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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D50BC it is the complementary color #72AF43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D50BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D50BC shade: #9250B7, #A362CA, #B474DD, #C586F0 and #D698FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D50BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D50BC shade: #8D50BC, #7C3EA9, #6B2C96, #5A1A83 and #490870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D50BC shade: #8E51BD, #AB51BD, #BD51B2, #BD5195 and #BD5178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D50BC shade: #8E51BD, #7151BD, #5451BD and #5151BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D50BC shade matches the following richer shades: #8E51BD, #913ED0, #932AE4 and #9617F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D50BC shade: #8E51BD, #8C65AA, #897896, #878B83 and #849F70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D50BC shade: #5351BD, #7051BD, #8D51BD, #A951BD and #BD51B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D50BC shade: #633488, #793FA6, #8E51BD, #A26FC8 and #B58DD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D50BC shade: #8D50BC, #BD516C and #51BD61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D50BC shade: #8D50BC, #BD8D51 and #51BD8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D50BC shade: #8D50BC, #BD516C, #82BD51 and #51BDA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D50BC shade: #8D50BC, #BD5751, #82BD51 and #51B8BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 57 / 0 / 26

HEX #8D50BC

RGB 141 80 188

HSL 273.89, 0.45%, 0.53%

LAB 45.68, 45.42, -47.21

 

Complementary color

CMYK 35 / 0 / 62 / 31

HEX #72AF43

RGB 114 175 67

HSL 93.89, 0.45%, 0.47%

LAB 65.47, -38.31, 47.97

 

CMYK 20 / 56 / 0 / 28

HEX #9250B7

RGB 146 80 183

HSL 278.45, 0.42%, 0.52%

LAB 46, 45.56, -43.74

 

CMYK 19 / 51 / 0 / 21

HEX #A362CA

RGB 163 98 202

HSL 277.5, 0.5%, 0.59%

LAB 52.71, 44.75, -43.93

 

CMYK 19 / 48 / 0 / 13

HEX #B474DD

RGB 180 116 221

HSL 276.57, 0.61%, 0.66%

LAB 59.36, 43.92, -44.07

 

CMYK 18 / 44 / 0 / 6

HEX #C586F0

RGB 197 134 240

HSL 275.66, 0.78%, 0.73%

LAB 65.91, 43.09, -44.18

 

CMYK 16 / 40 / 0 / 0

HEX #D698FF

RGB 214 152 255

HSL 276.12, 1%, 0.8%

LAB 72.21, 41.45, -42.38

 

CMYK 25 / 57 / 0 / 26

HEX #8D50BC

RGB 141 80 188

HSL 273.89, 0.45%, 0.53%

LAB 45.68, 45.42, -47.21

 

CMYK 27 / 63 / 0 / 34

HEX #7C3EA9

RGB 124 62 169

HSL 274.77, 0.46%, 0.45%

LAB 38.89, 46.2, -47

 

CMYK 29 / 71 / 0 / 41

HEX #6B2C96

RGB 107 44 150

HSL 275.66, 0.55%, 0.38%

LAB 32.1, 46.74, -46.59

 

CMYK 31 / 80 / 0 / 49

HEX #5A1A83

RGB 90 26 131

HSL 276.57, 0.67%, 0.31%

LAB 25.42, 46.67, -45.76

 

CMYK 35 / 93 / 0 / 56

HEX #490870

RGB 73 8 112

HSL 277.5, 0.87%, 0.24%

LAB 19.06, 45.28, -44.12

 

CMYK 25 / 57 / 0 / 26

HEX #8E51BD

RGB 142 81 189

HSL 273.89, 0.45%, 0.53%

LAB 46.06, 45.37, -47.18

 

CMYK 10 / 57 / 0 / 26

HEX #AB51BD

RGB 171 81 189

HSL 290, 0.45%, 0.53%

LAB 49.76, 52.87, -41.06

 

CMYK 0 / 57 / 6 / 26

HEX #BD51B2

RGB 189 81 178

HSL 306.11, 0.45%, 0.53%

LAB 51.74, 55.71, -31.37

 

CMYK 0 / 57 / 21 / 26

HEX #BD5195

RGB 189 81 149

HSL 322.22, 0.45%, 0.53%

LAB 50.54, 51.16, -16.18

 

CMYK 0 / 57 / 37 / 26

HEX #BD5178

RGB 189 81 120

HSL 338.33, 0.45%, 0.53%

LAB 49.57, 47.35, -0.29

 

CMYK 25 / 57 / 0 / 26

HEX #8E51BD

RGB 142 81 189

HSL 273.89, 0.45%, 0.53%

LAB 46.06, 45.37, -47.18

 

CMYK 40 / 57 / 0 / 26

HEX #7151BD

RGB 113 81 189

HSL 257.78, 0.45%, 0.53%

LAB 42.87, 38.29, -52.46

 

CMYK 56 / 57 / 0 / 26

HEX #5451BD

RGB 84 81 189

HSL 241.67, 0.45%, 0.53%

LAB 40.32, 32.08, -56.71

 

CMYK 57 / 57 / 0 / 26

HEX #5151BD

RGB 81 81 189

HSL 240, 0.45%, 0.53%

LAB 40.09, 31.51, -57.08

 

CMYK 25 / 57 / 0 / 26

HEX #8E51BD

RGB 142 81 189

HSL 273.89, 0.45%, 0.53%

LAB 46.06, 45.37, -47.18

 

CMYK 30 / 70 / 0 / 18

HEX #913ED0

RGB 145 62 208

HSL 274.11, 0.61%, 0.53%

LAB 44.26, 59.7, -61.04

 

CMYK 36 / 82 / 0 / 11

HEX #932AE4

RGB 147 42 228

HSL 273.87, 0.78%, 0.53%

LAB 43.45, 71.89, -73.8

 

CMYK 39 / 91 / 0 / 3

HEX #9617F7

RGB 150 23 247

HSL 274.02, 0.93%, 0.53%

LAB 43.96, 80.73, -83.68

 

CMYK 25 / 57 / 0 / 26

HEX #8E51BD

RGB 142 81 189

HSL 273.89, 0.45%, 0.53%

LAB 46.06, 45.37, -47.18

 

CMYK 18 / 41 / 0 / 33

HEX #8C65AA

RGB 140 101 170

HSL 273.91, 0.29%, 0.53%

LAB 49.23, 29.15, -31.08

 

CMYK 9 / 20 / 0 / 41

HEX #897896

RGB 137 120 150

HSL 274, 0.13%, 0.53%

LAB 52.9, 12.5, -13.78

 

CMYK 3 / 0 / 6 / 45

HEX #878B83

RGB 135 139 131

HSL 90, 0.03%, 0.53%

LAB 57.32, -3.03, 3.76

 

CMYK 17 / 0 / 30 / 38

HEX #849F70

RGB 132 159 112

HSL 94.47, 0.2%, 0.53%

LAB 62.4, -18.26, 21.52

 

CMYK 56 / 57 / 0 / 26

HEX #5351BD

RGB 83 81 189

HSL 241.11, 0.45%, 0.53%

LAB 40.24, 31.89, -56.83

 

CMYK 41 / 57 / 0 / 26

HEX #7051BD

RGB 112 81 189

HSL 257.22, 0.45%, 0.53%

LAB 42.77, 38.06, -52.63

 

CMYK 25 / 57 / 0 / 26

HEX #8D51BD

RGB 141 81 189

HSL 273.33, 0.45%, 0.53%

LAB 45.94, 45.12, -47.37

 

CMYK 11 / 57 / 0 / 26

HEX #A951BD

RGB 169 81 189

HSL 288.89, 0.45%, 0.53%

LAB 49.49, 52.34, -41.51

 

CMYK 0 / 57 / 5 / 26

HEX #BD51B4

RGB 189 81 180

HSL 305, 0.45%, 0.53%

LAB 51.84, 56.04, -32.4

 

CMYK 27 / 62 / 0 / 47

HEX #633488

RGB 99 52 136

HSL 273.57, 0.45%, 0.37%

LAB 31.55, 37.37, -38.92

 

CMYK 27 / 62 / 0 / 35

HEX #793FA6

RGB 121 63 166

HSL 273.79, 0.45%, 0.45%

LAB 38.5, 44.25, -45.85

 

CMYK 25 / 57 / 0 / 26

HEX #8E51BD

RGB 142 81 189

HSL 273.89, 0.45%, 0.53%

LAB 46.06, 45.37, -47.18

 

CMYK 19 / 45 / 0 / 22

HEX #A26FC8

RGB 162 111 200

HSL 274.38, 0.45%, 0.61%

LAB 55.3, 36.89, -38.72

 

CMYK 15 / 33 / 0 / 17

HEX #B58DD4

RGB 181 141 212

HSL 273.8, 0.45%, 0.69%

LAB 64.67, 28.44, -30.73

 

CMYK 25 / 57 / 0 / 26

HEX #8D50BC

RGB 141 80 188

HSL 273.89, 0.45%, 0.53%

LAB 45.68, 45.42, -47.21

 

CMYK 0 / 57 / 43 / 26

HEX #BD516C

RGB 189 81 108

HSL 345, 0.45%, 0.53%

LAB 49.24, 46.01, 6.46

 

CMYK 57 / 0 / 49 / 26

HEX #51BD61

RGB 81 189 97

HSL 128.89, 0.45%, 0.53%

LAB 68.76, -50.41, 37.21

 

CMYK 25 / 57 / 0 / 26

HEX #8D50BC

RGB 141 80 188

HSL 273.89, 0.45%, 0.53%

LAB 45.68, 45.42, -47.21

 

CMYK 0 / 25 / 57 / 26

HEX #BD8D51

RGB 189 141 81

HSL 33.33, 0.45%, 0.53%

LAB 62.05, 11.39, 38.74

 

CMYK 57 / 0 / 25 / 26

HEX #51BD8D

RGB 81 189 141

HSL 153.33, 0.45%, 0.53%

LAB 69.52, -42.39, 15.11

 

CMYK 25 / 57 / 0 / 26

HEX #8D50BC

RGB 141 80 188

HSL 273.89, 0.45%, 0.53%

LAB 45.68, 45.42, -47.21

 

CMYK 0 / 57 / 43 / 26

HEX #BD516C

RGB 189 81 108

HSL 345, 0.45%, 0.53%

LAB 49.24, 46.01, 6.46

 

CMYK 31 / 0 / 57 / 26

HEX #82BD51

RGB 130 189 81

HSL 92.78, 0.45%, 0.53%

LAB 70.69, -37.48, 47.76

 

CMYK 57 / 0 / 14 / 26

HEX #51BDA2

RGB 81 189 162

HSL 165, 0.45%, 0.53%

LAB 70, -37.56, 4.37

 

CMYK 25 / 57 / 0 / 26

HEX #8D50BC

RGB 141 80 188

HSL 273.89, 0.45%, 0.53%

LAB 45.68, 45.42, -47.21

 

CMYK 0 / 54 / 57 / 26

HEX #BD5751

RGB 189 87 81

HSL 3.33, 0.45%, 0.53%

LAB 49.77, 40.57, 23.35

 

CMYK 31 / 0 / 57 / 26

HEX #82BD51

RGB 130 189 81

HSL 92.78, 0.45%, 0.53%

LAB 70.69, -37.48, 47.76

 

CMYK 57 / 3 / 0 / 26

HEX #51B8BD

RGB 81 184 189

HSL 182.78, 0.45%, 0.53%

LAB 69.26, -28.13, -11.55

 

Description

Color code: HEX #8D50BC | qconv.com Color code: HEX #8D50BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 80 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 80 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 57 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 57% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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