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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D77EB it is the complementary color #728814. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D77EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D77EB shade: #9277E6, #A389F9, #B49BFF, #C5ADFF and #D6BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D77EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D77EB shade: #8D77EB, #7C65D8, #6B53C5, #5A41B2 and #492F9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D77EB shade: #8C75EA, #AB75EA, #CB75EA, #EA75EA and #EA75CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D77EB shade: #8C75EA and #7575EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D77EB shade matches the following richer shades: #8C75EA and #8469F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D77EB shade: #8C75EA, #9482DE, #9C8FD1, #A39CC4 and #ABA9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D77EB shade: #759EEA, #757FEA, #8B75EA, #AA75EA and #C975EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D77EB shade: #4F2EE0, #6E52E5, #8C75EA, #AA99F0 and #C8BDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D77EB shade: #8D77EB, #EA75BE and #8FEA75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D77EB shade: #8D77EB, #EA8B75 and #75EA8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D77EB shade: #8D77EB, #EA75BE, #D5EA75 and #75EAA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D77EB shade: #8D77EB, #EA759B, #D5EA75 and #75EAC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 49 / 0 / 8

HEX #8D77EB

RGB 141 119 235

HSL 251.38, 0.74%, 0.69%

LAB 56.93, 35.54, -55.98

 

Complementary color

CMYK 16 / 0 / 85 / 47

HEX #728814

RGB 114 136 20

HSL 71.38, 0.74%, 0.31%

LAB 53.21, -22.98, 53.26

 

CMYK 37 / 48 / 0 / 10

HEX #9277E6

RGB 146 119 230

HSL 254.59, 0.69%, 0.68%

LAB 57.09, 35.42, -52.91

 

CMYK 35 / 45 / 0 / 2

HEX #A389F9

RGB 163 137 249

HSL 253.93, 0.9%, 0.76%

LAB 63.77, 34.42, -52.72

 

CMYK 29 / 39 / 0 / 0

HEX #B49BFF

RGB 180 155 255

HSL 255, 1%, 0.8%

LAB 69.73, 30.28, -46.49

 

CMYK 23 / 32 / 0 / 0

HEX #C5ADFF

RGB 197 173 255

HSL 257.56, 1%, 0.84%

LAB 75.44, 25.09, -37.47

 

CMYK 16 / 25 / 0 / 0

HEX #D6BFFF

RGB 214 191 255

HSL 261.56, 1%, 0.87%

LAB 81.17, 20.35, -28.52

 

CMYK 40 / 49 / 0 / 8

HEX #8D77EB

RGB 141 119 235

HSL 251.38, 0.74%, 0.69%

LAB 56.93, 35.54, -55.98

 

CMYK 43 / 53 / 0 / 15

HEX #7C65D8

RGB 124 101 216

HSL 252, 0.6%, 0.62%

LAB 50.16, 36.73, -56.23

 

CMYK 46 / 58 / 0 / 23

HEX #6B53C5

RGB 107 83 197

HSL 252.63, 0.5%, 0.55%

LAB 43.28, 38.05, -56.48

 

CMYK 49 / 63 / 0 / 30

HEX #5A41B2

RGB 90 65 178

HSL 253.27, 0.47%, 0.48%

LAB 36.31, 39.49, -56.71

 

CMYK 54 / 70 / 0 / 38

HEX #492F9F

RGB 73 47 159

HSL 253.93, 0.54%, 0.4%

LAB 29.29, 40.99, -56.82

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EA

RGB 140 117 234

HSL 251.79, 0.74%, 0.69%

LAB 56.33, 36.19, -56.39

 

CMYK 27 / 50 / 0 / 8

HEX #AB75EA

RGB 171 117 234

HSL 267.69, 0.74%, 0.69%

LAB 59.27, 43.92, -51.53

 

CMYK 13 / 50 / 0 / 8

HEX #CB75EA

RGB 203 117 234

HSL 284.1, 0.74%, 0.69%

LAB 62.81, 52.41, -45.7

 

CMYK 0 / 50 / 0 / 8

HEX #EA75EA

RGB 234 117 234

HSL 300, 0.74%, 0.69%

LAB 66.64, 60.82, -39.42

 

CMYK 0 / 50 / 13 / 8

HEX #EA75CB

RGB 234 117 203

HSL 315.9, 0.74%, 0.69%

LAB 65.38, 55.72, -24.09

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EA

RGB 140 117 234

HSL 251.79, 0.74%, 0.69%

LAB 56.33, 36.19, -56.39

 

CMYK 50 / 50 / 0 / 8

HEX #7575EA

RGB 117 117 234

HSL 240, 0.74%, 0.69%

LAB 54.5, 30.99, -59.43

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EA

RGB 140 117 234

HSL 251.79, 0.74%, 0.69%

LAB 56.33, 36.19, -56.39

 

CMYK 47 / 57 / 0 / 3

HEX #8469F7

RGB 132 105 247

HSL 251.41, 0.9%, 0.69%

LAB 53.73, 44.91, -67.84

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EA

RGB 140 117 234

HSL 251.79, 0.74%, 0.69%

LAB 56.33, 36.19, -56.39

 

CMYK 33 / 41 / 0 / 13

HEX #9482DE

RGB 148 130 222

HSL 251.74, 0.58%, 0.69%

LAB 59.47, 27.48, -44.66

 

CMYK 25 / 32 / 0 / 18

HEX #9C8FD1

RGB 156 143 209

HSL 251.82, 0.42%, 0.69%

LAB 62.77, 18.98, -32.17

 

CMYK 17 / 20 / 0 / 23

HEX #A39CC4

RGB 163 156 196

HSL 250.5, 0.25%, 0.69%

LAB 66.17, 10.74, -19.64

 

CMYK 7 / 8 / 0 / 28

HEX #ABA9B7

RGB 171 169 183

HSL 248.57, 0.09%, 0.69%

LAB 69.79, 3.43, -6.92

 

CMYK 50 / 32 / 0 / 8

HEX #759EEA

RGB 117 158 234

HSL 218.97, 0.74%, 0.69%

LAB 65.1, 6.79, -42.59

 

CMYK 50 / 46 / 0 / 8

HEX #757FEA

RGB 117 127 234

HSL 234.87, 0.74%, 0.69%

LAB 56.98, 25.02, -55.45

 

CMYK 41 / 50 / 0 / 8

HEX #8B75EA

RGB 139 117 234

HSL 251.28, 0.74%, 0.69%

LAB 56.24, 35.95, -56.54

 

CMYK 27 / 50 / 0 / 8

HEX #AA75EA

RGB 170 117 234

HSL 267.18, 0.74%, 0.69%

LAB 59.17, 43.67, -51.7

 

CMYK 14 / 50 / 0 / 8

HEX #C975EA

RGB 201 117 234

HSL 283.08, 0.74%, 0.69%

LAB 62.58, 51.87, -46.08

 

CMYK 65 / 79 / 0 / 12

HEX #4F2EE0

RGB 79 46 224

HSL 251.12, 0.74%, 0.53%

LAB 35.98, 61.24, -84.08

 

CMYK 52 / 64 / 0 / 10

HEX #6E52E5

RGB 110 82 229

HSL 251.43, 0.74%, 0.61%

LAB 45.64, 48.52, -70.96

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EA

RGB 140 117 234

HSL 251.79, 0.74%, 0.69%

LAB 56.33, 36.19, -56.39

 

CMYK 29 / 36 / 0 / 6

HEX #AA99F0

RGB 170 153 240

HSL 251.72, 0.74%, 0.77%

LAB 67.74, 24.95, -41.49

 

CMYK 18 / 23 / 0 / 4

HEX #C8BDF5

RGB 200 189 245

HSL 251.79, 0.74%, 0.85%

LAB 79.19, 14.99, -26.29

 

CMYK 40 / 49 / 0 / 8

HEX #8D77EB

RGB 141 119 235

HSL 251.38, 0.74%, 0.69%

LAB 56.93, 35.54, -55.98

 

CMYK 0 / 50 / 19 / 8

HEX #EA75BE

RGB 234 117 190

HSL 322.56, 0.74%, 0.69%

LAB 64.91, 53.77, -17.48

 

CMYK 39 / 0 / 50 / 8

HEX #8FEA75

RGB 143 234 117

HSL 106.67, 0.74%, 0.69%

LAB 84.98, -48.59, 48.07

 

CMYK 40 / 49 / 0 / 8

HEX #8D77EB

RGB 141 119 235

HSL 251.38, 0.74%, 0.69%

LAB 56.93, 35.54, -55.98

 

CMYK 0 / 41 / 50 / 8

HEX #EA8B75

RGB 234 139 117

HSL 11.28, 0.74%, 0.69%

LAB 67.46, 33.89, 27.3

 

CMYK 50 / 0 / 41 / 8

HEX #75EA8B

RGB 117 234 139

HSL 131.28, 0.74%, 0.69%

LAB 84.22, -52.91, 36.2

 

CMYK 40 / 49 / 0 / 8

HEX #8D77EB

RGB 141 119 235

HSL 251.38, 0.74%, 0.69%

LAB 56.93, 35.54, -55.98

 

CMYK 0 / 50 / 19 / 8

HEX #EA75BE

RGB 234 117 190

HSL 322.56, 0.74%, 0.69%

LAB 64.91, 53.77, -17.48

 

CMYK 9 / 0 / 50 / 8

HEX #D5EA75

RGB 213 234 117

HSL 70.77, 0.74%, 0.69%

LAB 89.05, -23.72, 53.94

 

CMYK 50 / 0 / 31 / 8

HEX #75EAA2

RGB 117 234 162

HSL 143.08, 0.74%, 0.69%

LAB 84.61, -48.97, 25.04

 

CMYK 40 / 49 / 0 / 8

HEX #8D77EB

RGB 141 119 235

HSL 251.38, 0.74%, 0.69%

LAB 56.93, 35.54, -55.98

 

CMYK 0 / 50 / 34 / 8

HEX #EA759B

RGB 234 117 155

HSL 340.51, 0.74%, 0.69%

LAB 63.82, 49.1, 0.8

 

CMYK 9 / 0 / 50 / 8

HEX #D5EA75

RGB 213 234 117

HSL 70.77, 0.74%, 0.69%

LAB 89.05, -23.72, 53.94

 

CMYK 50 / 0 / 16 / 8

HEX #75EAC5

RGB 117 234 197

HSL 161.03, 0.74%, 0.69%

LAB 85.33, -41.84, 7.86

 

Description

Color code: HEX #8D77EB | qconv.com Color code: HEX #8D77EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 119 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 119 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 49 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 49% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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