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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D554C it is the complementary color #72AAB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D554C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D554C shade: #925547, #A3675A, #B4796D, #C58B80 and #D69D93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D554C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D554C shade: #8D554C, #7C4339, #6B3126, #5A1F13 and #490D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D554C shade: #8F564D and #8F4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D554C shade: #8F564D, #8F684D, #8F794D, #8F8B4D and #808F4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D554C shade matches the following richer shades: #8F564D, #A0493B, #B23C29, #C42F18 and #D62306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D554C shade: #8F564D, #7D635E, #6B7070, #597C82 and #488994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D554C shade: #8F4D67, #8F4D56, #8F564D, #8F674D and #8F794D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D554C shade: #593630, #74463E, #8F564D, #A8675D and #B68078

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D554C shade: #8D554C, #798F4D and #4D5E8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D554C shade: #8D554C, #4D8F56 and #564D8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D554C shade: #8D554C, #798F4D, #4D868F and #634D8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D554C shade: #8D554C, #658F4D, #4D868F and #764D8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 46 / 45

HEX #8D554C

RGB 141 85 76

HSL 8.31, 0.3%, 0.43%

LAB 42.28, 22.19, 15.12

 

Complementary color

CMYK 36 / 5 / 0 / 30

HEX #72AAB3

RGB 114 170 179

HSL 188.31, 0.3%, 0.57%

LAB 66.2, -15.96, -10.45

 

CMYK 0 / 42 / 51 / 43

HEX #925547

RGB 146 85 71

HSL 11.2, 0.35%, 0.43%

LAB 42.86, 23.75, 19.04

 

CMYK 0 / 37 / 45 / 36

HEX #A3675A

RGB 163 103 90

HSL 10.68, 0.29%, 0.5%

LAB 49.77, 22.58, 17.39

 

CMYK 0 / 33 / 39 / 29

HEX #B4796D

RGB 180 121 109

HSL 10.14, 0.32%, 0.57%

LAB 56.57, 21.56, 15.97

 

CMYK 0 / 29 / 35 / 23

HEX #C58B80

RGB 197 139 128

HSL 9.57, 0.37%, 0.64%

LAB 63.26, 20.66, 14.72

 

CMYK 0 / 27 / 31 / 16

HEX #D69D93

RGB 214 157 147

HSL 8.96, 0.45%, 0.71%

LAB 69.84, 19.87, 13.58

 

CMYK 0 / 40 / 46 / 45

HEX #8D554C

RGB 141 85 76

HSL 8.31, 0.3%, 0.43%

LAB 42.28, 22.19, 15.12

 

CMYK 0 / 46 / 54 / 51

HEX #7C4339

RGB 124 67 57

HSL 8.96, 0.37%, 0.35%

LAB 35.19, 23.43, 16.9

 

CMYK 0 / 54 / 64 / 58

HEX #6B3126

RGB 107 49 38

HSL 9.57, 0.48%, 0.28%

LAB 28.01, 24.86, 19.1

 

CMYK 0 / 66 / 79 / 65

HEX #5A1F13

RGB 90 31 19

HSL 10.14, 0.65%, 0.21%

LAB 20.83, 26.37, 21.9

 

CMYK 0 / 82 / 100 / 71

HEX #490D00

RGB 73 13 0

HSL 10.68, 1%, 0.14%

LAB 13.85, 27.41, 21.36

 

CMYK 0 / 40 / 46 / 44

HEX #8F564D

RGB 143 86 77

HSL 8.18, 0.3%, 0.43%

LAB 42.81, 22.56, 15.28

 

CMYK 0 / 46 / 46 / 44

HEX #8F4D4D

RGB 143 77 77

HSL 0, 0.3%, 0.43%

LAB 40.71, 27.68, 12.4

 

CMYK 0 / 40 / 46 / 44

HEX #8F564D

RGB 143 86 77

HSL 8.18, 0.3%, 0.43%

LAB 42.81, 22.56, 15.28

 

CMYK 0 / 27 / 46 / 44

HEX #8F684D

RGB 143 104 77

HSL 24.55, 0.3%, 0.43%

LAB 47.33, 12.09, 21.33

 

CMYK 0 / 15 / 46 / 44

HEX #8F794D

RGB 143 121 77

HSL 40, 0.3%, 0.43%

LAB 51.89, 2.27, 27.24

 

CMYK 0 / 3 / 46 / 44

HEX #8F8B4D

RGB 143 139 77

HSL 56.36, 0.3%, 0.43%

LAB 56.92, -7.78, 33.54

 

CMYK 10 / 0 / 46 / 44

HEX #808F4D

RGB 128 143 77

HSL 73.64, 0.3%, 0.43%

LAB 56.85, -16.3, 33.18

 

CMYK 0 / 40 / 46 / 44

HEX #8F564D

RGB 143 86 77

HSL 8.18, 0.3%, 0.43%

LAB 42.81, 22.56, 15.28

 

CMYK 0 / 54 / 63 / 37

HEX #A0493B

RGB 160 73 59

HSL 8.32, 0.46%, 0.43%

LAB 42.08, 35, 25.64

 

CMYK 0 / 66 / 77 / 30

HEX #B23C29

RGB 178 60 41

HSL 8.32, 0.63%, 0.43%

LAB 42.55, 46.89, 37.32

 

CMYK 0 / 76 / 88 / 23

HEX #C42F18

RGB 196 47 24

HSL 8.02, 0.78%, 0.43%

LAB 43.99, 57.19, 48.38

 

CMYK 0 / 84 / 97 / 16

HEX #D62306

RGB 214 35 6

HSL 8.37, 0.95%, 0.43%

LAB 46.33, 65.48, 57.76

 

CMYK 0 / 40 / 46 / 44

HEX #8F564D

RGB 143 86 77

HSL 8.18, 0.3%, 0.43%

LAB 42.81, 22.56, 15.28

 

CMYK 0 / 21 / 25 / 51

HEX #7D635E

RGB 125 99 94

HSL 9.68, 0.14%, 0.43%

LAB 44.36, 9.65, 6.82

 

CMYK 4 / 0 / 0 / 56

HEX #6B7070

RGB 107 112 112

HSL 180, 0.02%, 0.43%

LAB 46.82, -1.9, -0.67

 

CMYK 32 / 5 / 0 / 49

HEX #597C82

RGB 89 124 130

HSL 188.78, 0.19%, 0.43%

LAB 49.68, -10.77, -7.26

 

CMYK 51 / 7 / 0 / 42

HEX #488994

RGB 72 137 148

HSL 188.68, 0.35%, 0.43%

LAB 53.39, -17.59, -12.29

 

CMYK 0 / 46 / 28 / 44

HEX #8F4D67

RGB 143 77 103

HSL 336.36, 0.3%, 0.43%

LAB 41.42, 31.04, -2.68

 

CMYK 0 / 46 / 40 / 44

HEX #8F4D56

RGB 143 77 86

HSL 351.82, 0.3%, 0.43%

LAB 40.93, 28.74, 7.14

 

CMYK 0 / 40 / 46 / 44

HEX #8F564D

RGB 143 86 77

HSL 8.18, 0.3%, 0.43%

LAB 42.81, 22.56, 15.28

 

CMYK 0 / 28 / 46 / 44

HEX #8F674D

RGB 143 103 77

HSL 23.64, 0.3%, 0.43%

LAB 47.07, 12.67, 20.98

 

CMYK 0 / 15 / 46 / 44

HEX #8F794D

RGB 143 121 77

HSL 40, 0.3%, 0.43%

LAB 51.89, 2.27, 27.24

 

CMYK 0 / 39 / 46 / 65

HEX #593630

RGB 89 54 48

HSL 8.78, 0.3%, 0.27%

LAB 26.67, 14.88, 10.32

 

CMYK 0 / 40 / 47 / 55

HEX #74463E

RGB 116 70 62

HSL 8.89, 0.3%, 0.35%

LAB 34.89, 18.75, 13.15

 

CMYK 0 / 40 / 46 / 44

HEX #8F564D

RGB 143 86 77

HSL 8.18, 0.3%, 0.43%

LAB 42.81, 22.56, 15.28

 

CMYK 0 / 39 / 45 / 34

HEX #A8675D

RGB 168 103 93

HSL 8, 0.3%, 0.51%

LAB 50.47, 24.95, 16.69

 

CMYK 0 / 30 / 34 / 29

HEX #B68078

RGB 182 128 120

HSL 7.74, 0.3%, 0.59%

LAB 58.73, 19.82, 12.7

 

CMYK 0 / 40 / 46 / 45

HEX #8D554C

RGB 141 85 76

HSL 8.31, 0.3%, 0.43%

LAB 42.28, 22.19, 15.12

 

CMYK 15 / 0 / 46 / 44

HEX #798F4D

RGB 121 143 77

HSL 80, 0.3%, 0.43%

LAB 56.33, -19.18, 32.43

 

CMYK 46 / 34 / 0 / 44

HEX #4D5E8F

RGB 77 94 143

HSL 224.55, 0.3%, 0.43%

LAB 40.52, 7.37, -29.11

 

CMYK 0 / 40 / 46 / 45

HEX #8D554C

RGB 141 85 76

HSL 8.31, 0.3%, 0.43%

LAB 42.28, 22.19, 15.12

 

CMYK 46 / 0 / 40 / 44

HEX #4D8F56

RGB 77 143 86

HSL 128.18, 0.3%, 0.43%

LAB 53.91, -33.81, 23.96

 

CMYK 40 / 46 / 0 / 44

HEX #564D8F

RGB 86 77 143

HSL 248.18, 0.3%, 0.43%

LAB 36.5, 20.65, -35.4

 

CMYK 0 / 40 / 46 / 45

HEX #8D554C

RGB 141 85 76

HSL 8.31, 0.3%, 0.43%

LAB 42.28, 22.19, 15.12

 

CMYK 15 / 0 / 46 / 44

HEX #798F4D

RGB 121 143 77

HSL 80, 0.3%, 0.43%

LAB 56.33, -19.18, 32.43

 

CMYK 46 / 6 / 0 / 44

HEX #4D868F

RGB 77 134 143

HSL 188.18, 0.3%, 0.43%

LAB 52.52, -16.18, -10.68

 

CMYK 31 / 46 / 0 / 44

HEX #634D8F

RGB 99 77 143

HSL 260, 0.3%, 0.43%

LAB 37.74, 24.36, -33.35

 

CMYK 0 / 40 / 46 / 45

HEX #8D554C

RGB 141 85 76

HSL 8.31, 0.3%, 0.43%

LAB 42.28, 22.19, 15.12

 

CMYK 29 / 0 / 46 / 44

HEX #658F4D

RGB 101 143 77

HSL 98.18, 0.3%, 0.43%

LAB 55.02, -27.03, 30.5

 

CMYK 46 / 6 / 0 / 44

HEX #4D868F

RGB 77 134 143

HSL 188.18, 0.3%, 0.43%

LAB 52.52, -16.18, -10.68

 

CMYK 17 / 46 / 0 / 44

HEX #764D8F

RGB 118 77 143

HSL 277.27, 0.3%, 0.43%

LAB 39.82, 30.1, -29.94

 

Description

Color code: HEX #8D554C | qconv.com Color code: HEX #8D554C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 85 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 85 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 46 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 46% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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