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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D9F2E it is the complementary color #7260D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D9F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D9F2E shade: #929F29, #A3B13C, #B4C34F, #C5D562 and #D6E775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D9F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D9F2E shade: #8D9F2E, #7C8D1B, #6B7B08, #5A6900 and #495700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D9F2E shade: #8C9E2E, #9E922E, #9E732E, #9E552E and #9E372E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D9F2E shade: #8C9E2E, #6E9E2E, #509E2E, #319E2E and #2E9E49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D9F2E shade matches the following richer shades: #8C9E2E, #97AF1D and #A3BF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D9F2E shade: #8C9E2E, #818E3E, #767D4F, #6A6D5F and #5F5C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D9F2E shade: #9E732E, #9E912E, #8D9E2E, #6F9E2E and #519E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D9F2E shade: #545E1B, #707E25, #8C9E2E, #A9BE37 and #B9CD52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D9F2E shade: #8D9F2E, #2E9E55 and #822E9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D9F2E shade: #8D9F2E, #2E8D9E and #9E2E8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D9F2E shade: #8D9F2E, #2E9E55, #3F2E9E and #9E2E77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D9F2E shade: #8D9F2E, #2E9E77, #3F2E9E and #9E2E55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 71 / 38

HEX #8D9F2E

RGB 141 159 46

HSL 69.56, 0.55%, 0.4%

LAB 62.22, -21.66, 53.82

 

Complementary color

CMYK 45 / 54 / 0 / 18

HEX #7260D1

RGB 114 96 209

HSL 249.56, 0.55%, 0.6%

LAB 47.68, 35.4, -56.26

 

CMYK 8 / 0 / 74 / 38

HEX #929F29

RGB 146 159 41

HSL 66.61, 0.59%, 0.39%

LAB 62.56, -19.77, 56.13

 

CMYK 8 / 0 / 66 / 31

HEX #A3B13C

RGB 163 177 60

HSL 67.18, 0.49%, 0.46%

LAB 69.15, -20.5, 55.86

 

CMYK 8 / 0 / 59 / 24

HEX #B4C34F

RGB 180 195 79

HSL 67.76, 0.49%, 0.54%

LAB 75.64, -21.08, 55.12

 

CMYK 8 / 0 / 54 / 16

HEX #C5D562

RGB 197 213 98

HSL 68.35, 0.58%, 0.61%

LAB 82.02, -21.53, 54.16

 

CMYK 7 / 0 / 49 / 9

HEX #D6E775

RGB 214 231 117

HSL 68.95, 0.7%, 0.68%

LAB 88.32, -21.89, 53.09

 

CMYK 11 / 0 / 71 / 38

HEX #8D9F2E

RGB 141 159 46

HSL 69.56, 0.55%, 0.4%

LAB 62.22, -21.66, 53.82

 

CMYK 12 / 0 / 81 / 45

HEX #7C8D1B

RGB 124 141 27

HSL 68.95, 0.68%, 0.33%

LAB 55.5, -20.86, 53.58

 

CMYK 13 / 0 / 93 / 52

HEX #6B7B08

RGB 107 123 8

HSL 68.35, 0.88%, 0.26%

LAB 48.65, -19.79, 51.9

 

CMYK 14 / 0 / 100 / 59

HEX #5A6900

RGB 90 105 0

HSL 68.57, 1%, 0.21%

LAB 41.65, -18.37, 47.7

 

CMYK 16 / 0 / 100 / 66

HEX #495700

RGB 73 87 0

HSL 69.66, 1%, 0.17%

LAB 34.46, -16.72, 41.71

 

CMYK 11 / 0 / 71 / 38

HEX #8C9E2E

RGB 140 158 46

HSL 69.64, 0.55%, 0.4%

LAB 61.85, -21.58, 53.43

 

CMYK 0 / 8 / 71 / 38

HEX #9E922E

RGB 158 146 46

HSL 53.57, 0.55%, 0.4%

LAB 59.91, -7.39, 51.99

 

CMYK 0 / 27 / 71 / 38

HEX #9E732E

RGB 158 115 46

HSL 36.96, 0.55%, 0.4%

LAB 51.53, 9.87, 43.4

 

CMYK 0 / 46 / 71 / 38

HEX #9E552E

RGB 158 85 46

HSL 20.89, 0.55%, 0.4%

LAB 44.18, 26.89, 35.44

 

CMYK 0 / 65 / 71 / 38

HEX #9E372E

RGB 158 55 46

HSL 4.82, 0.55%, 0.4%

LAB 38.2, 42.24, 28.59

 

CMYK 11 / 0 / 71 / 38

HEX #8C9E2E

RGB 140 158 46

HSL 69.64, 0.55%, 0.4%

LAB 61.85, -21.58, 53.43

 

CMYK 30 / 0 / 71 / 38

HEX #6E9E2E

RGB 110 158 46

HSL 85.71, 0.55%, 0.4%

LAB 59.86, -33.85, 50.77

 

CMYK 49 / 0 / 71 / 38

HEX #509E2E

RGB 80 158 46

HSL 101.79, 0.55%, 0.4%

LAB 58.37, -44.34, 48.77

 

CMYK 69 / 0 / 71 / 38

HEX #319E2E

RGB 49 158 46

HSL 118.39, 0.55%, 0.4%

LAB 57.37, -52.28, 47.42

 

CMYK 71 / 0 / 54 / 38

HEX #2E9E49

RGB 46 158 73

HSL 134.46, 0.55%, 0.4%

LAB 57.57, -49.62, 35.25

 

CMYK 11 / 0 / 71 / 38

HEX #8C9E2E

RGB 140 158 46

HSL 69.64, 0.55%, 0.4%

LAB 61.85, -21.58, 53.43

 

CMYK 14 / 0 / 83 / 31

HEX #97AF1D

RGB 151 175 29

HSL 69.86, 0.72%, 0.4%

LAB 67.52, -26.08, 64.36

 

CMYK 15 / 0 / 93 / 25

HEX #A3BF0D

RGB 163 191 13

HSL 69.44, 0.87%, 0.4%

LAB 72.94, -29.11, 72.1

 

CMYK 11 / 0 / 71 / 38

HEX #8C9E2E

RGB 140 158 46

HSL 69.64, 0.55%, 0.4%

LAB 61.85, -21.58, 53.43

 

CMYK 9 / 0 / 56 / 44

HEX #818E3E

RGB 129 142 62

HSL 69.75, 0.39%, 0.4%

LAB 56.45, -16.9, 40.36

 

CMYK 6 / 0 / 37 / 51

HEX #767D4F

RGB 118 125 79

HSL 69.13, 0.23%, 0.4%

LAB 50.78, -10.55, 24.24

 

CMYK 3 / 0 / 13 / 57

HEX #6A6D5F

RGB 106 109 95

HSL 72.86, 0.07%, 0.4%

LAB 45.4, -3.91, 7.43

 

CMYK 15 / 18 / 0 / 56

HEX #5F5C70

RGB 95 92 112

HSL 249, 0.1%, 0.4%

LAB 40.01, 5.67, -10.91

 

CMYK 0 / 27 / 71 / 38

HEX #9E732E

RGB 158 115 46

HSL 36.96, 0.55%, 0.4%

LAB 51.53, 9.87, 43.4

 

CMYK 0 / 8 / 71 / 38

HEX #9E912E

RGB 158 145 46

HSL 53.04, 0.55%, 0.4%

LAB 59.63, -6.85, 51.71

 

CMYK 11 / 0 / 71 / 38

HEX #8D9E2E

RGB 141 158 46

HSL 69.11, 0.55%, 0.4%

LAB 61.92, -21.15, 53.53

 

CMYK 30 / 0 / 71 / 38

HEX #6F9E2E

RGB 111 158 46

HSL 85.18, 0.55%, 0.4%

LAB 59.92, -33.47, 50.85

 

CMYK 49 / 0 / 71 / 38

HEX #519E2E

RGB 81 158 46

HSL 101.25, 0.55%, 0.4%

LAB 58.42, -44.03, 48.83

 

CMYK 11 / 0 / 71 / 63

HEX #545E1B

RGB 84 94 27

HSL 68.96, 0.55%, 0.24%

LAB 37.79, -14.04, 35.54

 

CMYK 11 / 0 / 71 / 51

HEX #707E25

RGB 112 126 37

HSL 69.44, 0.55%, 0.32%

LAB 50.1, -17.88, 44.52

 

CMYK 11 / 0 / 71 / 38

HEX #8C9E2E

RGB 140 158 46

HSL 69.64, 0.55%, 0.4%

LAB 61.85, -21.58, 53.43

 

CMYK 11 / 0 / 71 / 25

HEX #A9BE37

RGB 169 190 55

HSL 69.33, 0.55%, 0.48%

LAB 73.24, -24.71, 62.05

 

CMYK 10 / 0 / 60 / 20

HEX #B9CD52

RGB 185 205 82

HSL 69.76, 0.55%, 0.56%

LAB 78.8, -23.72, 57.4

 

CMYK 11 / 0 / 71 / 38

HEX #8D9F2E

RGB 141 159 46

HSL 69.56, 0.55%, 0.4%

LAB 62.22, -21.66, 53.82

 

CMYK 71 / 0 / 46 / 38

HEX #2E9E55

RGB 46 158 85

HSL 140.89, 0.55%, 0.4%

LAB 57.74, -47.69, 29.26

 

CMYK 18 / 71 / 0 / 38

HEX #822E9E

RGB 130 46 158

HSL 285, 0.55%, 0.4%

LAB 36.31, 52.64, -44.5

 

CMYK 11 / 0 / 71 / 38

HEX #8D9F2E

RGB 141 159 46

HSL 69.56, 0.55%, 0.4%

LAB 62.22, -21.66, 53.82

 

CMYK 71 / 11 / 0 / 38

HEX #2E8D9E

RGB 46 141 158

HSL 189.11, 0.55%, 0.4%

LAB 54.13, -21.56, -17.03

 

CMYK 0 / 71 / 11 / 38

HEX #9E2E8D

RGB 158 46 141

HSL 309.11, 0.55%, 0.4%

LAB 39.83, 56.2, -28.31

 

CMYK 11 / 0 / 71 / 38

HEX #8D9F2E

RGB 141 159 46

HSL 69.56, 0.55%, 0.4%

LAB 62.22, -21.66, 53.82

 

CMYK 71 / 0 / 46 / 38

HEX #2E9E55

RGB 46 158 85

HSL 140.89, 0.55%, 0.4%

LAB 57.74, -47.69, 29.26

 

CMYK 60 / 71 / 0 / 38

HEX #3F2E9E

RGB 63 46 158

HSL 249.11, 0.55%, 0.4%

LAB 28.06, 39.65, -58.27

 

CMYK 0 / 71 / 25 / 38

HEX #9E2E77

RGB 158 46 119

HSL 320.89, 0.55%, 0.4%

LAB 38.82, 52.99, -16.29

 

CMYK 11 / 0 / 71 / 38

HEX #8D9F2E

RGB 141 159 46

HSL 69.56, 0.55%, 0.4%

LAB 62.22, -21.66, 53.82

 

CMYK 71 / 0 / 25 / 38

HEX #2E9E77

RGB 46 158 119

HSL 159.11, 0.55%, 0.4%

LAB 58.38, -40.66, 11.49

 

CMYK 60 / 71 / 0 / 38

HEX #3F2E9E

RGB 63 46 158

HSL 249.11, 0.55%, 0.4%

LAB 28.06, 39.65, -58.27

 

CMYK 0 / 71 / 46 / 38

HEX #9E2E55

RGB 158 46 85

HSL 339.11, 0.55%, 0.4%

LAB 37.62, 49, 3.38

 

Description

Color code: HEX #8D9F2E | qconv.com Color code: HEX #8D9F2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 159 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 159 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 71 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 71% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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