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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DE68B it is the complementary color #721974. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DE68B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DE68B shade: #92E686, #A3F899, #B4FFAC, #C5FFBF and #D6FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DE68B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DE68B shade: #8DE68B, #7CD478, #6BC265, #5AB052 and #499E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DE68B shade: #8BE689, #A4E689, #BDE689, #D6E689 and #E6DD89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DE68B shade: #8BE689, #89E6A0, #89E6B9, #89E6D2 and #89E1E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DE68B shade matches the following richer shades: #8BE689, #80F27E and #75FD72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DE68B shade: #8BE689, #96DA95, #A1CFA0, #ACC3AC and #B7B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DE68B shade: #BEE689, #A5E689, #8CE689, #89E69F and #89E6B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DE68B shade: #48D845, #6ADF67, #8BE689, #ADEDAB and #CEF4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DE68B shade: #8DE68B, #89D7E6 and #E689B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DE68B shade: #8DE68B, #898CE6 and #E6898C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DE68B shade: #8DE68B, #89D7E6, #E389E6 and #E69989

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DE68B shade: #8DE68B, #89BBE6, #E389E6 and #E6B589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 40 / 10

HEX #8DE68B

RGB 141 230 139

HSL 118.68, 0.65%, 0.72%

LAB 84.03, -44.54, 36.13

 

Complementary color

CMYK 2 / 78 / 0 / 55

HEX #721974

RGB 114 25 116

HSL 298.68, 0.65%, 0.28%

LAB 28.2, 48.92, -31.57

 

CMYK 37 / 0 / 42 / 10

HEX #92E686

RGB 146 230 134

HSL 112.5, 0.66%, 0.71%

LAB 84.19, -43.73, 38.87

 

CMYK 34 / 0 / 38 / 3

HEX #A3F899

RGB 163 248 153

HSL 113.68, 0.87%, 0.79%

LAB 90.42, -43.53, 37.7

 

CMYK 29 / 0 / 33 / 0

HEX #B4FFAC

RGB 180 255 172

HSL 114.22, 1%, 0.84%

LAB 93.54, -38.45, 32.51

 

CMYK 23 / 0 / 25 / 0

HEX #C5FFBF

RGB 197 255 191

HSL 114.38, 1%, 0.87%

LAB 94.8, -29.99, 24.81

 

CMYK 16 / 0 / 18 / 0

HEX #D6FFD2

RGB 214 255 210

HSL 114.67, 1%, 0.91%

LAB 96.19, -21.29, 17.22

 

CMYK 39 / 0 / 40 / 10

HEX #8DE68B

RGB 141 230 139

HSL 118.68, 0.65%, 0.72%

LAB 84.03, -44.54, 36.13

 

CMYK 42 / 0 / 43 / 17

HEX #7CD478

RGB 124 212 120

HSL 117.39, 0.52%, 0.65%

LAB 77.71, -44.72, 37.35

 

CMYK 45 / 0 / 48 / 24

HEX #6BC265

RGB 107 194 101

HSL 116.13, 0.43%, 0.58%

LAB 71.32, -44.85, 38.62

 

CMYK 49 / 0 / 53 / 31

HEX #5AB052

RGB 90 176 82

HSL 114.89, 0.37%, 0.51%

LAB 64.83, -44.87, 39.9

 

CMYK 54 / 0 / 60 / 38

HEX #499E3F

RGB 73 158 63

HSL 113.68, 0.43%, 0.43%

LAB 58.25, -44.72, 41.13

 

CMYK 40 / 0 / 40 / 10

HEX #8BE689

RGB 139 230 137

HSL 118.71, 0.65%, 0.72%

LAB 83.91, -45.44, 36.96

 

CMYK 29 / 0 / 40 / 10

HEX #A4E689

RGB 164 230 137

HSL 102.58, 0.65%, 0.72%

LAB 85.15, -37.46, 38.8

 

CMYK 18 / 0 / 40 / 10

HEX #BDE689

RGB 189 230 137

HSL 86.45, 0.65%, 0.72%

LAB 86.61, -28.69, 40.98

 

CMYK 7 / 0 / 40 / 10

HEX #D6E689

RGB 214 230 137

HSL 70.32, 0.65%, 0.72%

LAB 88.3, -19.37, 43.47

 

CMYK 0 / 4 / 40 / 10

HEX #E6DD89

RGB 230 221 137

HSL 54.19, 0.65%, 0.72%

LAB 87.16, -8.71, 42.28

 

CMYK 40 / 0 / 40 / 10

HEX #8BE689

RGB 139 230 137

HSL 118.71, 0.65%, 0.72%

LAB 83.91, -45.44, 36.96

 

CMYK 40 / 0 / 30 / 10

HEX #89E6A0

RGB 137 230 160

HSL 134.84, 0.65%, 0.72%

LAB 84.2, -42.32, 25.65

 

CMYK 40 / 0 / 20 / 10

HEX #89E6B9

RGB 137 230 185

HSL 150.97, 0.65%, 0.72%

LAB 84.7, -37.62, 13.35

 

CMYK 40 / 0 / 9 / 10

HEX #89E6D2

RGB 137 230 210

HSL 167.1, 0.65%, 0.72%

LAB 85.28, -32.28, 1.05

 

CMYK 40 / 2 / 0 / 10

HEX #89E1E6

RGB 137 225 230

HSL 183.23, 0.65%, 0.72%

LAB 84.42, -25.17, -10.77

 

CMYK 40 / 0 / 40 / 10

HEX #8BE689

RGB 139 230 137

HSL 118.71, 0.65%, 0.72%

LAB 83.91, -45.44, 36.96

 

CMYK 47 / 0 / 48 / 5

HEX #80F27E

RGB 128 242 126

HSL 118.97, 0.82%, 0.72%

LAB 86.8, -55.09, 45.91

 

CMYK 54 / 0 / 55 / 1

HEX #75FD72

RGB 117 253 114

HSL 118.71, 0.97%, 0.72%

LAB 89.51, -63.65, 54.66

 

CMYK 40 / 0 / 40 / 10

HEX #8BE689

RGB 139 230 137

HSL 118.71, 0.65%, 0.72%

LAB 83.91, -45.44, 36.96

 

CMYK 31 / 0 / 32 / 15

HEX #96DA95

RGB 150 218 149

HSL 119.13, 0.48%, 0.72%

LAB 81.18, -34.82, 27.34

 

CMYK 22 / 0 / 23 / 19

HEX #A1CFA0

RGB 161 207 160

HSL 118.72, 0.33%, 0.72%

LAB 78.89, -24.12, 18.55

 

CMYK 12 / 0 / 12 / 24

HEX #ACC3AC

RGB 172 195 172

HSL 120, 0.16%, 0.72%

LAB 76.55, -12.19, 8.93

 

CMYK 1 / 0 / 1 / 28

HEX #B7B8B7

RGB 183 184 183

HSL 120, 0.01%, 0.72%

LAB 74.68, -0.53, 0.38

 

CMYK 17 / 0 / 40 / 10

HEX #BEE689

RGB 190 230 137

HSL 85.81, 0.65%, 0.72%

LAB 86.68, -28.33, 41.07

 

CMYK 28 / 0 / 40 / 10

HEX #A5E689

RGB 165 230 137

HSL 101.94, 0.65%, 0.72%

LAB 85.2, -37.12, 38.88

 

CMYK 39 / 0 / 40 / 10

HEX #8CE689

RGB 140 230 137

HSL 118.06, 0.65%, 0.72%

LAB 83.95, -45.14, 37.03

 

CMYK 40 / 0 / 31 / 10

HEX #89E69F

RGB 137 230 159

HSL 134.19, 0.65%, 0.72%

LAB 84.18, -42.49, 26.14

 

CMYK 40 / 0 / 20 / 10

HEX #89E6B8

RGB 137 230 184

HSL 150.32, 0.65%, 0.72%

LAB 84.68, -37.82, 13.84

 

CMYK 67 / 0 / 68 / 15

HEX #48D845

RGB 72 216 69

HSL 118.78, 0.65%, 0.56%

LAB 76.63, -65.38, 58.84

 

CMYK 52 / 0 / 54 / 13

HEX #6ADF67

RGB 106 223 103

HSL 118.5, 0.65%, 0.64%

LAB 80.08, -56.5, 48.35

 

CMYK 40 / 0 / 40 / 10

HEX #8BE689

RGB 139 230 137

HSL 118.71, 0.65%, 0.72%

LAB 83.91, -45.44, 36.96

 

CMYK 27 / 0 / 28 / 7

HEX #ADEDAB

RGB 173 237 171

HSL 118.18, 0.65%, 0.8%

LAB 88.16, -32.63, 25.68

 

CMYK 16 / 0 / 16 / 4

HEX #CEF4CD

RGB 206 244 205

HSL 118.46, 0.64%, 0.88%

LAB 92.68, -19.44, 14.76

 

CMYK 39 / 0 / 40 / 10

HEX #8DE68B

RGB 141 230 139

HSL 118.68, 0.65%, 0.72%

LAB 84.03, -44.54, 36.13

 

CMYK 40 / 7 / 0 / 10

HEX #89D7E6

RGB 137 215 230

HSL 189.68, 0.65%, 0.72%

LAB 81.64, -20.21, -14.94

 

CMYK 0 / 40 / 23 / 10

HEX #E689B1

RGB 230 137 177

HSL 334.19, 0.65%, 0.72%

LAB 67.94, 40.51, -5.67

 

CMYK 39 / 0 / 40 / 10

HEX #8DE68B

RGB 141 230 139

HSL 118.68, 0.65%, 0.72%

LAB 84.03, -44.54, 36.13

 

CMYK 40 / 39 / 0 / 10

HEX #898CE6

RGB 137 140 230

HSL 238.06, 0.65%, 0.72%

LAB 61.47, 20.93, -46.01

 

CMYK 0 / 40 / 39 / 10

HEX #E6898C

RGB 230 137 140

HSL 358.06, 0.65%, 0.72%

LAB 66.98, 35.77, 13.75

 

CMYK 39 / 0 / 40 / 10

HEX #8DE68B

RGB 141 230 139

HSL 118.68, 0.65%, 0.72%

LAB 84.03, -44.54, 36.13

 

CMYK 40 / 7 / 0 / 10

HEX #89D7E6

RGB 137 215 230

HSL 189.68, 0.65%, 0.72%

LAB 81.64, -20.21, -14.94

 

CMYK 1 / 40 / 0 / 10

HEX #E389E6

RGB 227 137 230

HSL 298.06, 0.65%, 0.72%

LAB 69.42, 48.22, -32.95

 

CMYK 0 / 33 / 40 / 10

HEX #E69989

RGB 230 153 137

HSL 10.32, 0.65%, 0.72%

LAB 70.46, 26.97, 20.24

 

CMYK 39 / 0 / 40 / 10

HEX #8DE68B

RGB 141 230 139

HSL 118.68, 0.65%, 0.72%

LAB 84.03, -44.54, 36.13

 

CMYK 40 / 19 / 0 / 10

HEX #89BBE6

RGB 137 187 230

HSL 207.74, 0.65%, 0.72%

LAB 73.92, -5.61, -26.65

 

CMYK 1 / 40 / 0 / 10

HEX #E389E6

RGB 227 137 230

HSL 298.06, 0.65%, 0.72%

LAB 69.42, 48.22, -32.95

 

CMYK 0 / 21 / 40 / 10

HEX #E6B589

RGB 230 181 137

HSL 28.39, 0.65%, 0.72%

LAB 77.09, 12.04, 29.19

 

Description

Color code: HEX #8DE68B | qconv.com Color code: HEX #8DE68B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 230 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 230 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 40 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 40% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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