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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D7AF1 it is the complementary color #72850E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D7AF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D7AF1 shade: #927AEC, #A38CFF, #B49EFF, #C5B0FF and #D6C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D7AF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D7AF1 shade: #8D7AF1, #7C68DE, #6B56CB, #5A44B8 and #4932A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D7AF1 shade: #8C79F1, #AD79F1, #CD79F1, #ED79F1 and #F179D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D7AF1 shade: #8C79F1 and #7979F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D7AF1 shade matches the following richer shades: #8C79F1 and #846DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D7AF1 shade: #8C79F1, #9485E5, #9D91D9, #A59DCD and #ADA9C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D7AF1 shade: #79A7F1, #7987F1, #8B79F1, #AB79F1 and #CB79F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D7AF1 shade: #4C2EE9, #6C54ED, #8C79F1, #AC9EF5 and #CCC4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D7AF1 shade: #8D7AF1, #F179C7 and #97F179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D7AF1 shade: #8D7AF1, #F18B79 and #79F18B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D7AF1 shade: #8D7AF1, #F179C7, #DFF179 and #79F1A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D7AF1 shade: #8D7AF1, #F179A3, #DFF179 and #79F1C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 49 / 0 / 5

HEX #8D7AF1

RGB 141 122 241

HSL 249.58, 0.81%, 0.71%

LAB 57.97, 35.46, -57.65

 

Complementary color

CMYK 14 / 0 / 89 / 48

HEX #72850E

RGB 114 133 14

HSL 69.58, 0.81%, 0.29%

LAB 52.27, -21.64, 53.88

 

CMYK 38 / 48 / 0 / 7

HEX #927AEC

RGB 146 122 236

HSL 252.63, 0.75%, 0.7%

LAB 58.12, 35.3, -54.62

 

CMYK 36 / 45 / 0 / 0

HEX #A38CFF

RGB 163 140 255

HSL 252, 1%, 0.77%

LAB 64.77, 34.28, -54.41

 

CMYK 29 / 38 / 0 / 0

HEX #B49EFF

RGB 180 158 255

HSL 253.61, 1%, 0.81%

LAB 70.44, 28.61, -45.38

 

CMYK 23 / 31 / 0 / 0

HEX #C5B0FF

RGB 197 176 255

HSL 255.95, 1%, 0.85%

LAB 76.16, 23.44, -36.36

 

CMYK 16 / 24 / 0 / 0

HEX #D6C2FF

RGB 214 194 255

HSL 259.67, 1%, 0.88%

LAB 81.89, 18.73, -27.41

 

CMYK 41 / 49 / 0 / 5

HEX #8D7AF1

RGB 141 122 241

HSL 249.58, 0.81%, 0.71%

LAB 57.97, 35.46, -57.65

 

CMYK 44 / 53 / 0 / 13

HEX #7C68DE

RGB 124 104 222

HSL 250.17, 0.64%, 0.64%

LAB 51.22, 36.68, -57.92

 

CMYK 47 / 58 / 0 / 20

HEX #6B56CB

RGB 107 86 203

HSL 250.77, 0.53%, 0.57%

LAB 44.37, 38.04, -58.19

 

CMYK 51 / 63 / 0 / 28

HEX #5A44B8

RGB 90 68 184

HSL 251.38, 0.46%, 0.49%

LAB 37.42, 39.54, -58.44

 

CMYK 56 / 70 / 0 / 35

HEX #4932A5

RGB 73 50 165

HSL 252, 0.53%, 0.42%

LAB 30.43, 41.13, -58.58

 

CMYK 42 / 50 / 0 / 5

HEX #8C79F1

RGB 140 121 241

HSL 249.5, 0.81%, 0.71%

LAB 57.66, 35.81, -58.16

 

CMYK 28 / 50 / 0 / 5

HEX #AD79F1

RGB 173 121 241

HSL 266, 0.81%, 0.71%

LAB 60.7, 43.92, -53.13

 

CMYK 15 / 50 / 0 / 5

HEX #CD79F1

RGB 205 121 241

HSL 282, 0.81%, 0.71%

LAB 64.16, 52.33, -47.42

 

CMYK 2 / 50 / 0 / 5

HEX #ED79F1

RGB 237 121 241

HSL 298, 0.81%, 0.71%

LAB 68.04, 60.96, -41.06

 

CMYK 0 / 50 / 12 / 5

HEX #F179D4

RGB 241 121 212

HSL 314.5, 0.81%, 0.71%

LAB 67.37, 57.28, -25.99

 

CMYK 42 / 50 / 0 / 5

HEX #8C79F1

RGB 140 121 241

HSL 249.5, 0.81%, 0.71%

LAB 57.66, 35.81, -58.16

 

CMYK 50 / 50 / 0 / 5

HEX #7979F1

RGB 121 121 241

HSL 240, 0.81%, 0.71%

LAB 56.18, 31.57, -60.61

 

CMYK 42 / 50 / 0 / 5

HEX #8C79F1

RGB 140 121 241

HSL 249.5, 0.81%, 0.71%

LAB 57.66, 35.81, -58.16

 

CMYK 48 / 57 / 0 / 1

HEX #846DFD

RGB 132 109 253

HSL 249.58, 0.97%, 0.71%

LAB 55, 44.35, -69.11

 

CMYK 42 / 50 / 0 / 5

HEX #8C79F1

RGB 140 121 241

HSL 249.5, 0.81%, 0.71%

LAB 57.66, 35.81, -58.16

 

CMYK 35 / 42 / 0 / 10

HEX #9485E5

RGB 148 133 229

HSL 249.38, 0.65%, 0.71%

LAB 60.54, 27.59, -46.87

 

CMYK 28 / 33 / 0 / 15

HEX #9D91D9

RGB 157 145 217

HSL 250, 0.49%, 0.71%

LAB 63.7, 20.1, -35.19

 

CMYK 20 / 23 / 0 / 20

HEX #A59DCD

RGB 165 157 205

HSL 250, 0.32%, 0.71%

LAB 66.92, 12.85, -23.5

 

CMYK 10 / 12 / 0 / 24

HEX #ADA9C1

RGB 173 169 193

HSL 250, 0.16%, 0.71%

LAB 70.25, 6.15, -11.74

 

CMYK 50 / 31 / 0 / 5

HEX #79A7F1

RGB 121 167 241

HSL 217, 0.81%, 0.71%

LAB 68.06, 4.66, -41.78

 

CMYK 50 / 44 / 0 / 5

HEX #7987F1

RGB 121 135 241

HSL 233, 0.81%, 0.71%

LAB 59.66, 23.27, -55.05

 

CMYK 42 / 50 / 0 / 5

HEX #8B79F1

RGB 139 121 241

HSL 249, 0.81%, 0.71%

LAB 57.57, 35.58, -58.3

 

CMYK 29 / 50 / 0 / 5

HEX #AB79F1

RGB 171 121 241

HSL 265, 0.81%, 0.71%

LAB 60.5, 43.41, -53.46

 

CMYK 16 / 50 / 0 / 5

HEX #CB79F1

RGB 203 121 241

HSL 281, 0.81%, 0.71%

LAB 63.94, 51.8, -47.8

 

CMYK 67 / 80 / 0 / 9

HEX #4C2EE9

RGB 76 46 233

HSL 249.63, 0.81%, 0.55%

LAB 36.69, 63.5, -88.04

 

CMYK 54 / 65 / 0 / 7

HEX #6C54ED

RGB 108 84 237

HSL 249.41, 0.81%, 0.63%

LAB 46.5, 49.41, -74.08

 

CMYK 42 / 50 / 0 / 5

HEX #8C79F1

RGB 140 121 241

HSL 249.5, 0.81%, 0.71%

LAB 57.66, 35.81, -58.16

 

CMYK 30 / 36 / 0 / 4

HEX #AC9EF5

RGB 172 158 245

HSL 249.66, 0.81%, 0.79%

LAB 69.34, 23.93, -41.71

 

CMYK 18 / 21 / 0 / 2

HEX #CCC4F9

RGB 204 196 249

HSL 249.06, 0.82%, 0.87%

LAB 81.38, 13.29, -25.07

 

CMYK 41 / 49 / 0 / 5

HEX #8D7AF1

RGB 141 122 241

HSL 249.58, 0.81%, 0.71%

LAB 57.97, 35.46, -57.65

 

CMYK 0 / 50 / 17 / 5

HEX #F179C7

RGB 241 121 199

HSL 321, 0.81%, 0.71%

LAB 66.9, 55.31, -19.44

 

CMYK 37 / 0 / 50 / 5

HEX #97F179

RGB 151 241 121

HSL 105, 0.81%, 0.71%

LAB 87.42, -48.53, 49.26

 

CMYK 41 / 49 / 0 / 5

HEX #8D7AF1

RGB 141 122 241

HSL 249.58, 0.81%, 0.71%

LAB 57.97, 35.46, -57.65

 

CMYK 0 / 42 / 50 / 5

HEX #F18B79

RGB 241 139 121

HSL 9, 0.81%, 0.71%

LAB 68.42, 36.92, 26.53

 

CMYK 50 / 0 / 42 / 5

HEX #79F18B

RGB 121 241 139

HSL 129, 0.81%, 0.71%

LAB 86.42, -54.69, 39.08

 

CMYK 41 / 49 / 0 / 5

HEX #8D7AF1

RGB 141 122 241

HSL 249.58, 0.81%, 0.71%

LAB 57.97, 35.46, -57.65

 

CMYK 0 / 50 / 17 / 5

HEX #F179C7

RGB 241 121 199

HSL 321, 0.81%, 0.71%

LAB 66.9, 55.31, -19.44

 

CMYK 7 / 0 / 50 / 5

HEX #DFF179

RGB 223 241 121

HSL 69, 0.81%, 0.71%

LAB 91.68, -22.84, 55.39

 

CMYK 50 / 0 / 32 / 5

HEX #79F1A3

RGB 121 241 163

HSL 141, 0.81%, 0.71%

LAB 86.81, -50.72, 27.55

 

CMYK 41 / 49 / 0 / 5

HEX #8D7AF1

RGB 141 122 241

HSL 249.58, 0.81%, 0.71%

LAB 57.97, 35.46, -57.65

 

CMYK 0 / 50 / 32 / 5

HEX #F179A3

RGB 241 121 163

HSL 339, 0.81%, 0.71%

LAB 65.76, 50.45, -0.81

 

CMYK 7 / 0 / 50 / 5

HEX #DFF179

RGB 223 241 121

HSL 69, 0.81%, 0.71%

LAB 91.68, -22.84, 55.39

 

CMYK 50 / 0 / 17 / 5

HEX #79F1C7

RGB 121 241 199

HSL 159, 0.81%, 0.71%

LAB 87.53, -43.58, 9.98

 

Description

Color code: HEX #8D7AF1 | qconv.com Color code: HEX #8D7AF1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 122 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 122 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 49 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 49% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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