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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D623D it is the complementary color #729DC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D623D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D623D shade: #926238, #A3744B, #B4865E, #C59871 and #D6AA84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D623D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D623D shade: #8D623D, #7C502A, #6B3E17, #5A2C04 and #491A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D623D shade: #8E623D, #8E4C3D and #8E3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D623D shade: #8E623D, #8E783D, #8E8E3D, #788E3D and #628E3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D623D shade matches the following richer shades: #8E623D, #9F612C, #AF601C and #C05F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D623D shade: #8E623D, #7E644D, #6D655E, #5D666E and #4C677F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D623D shade: #8E3D43, #8E4C3D, #8E613D, #8E773D and #8E8D3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D623D shade: #553A24, #714E30, #8E623D, #AB7649 and #BB8B62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D623D shade: #8D623D, #598E3D and #413D8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D623D shade: #8D623D, #3D8E61 and #613D8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D623D shade: #8D623D, #598E3D, #3D6A8E and #723D8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D623D shade: #8D623D, #418E3D, #3D6A8E and #8A3D8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 57 / 45

HEX #8D623D

RGB 141 98 61

HSL 27.75, 0.4%, 0.4%

LAB 45.27, 13.1, 27.85

Complementary color

CMYK 41 / 19 / 0 / 24

HEX #729DC2

RGB 114 157 194

HSL 207.75, 0.4%, 0.6%

LAB 63, -4.94, -23.67

 

CMYK 0 / 33 / 62 / 43

HEX #926238

RGB 146 98 56

HSL 28, 0.45%, 0.4%

LAB 45.81, 14.92, 31.46

 

CMYK 0 / 29 / 54 / 36

HEX #A3744B

RGB 163 116 75

HSL 27.95, 0.37%, 0.47%

LAB 52.71, 13.67, 29.84

 

CMYK 0 / 26 / 48 / 29

HEX #B4865E

RGB 180 134 94

HSL 27.91, 0.36%, 0.54%

LAB 59.49, 12.63, 28.35

 

CMYK 0 / 23 / 43 / 23

HEX #C59871

RGB 197 152 113

HSL 27.86, 0.42%, 0.61%

LAB 66.15, 11.76, 26.98

 

CMYK 0 / 21 / 38 / 16

HEX #D6AA84

RGB 214 170 132

HSL 27.8, 0.5%, 0.68%

LAB 72.7, 11, 25.72

 

CMYK 0 / 30 / 57 / 45

HEX #8D623D

RGB 141 98 61

HSL 27.75, 0.4%, 0.4%

LAB 45.27, 13.1, 27.85

HEX #8D623D

CMYK 0 / 35 / 66 / 51

HEX #7C502A

RGB 124 80 42

HSL 27.8, 0.49%, 0.33%

LAB 38.18, 14.47, 29.55

HEX #7C502A

CMYK 0 / 42 / 79 / 58

HEX #6B3E17

RGB 107 62 23

HSL 27.86, 0.65%, 0.25%

LAB 30.96, 16.18, 31.24

HEX #6B3E17

CMYK 0 / 51 / 96 / 65

HEX #5A2C04

RGB 90 44 4

HSL 27.91, 0.91%, 0.18%

LAB 23.62, 18.3, 31.95

HEX #5A2C04

CMYK 0 / 64 / 100 / 71

HEX #491A00

RGB 73 26 0

HSL 21.37, 1%, 0.14%

LAB 16.28, 20.9, 24.47

HEX #491A00

CMYK 0 / 31 / 57 / 44

HEX #8E623D

RGB 142 98 61

HSL 27.41, 0.4%, 0.4%

LAB 45.39, 13.55, 28.03

 

CMYK 0 / 46 / 57 / 44

HEX #8E4C3D

RGB 142 76 61

HSL 11.11, 0.4%, 0.4%

LAB 40.01, 26.25, 21.23

 

CMYK 0 / 57 / 57 / 44

HEX #8E3D3D

RGB 142 61 61

HSL 0, 0.4%, 0.4%

LAB 36.79, 34.4, 17.02

 

CMYK 0 / 31 / 57 / 44

HEX #8E623D

RGB 142 98 61

HSL 27.41, 0.4%, 0.4%

LAB 45.39, 13.55, 28.03

 

CMYK 0 / 15 / 57 / 44

HEX #8E783D

RGB 142 120 61

HSL 43.7, 0.4%, 0.4%

LAB 51.29, 0.83, 35.16

 

CMYK 0 / 0 / 57 / 44

HEX #8E8E3D

RGB 142 142 61

HSL 60, 0.4%, 0.4%

LAB 57.5, -11.34, 42.32

 

CMYK 15 / 0 / 57 / 44

HEX #788E3D

RGB 120 142 61

HSL 76.3, 0.4%, 0.4%

LAB 55.76, -20.81, 39.88

 

CMYK 31 / 0 / 57 / 44

HEX #628E3D

RGB 98 142 61

HSL 92.59, 0.4%, 0.4%

LAB 54.32, -29.64, 37.84

 

CMYK 0 / 31 / 57 / 44

HEX #8E623D

RGB 142 98 61

HSL 27.41, 0.4%, 0.4%

LAB 45.39, 13.55, 28.03

 

CMYK 0 / 39 / 72 / 38

HEX #9F612C

RGB 159 97 44

HSL 27.65, 0.57%, 0.4%

LAB 47.11, 20.48, 39.72

 

CMYK 0 / 45 / 84 / 31

HEX #AF601C

RGB 175 96 28

HSL 27.76, 0.72%, 0.4%

LAB 48.96, 27.32, 49.49

 

CMYK 0 / 51 / 94 / 25

HEX #C05F0B

RGB 192 95 11

HSL 27.85, 0.89%, 0.4%

LAB 51.17, 34.6, 57.49

 

CMYK 0 / 31 / 57 / 44

HEX #8E623D

RGB 142 98 61

HSL 27.41, 0.4%, 0.4%

LAB 45.39, 13.55, 28.03

 

CMYK 0 / 21 / 39 / 51

HEX #7E644D

RGB 126 100 77

HSL 28.16, 0.24%, 0.4%

LAB 44.36, 7.02, 17.02

 

CMYK 0 / 7 / 14 / 57

HEX #6D655E

RGB 109 101 94

HSL 28, 0.07%, 0.4%

LAB 43.31, 1.84, 5.09

 

CMYK 15 / 7 / 0 / 57

HEX #5D666E

RGB 93 102 110

HSL 208.24, 0.08%, 0.4%

LAB 42.7, -1.61, -5.68

 

CMYK 40 / 19 / 0 / 50

HEX #4C677F

RGB 76 103 127

HSL 208.24, 0.25%, 0.4%

LAB 42.41, -3.33, -16.52

 

CMYK 0 / 57 / 53 / 44

HEX #8E3D43

RGB 142 61 67

HSL 355.56, 0.4%, 0.4%

LAB 36.92, 34.94, 13.42

 

CMYK 0 / 46 / 57 / 44

HEX #8E4C3D

RGB 142 76 61

HSL 11.11, 0.4%, 0.4%

LAB 40.01, 26.25, 21.23

 

CMYK 0 / 32 / 57 / 44

HEX #8E613D

RGB 142 97 61

HSL 26.67, 0.4%, 0.4%

LAB 45.13, 14.13, 27.71

 

CMYK 0 / 16 / 57 / 44

HEX #8E773D

RGB 142 119 61

HSL 42.96, 0.4%, 0.4%

LAB 51.01, 1.4, 34.83

 

CMYK 0 / 1 / 57 / 44

HEX #8E8D3D

RGB 142 141 61

HSL 59.26, 0.4%, 0.4%

LAB 57.21, -10.8, 42

 

CMYK 0 / 32 / 58 / 67

HEX #553A24

RGB 85 58 36

HSL 26.94, 0.4%, 0.24%

LAB 26.97, 9.07, 18.36

 

CMYK 0 / 31 / 58 / 56

HEX #714E30

RGB 113 78 48

HSL 27.69, 0.4%, 0.32%

LAB 36.32, 11.08, 23.51

 

CMYK 0 / 31 / 57 / 44

HEX #8E623D

RGB 142 98 61

HSL 27.41, 0.4%, 0.4%

LAB 45.39, 13.55, 28.03

 

CMYK 0 / 31 / 57 / 33

HEX #AB7649

RGB 171 118 73

HSL 27.55, 0.4%, 0.48%

LAB 54.13, 15.83, 32.9

 

CMYK 0 / 26 / 48 / 27

HEX #BB8B62

RGB 187 139 98

HSL 27.64, 0.4%, 0.56%

LAB 61.58, 13.2, 29

 

CMYK 0 / 30 / 57 / 45

HEX #8D623D

RGB 141 98 61

HSL 27.75, 0.4%, 0.4%

LAB 45.27, 13.1, 27.85

HEX #8D623D

CMYK 37 / 0 / 57 / 44

HEX #598E3D

RGB 89 142 61

HSL 99.26, 0.4%, 0.4%

LAB 53.82, -32.96, 37.13

HEX #598E3D

CMYK 54 / 57 / 0 / 44

HEX #413D8E

RGB 65 61 142

HSL 242.96, 0.4%, 0.4%

LAB 30.43, 25.46, -44.6

HEX #413D8E

CMYK 0 / 30 / 57 / 45

HEX #8D623D

RGB 141 98 61

HSL 27.75, 0.4%, 0.4%

LAB 45.27, 13.1, 27.85

HEX #8D623D

CMYK 57 / 0 / 32 / 44

HEX #3D8E61

RGB 61 142 97

HSL 146.67, 0.4%, 0.4%

LAB 53.17, -35.63, 16.71

HEX #3D8E61

CMYK 32 / 57 / 0 / 44

HEX #613D8E

RGB 97 61 142

HSL 266.67, 0.4%, 0.4%

LAB 33.63, 33.24, -39.3

HEX #613D8E

CMYK 0 / 30 / 57 / 45

HEX #8D623D

RGB 141 98 61

HSL 27.75, 0.4%, 0.4%

LAB 45.27, 13.1, 27.85

HEX #8D623D

CMYK 37 / 0 / 57 / 44

HEX #598E3D

RGB 89 142 61

HSL 99.26, 0.4%, 0.4%

LAB 53.82, -32.96, 37.13

HEX #598E3D

CMYK 57 / 25 / 0 / 44

HEX #3D6A8E

RGB 61 106 142

HSL 206.67, 0.4%, 0.4%

LAB 43.14, -4.36, -24.48

HEX #3D6A8E

CMYK 20 / 57 / 0 / 44

HEX #723D8E

RGB 114 61 142

HSL 279.26, 0.4%, 0.4%

LAB 35.73, 37.85, -35.83

HEX #723D8E

CMYK 0 / 30 / 57 / 45

HEX #8D623D

RGB 141 98 61

HSL 27.75, 0.4%, 0.4%

LAB 45.27, 13.1, 27.85

HEX #8D623D

CMYK 54 / 0 / 57 / 44

HEX #418E3D

RGB 65 142 61

HSL 117.04, 0.4%, 0.4%

LAB 52.74, -40.7, 35.59

HEX #418E3D

CMYK 57 / 25 / 0 / 44

HEX #3D6A8E

RGB 61 106 142

HSL 206.67, 0.4%, 0.4%

LAB 43.14, -4.36, -24.48

HEX #3D6A8E

CMYK 3 / 57 / 0 / 44

HEX #8A3D8E

RGB 138 61 142

HSL 297.04, 0.4%, 0.4%

LAB 39.06, 44.57, -30.34

HEX #8A3D8E

Description

Color code: HEX #8D623D | qconv.com Color code: HEX #8D623D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 98 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 98 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 57 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 57% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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