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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DC648 it is the complementary color #7239B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DC648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DC648 shade: #92C643, #A3D856, #B4EA69, #C5FC7C and #D6FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DC648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DC648 shade: #8DC648, #7CB435, #6BA222, #5A900F and #497E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DC648 shade: #8DC748, #AFC748, #C7BC48, #C79948 and #C77748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DC648 shade: #8DC748, #6BC748, #49C748, #48C769 and #48C78B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DC648 shade matches the following richer shades: #8DC748, #8FDA34 and #91ED21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DC648 shade: #8DC748, #8BB35B, #8AA06E, #888C82 and #867995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DC648 shade: #C7BC48, #AFC748, #8EC748, #6CC748 and #4AC748

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DC648 shade: #63902C, #78AF36, #8DC748, #A1D067 and #B4DA87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DC648 shade: #8DC648, #48C79A and #C748C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DC648 shade: #8DC648, #488EC7 and #C7488E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DC648 shade: #8DC648, #48C79A, #8148C7 and #C74874

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DC648 shade: #8DC648, #48C7C0, #8148C7 and #C7484E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 64 / 22

HEX #8DC648

RGB 141 198 72

HSL 87.14, 0.53%, 0.53%

LAB 73.88, -38.32, 55.47

 

Complementary color

CMYK 38 / 69 / 0 / 28

HEX #7239B7

RGB 114 57 183

HSL 267.14, 0.53%, 0.47%

LAB 37.7, 49.96, -57.28

 

CMYK 26 / 0 / 66 / 22

HEX #92C643

RGB 146 198 67

HSL 83.82, 0.53%, 0.52%

LAB 74.13, -36.85, 57.88

 

CMYK 25 / 0 / 60 / 15

HEX #A3D856

RGB 163 216 86

HSL 84.46, 0.63%, 0.59%

LAB 80.5, -37.11, 57.15

 

CMYK 23 / 0 / 55 / 8

HEX #B4EA69

RGB 180 234 105

HSL 85.12, 0.75%, 0.66%

LAB 86.78, -37.28, 56.21

 

CMYK 22 / 0 / 51 / 1

HEX #C5FC7C

RGB 197 252 124

HSL 85.78, 0.96%, 0.74%

LAB 92.99, -37.39, 55.17

 

CMYK 16 / 0 / 44 / 0

HEX #D6FF8F

RGB 214 255 143

HSL 81.96, 1%, 0.78%

LAB 95.08, -30.6, 49.08

 

CMYK 29 / 0 / 64 / 22

HEX #8DC648

RGB 141 198 72

HSL 87.14, 0.53%, 0.53%

LAB 73.88, -38.32, 55.47

 

CMYK 31 / 0 / 71 / 29

HEX #7CB435

RGB 124 180 53

HSL 86.46, 0.55%, 0.46%

LAB 67.42, -38.01, 56.02

 

CMYK 34 / 0 / 79 / 36

HEX #6BA222

RGB 107 162 34

HSL 85.78, 0.65%, 0.38%

LAB 60.85, -37.52, 55.93

 

CMYK 38 / 0 / 90 / 44

HEX #5A900F

RGB 90 144 15

HSL 85.12, 0.81%, 0.31%

LAB 54.19, -36.76, 54.67

 

CMYK 42 / 0 / 100 / 51

HEX #497E00

RGB 73 126 0

HSL 85.24, 1%, 0.25%

LAB 47.42, -35.67, 51.63

 

CMYK 29 / 0 / 64 / 22

HEX #8DC748

RGB 141 199 72

HSL 87.4, 0.53%, 0.53%

LAB 74.18, -38.77, 55.79

 

CMYK 12 / 0 / 64 / 22

HEX #AFC748

RGB 175 199 72

HSL 71.34, 0.53%, 0.53%

LAB 76.33, -25.57, 58.74

 

CMYK 0 / 6 / 64 / 22

HEX #C7BC48

RGB 199 188 72

HSL 54.8, 0.53%, 0.53%

LAB 75.19, -10.09, 58.09

 

CMYK 0 / 23 / 64 / 22

HEX #C79948

RGB 199 153 72

HSL 38.27, 0.53%, 0.53%

LAB 66.05, 8.47, 48.16

 

CMYK 0 / 40 / 64 / 22

HEX #C77748

RGB 199 119 72

HSL 22.2, 0.53%, 0.53%

LAB 57.85, 27.03, 38.74

 

CMYK 29 / 0 / 64 / 22

HEX #8DC748

RGB 141 199 72

HSL 87.4, 0.53%, 0.53%

LAB 74.18, -38.77, 55.79

 

CMYK 46 / 0 / 64 / 22

HEX #6BC748

RGB 107 199 72

HSL 103.46, 0.53%, 0.53%

LAB 72.52, -50.23, 53.51

 

CMYK 63 / 0 / 64 / 22

HEX #49C748

RGB 73 199 72

HSL 119.53, 0.53%, 0.53%

LAB 71.37, -59.09, 51.92

 

CMYK 64 / 0 / 47 / 22

HEX #48C769

RGB 72 199 105

HSL 135.59, 0.53%, 0.53%

LAB 71.72, -55.01, 36.88

 

CMYK 64 / 0 / 30 / 22

HEX #48C78B

RGB 72 199 139

HSL 151.65, 0.53%, 0.53%

LAB 72.29, -48.83, 19.98

 

CMYK 29 / 0 / 64 / 22

HEX #8DC748

RGB 141 199 72

HSL 87.4, 0.53%, 0.53%

LAB 74.18, -38.77, 55.79

 

CMYK 34 / 0 / 76 / 15

HEX #8FDA34

RGB 143 218 52

HSL 87.11, 0.69%, 0.53%

LAB 79.74, -47.55, 68.79

 

CMYK 39 / 0 / 86 / 7

HEX #91ED21

RGB 145 237 33

HSL 87.06, 0.85%, 0.53%

LAB 85.35, -55.31, 78.62

 

CMYK 29 / 0 / 64 / 22

HEX #8DC748

RGB 141 199 72

HSL 87.4, 0.53%, 0.53%

LAB 74.18, -38.77, 55.79

 

CMYK 22 / 0 / 49 / 30

HEX #8BB35B

RGB 139 179 91

HSL 87.27, 0.37%, 0.53%

LAB 68.38, -28.42, 40.34

 

CMYK 14 / 0 / 31 / 37

HEX #8AA06E

RGB 138 160 110

HSL 86.4, 0.21%, 0.53%

LAB 63.07, -16.8, 23.59

 

CMYK 3 / 0 / 7 / 45

HEX #888C82

RGB 136 140 130

HSL 84, 0.04%, 0.53%

LAB 57.66, -3.4, 4.82

 

CMYK 10 / 19 / 0 / 42

HEX #867995

RGB 134 121 149

HSL 267.86, 0.12%, 0.53%

LAB 52.85, 10.65, -13.29

 

CMYK 0 / 6 / 64 / 22

HEX #C7BC48

RGB 199 188 72

HSL 54.8, 0.53%, 0.53%

LAB 75.19, -10.09, 58.09

 

CMYK 12 / 0 / 64 / 22

HEX #AFC748

RGB 175 199 72

HSL 71.34, 0.53%, 0.53%

LAB 76.33, -25.57, 58.74

 

CMYK 29 / 0 / 64 / 22

HEX #8EC748

RGB 142 199 72

HSL 86.93, 0.53%, 0.53%

LAB 74.23, -38.4, 55.87

 

CMYK 46 / 0 / 64 / 22

HEX #6CC748

RGB 108 199 72

HSL 102.99, 0.53%, 0.53%

LAB 72.56, -49.93, 53.57

 

CMYK 63 / 0 / 64 / 22

HEX #4AC748

RGB 74 199 72

HSL 119.06, 0.53%, 0.53%

LAB 71.4, -58.87, 51.96

 

CMYK 31 / 0 / 69 / 44

HEX #63902C

RGB 99 144 44

HSL 87, 0.53%, 0.37%

LAB 54.85, -31.77, 46.21

 

CMYK 31 / 0 / 69 / 31

HEX #78AF36

RGB 120 175 54

HSL 87.27, 0.53%, 0.45%

LAB 65.69, -37.2, 53.78

 

CMYK 29 / 0 / 64 / 22

HEX #8DC748

RGB 141 199 72

HSL 87.4, 0.53%, 0.53%

LAB 74.18, -38.77, 55.79

 

CMYK 23 / 0 / 50 / 18

HEX #A1D067

RGB 161 208 103

HSL 86.86, 0.53%, 0.61%

LAB 78.27, -32.57, 46.8

 

CMYK 17 / 0 / 38 / 15

HEX #B4DA87

RGB 180 218 135

HSL 87.47, 0.53%, 0.69%

LAB 82.7, -26.51, 36.83

 

CMYK 29 / 0 / 64 / 22

HEX #8DC648

RGB 141 198 72

HSL 87.14, 0.53%, 0.53%

LAB 73.88, -38.32, 55.47

 

CMYK 64 / 0 / 23 / 22

HEX #48C79A

RGB 72 199 154

HSL 158.74, 0.53%, 0.53%

LAB 72.6, -45.56, 12.38

 

CMYK 0 / 64 / 4 / 22

HEX #C748C0

RGB 199 72 192

HSL 303.31, 0.53%, 0.53%

LAB 52.49, 64.48, -38.22

 

CMYK 29 / 0 / 64 / 22

HEX #8DC648

RGB 141 198 72

HSL 87.14, 0.53%, 0.53%

LAB 73.88, -38.32, 55.47

 

CMYK 64 / 29 / 0 / 22

HEX #488EC7

RGB 72 142 199

HSL 206.93, 0.53%, 0.53%

LAB 56.93, -4.33, -36.05

 

CMYK 0 / 64 / 29 / 22

HEX #C7488E

RGB 199 72 142

HSL 326.93, 0.53%, 0.53%

LAB 50.37, 57.18, -12.12

 

CMYK 29 / 0 / 64 / 22

HEX #8DC648

RGB 141 198 72

HSL 87.14, 0.53%, 0.53%

LAB 73.88, -38.32, 55.47

 

CMYK 64 / 0 / 23 / 22

HEX #48C79A

RGB 72 199 154

HSL 158.74, 0.53%, 0.53%

LAB 72.6, -45.56, 12.38

 

CMYK 35 / 64 / 0 / 22

HEX #8148C7

RGB 129 72 199

HSL 266.93, 0.53%, 0.53%

LAB 43.4, 49.47, -57.34

 

CMYK 0 / 64 / 42 / 22

HEX #C74874

RGB 199 72 116

HSL 339.21, 0.53%, 0.53%

LAB 49.54, 54.19, 2.28

 

CMYK 29 / 0 / 64 / 22

HEX #8DC648

RGB 141 198 72

HSL 87.14, 0.53%, 0.53%

LAB 73.88, -38.32, 55.47

 

CMYK 64 / 0 / 4 / 22

HEX #48C7C0

RGB 72 199 192

HSL 176.69, 0.53%, 0.53%

LAB 73.57, -36.02, -6.8

 

CMYK 35 / 64 / 0 / 22

HEX #8148C7

RGB 129 72 199

HSL 266.93, 0.53%, 0.53%

LAB 43.4, 49.47, -57.34

 

CMYK 0 / 64 / 61 / 22

HEX #C7484E

RGB 199 72 78

HSL 357.17, 0.53%, 0.53%

LAB 48.67, 50.93, 24

 

Description

Color code: HEX #8DC648 | qconv.com Color code: HEX #8DC648 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 198 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 198 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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