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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DD514 it is the complementary color #722AEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DD514. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DD514 shade: #92D50F, #A3E722, #B4F935, #C5FF48 and #D6FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DD514. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DD514 shade: #8DD514, #7CC301, #6BB100, #5A9F00 and #498D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DD514 shade: #8ED714, #C3D714, #D7B614, #D78214 and #D74D14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DD514 shade: #8ED714, #5AD714, #25D714, #14D737 and #14D76C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DD514 shade matches the following richer shades: #8ED714 and #93EA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DD514 shade: #8ED714, #89C427, #84B13A, #809E4D and #7B8B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DD514 shade: #D7B614, #C3D714, #8FD714, #5BD714 and #27D714

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DD514 shade: #5C8B0D, #75B110, #8ED714, #A3EB29 and #B3EF4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DD514 shade: #8DD514, #14D782 and #D014D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DD514 shade: #8DD514, #148FD7 and #D7148F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DD514 shade: #8DD514, #14D782, #5B14D7 and #D71468

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DD514 shade: #8DD514, #14D7BD, #5B14D7 and #D7142E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 91 / 16

HEX #8DD514

RGB 141 213 20

HSL 82.38, 0.83%, 0.46%

LAB 78.05, -47.34, 74.68

 

Complementary color

CMYK 51 / 82 / 0 / 8

HEX #722AEB

RGB 114 42 235

HSL 262.38, 0.83%, 0.54%

LAB 39.97, 69.26, -83.65

 

CMYK 31 / 0 / 93 / 16

HEX #92D50F

RGB 146 213 15

HSL 80.3, 0.87%, 0.45%

LAB 78.31, -45.62, 75.67

 

CMYK 29 / 0 / 85 / 9

HEX #A3E722

RGB 163 231 34

HSL 80.71, 0.8%, 0.52%

LAB 84.51, -46.54, 78.07

 

CMYK 28 / 0 / 79 / 2

HEX #B4F935

RGB 180 249 53

HSL 81.12, 0.94%, 0.59%

LAB 90.65, -47.27, 79.32

 

CMYK 23 / 0 / 72 / 0

HEX #C5FF48

RGB 197 255 72

HSL 79.02, 1%, 0.64%

LAB 93.39, -42.69, 76.53

 

CMYK 16 / 0 / 64 / 0

HEX #D6FF5B

RGB 214 255 91

HSL 75, 1%, 0.68%

LAB 94.56, -35.16, 71.22

 

CMYK 34 / 0 / 91 / 16

HEX #8DD514

RGB 141 213 20

HSL 82.38, 0.83%, 0.46%

LAB 78.05, -47.34, 74.68

 

CMYK 36 / 0 / 99 / 24

HEX #7CC301

RGB 124 195 1

HSL 81.96, 0.99%, 0.38%

LAB 71.77, -46.29, 71.5

 

CMYK 40 / 0 / 100 / 31

HEX #6BB100

RGB 107 177 0

HSL 83.73, 1%, 0.35%

LAB 65.41, -44.92, 66.33

 

CMYK 43 / 0 / 100 / 38

HEX #5A9F00

RGB 90 159 0

HSL 86.04, 1%, 0.31%

LAB 58.95, -43.48, 60.95

 

CMYK 48 / 0 / 100 / 45

HEX #498D00

RGB 73 141 0

HSL 88.94, 1%, 0.28%

LAB 52.36, -41.94, 55.48

 

CMYK 34 / 0 / 91 / 16

HEX #8ED714

RGB 142 215 20

HSL 82.46, 0.83%, 0.46%

LAB 78.7, -47.81, 75.23

 

CMYK 9 / 0 / 91 / 16

HEX #C3D714

RGB 195 215 20

HSL 66.15, 0.83%, 0.46%

LAB 81.98, -27.11, 79.24

 

CMYK 0 / 15 / 91 / 16

HEX #D7B614

RGB 215 182 20

HSL 49.85, 0.83%, 0.46%

LAB 74.8, -2.01, 74.37

 

CMYK 0 / 40 / 91 / 16

HEX #D78214

RGB 215 130 20

HSL 33.85, 0.83%, 0.46%

LAB 62.05, 25.78, 64.73

 

CMYK 0 / 64 / 91 / 16

HEX #D74D14

RGB 215 77 20

HSL 17.54, 0.83%, 0.46%

LAB 51.62, 52, 57.12

 

CMYK 34 / 0 / 91 / 16

HEX #8ED714

RGB 142 215 20

HSL 82.46, 0.83%, 0.46%

LAB 78.7, -47.81, 75.23

 

CMYK 58 / 0 / 91 / 16

HEX #5AD714

RGB 90 215 20

HSL 98.46, 0.83%, 0.46%

LAB 76.57, -63.8, 72.61

 

CMYK 83 / 0 / 91 / 16

HEX #25D714

RGB 37 215 20

HSL 114.77, 0.83%, 0.46%

LAB 75.48, -73.14, 71.25

 

CMYK 91 / 0 / 74 / 16

HEX #14D737

RGB 20 215 55

HSL 130.77, 0.83%, 0.46%

LAB 75.47, -72.71, 62.5

 

CMYK 91 / 0 / 50 / 16

HEX #14D76C

RGB 20 215 108

HSL 147.08, 0.83%, 0.46%

LAB 75.97, -66.53, 40.55

 

CMYK 34 / 0 / 91 / 16

HEX #8ED714

RGB 142 215 20

HSL 82.46, 0.83%, 0.46%

LAB 78.7, -47.81, 75.23

 

CMYK 37 / 0 / 100 / 8

HEX #93EA01

RGB 147 234 1

HSL 82.4, 0.99%, 0.46%

LAB 84.51, -54.03, 81.87

 

CMYK 34 / 0 / 91 / 16

HEX #8ED714

RGB 142 215 20

HSL 82.46, 0.83%, 0.46%

LAB 78.7, -47.81, 75.23

 

CMYK 30 / 0 / 80 / 23

HEX #89C427

RGB 137 196 39

HSL 82.55, 0.67%, 0.46%

LAB 72.86, -40.97, 66.11

 

CMYK 25 / 0 / 67 / 31

HEX #84B13A

RGB 132 177 58

HSL 82.69, 0.51%, 0.46%

LAB 67.02, -33.25, 53.79

 

CMYK 19 / 0 / 51 / 38

HEX #809E4D

RGB 128 158 77

HSL 82.22, 0.34%, 0.46%

LAB 61.29, -23.98, 38.59

 

CMYK 12 / 0 / 31 / 45

HEX #7B8B60

RGB 123 139 96

HSL 82.33, 0.18%, 0.46%

LAB 55.6, -13.68, 21.14

 

CMYK 0 / 15 / 91 / 16

HEX #D7B614

RGB 215 182 20

HSL 49.85, 0.83%, 0.46%

LAB 74.8, -2.01, 74.37

 

CMYK 9 / 0 / 91 / 16

HEX #C3D714

RGB 195 215 20

HSL 66.15, 0.83%, 0.46%

LAB 81.98, -27.11, 79.24

 

CMYK 33 / 0 / 91 / 16

HEX #8FD714

RGB 143 215 20

HSL 82.15, 0.83%, 0.46%

LAB 78.75, -47.45, 75.29

 

CMYK 58 / 0 / 91 / 16

HEX #5BD714

RGB 91 215 20

HSL 98.15, 0.83%, 0.46%

LAB 76.6, -63.55, 72.65

 

CMYK 82 / 0 / 91 / 16

HEX #27D714

RGB 39 215 20

HSL 114.15, 0.83%, 0.46%

LAB 75.5, -72.93, 71.28

 

CMYK 34 / 0 / 91 / 45

HEX #5C8B0D

RGB 92 139 13

HSL 82.38, 0.83%, 0.3%

LAB 52.7, -33.83, 53.86

 

CMYK 34 / 0 / 91 / 31

HEX #75B110

RGB 117 177 16

HSL 82.36, 0.83%, 0.38%

LAB 65.95, -40.99, 64.87

 

CMYK 34 / 0 / 91 / 16

HEX #8ED714

RGB 142 215 20

HSL 82.46, 0.83%, 0.46%

LAB 78.7, -47.81, 75.23

 

CMYK 31 / 0 / 83 / 8

HEX #A3EB29

RGB 163 235 41

HSL 82.27, 0.83%, 0.54%

LAB 85.69, -48, 77.56

 

CMYK 25 / 0 / 67 / 6

HEX #B3EF4F

RGB 179 239 79

HSL 82.5, 0.83%, 0.62%

LAB 87.91, -41.94, 68.2

 

CMYK 34 / 0 / 91 / 16

HEX #8DD514

RGB 141 213 20

HSL 82.38, 0.83%, 0.46%

LAB 78.05, -47.34, 74.68

 

CMYK 91 / 0 / 40 / 16

HEX #14D782

RGB 20 215 130

HSL 153.85, 0.83%, 0.46%

LAB 76.29, -62.68, 29.95

 

CMYK 3 / 91 / 0 / 16

HEX #D014D7

RGB 208 20 215

HSL 297.85, 0.83%, 0.46%

LAB 50.47, 83.53, -54.56

 

CMYK 34 / 0 / 91 / 16

HEX #8DD514

RGB 141 213 20

HSL 82.38, 0.83%, 0.46%

LAB 78.05, -47.34, 74.68

 

CMYK 91 / 33 / 0 / 16

HEX #148FD7

RGB 20 143 215

HSL 202.15, 0.83%, 0.46%

LAB 56.78, -4.98, -45.37

 

CMYK 0 / 91 / 33 / 16

HEX #D7148F

RGB 215 20 143

HSL 322.15, 0.83%, 0.46%

LAB 48.17, 75.64, -15.78

 

CMYK 34 / 0 / 91 / 16

HEX #8DD514

RGB 141 213 20

HSL 82.38, 0.83%, 0.46%

LAB 78.05, -47.34, 74.68

 

CMYK 91 / 0 / 40 / 16

HEX #14D782

RGB 20 215 130

HSL 153.85, 0.83%, 0.46%

LAB 76.29, -62.68, 29.95

 

CMYK 58 / 91 / 0 / 16

HEX #5B14D7

RGB 91 20 215

HSL 261.85, 0.83%, 0.46%

LAB 33.2, 68.7, -83.46

 

CMYK 0 / 91 / 52 / 16

HEX #D71468

RGB 215 20 104

HSL 334.15, 0.83%, 0.46%

LAB 46.9, 72.19, 6.2

 

CMYK 34 / 0 / 91 / 16

HEX #8DD514

RGB 141 213 20

HSL 82.38, 0.83%, 0.46%

LAB 78.05, -47.34, 74.68

 

CMYK 91 / 0 / 12 / 16

HEX #14D7BD

RGB 20 215 189

HSL 172, 0.83%, 0.46%

LAB 77.53, -49.01, 0.56

 

CMYK 58 / 91 / 0 / 16

HEX #5B14D7

RGB 91 20 215

HSL 261.85, 0.83%, 0.46%

LAB 33.2, 68.7, -83.46

 

CMYK 0 / 91 / 79 / 16

HEX #D7142E

RGB 215 20 46

HSL 352, 0.83%, 0.46%

LAB 45.83, 69.19, 40.17

 

Description

Color code: HEX #8DD514 | qconv.com Color code: HEX #8DD514 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 213 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 213 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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