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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D79D4 it is the complementary color #72862B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D79D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D79D4 shade: #9279CF, #A38BE2, #B49DF5, #C5AFFF and #D6C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D79D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D79D4 shade: #8D79D4, #7C67C1, #6B55AE, #5A439B and #493188

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D79D4 shade: #8C78D3, #A578D3, #BD78D3, #D378D1 and #D378B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D79D4 shade: #8C78D3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D79D4 shade matches the following richer shades: #8C78D3, #846AE2, #7C5BF0 and #744DFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D79D4 shade: #8C78D3, #9487C5, #9C95B6, #A5A4A8 and #ADB29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D79D4 shade: #7895D3, #787DD3, #8C78D3, #A478D3 and #BD78D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D79D4 shade: #593DBC, #7259C9, #8C78D3, #A797DD and #C1B7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D79D4 shade: #8D79D4, #D378AD and #89D378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D79D4 shade: #8D79D4, #D38C78 and #78D38C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D79D4 shade: #8D79D4, #D378AD, #C0D378 and #78D39E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D79D4 shade: #8D79D4, #D37892, #C0D378 and #78D3B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 43 / 0 / 17

HEX #8D79D4

RGB 141 121 212

HSL 253.19, 0.51%, 0.65%

LAB 56.18, 28.2, -44.28

 

Complementary color

CMYK 15 / 0 / 68 / 47

HEX #72862B

RGB 114 134 43

HSL 73.19, 0.51%, 0.35%

LAB 52.73, -20.76, 44.74

 

CMYK 29 / 42 / 0 / 19

HEX #9279CF

RGB 146 121 207

HSL 257.44, 0.47%, 0.64%

LAB 56.38, 28.29, -41.11

 

CMYK 28 / 38 / 0 / 11

HEX #A38BE2

RGB 163 139 226

HSL 256.55, 0.6%, 0.72%

LAB 63.13, 27.47, -41.04

 

CMYK 27 / 36 / 0 / 4

HEX #B49DF5

RGB 180 157 245

HSL 255.68, 0.81%, 0.79%

LAB 69.76, 26.74, -41

 

CMYK 23 / 31 / 0 / 0

HEX #C5AFFF

RGB 197 175 255

HSL 256.5, 1%, 0.84%

LAB 75.92, 23.99, -36.73

 

CMYK 16 / 24 / 0 / 0

HEX #D6C1FF

RGB 214 193 255

HSL 260.32, 1%, 0.88%

LAB 81.65, 19.27, -27.78

 

CMYK 33 / 43 / 0 / 17

HEX #8D79D4

RGB 141 121 212

HSL 253.19, 0.51%, 0.65%

LAB 56.18, 28.2, -44.28

 

CMYK 36 / 47 / 0 / 24

HEX #7C67C1

RGB 124 103 193

HSL 254, 0.42%, 0.58%

LAB 49.3, 29.17, -44.44

 

CMYK 39 / 51 / 0 / 32

HEX #6B55AE

RGB 107 85 174

HSL 254.83, 0.35%, 0.51%

LAB 42.28, 30.26, -44.65

 

CMYK 42 / 57 / 0 / 39

HEX #5A439B

RGB 90 67 155

HSL 255.68, 0.4%, 0.44%

LAB 35.11, 31.49, -44.88

 

CMYK 46 / 64 / 0 / 47

HEX #493188

RGB 73 49 136

HSL 256.55, 0.47%, 0.36%

LAB 27.82, 32.86, -45.09

 

CMYK 34 / 43 / 0 / 17

HEX #8C78D3

RGB 140 120 211

HSL 253.19, 0.51%, 0.65%

LAB 55.8, 28.25, -44.32

 

CMYK 22 / 43 / 0 / 17

HEX #A578D3

RGB 165 120 211

HSL 269.67, 0.51%, 0.65%

LAB 58.17, 35.23, -40.43

 

CMYK 10 / 43 / 0 / 17

HEX #BD78D3

RGB 189 120 211

HSL 285.49, 0.51%, 0.65%

LAB 60.74, 42.22, -36.21

 

CMYK 0 / 43 / 1 / 17

HEX #D378D1

RGB 211 120 209

HSL 301.32, 0.51%, 0.65%

LAB 63.25, 48.37, -30.99

 

CMYK 0 / 43 / 13 / 17

HEX #D378B8

RGB 211 120 184

HSL 317.8, 0.51%, 0.65%

LAB 62.29, 44.08, -18.34

 

CMYK 34 / 43 / 0 / 17

HEX #8C78D3

RGB 140 120 211

HSL 253.19, 0.51%, 0.65%

LAB 55.8, 28.25, -44.32

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 34 / 43 / 0 / 17

HEX #8C78D3

RGB 140 120 211

HSL 253.19, 0.51%, 0.65%

LAB 55.8, 28.25, -44.32

 

CMYK 42 / 53 / 0 / 11

HEX #846AE2

RGB 132 106 226

HSL 253, 0.67%, 0.65%

LAB 52.62, 38.46, -57.88

 

CMYK 48 / 62 / 0 / 6

HEX #7C5BF0

RGB 124 91 240

HSL 253.29, 0.83%, 0.65%

LAB 49.57, 49.21, -70.72

 

CMYK 55 / 70 / 0 / 0

HEX #744DFF

RGB 116 77 255

HSL 253.15, 1%, 0.65%

LAB 47.29, 59.52, -82.84

 

CMYK 34 / 43 / 0 / 17

HEX #8C78D3

RGB 140 120 211

HSL 253.19, 0.51%, 0.65%

LAB 55.8, 28.25, -44.32

 

CMYK 25 / 31 / 0 / 23

HEX #9487C5

RGB 148 135 197

HSL 252.58, 0.35%, 0.65%

LAB 59.58, 18.25, -30.44

 

CMYK 14 / 18 / 0 / 29

HEX #9C95B6

RGB 156 149 182

HSL 252.73, 0.18%, 0.65%

LAB 63.29, 9.29, -16.22

 

CMYK 2 / 2 / 0 / 34

HEX #A5A4A8

RGB 165 164 168

HSL 255, 0.02%, 0.65%

LAB 67.56, 1.13, -1.95

 

CMYK 3 / 0 / 13 / 30

HEX #ADB29A

RGB 173 178 154

HSL 72.5, 0.13%, 0.65%

LAB 71.59, -6.06, 11.68

 

CMYK 43 / 29 / 0 / 17

HEX #7895D3

RGB 120 149 211

HSL 220.88, 0.51%, 0.65%

LAB 61.82, 5.95, -34.97

 

CMYK 43 / 41 / 0 / 17

HEX #787DD3

RGB 120 125 211

HSL 236.7, 0.51%, 0.65%

LAB 55.44, 20.07, -44.98

 

CMYK 34 / 43 / 0 / 17

HEX #8C78D3

RGB 140 120 211

HSL 253.19, 0.51%, 0.65%

LAB 55.8, 28.25, -44.32

 

CMYK 22 / 43 / 0 / 17

HEX #A478D3

RGB 164 120 211

HSL 269.01, 0.51%, 0.65%

LAB 58.06, 34.94, -40.59

 

CMYK 10 / 43 / 0 / 17

HEX #BD78D3

RGB 189 120 211

HSL 285.49, 0.51%, 0.65%

LAB 60.74, 42.22, -36.21

 

CMYK 53 / 68 / 0 / 26

HEX #593DBC

RGB 89 61 188

HSL 253.23, 0.51%, 0.49%

LAB 36.16, 44.56, -62.86

 

CMYK 43 / 56 / 0 / 21

HEX #7259C9

RGB 114 89 201

HSL 253.39, 0.51%, 0.57%

LAB 45.55, 37.23, -55.1

 

CMYK 34 / 43 / 0 / 17

HEX #8C78D3

RGB 140 120 211

HSL 253.19, 0.51%, 0.65%

LAB 55.8, 28.25, -44.32

 

CMYK 24 / 32 / 0 / 13

HEX #A797DD

RGB 167 151 221

HSL 253.71, 0.51%, 0.73%

LAB 66.19, 20.6, -33.47

 

CMYK 16 / 21 / 0 / 9

HEX #C1B7E7

RGB 193 183 231

HSL 252.5, 0.5%, 0.81%

LAB 76.66, 13.04, -22.66

 

CMYK 33 / 43 / 0 / 17

HEX #8D79D4

RGB 141 121 212

HSL 253.19, 0.51%, 0.65%

LAB 56.18, 28.2, -44.28

 

CMYK 0 / 43 / 18 / 17

HEX #D378AD

RGB 211 120 173

HSL 325.05, 0.51%, 0.65%

LAB 61.91, 42.34, -12.65

 

CMYK 35 / 0 / 43 / 17

HEX #89D378

RGB 137 211 120

HSL 108.79, 0.51%, 0.65%

LAB 78.03, -40.22, 37.88

 

CMYK 33 / 43 / 0 / 17

HEX #8D79D4

RGB 141 121 212

HSL 253.19, 0.51%, 0.65%

LAB 56.18, 28.2, -44.28

 

CMYK 0 / 34 / 43 / 17

HEX #D38C78

RGB 211 140 120

HSL 13.19, 0.51%, 0.65%

LAB 64.93, 24.7, 21.76

 

CMYK 43 / 0 / 34 / 17

HEX #78D38C

RGB 120 211 140

HSL 133.19, 0.51%, 0.65%

LAB 77.56, -42.29, 26.9

 

CMYK 33 / 43 / 0 / 17

HEX #8D79D4

RGB 141 121 212

HSL 253.19, 0.51%, 0.65%

LAB 56.18, 28.2, -44.28

 

CMYK 0 / 43 / 18 / 17

HEX #D378AD

RGB 211 120 173

HSL 325.05, 0.51%, 0.65%

LAB 61.91, 42.34, -12.65

 

CMYK 9 / 0 / 43 / 17

HEX #C0D378

RGB 192 211 120

HSL 72.53, 0.51%, 0.65%

LAB 81.37, -20.38, 42.81

 

CMYK 43 / 0 / 25 / 17

HEX #78D39E

RGB 120 211 158

HSL 145.05, 0.51%, 0.65%

LAB 77.9, -38.98, 17.92

 

CMYK 33 / 43 / 0 / 17

HEX #8D79D4

RGB 141 121 212

HSL 253.19, 0.51%, 0.65%

LAB 56.18, 28.2, -44.28

 

CMYK 0 / 43 / 31 / 17

HEX #D37892

RGB 211 120 146

HSL 342.86, 0.51%, 0.65%

LAB 61.1, 38.5, 1.61

 

CMYK 9 / 0 / 43 / 17

HEX #C0D378

RGB 192 211 120

HSL 72.53, 0.51%, 0.65%

LAB 81.37, -20.38, 42.81

 

CMYK 43 / 0 / 12 / 17

HEX #78D3B9

RGB 120 211 185

HSL 162.86, 0.51%, 0.65%

LAB 78.51, -33.32, 4.41

 

Description

Color code: HEX #8D79D4 | qconv.com Color code: HEX #8D79D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 121 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 121 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 43 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 43% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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