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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D727F it is the complementary color #728D80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D727F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D727F shade: #92727A, #A3848D, #B496A0, #C5A8B3 and #D6BAC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D727F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D727F shade: #8D727F, #7C606C, #6B4E59, #5A3C46 and #492A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D727F shade: #8E717F, #8E7177 and #8E7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D727F shade: #8E717F, #8E7187, #8D718E, #85718E and #7E718E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D727F shade matches the following richer shades: #8E717F, #A25D7E, #B7487D, #CB347D and #E01F7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D727F shade: #8E717F, #798680, #649B81, #50AF81 and #3BC482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D727F shade: #8D718E, #8E7187, #8E717F, #8E7178 and #8E7371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D727F shade: #604D56, #775F6A, #8E717F, #A08894 and #B29FA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D727F shade: #8D727F, #8E8671 and #718A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D727F shade: #8D727F, #7F8E71 and #717F8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D727F shade: #8D727F, #8E8671, #718E80 and #71798E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D727F shade: #8D727F, #8D8E71, #718E80 and #72718E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 10 / 45

HEX #8D727F

RGB 141 114 127

HSL 331.11, 0.11%, 0.5%

LAB 50.95, 12.87, -3.14

 

Complementary color

CMYK 19 / 0 / 9 / 45

HEX #728D80

RGB 114 141 128

HSL 151.11, 0.11%, 0.5%

LAB 56.27, -12.35, 3.77

 

CMYK 0 / 22 / 16 / 43

HEX #92727A

RGB 146 114 122

HSL 345, 0.13%, 0.51%

LAB 51.33, 13.91, 0.42

 

CMYK 0 / 19 / 13 / 36

HEX #A3848D

RGB 163 132 141

HSL 342.58, 0.14%, 0.58%

LAB 58.24, 13.35, -0.35

 

CMYK 0 / 17 / 11 / 29

HEX #B496A0

RGB 180 150 160

HSL 340, 0.17%, 0.65%

LAB 65.01, 12.85, -1.06

 

CMYK 0 / 15 / 9 / 23

HEX #C5A8B3

RGB 197 168 179

HSL 337.24, 0.2%, 0.72%

LAB 71.64, 12.4, -1.73

 

CMYK 0 / 13 / 7 / 16

HEX #D6BAC6

RGB 214 186 198

HSL 334.29, 0.25%, 0.78%

LAB 78.16, 11.99, -2.37

 

CMYK 0 / 19 / 10 / 45

HEX #8D727F

RGB 141 114 127

HSL 331.11, 0.11%, 0.5%

LAB 50.95, 12.87, -3.14

 

CMYK 0 / 23 / 13 / 51

HEX #7C606C

RGB 124 96 108

HSL 334.29, 0.13%, 0.43%

LAB 43.85, 13.44, -2.43

 

CMYK 0 / 27 / 17 / 58

HEX #6B4E59

RGB 107 78 89

HSL 337.24, 0.16%, 0.36%

LAB 36.55, 14.1, -1.66

 

CMYK 0 / 33 / 22 / 65

HEX #5A3C46

RGB 90 60 70

HSL 340, 0.2%, 0.29%

LAB 29.02, 14.89, -0.77

 

CMYK 0 / 42 / 30 / 71

HEX #492A33

RGB 73 42 51

HSL 342.58, 0.27%, 0.23%

LAB 21.25, 15.83, 0.32

 

CMYK 0 / 20 / 11 / 44

HEX #8E717F

RGB 142 113 127

HSL 331.03, 0.11%, 0.5%

LAB 50.8, 13.83, -3.36

 

CMYK 0 / 20 / 16 / 44

HEX #8E7177

RGB 142 113 119

HSL 347.59, 0.11%, 0.5%

LAB 50.56, 12.41, 1.03

 

CMYK 0 / 20 / 20 / 44

HEX #8E7171

RGB 142 113 113

HSL 0, 0.11%, 0.5%

LAB 50.4, 11.4, 4.33

 

CMYK 0 / 20 / 11 / 44

HEX #8E717F

RGB 142 113 127

HSL 331.03, 0.11%, 0.5%

LAB 50.8, 13.83, -3.36

 

CMYK 0 / 20 / 5 / 44

HEX #8E7187

RGB 142 113 135

HSL 314.48, 0.11%, 0.5%

LAB 51.05, 15.34, -7.71

 

CMYK 1 / 20 / 0 / 44

HEX #8D718E

RGB 141 113 142

HSL 297.93, 0.11%, 0.5%

LAB 51.18, 16.35, -11.64

 

CMYK 6 / 20 / 0 / 44

HEX #85718E

RGB 133 113 142

HSL 281.38, 0.11%, 0.5%

LAB 50.39, 13.48, -12.91

 

CMYK 11 / 20 / 0 / 44

HEX #7E718E

RGB 126 113 142

HSL 266.9, 0.11%, 0.5%

LAB 49.74, 11, -13.97

 

CMYK 0 / 20 / 11 / 44

HEX #8E717F

RGB 142 113 127

HSL 331.03, 0.11%, 0.5%

LAB 50.8, 13.83, -3.36

 

CMYK 0 / 43 / 22 / 36

HEX #A25D7E

RGB 162 93 126

HSL 331.3, 0.27%, 0.5%

LAB 48.28, 32.6, -6.23

 

CMYK 0 / 61 / 32 / 28

HEX #B7487D

RGB 183 72 125

HSL 331.35, 0.44%, 0.5%

LAB 47.21, 50.21, -6.89

 

CMYK 0 / 74 / 38 / 20

HEX #CB347D

RGB 203 52 125

HSL 330.99, 0.59%, 0.5%

LAB 47.79, 63.78, -5.66

 

CMYK 0 / 86 / 45 / 12

HEX #E01F7C

RGB 224 31 124

HSL 331.09, 0.76%, 0.5%

LAB 49.84, 74.15, -1.6

 

CMYK 0 / 20 / 11 / 44

HEX #8E717F

RGB 142 113 127

HSL 331.03, 0.11%, 0.5%

LAB 50.8, 13.83, -3.36

 

CMYK 10 / 0 / 4 / 47

HEX #798680

RGB 121 134 128

HSL 152.31, 0.05%, 0.5%

LAB 54.73, -5.98, 1.6

 

CMYK 35 / 0 / 17 / 39

HEX #649B81

RGB 100 155 129

HSL 151.64, 0.22%, 0.5%

LAB 59.65, -24.1, 7.93

 

CMYK 54 / 0 / 26 / 31

HEX #50AF81

RGB 80 175 129

HSL 150.95, 0.37%, 0.5%

LAB 64.92, -39.04, 15.24

 

CMYK 70 / 0 / 34 / 23

HEX #3BC482

RGB 59 196 130

HSL 151.09, 0.54%, 0.5%

LAB 70.89, -51.72, 22.8

 

CMYK 1 / 20 / 0 / 44

HEX #8D718E

RGB 141 113 142

HSL 297.93, 0.11%, 0.5%

LAB 51.18, 16.35, -11.64

 

CMYK 0 / 20 / 5 / 44

HEX #8E7187

RGB 142 113 135

HSL 314.48, 0.11%, 0.5%

LAB 51.05, 15.34, -7.71

 

CMYK 0 / 20 / 11 / 44

HEX #8E717F

RGB 142 113 127

HSL 331.03, 0.11%, 0.5%

LAB 50.8, 13.83, -3.36

 

CMYK 0 / 20 / 15 / 44

HEX #8E7178

RGB 142 113 120

HSL 345.52, 0.11%, 0.5%

LAB 50.59, 12.59, 0.48

 

CMYK 0 / 19 / 20 / 44

HEX #8E7371

RGB 142 115 113

HSL 4.14, 0.11%, 0.5%

LAB 50.93, 10.24, 5.09

 

CMYK 0 / 20 / 10 / 62

HEX #604D56

RGB 96 77 86

HSL 331.58, 0.11%, 0.34%

LAB 34.94, 9.67, -2.28

 

CMYK 0 / 20 / 11 / 53

HEX #775F6A

RGB 119 95 106

HSL 332.5, 0.11%, 0.42%

LAB 42.98, 11.7, -2.55

 

CMYK 0 / 20 / 11 / 44

HEX #8E717F

RGB 142 113 127

HSL 331.03, 0.11%, 0.5%

LAB 50.8, 13.83, -3.36

 

CMYK 0 / 15 / 7 / 37

HEX #A08894

RGB 160 136 148

HSL 330, 0.11%, 0.58%

LAB 59.18, 11.19, -3.02

 

CMYK 0 / 11 / 6 / 30

HEX #B29FA8

RGB 178 159 168

HSL 331.58, 0.11%, 0.66%

LAB 67.34, 8.54, -2.14

 

CMYK 0 / 19 / 10 / 45

HEX #8D727F

RGB 141 114 127

HSL 331.11, 0.11%, 0.5%

LAB 50.95, 12.87, -3.14

 

CMYK 0 / 6 / 20 / 44

HEX #8E8671

RGB 142 134 113

HSL 43.45, 0.11%, 0.5%

LAB 56.08, -0.65, 12.4

 

CMYK 20 / 3 / 0 / 44

HEX #718A8E

RGB 113 138 142

HSL 188.28, 0.11%, 0.5%

LAB 55.73, -7.95, -5.1

 

CMYK 0 / 19 / 10 / 45

HEX #8D727F

RGB 141 114 127

HSL 331.11, 0.11%, 0.5%

LAB 50.95, 12.87, -3.14

 

CMYK 11 / 0 / 20 / 44

HEX #7F8E71

RGB 127 142 113

HSL 91.03, 0.11%, 0.5%

LAB 57.12, -10.98, 13.67

 

CMYK 20 / 11 / 0 / 44

HEX #717F8E

RGB 113 127 142

HSL 211.03, 0.11%, 0.5%

LAB 52.56, -1.71, -9.82

 

CMYK 0 / 19 / 10 / 45

HEX #8D727F

RGB 141 114 127

HSL 331.11, 0.11%, 0.5%

LAB 50.95, 12.87, -3.14

 

CMYK 0 / 6 / 20 / 44

HEX #8E8671

RGB 142 134 113

HSL 43.45, 0.11%, 0.5%

LAB 56.08, -0.65, 12.4

 

CMYK 20 / 0 / 10 / 44

HEX #718E80

RGB 113 142 128

HSL 151.03, 0.11%, 0.5%

LAB 56.5, -13.24, 4.09

 

CMYK 20 / 15 / 0 / 44

HEX #71798E

RGB 113 121 142

HSL 223.45, 0.11%, 0.5%

LAB 50.85, 1.78, -12.39

 

CMYK 0 / 19 / 10 / 45

HEX #8D727F

RGB 141 114 127

HSL 331.11, 0.11%, 0.5%

LAB 50.95, 12.87, -3.14

 

CMYK 1 / 0 / 20 / 44

HEX #8D8E71

RGB 141 142 113

HSL 62.07, 0.11%, 0.5%

LAB 58.23, -5.51, 15.37

 

CMYK 20 / 0 / 10 / 44

HEX #718E80

RGB 113 142 128

HSL 151.03, 0.11%, 0.5%

LAB 56.5, -13.24, 4.09

 

CMYK 20 / 20 / 0 / 44

HEX #72718E

RGB 114 113 142

HSL 242.07, 0.11%, 0.5%

LAB 48.69, 6.85, -15.66

 

Description

Color code: HEX #8D727F | qconv.com Color code: HEX #8D727F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 114 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 114 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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