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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D94FA it is the complementary color #726B05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D94FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D94FA shade: #9294F5, #A3A6FF, #B4B8FF, #C5CAFF and #D6DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D94FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D94FA shade: #8D94FA, #7C82E7, #6B70D4, #5A5EC1 and #494CAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D94FA shade: #8E95FA, #A58EFA, #C28EFA, #DF8EFA and #FA8EF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D94FA shade: #8E95FA and #8E8EFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D94FA shade matches the following richer shades: #8E95FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D94FA shade: #8E95FA, #989EF1, #A1A6E7, #ABAEDE and #B4B6D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D94FA shade: #8ECFFA, #8EB2FA, #8E96FA, #A48EFA and #C18EFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D94FA shade: #3F4BF7, #6770F9, #8E95FA, #B6BAFC and #DEE0FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D94FA shade: #8D94FA, #FA8EEC and #C1FA8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D94FA shade: #8D94FA, #FA8E96 and #96FA8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D94FA shade: #8D94FA, #FA8EEC, #FAF38E and #8EFA9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D94FA shade: #8D94FA, #FA8ECC, #FAF38E and #8EFABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 41 / 0 / 2

HEX #8D94FA

RGB 141 148 250

HSL 236.15, 0.92%, 0.77%

LAB 64.76, 22.9, -51.81

 

Complementary color

CMYK 0 / 6 / 96 / 55

HEX #726B05

RGB 114 107 5

HSL 56.15, 0.92%, 0.23%

LAB 44.38, -7.88, 49.45

 

CMYK 40 / 40 / 0 / 4

HEX #9294F5

RGB 146 148 245

HSL 238.79, 0.83%, 0.77%

LAB 64.87, 22.73, -48.87

 

CMYK 36 / 35 / 0 / 0

HEX #A3A6FF

RGB 163 166 255

HSL 238.04, 1%, 0.82%

LAB 71.06, 19.53, -44.49

 

CMYK 29 / 28 / 0 / 0

HEX #B4B8FF

RGB 180 184 255

HSL 236.8, 1%, 0.85%

LAB 76.8, 14.14, -35.46

 

CMYK 23 / 21 / 0 / 0

HEX #C5CAFF

RGB 197 202 255

HSL 234.83, 1%, 0.89%

LAB 82.56, 9.28, -26.51

 

CMYK 16 / 14 / 0 / 0

HEX #D6DCFF

RGB 214 220 255

HSL 231.22, 1%, 0.92%

LAB 88.31, 4.88, -17.68

 

CMYK 44 / 41 / 0 / 2

HEX #8D94FA

RGB 141 148 250

HSL 236.15, 0.92%, 0.77%

LAB 64.76, 22.9, -51.81

 

CMYK 46 / 44 / 0 / 9

HEX #7C82E7

RGB 124 130 231

HSL 236.64, 0.69%, 0.7%

LAB 58.06, 23.92, -52.04

 

CMYK 50 / 47 / 0 / 17

HEX #6B70D4

RGB 107 112 212

HSL 237.14, 0.55%, 0.63%

LAB 51.23, 25.11, -52.31

 

CMYK 53 / 51 / 0 / 24

HEX #5A5EC1

RGB 90 94 193

HSL 237.67, 0.45%, 0.55%

LAB 44.27, 26.5, -52.63

 

CMYK 58 / 56 / 0 / 32

HEX #494CAE

RGB 73 76 174

HSL 238.22, 0.41%, 0.48%

LAB 37.19, 28.16, -52.97

 

CMYK 43 / 40 / 0 / 2

HEX #8E95FA

RGB 142 149 250

HSL 236.11, 0.92%, 0.77%

LAB 65.08, 22.57, -51.3

 

CMYK 34 / 43 / 0 / 2

HEX #A58EFA

RGB 165 142 250

HSL 252.78, 0.92%, 0.77%

LAB 65.16, 32.36, -51.06

 

CMYK 22 / 43 / 0 / 2

HEX #C28EFA

RGB 194 142 250

HSL 268.89, 0.92%, 0.77%

LAB 67.81, 40.14, -46.69

 

CMYK 11 / 43 / 0 / 2

HEX #DF8EFA

RGB 223 142 250

HSL 285, 0.92%, 0.77%

LAB 70.83, 48.28, -41.75

 

CMYK 0 / 43 / 0 / 2

HEX #FA8EF9

RGB 250 142 249

HSL 300.56, 0.92%, 0.77%

LAB 73.87, 55.81, -36.23

 

CMYK 43 / 40 / 0 / 2

HEX #8E95FA

RGB 142 149 250

HSL 236.11, 0.92%, 0.77%

LAB 65.08, 22.57, -51.3

 

CMYK 43 / 43 / 0 / 2

HEX #8E8EFA

RGB 142 142 250

HSL 240, 0.92%, 0.77%

LAB 63.34, 26.62, -54.05

 

CMYK 43 / 40 / 0 / 2

HEX #8E95FA

RGB 142 149 250

HSL 236.11, 0.92%, 0.77%

LAB 65.08, 22.57, -51.3

 

CMYK 43 / 40 / 0 / 2

HEX #8E95FA

RGB 142 149 250

HSL 236.11, 0.92%, 0.77%

LAB 65.08, 22.57, -51.3

 

CMYK 37 / 34 / 0 / 5

HEX #989EF1

RGB 152 158 241

HSL 235.96, 0.76%, 0.77%

LAB 67.64, 17.46, -42.3

 

CMYK 30 / 28 / 0 / 9

HEX #A1A6E7

RGB 161 166 231

HSL 235.71, 0.59%, 0.77%

LAB 69.91, 12.82, -33.24

 

CMYK 23 / 22 / 0 / 13

HEX #ABAEDE

RGB 171 174 222

HSL 236.47, 0.44%, 0.77%

LAB 72.36, 9.15, -24.48

 

CMYK 15 / 14 / 0 / 17

HEX #B4B6D4

RGB 180 182 212

HSL 236.25, 0.27%, 0.77%

LAB 74.77, 5.35, -15.32

 

CMYK 43 / 17 / 0 / 2

HEX #8ECFFA

RGB 142 207 250

HSL 203.89, 0.92%, 0.77%

LAB 80.34, -9.68, -27.55

 

CMYK 43 / 29 / 0 / 2

HEX #8EB2FA

RGB 142 178 250

HSL 220, 0.92%, 0.77%

LAB 72.56, 6.04, -39.55

 

CMYK 43 / 40 / 0 / 2

HEX #8E96FA

RGB 142 150 250

HSL 235.56, 0.92%, 0.77%

LAB 65.33, 21.99, -50.9

 

CMYK 34 / 43 / 0 / 2

HEX #A48EFA

RGB 164 142 250

HSL 252.22, 0.92%, 0.77%

LAB 65.07, 32.1, -51.2

 

CMYK 23 / 43 / 0 / 2

HEX #C18EFA

RGB 193 142 250

HSL 268.33, 0.92%, 0.77%

LAB 67.71, 39.87, -46.86

 

CMYK 74 / 70 / 0 / 3

HEX #3F4BF7

RGB 63 75 247

HSL 236.09, 0.92%, 0.61%

LAB 42.47, 51.95, -86.43

 

CMYK 59 / 55 / 0 / 2

HEX #6770F9

RGB 103 112 249

HSL 236.3, 0.92%, 0.69%

LAB 53.29, 35.95, -69.77

 

CMYK 43 / 40 / 0 / 2

HEX #8E95FA

RGB 142 149 250

HSL 236.11, 0.92%, 0.77%

LAB 65.08, 22.57, -51.3

 

CMYK 28 / 26 / 0 / 1

HEX #B6BAFC

RGB 182 186 252

HSL 236.57, 0.92%, 0.85%

LAB 77.34, 12.88, -33.02

 

CMYK 13 / 12 / 0 / 0

HEX #DEE0FE

RGB 222 224 254

HSL 236.25, 0.94%, 0.93%

LAB 89.86, 5.07, -14.77

 

CMYK 44 / 41 / 0 / 2

HEX #8D94FA

RGB 141 148 250

HSL 236.15, 0.92%, 0.77%

LAB 64.76, 22.9, -51.81

 

CMYK 0 / 43 / 6 / 2

HEX #FA8EEC

RGB 250 142 236

HSL 307.78, 0.92%, 0.77%

LAB 73.37, 53.58, -29.93

 

CMYK 23 / 0 / 43 / 2

HEX #C1FA8E

RGB 193 250 142

HSL 91.67, 0.92%, 0.77%

LAB 92.43, -35.92, 45.96

 

CMYK 44 / 41 / 0 / 2

HEX #8D94FA

RGB 141 148 250

HSL 236.15, 0.92%, 0.77%

LAB 64.76, 22.9, -51.81

 

CMYK 0 / 43 / 40 / 2

HEX #FA8E96

RGB 250 142 150

HSL 355.56, 0.92%, 0.77%

LAB 70.78, 41.59, 13.86

 

CMYK 40 / 0 / 43 / 2

HEX #96FA8E

RGB 150 250 142

HSL 115.56, 0.92%, 0.77%

LAB 90.23, -49.89, 42.73

 

CMYK 44 / 41 / 0 / 2

HEX #8D94FA

RGB 141 148 250

HSL 236.15, 0.92%, 0.77%

LAB 64.76, 22.9, -51.81

 

CMYK 0 / 43 / 6 / 2

HEX #FA8EEC

RGB 250 142 236

HSL 307.78, 0.92%, 0.77%

LAB 73.37, 53.58, -29.93

 

CMYK 0 / 3 / 43 / 2

HEX #FAF38E

RGB 250 243 142

HSL 56.11, 0.92%, 0.77%

LAB 94.47, -11.37, 49.37

 

CMYK 43 / 0 / 37 / 2

HEX #8EFA9D

RGB 142 250 157

HSL 128.33, 0.92%, 0.77%

LAB 90.12, -49.97, 35.14

 

CMYK 44 / 41 / 0 / 2

HEX #8D94FA

RGB 141 148 250

HSL 236.15, 0.92%, 0.77%

LAB 64.76, 22.9, -51.81

 

CMYK 0 / 43 / 18 / 2

HEX #FA8ECC

RGB 250 142 204

HSL 325.56, 0.92%, 0.77%

LAB 72.25, 48.53, -14.03

 

CMYK 0 / 3 / 43 / 2

HEX #FAF38E

RGB 250 243 142

HSL 56.11, 0.92%, 0.77%

LAB 94.47, -11.37, 49.37

 

CMYK 43 / 0 / 24 / 2

HEX #8EFABD

RGB 142 250 189

HSL 146.11, 0.92%, 0.77%

LAB 90.69, -44.4, 19.71

 

Description

Color code: HEX #8D94FA | qconv.com Color code: HEX #8D94FA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 148 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 148 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 41 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 41% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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