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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D7DB8 it is the complementary color #728247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D7DB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D7DB8 shade: #927DB3, #A38FC6, #B4A1D9, #C5B3EC and #D6C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D7DB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D7DB8 shade: #8D7DB8, #7C6BA5, #6B5992, #5A477F and #49356C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D7DB8 shade: #8E7FB8, #9E7FB8, #AD7FB8, #B87FB4 and #B87FA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D7DB8 shade: #8E7FB8 and #7F7FB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D7DB8 shade matches the following richer shades: #8E7FB8, #876FC8, #805FD9, #784EE9 and #713EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D7DB8 shade: #8E7FB8, #968FA8, #9D9F98, #A4AF88 and #ACBF78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D7DB8 shade: #7F8EB8, #7F7FB8, #8E7FB8, #9D7FB8 and #AD7FB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D7DB8 shade: #635193, #7764AA, #8E7FB8, #A699C7 and #BDB4D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D7DB8 shade: #8D7DB8, #B87F9D and #86B87F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D7DB8 shade: #8D7DB8, #B88E7F and #7FB88E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D7DB8 shade: #8D7DB8, #B87F9D, #A9B87F and #7FB89A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D7DB8 shade: #8D7DB8, #B87F8C, #A9B87F and #7FB8AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 32 / 0 / 28

HEX #8D7DB8

RGB 141 125 184

HSL 256.27, 0.29%, 0.61%

LAB 55.88, 18.74, -28.83

 

Complementary color

CMYK 12 / 0 / 45 / 49

HEX #728247

RGB 114 130 71

HSL 76.27, 0.29%, 0.39%

LAB 51.83, -15.97, 29.92

 

CMYK 18 / 30 / 0 / 30

HEX #927DB3

RGB 146 125 179

HSL 263.33, 0.26%, 0.6%

LAB 56.12, 19.13, -25.56

 

CMYK 18 / 28 / 0 / 22

HEX #A38FC6

RGB 163 143 198

HSL 261.82, 0.33%, 0.67%

LAB 62.93, 18.55, -25.71

 

CMYK 17 / 26 / 0 / 15

HEX #B4A1D9

RGB 180 161 217

HSL 260.36, 0.42%, 0.74%

LAB 69.61, 18.03, -25.89

 

CMYK 17 / 24 / 0 / 7

HEX #C5B3EC

RGB 197 179 236

HSL 258.95, 0.6%, 0.81%

LAB 76.17, 17.56, -26.09

 

CMYK 16 / 23 / 0 / 0

HEX #D6C5FF

RGB 214 197 255

HSL 257.59, 1%, 0.89%

LAB 82.62, 17.12, -26.3

 

CMYK 23 / 32 / 0 / 28

HEX #8D7DB8

RGB 141 125 184

HSL 256.27, 0.29%, 0.61%

LAB 55.88, 18.74, -28.83

 

CMYK 25 / 35 / 0 / 35

HEX #7C6BA5

RGB 124 107 165

HSL 257.59, 0.24%, 0.53%

LAB 48.91, 19.41, -28.79

 

CMYK 27 / 39 / 0 / 43

HEX #6B5992

RGB 107 89 146

HSL 258.95, 0.24%, 0.46%

LAB 41.76, 20.17, -28.79

 

CMYK 29 / 44 / 0 / 50

HEX #5A477F

RGB 90 71 127

HSL 260.36, 0.28%, 0.39%

LAB 34.42, 21.05, -28.84

 

CMYK 32 / 51 / 0 / 58

HEX #49356C

RGB 73 53 108

HSL 261.82, 0.34%, 0.32%

LAB 26.86, 22.07, -28.95

 

CMYK 23 / 31 / 0 / 28

HEX #8E7FB8

RGB 142 127 184

HSL 255.79, 0.29%, 0.61%

LAB 56.48, 17.89, -27.9

 

CMYK 14 / 31 / 0 / 28

HEX #9E7FB8

RGB 158 127 184

HSL 272.63, 0.29%, 0.61%

LAB 57.95, 22.97, -25.5

 

CMYK 6 / 31 / 0 / 28

HEX #AD7FB8

RGB 173 127 184

HSL 288.42, 0.29%, 0.61%

LAB 59.46, 27.86, -23.06

 

CMYK 0 / 31 / 2 / 28

HEX #B87FB4

RGB 184 127 180

HSL 304.21, 0.29%, 0.61%

LAB 60.48, 30.73, -19.11

 

CMYK 0 / 31 / 11 / 28

HEX #B87FA4

RGB 184 127 164

HSL 321.05, 0.29%, 0.61%

LAB 59.93, 27.84, -10.8

 

CMYK 23 / 31 / 0 / 28

HEX #8E7FB8

RGB 142 127 184

HSL 255.79, 0.29%, 0.61%

LAB 56.48, 17.89, -27.9

 

CMYK 31 / 31 / 0 / 28

HEX #7F7FB8

RGB 127 127 184

HSL 240, 0.29%, 0.61%

LAB 55.23, 13.31, -29.93

 

CMYK 23 / 31 / 0 / 28

HEX #8E7FB8

RGB 142 127 184

HSL 255.79, 0.29%, 0.61%

LAB 56.48, 17.89, -27.9

 

CMYK 33 / 45 / 0 / 22

HEX #876FC8

RGB 135 111 200

HSL 256.18, 0.45%, 0.61%

LAB 52.61, 29.27, -43.14

 

CMYK 41 / 56 / 0 / 15

HEX #805FD9

RGB 128 95 217

HSL 256.23, 0.62%, 0.61%

LAB 49.23, 41.39, -58.26

 

CMYK 48 / 67 / 0 / 9

HEX #784EE9

RGB 120 78 233

HSL 256.26, 0.78%, 0.61%

LAB 46.08, 53.55, -72.48

 

CMYK 55 / 75 / 0 / 2

HEX #713EF9

RGB 113 62 249

HSL 256.36, 0.94%, 0.61%

LAB 43.94, 64.68, -85

 

CMYK 23 / 31 / 0 / 28

HEX #8E7FB8

RGB 142 127 184

HSL 255.79, 0.29%, 0.61%

LAB 56.48, 17.89, -27.9

 

CMYK 11 / 15 / 0 / 34

HEX #968FA8

RGB 150 143 168

HSL 256.8, 0.13%, 0.61%

LAB 60.74, 7.62, -12.2

 

CMYK 1 / 0 / 4 / 38

HEX #9D9F98

RGB 157 159 152

HSL 77.14, 0.04%, 0.61%

LAB 65.15, -2.04, 3.39

 

CMYK 6 / 0 / 22 / 31

HEX #A4AF88

RGB 164 175 136

HSL 76.92, 0.2%, 0.61%

LAB 69.7, -10.75, 18.75

 

CMYK 10 / 0 / 37 / 25

HEX #ACBF78

RGB 172 191 120

HSL 76.06, 0.36%, 0.61%

LAB 74.44, -18.16, 33.69

 

CMYK 31 / 23 / 0 / 28

HEX #7F8EB8

RGB 127 142 184

HSL 224.21, 0.29%, 0.61%

LAB 59.27, 4.56, -23.69

 

CMYK 31 / 31 / 0 / 28

HEX #7F7FB8

RGB 127 127 184

HSL 240, 0.29%, 0.61%

LAB 55.23, 13.31, -29.93

 

CMYK 23 / 31 / 0 / 28

HEX #8E7FB8

RGB 142 127 184

HSL 255.79, 0.29%, 0.61%

LAB 56.48, 17.89, -27.9

 

CMYK 15 / 31 / 0 / 28

HEX #9D7FB8

RGB 157 127 184

HSL 271.58, 0.29%, 0.61%

LAB 57.85, 22.65, -25.66

 

CMYK 6 / 31 / 0 / 28

HEX #AD7FB8

RGB 173 127 184

HSL 288.42, 0.29%, 0.61%

LAB 59.46, 27.86, -23.06

 

CMYK 33 / 45 / 0 / 42

HEX #635193

RGB 99 81 147

HSL 256.36, 0.29%, 0.45%

LAB 38.97, 22.98, -33.83

 

CMYK 30 / 41 / 0 / 33

HEX #7764AA

RGB 119 100 170

HSL 256.29, 0.29%, 0.53%

LAB 46.89, 23.4, -34.9

 

CMYK 23 / 31 / 0 / 28

HEX #8E7FB8

RGB 142 127 184

HSL 255.79, 0.29%, 0.61%

LAB 56.48, 17.89, -27.9

 

CMYK 17 / 23 / 0 / 22

HEX #A699C7

RGB 166 153 199

HSL 256.96, 0.29%, 0.69%

LAB 65.76, 14.07, -21.92

 

CMYK 12 / 16 / 0 / 16

HEX #BDB4D6

RGB 189 180 214

HSL 255.88, 0.29%, 0.77%

LAB 75.02, 9.78, -15.95

 

CMYK 23 / 32 / 0 / 28

HEX #8D7DB8

RGB 141 125 184

HSL 256.27, 0.29%, 0.61%

LAB 55.88, 18.74, -28.83

 

CMYK 0 / 31 / 15 / 28

HEX #B87F9D

RGB 184 127 157

HSL 328.42, 0.29%, 0.61%

LAB 59.71, 26.65, -7.12

 

CMYK 27 / 0 / 31 / 28

HEX #86B87F

RGB 134 184 127

HSL 112.63, 0.29%, 0.61%

LAB 70.09, -27.65, 23.81

 

CMYK 23 / 32 / 0 / 28

HEX #8D7DB8

RGB 141 125 184

HSL 256.27, 0.29%, 0.61%

LAB 55.88, 18.74, -28.83

 

CMYK 0 / 23 / 31 / 28

HEX #B88E7F

RGB 184 142 127

HSL 15.79, 0.29%, 0.61%

LAB 62.57, 13.74, 14.11

 

CMYK 31 / 0 / 23 / 28

HEX #7FB88E

RGB 127 184 142

HSL 135.79, 0.29%, 0.61%

LAB 70, -27.34, 15.53

 

CMYK 23 / 32 / 0 / 28

HEX #8D7DB8

RGB 141 125 184

HSL 256.27, 0.29%, 0.61%

LAB 55.88, 18.74, -28.83

 

CMYK 0 / 31 / 15 / 28

HEX #B87F9D

RGB 184 127 157

HSL 328.42, 0.29%, 0.61%

LAB 59.71, 26.65, -7.12

 

CMYK 8 / 0 / 31 / 28

HEX #A9B87F

RGB 169 184 127

HSL 75.79, 0.29%, 0.61%

LAB 72.39, -14.83, 27.3

 

CMYK 31 / 0 / 16 / 28

HEX #7FB89A

RGB 127 184 154

HSL 148.42, 0.29%, 0.61%

LAB 70.26, -24.99, 9.37

 

CMYK 23 / 32 / 0 / 28

HEX #8D7DB8

RGB 141 125 184

HSL 256.27, 0.29%, 0.61%

LAB 55.88, 18.74, -28.83

 

CMYK 0 / 31 / 24 / 28

HEX #B87F8C

RGB 184 127 140

HSL 346.32, 0.29%, 0.61%

LAB 59.22, 23.95, 1.93

 

CMYK 8 / 0 / 31 / 28

HEX #A9B87F

RGB 169 184 127

HSL 75.79, 0.29%, 0.61%

LAB 72.39, -14.83, 27.3

 

CMYK 31 / 0 / 7 / 28

HEX #7FB8AB

RGB 127 184 171

HSL 166.32, 0.29%, 0.61%

LAB 70.69, -21.37, 0.67

 

Description

Color code: HEX #8D7DB8 | qconv.com Color code: HEX #8D7DB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 125 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 125 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 32 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 32% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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