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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D5E50 it is the complementary color #72A1AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D5E50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D5E50 shade: #925E4B, #A3705E, #B48271, #C59484 and #D6A697

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D5E50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D5E50 shade: #8D5E50, #7C4C3D, #6B3A2A, #5A2817 and #491604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D5E50 shade: #8C5D4F and #8C4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D5E50 shade: #8C5D4F, #8C6E4F, #8C7E4F, #8A8C4F and #798C4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D5E50 shade matches the following richer shades: #8C5D4F, #9E533D, #B04A2B, #C2401A and #D33708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D5E50 shade: #8C5D4F, #7B6761, #697072, #577A84 and #458396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D5E50 shade: #8C4F62, #8C4F52, #8C5C4F, #8C6D4F and #8C7D4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D5E50 shade: #583A31, #724C40, #8C5D4F, #A56F5F and #B4877A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D5E50 shade: #8D5E50, #738C4F and #4F5A8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D5E50 shade: #8D5E50, #4F8C5C and #5C4F8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D5E50 shade: #8D5E50, #738C4F, #4F7F8C and #694F8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D5E50 shade: #8D5E50, #608C4F, #4F7F8C and #7B4F8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 43 / 45

HEX #8D5E50

RGB 141 94 80

HSL 13.77, 0.28%, 0.43%

LAB 44.59, 17.41, 15.84

 

Complementary color

CMYK 35 / 8 / 0 / 31

HEX #72A1AF

RGB 114 161 175

HSL 193.77, 0.28%, 0.57%

LAB 63.48, -12.18, -12.3

 

CMYK 0 / 36 / 49 / 43

HEX #925E4B

RGB 146 94 75

HSL 16.06, 0.32%, 0.43%

LAB 45.12, 18.98, 19.64

 

CMYK 0 / 31 / 42 / 36

HEX #A3705E

RGB 163 112 94

HSL 15.65, 0.27%, 0.5%

LAB 52.04, 17.92, 18.14

 

CMYK 0 / 28 / 37 / 29

HEX #B48271

RGB 180 130 113

HSL 15.22, 0.31%, 0.57%

LAB 58.85, 17.01, 16.82

 

CMYK 0 / 25 / 33 / 23

HEX #C59484

RGB 197 148 132

HSL 14.77, 0.36%, 0.65%

LAB 65.53, 16.22, 15.63

 

CMYK 0 / 22 / 29 / 16

HEX #D6A697

RGB 214 166 151

HSL 14.29, 0.43%, 0.72%

LAB 72.1, 15.53, 14.55

 

CMYK 0 / 33 / 43 / 45

HEX #8D5E50

RGB 141 94 80

HSL 13.77, 0.28%, 0.43%

LAB 44.59, 17.41, 15.84

 

CMYK 0 / 39 / 51 / 51

HEX #7C4C3D

RGB 124 76 61

HSL 14.29, 0.34%, 0.36%

LAB 37.46, 18.55, 17.42

 

CMYK 0 / 46 / 61 / 58

HEX #6B3A2A

RGB 107 58 42

HSL 14.77, 0.44%, 0.29%

LAB 30.2, 19.92, 19.33

 

CMYK 0 / 56 / 74 / 65

HEX #5A2817

RGB 90 40 23

HSL 15.22, 0.59%, 0.22%

LAB 22.84, 21.55, 21.67

 

CMYK 0 / 70 / 95 / 71

HEX #491604

RGB 73 22 4

HSL 15.65, 0.9%, 0.15%

LAB 15.48, 23.3, 21.84

 

CMYK 0 / 34 / 44 / 45

HEX #8C5D4F

RGB 140 93 79

HSL 13.77, 0.28%, 0.43%

LAB 44.19, 17.45, 15.88

 

CMYK 0 / 44 / 44 / 45

HEX #8C4F4F

RGB 140 79 79

HSL 0, 0.28%, 0.43%

LAB 40.79, 25.57, 11.21

 

CMYK 0 / 34 / 44 / 45

HEX #8C5D4F

RGB 140 93 79

HSL 13.77, 0.28%, 0.43%

LAB 44.19, 17.45, 15.88

 

CMYK 0 / 21 / 44 / 45

HEX #8C6E4F

RGB 140 110 79

HSL 30.49, 0.28%, 0.43%

LAB 48.63, 7.52, 21.8

 

CMYK 0 / 10 / 44 / 45

HEX #8C7E4F

RGB 140 126 79

HSL 46.23, 0.28%, 0.43%

LAB 53.02, -1.65, 27.5

 

CMYK 1 / 0 / 44 / 45

HEX #8A8C4F

RGB 138 140 79

HSL 61.97, 0.28%, 0.43%

LAB 56.81, -10.25, 32.24

 

CMYK 14 / 0 / 44 / 45

HEX #798C4F

RGB 121 140 79

HSL 78.69, 0.28%, 0.43%

LAB 55.47, -17.37, 30.28

 

CMYK 0 / 34 / 44 / 45

HEX #8C5D4F

RGB 140 93 79

HSL 13.77, 0.28%, 0.43%

LAB 44.19, 17.45, 15.88

 

CMYK 0 / 47 / 61 / 38

HEX #9E533D

RGB 158 83 61

HSL 13.61, 0.44%, 0.43%

LAB 43.93, 28.99, 26.7

 

CMYK 0 / 58 / 76 / 31

HEX #B04A2B

RGB 176 74 43

HSL 13.98, 0.61%, 0.43%

LAB 44.66, 39.78, 38.38

 

CMYK 0 / 67 / 87 / 24

HEX #C2401A

RGB 194 64 26

HSL 13.57, 0.76%, 0.43%

LAB 45.92, 50.3, 48.92

 

CMYK 0 / 74 / 96 / 17

HEX #D33708

RGB 211 55 8

HSL 13.89, 0.93%, 0.43%

LAB 47.75, 58.99, 57.65

 

CMYK 0 / 34 / 44 / 45

HEX #8C5D4F

RGB 140 93 79

HSL 13.77, 0.28%, 0.43%

LAB 44.19, 17.45, 15.88

 

CMYK 0 / 16 / 21 / 52

HEX #7B6761

RGB 123 103 97

HSL 13.85, 0.12%, 0.43%

LAB 45.32, 6.93, 6.34

 

CMYK 8 / 2 / 0 / 55

HEX #697072

RGB 105 112 114

HSL 193.33, 0.04%, 0.43%

LAB 46.72, -2.22, -2.03

 

CMYK 34 / 8 / 0 / 48

HEX #577A84

RGB 87 122 132

HSL 193.33, 0.21%, 0.43%

LAB 49.02, -9.73, -9.43

 

CMYK 54 / 13 / 0 / 41

HEX #458396

RGB 69 131 150

HSL 194.07, 0.37%, 0.43%

LAB 51.5, -14.42, -16.33

 

CMYK 0 / 44 / 30 / 45

HEX #8C4F62

RGB 140 79 98

HSL 341.31, 0.28%, 0.43%

LAB 41.29, 28.06, 0.18

 

CMYK 0 / 44 / 41 / 45

HEX #8C4F52

RGB 140 79 82

HSL 357.05, 0.28%, 0.43%

LAB 40.86, 25.92, 9.46

 

CMYK 0 / 34 / 44 / 45

HEX #8C5C4F

RGB 140 92 79

HSL 12.79, 0.28%, 0.43%

LAB 43.94, 18.04, 15.53

 

CMYK 0 / 22 / 44 / 45

HEX #8C6D4F

RGB 140 109 79

HSL 29.51, 0.28%, 0.43%

LAB 48.36, 8.1, 21.45

 

CMYK 0 / 11 / 44 / 45

HEX #8C7D4F

RGB 140 125 79

HSL 45.25, 0.28%, 0.43%

LAB 52.74, -1.09, 27.14

 

CMYK 0 / 34 / 44 / 65

HEX #583A31

RGB 88 58 49

HSL 13.85, 0.28%, 0.27%

LAB 27.63, 12.02, 10.97

 

CMYK 0 / 33 / 44 / 55

HEX #724C40

RGB 114 76 64

HSL 14.4, 0.28%, 0.35%

LAB 36.21, 14.49, 13.66

 

CMYK 0 / 34 / 44 / 45

HEX #8C5D4F

RGB 140 93 79

HSL 13.77, 0.28%, 0.43%

LAB 44.19, 17.45, 15.88

 

CMYK 0 / 33 / 42 / 35

HEX #A56F5F

RGB 165 111 95

HSL 13.71, 0.28%, 0.51%

LAB 52.06, 19.43, 17.61

 

CMYK 0 / 25 / 32 / 29

HEX #B4877A

RGB 180 135 122

HSL 13.45, 0.28%, 0.59%

LAB 60.28, 15.37, 13.69

 

CMYK 0 / 33 / 43 / 45

HEX #8D5E50

RGB 141 94 80

HSL 13.77, 0.28%, 0.43%

LAB 44.59, 17.41, 15.84

 

CMYK 18 / 0 / 44 / 45

HEX #738C4F

RGB 115 140 79

HSL 84.59, 0.28%, 0.43%

LAB 55.04, -19.81, 29.64

 

CMYK 44 / 36 / 0 / 45

HEX #4F5A8C

RGB 79 90 140

HSL 229.18, 0.28%, 0.43%

LAB 39.36, 9.51, -29.11

 

CMYK 0 / 33 / 43 / 45

HEX #8D5E50

RGB 141 94 80

HSL 13.77, 0.28%, 0.43%

LAB 44.59, 17.41, 15.84

 

CMYK 44 / 0 / 34 / 45

HEX #4F8C5C

RGB 79 140 92

HSL 132.79, 0.28%, 0.43%

LAB 53.16, -30.72, 19.63

 

CMYK 34 / 44 / 0 / 45

HEX #5C4F8C

RGB 92 79 140

HSL 252.79, 0.28%, 0.43%

LAB 37.41, 20.22, -32.1

 

CMYK 0 / 33 / 43 / 45

HEX #8D5E50

RGB 141 94 80

HSL 13.77, 0.28%, 0.43%

LAB 44.59, 17.41, 15.84

 

CMYK 18 / 0 / 44 / 45

HEX #738C4F

RGB 115 140 79

HSL 84.59, 0.28%, 0.43%

LAB 55.04, -19.81, 29.64

 

CMYK 44 / 9 / 0 / 45

HEX #4F7F8C

RGB 79 127 140

HSL 192.79, 0.28%, 0.43%

LAB 50.38, -12.65, -12.15

 

CMYK 25 / 44 / 0 / 45

HEX #694F8C

RGB 105 79 140

HSL 265.57, 0.28%, 0.43%

LAB 38.71, 24.14, -29.97

 

CMYK 0 / 33 / 43 / 45

HEX #8D5E50

RGB 141 94 80

HSL 13.77, 0.28%, 0.43%

LAB 44.59, 17.41, 15.84

 

CMYK 31 / 0 / 44 / 45

HEX #608C4F

RGB 96 140 79

HSL 103.28, 0.28%, 0.43%

LAB 53.82, -27.12, 27.85

 

CMYK 44 / 9 / 0 / 45

HEX #4F7F8C

RGB 79 127 140

HSL 192.79, 0.28%, 0.43%

LAB 50.38, -12.65, -12.15

 

CMYK 12 / 44 / 0 / 45

HEX #7B4F8C

RGB 123 79 140

HSL 283.28, 0.28%, 0.43%

LAB 40.73, 29.81, -26.65

 

Description

Color code: HEX #8D5E50 | qconv.com Color code: HEX #8D5E50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 94 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 94 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 43 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 43% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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