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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D95B5 it is the complementary color #726A4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D95B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D95B5 shade: #9295B0, #A3A7C3, #B4B9D6, #C5CBE9 and #D6DDFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D95B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D95B5 shade: #8D95B5, #7C83A2, #6B718F, #5A5F7C and #494D69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D95B5 shade: #8D95B4, #908DB4, #9A8DB4, #A58DB4 and #B08DB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D95B5 shade: #8D95B4 and #8D8DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D95B5 shade matches the following richer shades: #8D95B4, #7E8CC4, #6E82D3, #5F79E2 and #5070F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D95B5 shade: #8D95B4, #9C9EA5, #ABA796, #BBB087 and #CAB977

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D95B5 shade: #8DAAB4, #8D9FB4, #8D95B4, #8F8DB4 and #9A8DB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D95B5 shade: #5E6890, #747EA4, #8D95B4, #A6ACC5 and #BFC3D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D95B5 shade: #8D95B5, #B48DB4 and #A5B48D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D95B5 shade: #8D95B5, #B48D95 and #95B48D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D95B5 shade: #8D95B5, #B48DB4, #B4AD8D and #8DB48D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D95B5 shade: #8D95B5, #B48DA9, #B4AD8D and #8DB499

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 29

HEX #8D95B5

RGB 141 149 181

HSL 228, 0.21%, 0.63%

LAB 62.08, 4.16, -17.62

 

Complementary color

CMYK 0 / 7 / 35 / 55

HEX #726A4A

RGB 114 106 74

HSL 48, 0.21%, 0.37%

LAB 44.77, -2.18, 19.13

 

CMYK 17 / 15 / 0 / 31

HEX #9295B0

RGB 146 149 176

HSL 234, 0.16%, 0.63%

LAB 62.29, 4.63, -14.44

 

CMYK 16 / 14 / 0 / 24

HEX #A3A7C3

RGB 163 167 195

HSL 232.5, 0.21%, 0.7%

LAB 69.01, 4.38, -14.79

 

CMYK 16 / 14 / 0 / 16

HEX #B4B9D6

RGB 180 185 214

HSL 231.18, 0.29%, 0.77%

LAB 75.61, 4.15, -15.14

 

CMYK 15 / 13 / 0 / 9

HEX #C5CBE9

RGB 197 203 233

HSL 230, 0.45%, 0.84%

LAB 82.09, 3.93, -15.5

 

CMYK 15 / 12 / 0 / 1

HEX #D6DDFC

RGB 214 221 252

HSL 228.95, 0.86%, 0.91%

LAB 88.47, 3.73, -15.86

 

CMYK 22 / 18 / 0 / 29

HEX #8D95B5

RGB 141 149 181

HSL 228, 0.21%, 0.63%

LAB 62.08, 4.16, -17.62

 

CMYK 23 / 19 / 0 / 36

HEX #7C83A2

RGB 124 131 162

HSL 228.95, 0.17%, 0.56%

LAB 55.2, 4.45, -17.35

 

CMYK 25 / 21 / 0 / 44

HEX #6B718F

RGB 107 113 143

HSL 230, 0.14%, 0.49%

LAB 48.16, 4.76, -17.11

 

CMYK 27 / 23 / 0 / 51

HEX #5A5F7C

RGB 90 95 124

HSL 231.18, 0.16%, 0.42%

LAB 40.92, 5.13, -16.9

 

CMYK 30 / 27 / 0 / 59

HEX #494D69

RGB 73 77 105

HSL 232.5, 0.18%, 0.35%

LAB 33.44, 5.56, -16.74

 

CMYK 22 / 17 / 0 / 29

HEX #8D95B4

RGB 141 149 180

HSL 227.69, 0.21%, 0.63%

LAB 62.04, 3.93, -17.1

 

CMYK 20 / 22 / 0 / 29

HEX #908DB4

RGB 144 141 180

HSL 244.62, 0.21%, 0.63%

LAB 60.14, 9.46, -19.98

 

CMYK 14 / 22 / 0 / 29

HEX #9A8DB4

RGB 154 141 180

HSL 260, 0.21%, 0.63%

LAB 60.97, 12.73, -18.64

 

CMYK 8 / 22 / 0 / 29

HEX #A58DB4

RGB 165 141 180

HSL 276.92, 0.21%, 0.63%

LAB 61.95, 16.42, -17.06

 

CMYK 2 / 22 / 0 / 29

HEX #B08DB4

RGB 176 141 180

HSL 293.85, 0.21%, 0.63%

LAB 62.99, 20.17, -15.38

 

CMYK 22 / 17 / 0 / 29

HEX #8D95B4

RGB 141 149 180

HSL 227.69, 0.21%, 0.63%

LAB 62.04, 3.93, -17.1

 

CMYK 22 / 22 / 0 / 29

HEX #8D8DB4

RGB 141 141 180

HSL 240, 0.21%, 0.63%

LAB 59.9, 8.49, -20.37

 

CMYK 22 / 17 / 0 / 29

HEX #8D95B4

RGB 141 149 180

HSL 227.69, 0.21%, 0.63%

LAB 62.04, 3.93, -17.1

 

CMYK 36 / 29 / 0 / 23

HEX #7E8CC4

RGB 126 140 196

HSL 228, 0.37%, 0.63%

LAB 59.14, 8.61, -30.69

 

CMYK 48 / 38 / 0 / 17

HEX #6E82D3

RGB 110 130 211

HSL 228.12, 0.53%, 0.63%

LAB 56.07, 14.63, -44.04

 

CMYK 58 / 46 / 0 / 11

HEX #5F79E2

RGB 95 121 226

HSL 228.09, 0.69%, 0.63%

LAB 53.6, 21.57, -56.47

 

CMYK 67 / 54 / 0 / 5

HEX #5070F2

RGB 80 112 242

HSL 228.15, 0.86%, 0.63%

LAB 51.5, 29.96, -68.84

 

CMYK 22 / 17 / 0 / 29

HEX #8D95B4

RGB 141 149 180

HSL 227.69, 0.21%, 0.63%

LAB 62.04, 3.93, -17.1

 

CMYK 5 / 4 / 0 / 35

HEX #9C9EA5

RGB 156 158 165

HSL 226.67, 0.05%, 0.63%

LAB 65.15, 0.67, -3.9

 

CMYK 0 / 2 / 12 / 33

HEX #ABA796

RGB 171 167 150

HSL 48.57, 0.11%, 0.63%

LAB 68.39, -1.57, 9.3

 

CMYK 0 / 6 / 28 / 27

HEX #BBB087

RGB 187 176 135

HSL 47.31, 0.28%, 0.63%

LAB 71.8, -2.54, 22.46

 

CMYK 0 / 8 / 41 / 21

HEX #CAB977

RGB 202 185 119

HSL 47.71, 0.44%, 0.63%

LAB 75.19, -3.27, 35.65

 

CMYK 22 / 6 / 0 / 29

HEX #8DAAB4

RGB 141 170 180

HSL 195.38, 0.21%, 0.63%

LAB 67.8, -7.7, -8.45

 

CMYK 22 / 12 / 0 / 29

HEX #8D9FB4

RGB 141 159 180

HSL 212.31, 0.21%, 0.63%

LAB 64.77, -1.68, -12.99

 

CMYK 22 / 17 / 0 / 29

HEX #8D95B4

RGB 141 149 180

HSL 227.69, 0.21%, 0.63%

LAB 62.04, 3.93, -17.1

 

CMYK 21 / 22 / 0 / 29

HEX #8F8DB4

RGB 143 141 180

HSL 243.08, 0.21%, 0.63%

LAB 60.06, 9.13, -20.11

 

CMYK 14 / 22 / 0 / 29

HEX #9A8DB4

RGB 154 141 180

HSL 260, 0.21%, 0.63%

LAB 60.97, 12.73, -18.64

 

CMYK 35 / 28 / 0 / 44

HEX #5E6890

RGB 94 104 144

HSL 228, 0.21%, 0.47%

LAB 44.65, 6.35, -23.18

 

CMYK 29 / 23 / 0 / 36

HEX #747EA4

RGB 116 126 164

HSL 227.5, 0.21%, 0.55%

LAB 53.29, 5.33, -21.48

 

CMYK 22 / 17 / 0 / 29

HEX #8D95B4

RGB 141 149 180

HSL 227.69, 0.21%, 0.63%

LAB 62.04, 3.93, -17.1

 

CMYK 16 / 13 / 0 / 23

HEX #A6ACC5

RGB 166 172 197

HSL 228.39, 0.21%, 0.71%

LAB 70.62, 3.04, -13.45

 

CMYK 10 / 8 / 0 / 16

HEX #BFC3D5

RGB 191 195 213

HSL 229.09, 0.21%, 0.79%

LAB 78.99, 2.13, -9.46

 

CMYK 22 / 18 / 0 / 29

HEX #8D95B5

RGB 141 149 181

HSL 228, 0.21%, 0.63%

LAB 62.08, 4.16, -17.62

 

CMYK 0 / 22 / 0 / 29

HEX #B48DB4

RGB 180 141 180

HSL 300, 0.21%, 0.63%

LAB 63.38, 21.55, -14.75

 

CMYK 8 / 0 / 22 / 29

HEX #A5B48D

RGB 165 180 141

HSL 83.08, 0.21%, 0.63%

LAB 71.26, -12.2, 18.19

 

CMYK 22 / 18 / 0 / 29

HEX #8D95B5

RGB 141 149 181

HSL 228, 0.21%, 0.63%

LAB 62.08, 4.16, -17.62

 

CMYK 0 / 22 / 17 / 29

HEX #B48D95

RGB 180 141 149

HSL 347.69, 0.21%, 0.63%

LAB 62.44, 16.03, 1.42

 

CMYK 17 / 0 / 22 / 29

HEX #95B48D

RGB 149 180 141

HSL 107.69, 0.21%, 0.63%

LAB 70.14, -18.04, 16.48

 

CMYK 22 / 18 / 0 / 29

HEX #8D95B5

RGB 141 149 181

HSL 228, 0.21%, 0.63%

LAB 62.08, 4.16, -17.62

 

CMYK 0 / 22 / 0 / 29

HEX #B48DB4

RGB 180 141 180

HSL 300, 0.21%, 0.63%

LAB 63.38, 21.55, -14.75

 

CMYK 0 / 4 / 22 / 29

HEX #B4AD8D

RGB 180 173 141

HSL 49.23, 0.21%, 0.63%

LAB 70.53, -2.81, 17.37

 

CMYK 22 / 0 / 22 / 29

HEX #8DB48D

RGB 141 180 141

HSL 120, 0.21%, 0.63%

LAB 69.63, -20.86, 15.69

 

CMYK 22 / 18 / 0 / 29

HEX #8D95B5

RGB 141 149 181

HSL 228, 0.21%, 0.63%

LAB 62.08, 4.16, -17.62

 

CMYK 0 / 22 / 6 / 29

HEX #B48DA9

RGB 180 141 169

HSL 316.92, 0.21%, 0.63%

LAB 63.03, 19.48, -9.07

 

CMYK 0 / 4 / 22 / 29

HEX #B4AD8D

RGB 180 173 141

HSL 49.23, 0.21%, 0.63%

LAB 70.53, -2.81, 17.37

 

CMYK 22 / 0 / 15 / 29

HEX #8DB499

RGB 141 180 153

HSL 138.46, 0.21%, 0.63%

LAB 69.9, -18.63, 9.51

 

Description

Color code: HEX #8D95B5 | qconv.com Color code: HEX #8D95B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 149 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 149 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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