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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D88B1 it is the complementary color #72774E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D88B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D88B1 shade: #9288AC, #A39ABF, #B4ACD2, #C5BEE5 and #D6D0F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D88B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D88B1 shade: #8D88B1, #7C769E, #6B648B, #5A5278 and #494065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D88B1 shade: #8C87B0, #9787B0, #A287B0, #AE87B0 and #B087A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D88B1 shade: #8C87B0 and #8787B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D88B1 shade matches the following richer shades: #8C87B0, #8077C1, #7366D1, #6756E1 and #5B46F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D88B1 shade: #8C87B0, #9897A0, #A4A790, #B0B780 and #BCC770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D88B1 shade: #8798B0, #878DB0, #8C87B0, #9787B0 and #A287B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D88B1 shade: #605A8A, #746EA0, #8C87B0, #A4A0C1 and #BCB9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D88B1 shade: #8D88B1, #B087A3 and #93B087

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D88B1 shade: #8D88B1, #B08C87 and #87B08C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D88B1 shade: #8D88B1, #B087A3, #ACB087 and #87B094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D88B1 shade: #8D88B1, #B08797, #ACB087 and #87B0A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 23 / 0 / 31

HEX #8D88B1

RGB 141 136 177

HSL 247.32, 0.21%, 0.61%

LAB 58.46, 10.66, -20.86

 

Complementary color

CMYK 4 / 0 / 34 / 53

HEX #72774E

RGB 114 119 78

HSL 67.32, 0.21%, 0.39%

LAB 48.66, -9.05, 21.96

 

CMYK 15 / 21 / 0 / 33

HEX #9288AC

RGB 146 136 172

HSL 256.67, 0.18%, 0.6%

LAB 58.69, 11.15, -17.61

 

CMYK 15 / 19 / 0 / 25

HEX #A39ABF

RGB 163 154 191

HSL 254.59, 0.22%, 0.68%

LAB 65.48, 10.76, -17.9

 

CMYK 14 / 18 / 0 / 18

HEX #B4ACD2

RGB 180 172 210

HSL 252.63, 0.3%, 0.75%

LAB 72.14, 10.4, -18.2

 

CMYK 14 / 17 / 0 / 10

HEX #C5BEE5

RGB 197 190 229

HSL 250.77, 0.43%, 0.82%

LAB 78.67, 10.07, -18.51

 

CMYK 14 / 16 / 0 / 3

HEX #D6D0F8

RGB 214 208 248

HSL 249, 0.74%, 0.89%

LAB 85.09, 9.76, -18.83

 

CMYK 20 / 23 / 0 / 31

HEX #8D88B1

RGB 141 136 177

HSL 247.32, 0.21%, 0.61%

LAB 58.46, 10.66, -20.86

 

CMYK 22 / 25 / 0 / 38

HEX #7C769E

RGB 124 118 158

HSL 249, 0.17%, 0.54%

LAB 51.51, 11.11, -20.67

 

CMYK 23 / 28 / 0 / 45

HEX #6B648B

RGB 107 100 139

HSL 250.77, 0.16%, 0.47%

LAB 44.38, 11.61, -20.52

 

CMYK 25 / 32 / 0 / 53

HEX #5A5278

RGB 90 82 120

HSL 252.63, 0.19%, 0.4%

LAB 37.05, 12.19, -20.41

 

CMYK 28 / 37 / 0 / 60

HEX #494065

RGB 73 64 101

HSL 254.59, 0.22%, 0.32%

LAB 29.47, 12.89, -20.36

 

CMYK 20 / 23 / 0 / 31

HEX #8C87B0

RGB 140 135 176

HSL 247.32, 0.21%, 0.61%

LAB 58.07, 10.68, -20.89

 

CMYK 14 / 23 / 0 / 31

HEX #9787B0

RGB 151 135 176

HSL 263.41, 0.21%, 0.61%

LAB 59.01, 14.29, -19.37

 

CMYK 8 / 23 / 0 / 31

HEX #A287B0

RGB 162 135 176

HSL 279.51, 0.21%, 0.61%

LAB 60.02, 17.98, -17.74

 

CMYK 1 / 23 / 0 / 31

HEX #AE87B0

RGB 174 135 176

HSL 297.07, 0.21%, 0.61%

LAB 61.19, 22.08, -15.86

 

CMYK 0 / 23 / 5 / 31

HEX #B087A8

RGB 176 135 168

HSL 311.71, 0.21%, 0.61%

LAB 61.12, 21.25, -11.39

 

CMYK 20 / 23 / 0 / 31

HEX #8C87B0

RGB 140 135 176

HSL 247.32, 0.21%, 0.61%

LAB 58.07, 10.68, -20.89

 

CMYK 23 / 23 / 0 / 31

HEX #8787B0

RGB 135 135 176

HSL 240, 0.21%, 0.61%

LAB 57.67, 9.07, -21.54

 

CMYK 20 / 23 / 0 / 31

HEX #8C87B0

RGB 140 135 176

HSL 247.32, 0.21%, 0.61%

LAB 58.07, 10.68, -20.89

 

CMYK 34 / 38 / 0 / 24

HEX #8077C1

RGB 128 119 193

HSL 247.3, 0.37%, 0.61%

LAB 53.64, 20.74, -37.56

 

CMYK 45 / 51 / 0 / 18

HEX #7366D1

RGB 115 102 209

HSL 247.29, 0.54%, 0.61%

LAB 49.19, 32.06, -53.83

 

CMYK 54 / 62 / 0 / 12

HEX #6756E1

RGB 103 86 225

HSL 247.34, 0.7%, 0.61%

LAB 45.6, 43.84, -68.79

 

CMYK 62 / 71 / 0 / 5

HEX #5B46F1

RGB 91 70 241

HSL 247.37, 0.86%, 0.61%

LAB 42.7, 55.76, -82.62

 

CMYK 20 / 23 / 0 / 31

HEX #8C87B0

RGB 140 135 176

HSL 247.32, 0.21%, 0.61%

LAB 58.07, 10.68, -20.89

 

CMYK 5 / 6 / 0 / 37

HEX #9897A0

RGB 152 151 160

HSL 246.67, 0.05%, 0.61%

LAB 62.8, 2.14, -4.59

 

CMYK 2 / 0 / 14 / 35

HEX #A4A790

RGB 164 167 144

HSL 67.83, 0.12%, 0.61%

LAB 67.68, -5.2, 11.54

 

CMYK 4 / 0 / 30 / 28

HEX #B0B780

RGB 176 183 128

HSL 67.64, 0.28%, 0.61%

LAB 72.66, -11.47, 27.22

 

CMYK 6 / 0 / 44 / 22

HEX #BCC770

RGB 188 199 112

HSL 67.59, 0.44%, 0.61%

LAB 77.7, -16.84, 42.14

 

CMYK 23 / 14 / 0 / 31

HEX #8798B0

RGB 135 152 176

HSL 215.12, 0.21%, 0.61%

LAB 62.29, -0.63, -14.52

 

CMYK 23 / 20 / 0 / 31

HEX #878DB0

RGB 135 141 176

HSL 231.22, 0.21%, 0.61%

LAB 59.28, 5.61, -19.08

 

CMYK 20 / 23 / 0 / 31

HEX #8C87B0

RGB 140 135 176

HSL 247.32, 0.21%, 0.61%

LAB 58.07, 10.68, -20.89

 

CMYK 14 / 23 / 0 / 31

HEX #9787B0

RGB 151 135 176

HSL 263.41, 0.21%, 0.61%

LAB 59.01, 14.29, -19.37

 

CMYK 8 / 23 / 0 / 31

HEX #A287B0

RGB 162 135 176

HSL 279.51, 0.21%, 0.61%

LAB 60.02, 17.98, -17.74

 

CMYK 30 / 35 / 0 / 46

HEX #605A8A

RGB 96 90 138

HSL 247.5, 0.21%, 0.45%

LAB 40.63, 13.97, -25.81

 

CMYK 28 / 31 / 0 / 37

HEX #746EA0

RGB 116 110 160

HSL 247.2, 0.21%, 0.53%

LAB 48.76, 13.83, -26.13

 

CMYK 20 / 23 / 0 / 31

HEX #8C87B0

RGB 140 135 176

HSL 247.32, 0.21%, 0.61%

LAB 58.07, 10.68, -20.89

 

CMYK 15 / 17 / 0 / 24

HEX #A4A0C1

RGB 164 160 193

HSL 247.27, 0.21%, 0.69%

LAB 67.19, 8.16, -16.42

 

CMYK 10 / 11 / 0 / 18

HEX #BCB9D1

RGB 188 185 209

HSL 247.5, 0.21%, 0.77%

LAB 76.06, 5.71, -11.68

 

CMYK 20 / 23 / 0 / 31

HEX #8D88B1

RGB 141 136 177

HSL 247.32, 0.21%, 0.61%

LAB 58.46, 10.66, -20.86

 

CMYK 0 / 23 / 7 / 31

HEX #B087A3

RGB 176 135 163

HSL 319.02, 0.21%, 0.61%

LAB 60.96, 20.33, -8.78

 

CMYK 16 / 0 / 23 / 31

HEX #93B087

RGB 147 176 135

HSL 102.44, 0.21%, 0.61%

LAB 68.75, -17.73, 17.79

 

CMYK 20 / 23 / 0 / 31

HEX #8D88B1

RGB 141 136 177

HSL 247.32, 0.21%, 0.61%

LAB 58.46, 10.66, -20.86

 

CMYK 0 / 20 / 23 / 31

HEX #B08C87

RGB 176 140 135

HSL 7.32, 0.21%, 0.61%

LAB 61.43, 12.85, 7.85

 

CMYK 23 / 0 / 20 / 31

HEX #87B08C

RGB 135 176 140

HSL 127.32, 0.21%, 0.61%

LAB 68.09, -21.08, 14.02

 

CMYK 20 / 23 / 0 / 31

HEX #8D88B1

RGB 141 136 177

HSL 247.32, 0.21%, 0.61%

LAB 58.46, 10.66, -20.86

 

CMYK 0 / 23 / 7 / 31

HEX #B087A3

RGB 176 135 163

HSL 319.02, 0.21%, 0.61%

LAB 60.96, 20.33, -8.78

 

CMYK 2 / 0 / 23 / 31

HEX #ACB087

RGB 172 176 135

HSL 65.85, 0.21%, 0.61%

LAB 70.57, -8.37, 20.59

 

CMYK 23 / 0 / 16 / 31

HEX #87B094

RGB 135 176 148

HSL 139.02, 0.21%, 0.61%

LAB 68.27, -19.57, 9.89

 

CMYK 20 / 23 / 0 / 31

HEX #8D88B1

RGB 141 136 177

HSL 247.32, 0.21%, 0.61%

LAB 58.46, 10.66, -20.86

 

CMYK 0 / 23 / 14 / 31

HEX #B08797

RGB 176 135 151

HSL 336.59, 0.21%, 0.61%

LAB 60.6, 18.23, -2.47

 

CMYK 2 / 0 / 23 / 31

HEX #ACB087

RGB 172 176 135

HSL 65.85, 0.21%, 0.61%

LAB 70.57, -8.37, 20.59

 

CMYK 23 / 0 / 9 / 31

HEX #87B0A0

RGB 135 176 160

HSL 156.59, 0.21%, 0.61%

LAB 68.56, -17.16, 3.69

 

Description

Color code: HEX #8D88B1 | qconv.com Color code: HEX #8D88B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 136 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 136 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 23 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 23% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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