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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DA7EE it is the complementary color #725811. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DA7EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DA7EE shade: #92A7E9, #A3B9FC, #B4CBFF, #C5DDFF and #D6EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DA7EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DA7EE shade: #8DA7EE, #7C95DB, #6B83C8, #5A71B5 and #495FA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DA7EE shade: #8CA6EE, #8C8CEE, #A68CEE, #C18CEE and #DB8CEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DA7EE shade: #8CA6EE and #8C8CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DA7EE shade matches the following richer shades: #8CA6EE and #81A1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DA7EE shade: #8CA6EE, #96ABE3, #A1B0D8, #ACB5CE and #B7BAC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DA7EE shade: #8CDCEE, #8CC2EE, #8CA7EE, #8C8DEE and #A48CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DA7EE shade: #446FE3, #688AE8, #8CA6EE, #B0C2F3 and #D3DDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DA7EE shade: #8DA7EE, #E68CEE and #CFEE8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DA7EE shade: #8DA7EE, #EE8CA7 and #A7EE8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DA7EE shade: #8DA7EE, #E68CEE, #EED28C and #94EE8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DA7EE shade: #8DA7EE, #EE8CD9, #EED28C and #8CEEA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 30 / 0 / 7

HEX #8DA7EE

RGB 141 167 238

HSL 223.92, 0.74%, 0.74%

LAB 69.09, 8.65, -38.44

 

Complementary color

CMYK 0 / 23 / 85 / 55

HEX #725811

RGB 114 88 17

HSL 43.92, 0.74%, 0.26%

LAB 38.89, 3.53, 41.69

 

CMYK 37 / 28 / 0 / 9

HEX #92A7E9

RGB 146 167 233

HSL 225.52, 0.66%, 0.74%

LAB 69.21, 8.61, -35.51

 

CMYK 35 / 27 / 0 / 1

HEX #A3B9FC

RGB 163 185 252

HSL 225.17, 0.94%, 0.81%

LAB 75.77, 8.13, -35.54

 

CMYK 29 / 20 / 0 / 0

HEX #B4CBFF

RGB 180 203 255

HSL 221.6, 1%, 0.85%

LAB 81.64, 3.79, -28.02

 

CMYK 23 / 13 / 0 / 0

HEX #C5DDFF

RGB 197 221 255

HSL 215.17, 1%, 0.89%

LAB 87.39, -0.8, -19.18

 

CMYK 16 / 6 / 0 / 0

HEX #D6EFFF

RGB 214 239 255

HSL 203.41, 1%, 0.92%

LAB 93.12, -4.96, -10.47

 

CMYK 41 / 30 / 0 / 7

HEX #8DA7EE

RGB 141 167 238

HSL 223.92, 0.74%, 0.74%

LAB 69.09, 8.65, -38.44

 

CMYK 43 / 32 / 0 / 14

HEX #7C95DB

RGB 124 149 219

HSL 224.21, 0.57%, 0.67%

LAB 62.42, 9.27, -38.47

 

CMYK 47 / 35 / 0 / 22

HEX #6B83C8

RGB 107 131 200

HSL 224.52, 0.46%, 0.6%

LAB 55.61, 9.99, -38.55

 

CMYK 50 / 38 / 0 / 29

HEX #5A71B5

RGB 90 113 181

HSL 224.84, 0.38%, 0.53%

LAB 48.66, 10.86, -38.68

 

CMYK 55 / 41 / 0 / 36

HEX #495FA2

RGB 73 95 162

HSL 225.17, 0.38%, 0.46%

LAB 41.55, 11.93, -38.87

 

CMYK 41 / 30 / 0 / 7

HEX #8CA6EE

RGB 140 166 238

HSL 224.08, 0.74%, 0.74%

LAB 68.77, 8.96, -38.95

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CEE

RGB 140 140 238

HSL 240, 0.74%, 0.74%

LAB 62.09, 23.92, -49.45

 

CMYK 30 / 41 / 0 / 7

HEX #A68CEE

RGB 166 140 238

HSL 255.92, 0.74%, 0.74%

LAB 64.19, 30.71, -45.99

 

CMYK 19 / 41 / 0 / 7

HEX #C18CEE

RGB 193 140 238

HSL 272.45, 0.74%, 0.74%

LAB 66.72, 38.27, -41.83

 

CMYK 8 / 41 / 0 / 7

HEX #DB8CEE

RGB 219 140 238

HSL 288.37, 0.74%, 0.74%

LAB 69.46, 45.81, -37.35

 

CMYK 41 / 30 / 0 / 7

HEX #8CA6EE

RGB 140 166 238

HSL 224.08, 0.74%, 0.74%

LAB 68.77, 8.96, -38.95

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CEE

RGB 140 140 238

HSL 240, 0.74%, 0.74%

LAB 62.09, 23.92, -49.45

 

CMYK 41 / 30 / 0 / 7

HEX #8CA6EE

RGB 140 166 238

HSL 224.08, 0.74%, 0.74%

LAB 68.77, 8.96, -38.95

 

CMYK 48 / 35 / 0 / 3

HEX #81A1F8

RGB 129 161 248

HSL 223.87, 0.89%, 0.74%

LAB 67.23, 11.98, -46.87

 

CMYK 41 / 30 / 0 / 7

HEX #8CA6EE

RGB 140 166 238

HSL 224.08, 0.74%, 0.74%

LAB 68.77, 8.96, -38.95

 

CMYK 34 / 25 / 0 / 11

HEX #96ABE3

RGB 150 171 227

HSL 223.64, 0.58%, 0.74%

LAB 70.29, 5.89, -30.53

 

CMYK 25 / 19 / 0 / 15

HEX #A1B0D8

RGB 161 176 216

HSL 223.64, 0.41%, 0.74%

LAB 71.95, 3.6, -21.9

 

CMYK 17 / 12 / 0 / 19

HEX #ACB5CE

RGB 172 181 206

HSL 224.12, 0.26%, 0.74%

LAB 73.72, 2.03, -13.68

 

CMYK 6 / 5 / 0 / 24

HEX #B7BAC3

RGB 183 186 195

HSL 225, 0.09%, 0.74%

LAB 75.53, 0.69, -4.91

 

CMYK 41 / 8 / 0 / 7

HEX #8CDCEE

RGB 140 220 238

HSL 191.02, 0.74%, 0.74%

LAB 83.41, -19.96, -16.52

 

CMYK 41 / 18 / 0 / 7

HEX #8CC2EE

RGB 140 194 238

HSL 206.94, 0.74%, 0.74%

LAB 76.27, -6.48, -27.35

 

CMYK 41 / 30 / 0 / 7

HEX #8CA7EE

RGB 140 167 238

HSL 223.47, 0.74%, 0.74%

LAB 69.03, 8.39, -38.54

 

CMYK 41 / 41 / 0 / 7

HEX #8C8DEE

RGB 140 141 238

HSL 239.39, 0.74%, 0.74%

LAB 62.34, 23.34, -49.05

 

CMYK 31 / 41 / 0 / 7

HEX #A48CEE

RGB 164 140 238

HSL 254.69, 0.74%, 0.74%

LAB 64.02, 30.17, -46.27

 

CMYK 70 / 51 / 0 / 11

HEX #446FE3

RGB 68 111 227

HSL 223.77, 0.74%, 0.58%

LAB 49.67, 23.62, -63.42

 

CMYK 55 / 41 / 0 / 9

HEX #688AE8

RGB 104 138 232

HSL 224.06, 0.74%, 0.66%

LAB 58.92, 15.05, -51.29

 

CMYK 41 / 30 / 0 / 7

HEX #8CA6EE

RGB 140 166 238

HSL 224.08, 0.74%, 0.74%

LAB 68.77, 8.96, -38.95

 

CMYK 28 / 20 / 0 / 5

HEX #B0C2F3

RGB 176 194 243

HSL 223.88, 0.74%, 0.82%

LAB 78.63, 4.63, -26.24

 

CMYK 15 / 11 / 0 / 3

HEX #D3DDF8

RGB 211 221 248

HSL 223.78, 0.73%, 0.9%

LAB 88.13, 1.97, -14.28

 

CMYK 41 / 30 / 0 / 7

HEX #8DA7EE

RGB 141 167 238

HSL 223.92, 0.74%, 0.74%

LAB 69.09, 8.65, -38.44

 

CMYK 3 / 41 / 0 / 7

HEX #E68CEE

RGB 230 140 238

HSL 295.1, 0.74%, 0.74%

LAB 70.7, 49.03, -35.33

 

CMYK 13 / 0 / 41 / 7

HEX #CFEE8C

RGB 207 238 140

HSL 78.98, 0.74%, 0.74%

LAB 90, -25.52, 44.05

 

CMYK 41 / 30 / 0 / 7

HEX #8DA7EE

RGB 141 167 238

HSL 223.92, 0.74%, 0.74%

LAB 69.09, 8.65, -38.44

 

CMYK 0 / 41 / 30 / 7

HEX #EE8CA7

RGB 238 140 167

HSL 343.47, 0.74%, 0.74%

LAB 69.27, 40.37, 2.01

 

CMYK 30 / 0 / 41 / 7

HEX #A7EE8C

RGB 167 238 140

HSL 103.47, 0.74%, 0.74%

LAB 87.61, -39.65, 40.52

 

CMYK 41 / 30 / 0 / 7

HEX #8DA7EE

RGB 141 167 238

HSL 223.92, 0.74%, 0.74%

LAB 69.09, 8.65, -38.44

 

CMYK 3 / 41 / 0 / 7

HEX #E68CEE

RGB 230 140 238

HSL 295.1, 0.74%, 0.74%

LAB 70.7, 49.03, -35.33

 

CMYK 0 / 12 / 41 / 7

HEX #EED28C

RGB 238 210 140

HSL 42.86, 0.74%, 0.74%

LAB 85.08, 0.35, 38.25

 

CMYK 38 / 0 / 41 / 7

HEX #94EE8C

RGB 148 238 140

HSL 115.1, 0.74%, 0.74%

LAB 86.67, -45.71, 39.12

 

CMYK 41 / 30 / 0 / 7

HEX #8DA7EE

RGB 141 167 238

HSL 223.92, 0.74%, 0.74%

LAB 69.09, 8.65, -38.44

 

CMYK 0 / 41 / 9 / 7

HEX #EE8CD9

RGB 238 140 217

HSL 312.86, 0.74%, 0.74%

LAB 70.83, 47.77, -23.5

 

CMYK 0 / 12 / 41 / 7

HEX #EED28C

RGB 238 210 140

HSL 42.86, 0.74%, 0.74%

LAB 85.08, 0.35, 38.25

 

CMYK 41 / 0 / 32 / 7

HEX #8CEEA1

RGB 140 238 161

HSL 132.86, 0.74%, 0.74%

LAB 86.65, -44.78, 28.48

 

Description

Color code: HEX #8DA7EE | qconv.com Color code: HEX #8DA7EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 167 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 167 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 30 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 30% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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