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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DD659 it is the complementary color #7229A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DD659. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DD659 shade: #92D654, #A3E867, #B4FA7A, #C5FF8D and #D6FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DD659. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DD659 shade: #8DD659, #7CC446, #6BB233, #5AA020 and #498E0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DD659 shade: #8CD558, #AED558, #D0D558, #D5B958 and #D59758

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DD659 shade: #8CD558, #6AD558, #58D567, #58D589 and #58D5AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DD659 shade matches the following richer shades: #8CD558, #89E647 and #86F736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DD659 shade: #8CD558, #8FC469, #92B37A, #94A28A and #97929B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DD659 shade: #CFD558, #ADD558, #8CD558, #6BD558 and #58D566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DD659 shade: #62AF2C, #75CD37, #8CD558, #A3DD79 and #B9E69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DD659 shade: #8DD659, #58D5BA and #D558BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DD659 shade: #8DD659, #588CD5 and #D5588C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DD659 shade: #8DD659, #58D5BA, #A158D5 and #D55873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DD659 shade: #8DD659, #58CBD5, #A158D5 and #D56258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 58 / 16

HEX #8DD659

RGB 141 214 89

HSL 95.04, 0.6%, 0.59%

LAB 78.74, -43.82, 53.53

 

Complementary color

CMYK 31 / 75 / 0 / 35

HEX #7229A6

RGB 114 41 166

HSL 275.04, 0.6%, 0.41%

LAB 33.81, 53.18, -53.48

 

CMYK 32 / 0 / 61 / 16

HEX #92D654

RGB 146 214 84

HSL 91.38, 0.61%, 0.58%

LAB 78.95, -42.55, 56.02

 

CMYK 30 / 0 / 56 / 9

HEX #A3E867

RGB 163 232 103

HSL 92.09, 0.74%, 0.66%

LAB 85.24, -42.66, 55.07

 

CMYK 28 / 0 / 51 / 2

HEX #B4FA7A

RGB 180 250 122

HSL 92.81, 0.93%, 0.73%

LAB 91.45, -42.69, 54.01

 

CMYK 23 / 0 / 45 / 0

HEX #C5FF8D

RGB 197 255 141

HSL 90.53, 1%, 0.78%

LAB 94.02, -36.9, 48.49

 

CMYK 16 / 0 / 37 / 0

HEX #D6FFA0

RGB 214 255 160

HSL 85.89, 1%, 0.81%

LAB 95.31, -28.6, 41.16

 

CMYK 34 / 0 / 58 / 16

HEX #8DD659

RGB 141 214 89

HSL 95.04, 0.6%, 0.59%

LAB 78.74, -43.82, 53.53

 

CMYK 37 / 0 / 64 / 23

HEX #7CC446

RGB 124 196 70

HSL 94.29, 0.52%, 0.52%

LAB 72.37, -43.68, 54.41

 

CMYK 40 / 0 / 71 / 30

HEX #6BB233

RGB 107 178 51

HSL 93.54, 0.55%, 0.45%

LAB 65.91, -43.38, 54.96

 

CMYK 44 / 0 / 80 / 37

HEX #5AA020

RGB 90 160 32

HSL 92.81, 0.67%, 0.38%

LAB 59.36, -42.85, 54.85

 

CMYK 49 / 0 / 91 / 44

HEX #498E0D

RGB 73 142 13

HSL 92.09, 0.83%, 0.3%

LAB 52.72, -41.99, 53.5

 

CMYK 34 / 0 / 59 / 16

HEX #8CD558

RGB 140 213 88

HSL 95.04, 0.6%, 0.59%

LAB 78.39, -43.83, 53.55

 

CMYK 18 / 0 / 59 / 16

HEX #AED558

RGB 174 213 88

HSL 78.72, 0.6%, 0.59%

LAB 80.34, -31.4, 56.29

 

CMYK 2 / 0 / 59 / 16

HEX #D0D558

RGB 208 213 88

HSL 62.4, 0.6%, 0.59%

LAB 82.76, -17.87, 59.65

 

CMYK 0 / 13 / 59 / 16

HEX #D5B958

RGB 213 185 88

HSL 46.56, 0.6%, 0.59%

LAB 75.79, -1.53, 51.97

 

CMYK 0 / 29 / 59 / 16

HEX #D59758

RGB 213 151 88

HSL 30.24, 0.6%, 0.59%

LAB 67.26, 16.63, 42.02

 

CMYK 34 / 0 / 59 / 16

HEX #8CD558

RGB 140 213 88

HSL 95.04, 0.6%, 0.59%

LAB 78.39, -43.83, 53.55

 

CMYK 50 / 0 / 59 / 16

HEX #6AD558

RGB 106 213 88

HSL 111.36, 0.6%, 0.59%

LAB 76.89, -54.4, 51.45

 

CMYK 59 / 0 / 52 / 16

HEX #58D567

RGB 88 213 103

HSL 127.2, 0.6%, 0.59%

LAB 76.46, -57.1, 43.84

 

CMYK 59 / 0 / 36 / 16

HEX #58D589

RGB 88 213 137

HSL 143.52, 0.6%, 0.59%

LAB 76.96, -51.66, 27.45

 

CMYK 59 / 0 / 20 / 16

HEX #58D5AB

RGB 88 213 171

HSL 159.84, 0.6%, 0.59%

LAB 77.64, -44.66, 10.48

 

CMYK 34 / 0 / 59 / 16

HEX #8CD558

RGB 140 213 88

HSL 95.04, 0.6%, 0.59%

LAB 78.39, -43.83, 53.55

 

CMYK 40 / 0 / 69 / 10

HEX #89E647

RGB 137 230 71

HSL 95.09, 0.76%, 0.59%

LAB 83.11, -53.28, 65.55

 

CMYK 46 / 0 / 78 / 3

HEX #86F736

RGB 134 247 54

HSL 95.13, 0.92%, 0.59%

LAB 87.9, -61.76, 75.72

 

CMYK 34 / 0 / 59 / 16

HEX #8CD558

RGB 140 213 88

HSL 95.04, 0.6%, 0.59%

LAB 78.39, -43.83, 53.55

 

CMYK 27 / 0 / 46 / 23

HEX #8FC469

RGB 143 196 105

HSL 94.95, 0.44%, 0.59%

LAB 73.77, -33.32, 40.07

 

CMYK 18 / 0 / 32 / 30

HEX #92B37A

RGB 146 179 122

HSL 94.74, 0.27%, 0.59%

LAB 69.3, -21.69, 25.54

 

CMYK 9 / 0 / 15 / 36

HEX #94A28A

RGB 148 162 138

HSL 95, 0.11%, 0.59%

LAB 64.94, -9.51, 10.82

 

CMYK 3 / 6 / 0 / 39

HEX #97929B

RGB 151 146 155

HSL 273.33, 0.04%, 0.59%

LAB 61.22, 3.58, -4.09

 

CMYK 3 / 0 / 59 / 16

HEX #CFD558

RGB 207 213 88

HSL 62.88, 0.6%, 0.59%

LAB 82.68, -18.27, 59.54

 

CMYK 19 / 0 / 59 / 16

HEX #ADD558

RGB 173 213 88

HSL 79.2, 0.6%, 0.59%

LAB 80.28, -31.79, 56.21

 

CMYK 34 / 0 / 59 / 16

HEX #8CD558

RGB 140 213 88

HSL 95.04, 0.6%, 0.59%

LAB 78.39, -43.83, 53.55

 

CMYK 50 / 0 / 59 / 16

HEX #6BD558

RGB 107 213 88

HSL 110.88, 0.6%, 0.59%

LAB 76.93, -54.12, 51.51

 

CMYK 59 / 0 / 52 / 16

HEX #58D566

RGB 88 213 102

HSL 126.72, 0.6%, 0.59%

LAB 76.45, -57.24, 44.31

 

CMYK 44 / 0 / 75 / 31

HEX #62AF2C

RGB 98 175 44

HSL 95.27, 0.6%, 0.43%

LAB 64.51, -45.63, 55.97

 

CMYK 43 / 0 / 73 / 20

HEX #75CD37

RGB 117 205 55

HSL 95.2, 0.6%, 0.51%

LAB 74.65, -50.83, 62.44

 

CMYK 34 / 0 / 59 / 16

HEX #8CD558

RGB 140 213 88

HSL 95.04, 0.6%, 0.59%

LAB 78.39, -43.83, 53.55

 

CMYK 26 / 0 / 45 / 13

HEX #A3DD79

RGB 163 221 121

HSL 94.8, 0.6%, 0.67%

LAB 82.31, -35.78, 43.09

 

CMYK 20 / 0 / 33 / 10

HEX #B9E69A

RGB 185 230 154

HSL 95.53, 0.6%, 0.75%

LAB 86.62, -27.88, 32.42

 

CMYK 34 / 0 / 58 / 16

HEX #8DD659

RGB 141 214 89

HSL 95.04, 0.6%, 0.59%

LAB 78.74, -43.82, 53.53

 

CMYK 59 / 0 / 13 / 16

HEX #58D5BA

RGB 88 213 186

HSL 167.04, 0.6%, 0.59%

LAB 78, -41.13, 2.99

 

CMYK 0 / 59 / 11 / 16

HEX #D558BE

RGB 213 88 190

HSL 311.04, 0.6%, 0.59%

LAB 56.92, 61.07, -29.99

 

CMYK 34 / 0 / 58 / 16

HEX #8DD659

RGB 141 214 89

HSL 95.04, 0.6%, 0.59%

LAB 78.74, -43.82, 53.53

 

CMYK 59 / 34 / 0 / 16

HEX #588CD5

RGB 88 140 213

HSL 215.04, 0.6%, 0.59%

LAB 57.69, 4.49, -42.69

 

CMYK 0 / 59 / 34 / 16

HEX #D5588C

RGB 213 88 140

HSL 335.04, 0.6%, 0.59%

LAB 55.09, 54.2, -3.66

 

CMYK 34 / 0 / 58 / 16

HEX #8DD659

RGB 141 214 89

HSL 95.04, 0.6%, 0.59%

LAB 78.74, -43.82, 53.53

 

CMYK 59 / 0 / 13 / 16

HEX #58D5BA

RGB 88 213 186

HSL 167.04, 0.6%, 0.59%

LAB 78, -41.13, 2.99

 

CMYK 24 / 59 / 0 / 16

HEX #A158D5

RGB 161 88 213

HSL 275.04, 0.6%, 0.59%

LAB 51.11, 51.93, -52.78

 

CMYK 0 / 59 / 46 / 16

HEX #D55873

RGB 213 88 115

HSL 347.04, 0.6%, 0.59%

LAB 54.41, 51.53, 10.14

 

CMYK 34 / 0 / 58 / 16

HEX #8DD659

RGB 141 214 89

HSL 95.04, 0.6%, 0.59%

LAB 78.74, -43.82, 53.53

 

CMYK 59 / 5 / 0 / 16

HEX #58CBD5

RGB 88 203 213

HSL 184.8, 0.6%, 0.59%

LAB 75.82, -29.4, -14.76

 

CMYK 24 / 59 / 0 / 16

HEX #A158D5

RGB 161 88 213

HSL 275.04, 0.6%, 0.59%

LAB 51.11, 51.93, -52.78

 

CMYK 0 / 54 / 59 / 16

HEX #D56258

RGB 213 98 88

HSL 4.8, 0.6%, 0.59%

LAB 55.67, 44.51, 27.64

 

Description

Color code: HEX #8DD659 | qconv.com Color code: HEX #8DD659 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 214 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 214 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 58% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - Allney | Just anothe...
Link: http://www.allney.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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