 86.18, 0.93%, 0.65%

LAB 90.66, -46.63, 69.14

 

CMYK 42 / 0 / 96 / 5

HEX #8DF209

RGB 141 242 9

HSL 86.01, 0.93%, 0.49%

LAB 86.6, -59.03, 82.74

 

CMYK 96 / 0 / 35 / 5

HEX #09F19C

RGB 9 241 156

HSL 158.02, 0.93%, 0.49%

LAB 84.67, -66.99, 27.88

 

CMYK 0 / 96 / 3 / 5

HEX #F109E9

RGB 241 9 233

HSL 302.07, 0.93%, 0.49%

LAB 56.86, 92.47, -54.23

 

CMYK 42 / 0 / 96 / 5

HEX #8DF209

RGB 141 242 9

HSL 86.01, 0.93%, 0.49%

LAB 86.6, -59.03, 82.74

 

CMYK 96 / 42 / 0 / 5

HEX #098CF1

RGB 9 140 241

HSL 206.12, 0.93%, 0.49%

LAB 57.24, 6.25, -59.13

 

CMYK 0 / 96 / 42 / 5

HEX #F1098C

RGB 241 9 140

HSL 326.12, 0.93%, 0.49%

LAB 52.72, 81.92, -6.64

 

CMYK 42 / 0 / 96 / 5

HEX #8DF209

RGB 141 242 9

HSL 86.01, 0.93%, 0.49%

LAB 86.6, -59.03, 82.74

 

CMYK 96 / 0 / 35 / 5

HEX #09F19C

RGB 9 241 156

HSL 158.02, 0.93%, 0.49%

LAB 84.67, -66.99, 27.88

 

CMYK 55 / 96 / 0 / 5

HEX #6D09F1

RGB 109 9 241

HSL 265.86, 0.93%, 0.49%

LAB 37.48, 77.8, -91.18

 

CMYK 0 / 96 / 61 / 5

HEX #F1095E

RGB 241 9 94

HSL 338.02, 0.93%, 0.49%

LAB 51.5, 78.66, 19.52

 

CMYK 42 / 0 / 96 / 5

HEX #8DF209

RGB 141 242 9

HSL 86.01, 0.93%, 0.49%

LAB 86.6, -59.03, 82.74

 

CMYK 96 / 0 / 6 / 5

HEX #09F1E2

RGB 9 241 226

HSL 176.12, 0.93%, 0.49%

LAB 86.24, -50.12, -6.27

 

CMYK 55 / 96 / 0 / 5

HEX #6D09F1

RGB 109 9 241

HSL 265.86, 0.93%, 0.49%

LAB 37.48, 77.8, -91.18

 

CMYK 0 / 96 / 90 / 5

HEX #F10918

RGB 241 9 24

HSL 356.12, 0.93%, 0.49%

LAB 50.64, 76.3, 57.32

 

Description

Color code: HEX #8DF209 | qconv.com Color code: HEX #8DF209 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 242 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 242 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 96 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 96% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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