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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D859B it is the complementary color #727A64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D859B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D859B shade: #928596, #A397A9, #B4A9BC, #C5BBCF and #D6CDE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D859B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D859B shade: #8D859B, #7C7388, #6B6175, #5A4F62 and #493D4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D859B shade: #8C849A, #92849A, #98849A, #9A8496 and #9A8490

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D859B shade: #8C849A, #86849A and #84849A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D859B shade matches the following richer shades: #8C849A, #8771AC, #825FBE, #7D4DD0 and #783BE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D859B shade: #8C849A, #919688, #96A876, #9BBA64 and #A0CC51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D859B shade: #84889A, #85849A, #8B849A, #91849A and #97849A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D859B shade: #635B70, #776E86, #8C849A, #A19AAD and #B6B1BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D859B shade: #8D859B, #9A848E and #859A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D859B shade: #8D859B, #9A8B84 and #849A8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D859B shade: #8D859B, #9A848E, #929A84 and #849A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D859B shade: #8D859B, #9A8487, #929A84 and #849A97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 14 / 0 / 39

HEX #8D859B

RGB 141 133 155

HSL 261.82, 0.1%, 0.56%

LAB 56.88, 7.43, -10.64

 

Complementary color

CMYK 7 / 0 / 18 / 52

HEX #727A64

RGB 114 122 100

HSL 81.82, 0.1%, 0.44%

LAB 50, -7.25, 11.05

 

CMYK 3 / 11 / 0 / 41

HEX #928596

RGB 146 133 150

HSL 285.88, 0.07%, 0.55%

LAB 57.16, 8.17, -7.3

 

CMYK 4 / 11 / 0 / 34

HEX #A397A9

RGB 163 151 169

HSL 280, 0.09%, 0.63%

LAB 63.99, 7.83, -7.81

 

CMYK 4 / 10 / 0 / 26

HEX #B4A9BC

RGB 180 169 188

HSL 274.74, 0.12%, 0.7%

LAB 70.67, 7.52, -8.3

 

CMYK 5 / 10 / 0 / 19

HEX #C5BBCF

RGB 197 187 207

HSL 270, 0.17%, 0.77%

LAB 77.23, 7.24, -8.78

 

CMYK 5 / 9 / 0 / 11

HEX #D6CDE2

RGB 214 205 226

HSL 265.71, 0.27%, 0.85%

LAB 83.68, 6.97, -9.26

 

CMYK 9 / 14 / 0 / 39

HEX #8D859B

RGB 141 133 155

HSL 261.82, 0.1%, 0.56%

LAB 56.88, 7.43, -10.64

 

CMYK 9 / 15 / 0 / 47

HEX #7C7388

RGB 124 115 136

HSL 265.71, 0.08%, 0.49%

LAB 49.89, 7.78, -10.22

 

CMYK 9 / 17 / 0 / 54

HEX #6B6175

RGB 107 97 117

HSL 270, 0.09%, 0.42%

LAB 42.7, 8.16, -9.8

 

CMYK 8 / 19 / 0 / 62

HEX #5A4F62

RGB 90 79 98

HSL 274.74, 0.11%, 0.35%

LAB 35.3, 8.61, -9.38

 

CMYK 8 / 23 / 0 / 69

HEX #493D4F

RGB 73 61 79

HSL 280, 0.13%, 0.27%

LAB 27.62, 9.13, -8.96

 

CMYK 9 / 14 / 0 / 40

HEX #8C849A

RGB 140 132 154

HSL 261.82, 0.1%, 0.56%

LAB 56.5, 7.44, -10.65

 

CMYK 5 / 14 / 0 / 40

HEX #92849A

RGB 146 132 154

HSL 278.18, 0.1%, 0.56%

LAB 57.02, 9.56, -9.81

 

CMYK 1 / 14 / 0 / 40

HEX #98849A

RGB 152 132 154

HSL 294.55, 0.1%, 0.56%

LAB 57.57, 11.71, -8.94

 

CMYK 0 / 14 / 3 / 40

HEX #9A8496

RGB 154 132 150

HSL 310.91, 0.1%, 0.56%

LAB 57.63, 11.64, -6.52

 

CMYK 0 / 14 / 6 / 40

HEX #9A8490

RGB 154 132 144

HSL 327.27, 0.1%, 0.56%

LAB 57.45, 10.51, -3.33

 

CMYK 9 / 14 / 0 / 40

HEX #8C849A

RGB 140 132 154

HSL 261.82, 0.1%, 0.56%

LAB 56.5, 7.44, -10.65

 

CMYK 13 / 14 / 0 / 40

HEX #86849A

RGB 134 132 154

HSL 245.45, 0.1%, 0.56%

LAB 55.99, 5.35, -11.46

 

CMYK 14 / 14 / 0 / 40

HEX #84849A

RGB 132 132 154

HSL 240, 0.1%, 0.56%

LAB 55.83, 4.66, -11.73

 

CMYK 9 / 14 / 0 / 40

HEX #8C849A

RGB 140 132 154

HSL 261.82, 0.1%, 0.56%

LAB 56.5, 7.44, -10.65

 

CMYK 22 / 34 / 0 / 33

HEX #8771AC

RGB 135 113 172

HSL 262.37, 0.26%, 0.56%

LAB 51.77, 21.01, -28.34

 

CMYK 32 / 50 / 0 / 25

HEX #825FBE

RGB 130 95 190

HSL 262.11, 0.42%, 0.56%

LAB 47.81, 34.67, -45.03

 

CMYK 40 / 63 / 0 / 18

HEX #7D4DD0

RGB 125 77 208

HSL 261.98, 0.58%, 0.56%

LAB 44.55, 48.3, -60.69

 

CMYK 47 / 74 / 0 / 11

HEX #783BE3

RGB 120 59 227

HSL 261.79, 0.75%, 0.56%

LAB 42.26, 61.26, -75.32

 

CMYK 9 / 14 / 0 / 40

HEX #8C849A

RGB 140 132 154

HSL 261.82, 0.1%, 0.56%

LAB 56.5, 7.44, -10.65

 

CMYK 3 / 0 / 9 / 41

HEX #919688

RGB 145 150 136

HSL 81.43, 0.06%, 0.56%

LAB 61.32, -4.46, 6.75

 

CMYK 11 / 0 / 30 / 34

HEX #96A876

RGB 150 168 118

HSL 81.6, 0.22%, 0.56%

LAB 66.36, -15.16, 23.81

 

CMYK 17 / 0 / 46 / 27

HEX #9BBA64

RGB 155 186 100

HSL 81.63, 0.38%, 0.56%

LAB 71.56, -24.66, 40

 

CMYK 22 / 0 / 60 / 20

HEX #A0CC51

RGB 160 204 81

HSL 81.46, 0.55%, 0.56%

LAB 76.83, -33.17, 55.19

 

CMYK 14 / 12 / 0 / 40

HEX #84889A

RGB 132 136 154

HSL 229.09, 0.1%, 0.56%

LAB 56.93, 2.36, -10.08

 

CMYK 14 / 14 / 0 / 40

HEX #85849A

RGB 133 132 154

HSL 242.73, 0.1%, 0.56%

LAB 55.91, 5, -11.6

 

CMYK 10 / 14 / 0 / 40

HEX #8B849A

RGB 139 132 154

HSL 259.09, 0.1%, 0.56%

LAB 56.41, 7.09, -10.79

 

CMYK 6 / 14 / 0 / 40

HEX #91849A

RGB 145 132 154

HSL 275.45, 0.1%, 0.56%

LAB 56.93, 9.21, -9.95

 

CMYK 2 / 14 / 0 / 40

HEX #97849A

RGB 151 132 154

HSL 291.82, 0.1%, 0.56%

LAB 57.48, 11.35, -9.08

 

CMYK 12 / 19 / 0 / 56

HEX #635B70

RGB 99 91 112

HSL 262.86, 0.1%, 0.4%

LAB 40.09, 7.75, -10.75

 

CMYK 11 / 18 / 0 / 47

HEX #776E86

RGB 119 110 134

HSL 262.5, 0.1%, 0.48%

LAB 48, 8.51, -11.92

 

CMYK 9 / 14 / 0 / 40

HEX #8C849A

RGB 140 132 154

HSL 261.82, 0.1%, 0.56%

LAB 56.5, 7.44, -10.65

 

CMYK 7 / 11 / 0 / 32

HEX #A19AAD

RGB 161 154 173

HSL 262.11, 0.1%, 0.64%

LAB 64.73, 6.26, -8.97

 

CMYK 5 / 7 / 0 / 25

HEX #B6B1BF

RGB 182 177 191

HSL 261.43, 0.1%, 0.72%

LAB 72.99, 4.43, -6.49

 

CMYK 9 / 14 / 0 / 39

HEX #8D859B

RGB 141 133 155

HSL 261.82, 0.1%, 0.56%

LAB 56.88, 7.43, -10.64

 

CMYK 0 / 14 / 8 / 40

HEX #9A848E

RGB 154 132 142

HSL 332.73, 0.1%, 0.56%

LAB 57.39, 10.14, -2.27

 

CMYK 14 / 0 / 14 / 40

HEX #859A84

RGB 133 154 132

HSL 117.27, 0.1%, 0.56%

LAB 61.45, -11.8, 9.08

 

CMYK 9 / 14 / 0 / 39

HEX #8D859B

RGB 141 133 155

HSL 261.82, 0.1%, 0.56%

LAB 56.88, 7.43, -10.64

 

CMYK 0 / 10 / 14 / 40

HEX #9A8B84

RGB 154 139 132

HSL 19.09, 0.1%, 0.56%

LAB 58.98, 4.39, 5.77

 

CMYK 14 / 0 / 10 / 40

HEX #849A8B

RGB 132 154 139

HSL 139.09, 0.1%, 0.56%

LAB 61.55, -10.82, 5.27

 

CMYK 9 / 14 / 0 / 39

HEX #8D859B

RGB 141 133 155

HSL 261.82, 0.1%, 0.56%

LAB 56.88, 7.43, -10.64

 

CMYK 0 / 14 / 8 / 40

HEX #9A848E

RGB 154 132 142

HSL 332.73, 0.1%, 0.56%

LAB 57.39, 10.14, -2.27

 

CMYK 5 / 0 / 14 / 40

HEX #929A84

RGB 146 154 132

HSL 81.82, 0.1%, 0.56%

LAB 62.41, -6.99, 10.58

 

CMYK 14 / 0 / 6 / 40

HEX #849A90

RGB 132 154 144

HSL 152.73, 0.1%, 0.56%

LAB 61.68, -9.82, 2.63

 

CMYK 9 / 14 / 0 / 39

HEX #8D859B

RGB 141 133 155

HSL 261.82, 0.1%, 0.56%

LAB 56.88, 7.43, -10.64

 

CMYK 0 / 14 / 12 / 40

HEX #9A8487

RGB 154 132 135

HSL 351.82, 0.1%, 0.56%

LAB 57.19, 8.88, 1.48

 

CMYK 5 / 0 / 14 / 40

HEX #929A84

RGB 146 154 132

HSL 81.82, 0.1%, 0.56%

LAB 62.41, -6.99, 10.58

 

CMYK 14 / 0 / 2 / 40

HEX #849A97

RGB 132 154 151

HSL 171.82, 0.1%, 0.56%

LAB 61.87, -8.36, -1.04

 

Description

Color code: HEX #8D859B | qconv.com Color code: HEX #8D859B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 133 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 133 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 14 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 14% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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