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Color name
HEX #8D4D3C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D4D3C it is the complementary color #72B2C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D4D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D4D3C shade: #924D37, #A35F4A, #B4715D, #C58370 and #D69583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D4D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D4D3C shade: #8D4D3C, #7C3B29, #6B2916, #5A1703 and #490500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D4D3C shade: #8B4C3C and #8B3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D4D3C shade: #8B4C3C, #8B623C, #8B773C, #8A8B3C and #748B3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D4D3C shade matches the following richer shades: #8B4C3C, #9B432C, #AB3A1B and #BC300B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D4D3C shade: #8B4C3C, #7B564C, #6B5F5C, #5B686C and #4B727C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D4D3C shade: #8B3C56, #8B3C41, #8B4C3C, #8B613C and #8B763C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D4D3C shade: #512D23, #6E3D2F, #8B4C3C, #A85C48 and #BA725F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D4D3C shade: #8D4D3C, #6B8B3C and #3C4C8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D4D3C shade: #8D4D3C, #3C8B4C and #4C3C8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D4D3C shade: #8D4D3C, #6B8B3C, #3C7B8B and #5B3C8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D4D3C shade: #8D4D3C, #548B3C, #3C7B8B and #733C8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 57 / 45

HEX #8D4D3C

RGB 141 77 60

HSL 12.59, 0.4%, 0.39%

LAB 40.08, 25.18, 21.89

 

Complementary color

CMYK 42 / 9 / 0 / 24

HEX #72B2C3

RGB 114 178 195

HSL 192.59, 0.4%, 0.61%

LAB 69.01, -16.03, -15.09

 

CMYK 0 / 47 / 62 / 43

HEX #924D37

RGB 146 77 55

HSL 14.51, 0.45%, 0.39%

LAB 40.73, 26.87, 25.85

 

CMYK 0 / 42 / 55 / 36

HEX #A35F4A

RGB 163 95 74

HSL 14.16, 0.38%, 0.46%

LAB 47.58, 25.48, 23.88

 

CMYK 0 / 37 / 48 / 29

HEX #B4715D

RGB 180 113 93

HSL 13.79, 0.37%, 0.54%

LAB 54.35, 24.25, 22.17

 

CMYK 0 / 34 / 43 / 23

HEX #C58370

RGB 197 131 112

HSL 13.41, 0.42%, 0.61%

LAB 61.02, 23.18, 20.67

 

CMYK 0 / 30 / 39 / 16

HEX #D69583

RGB 214 149 131

HSL 13.01, 0.5%, 0.68%

LAB 67.6, 22.23, 19.34

 

CMYK 0 / 45 / 57 / 45

HEX #8D4D3C

RGB 141 77 60

HSL 12.59, 0.4%, 0.39%

LAB 40.08, 25.18, 21.89

 

CMYK 0 / 52 / 67 / 51

HEX #7C3B29

RGB 124 59 41

HSL 13.01, 0.5%, 0.32%

LAB 33.08, 26.66, 24.09

 

CMYK 0 / 62 / 79 / 58

HEX #6B2916

RGB 107 41 22

HSL 13.41, 0.66%, 0.25%

LAB 26.07, 28.27, 26.69

 

CMYK 0 / 74 / 97 / 65

HEX #5A1703

RGB 90 23 3

HSL 13.79, 0.94%, 0.18%

LAB 19.2, 29.7, 27.57

 

CMYK 0 / 93 / 100 / 71

HEX #490500

RGB 73 5 0

HSL 4.11, 1%, 0.14%

LAB 12.77, 30.47, 19.91

 

CMYK 0 / 45 / 57 / 45

HEX #8B4C3C

RGB 139 76 60

HSL 12.15, 0.4%, 0.39%

LAB 39.55, 24.9, 21.16

 

CMYK 0 / 57 / 57 / 45

HEX #8B3C3C

RGB 139 60 60

HSL 0, 0.4%, 0.39%

LAB 36.07, 33.68, 16.61

 

CMYK 0 / 45 / 57 / 45

HEX #8B4C3C

RGB 139 76 60

HSL 12.15, 0.4%, 0.39%

LAB 39.55, 24.9, 21.16

 

CMYK 0 / 29 / 57 / 45

HEX #8B623C

RGB 139 98 60

HSL 28.86, 0.4%, 0.39%

LAB 45.01, 12.12, 28.05

 

CMYK 0 / 14 / 57 / 45

HEX #8B773C

RGB 139 119 60

HSL 44.81, 0.4%, 0.39%

LAB 50.7, -0.04, 34.91

 

CMYK 1 / 0 / 57 / 45

HEX #8A8B3C

RGB 138 139 60

HSL 60.76, 0.4%, 0.39%

LAB 56.28, -11.56, 41.34

 

CMYK 17 / 0 / 57 / 45

HEX #748B3C

RGB 116 139 60

HSL 77.47, 0.4%, 0.39%

LAB 54.56, -21.04, 38.91

 

CMYK 0 / 45 / 57 / 45

HEX #8B4C3C

RGB 139 76 60

HSL 12.15, 0.4%, 0.39%

LAB 39.55, 24.9, 21.16

 

CMYK 0 / 57 / 72 / 39

HEX #9B432C

RGB 155 67 44

HSL 12.43, 0.56%, 0.39%

LAB 39.86, 35.2, 31.55

 

CMYK 0 / 66 / 84 / 33

HEX #AB3A1B

RGB 171 58 27

HSL 12.92, 0.73%, 0.39%

LAB 40.84, 44.81, 42.45

 

CMYK 0 / 74 / 94 / 26

HEX #BC300B

RGB 188 48 11

HSL 12.54, 0.89%, 0.39%

LAB 42.51, 54.15, 51.47

 

CMYK 0 / 45 / 57 / 45

HEX #8B4C3C

RGB 139 76 60

HSL 12.15, 0.4%, 0.39%

LAB 39.55, 24.9, 21.16

 

CMYK 0 / 30 / 38 / 52

HEX #7B564C

RGB 123 86 76

HSL 12.77, 0.24%, 0.39%

LAB 40.23, 13.93, 11.93

 

CMYK 0 / 11 / 14 / 58

HEX #6B5F5C

RGB 107 95 92

HSL 12, 0.08%, 0.39%

LAB 41.35, 4.25, 3.47

 

CMYK 16 / 4 / 0 / 58

HEX #5B686C

RGB 91 104 108

HSL 194.12, 0.09%, 0.39%

LAB 43.07, -4, -3.92

 

CMYK 40 / 8 / 0 / 51

HEX #4B727C

RGB 75 114 124

HSL 192.24, 0.25%, 0.39%

LAB 45.61, -10.92, -9.87

 

CMYK 0 / 57 / 38 / 45

HEX #8B3C56

RGB 139 60 86

HSL 340.25, 0.4%, 0.39%

LAB 36.73, 36.42, 1.03

 

CMYK 0 / 57 / 53 / 45

HEX #8B3C41

RGB 139 60 65

HSL 356.2, 0.4%, 0.39%

LAB 36.18, 34.13, 13.6

 

CMYK 0 / 45 / 57 / 45

HEX #8B4C3C

RGB 139 76 60

HSL 12.15, 0.4%, 0.39%

LAB 39.55, 24.9, 21.16

 

CMYK 0 / 30 / 57 / 45

HEX #8B613C

RGB 139 97 60

HSL 28.1, 0.4%, 0.39%

LAB 44.75, 12.7, 27.72

 

CMYK 0 / 15 / 57 / 45

HEX #8B763C

RGB 139 118 60

HSL 44.05, 0.4%, 0.39%

LAB 50.42, 0.53, 34.58

 

CMYK 0 / 44 / 57 / 68

HEX #512D23

RGB 81 45 35

HSL 13.04, 0.4%, 0.23%

LAB 22.82, 15.35, 13.56

 

CMYK 0 / 45 / 57 / 57

HEX #6E3D2F

RGB 110 61 47

HSL 13.33, 0.4%, 0.31%

LAB 31.48, 19.92, 17.92

 

CMYK 0 / 45 / 57 / 45

HEX #8B4C3C

RGB 139 76 60

HSL 12.15, 0.4%, 0.39%

LAB 39.55, 24.9, 21.16

 

CMYK 0 / 45 / 57 / 34

HEX #A85C48

RGB 168 92 72

HSL 12.5, 0.4%, 0.47%

LAB 47.56, 29.02, 25.15

 

CMYK 0 / 39 / 49 / 27

HEX #BA725F

RGB 186 114 95

HSL 12.53, 0.4%, 0.55%

LAB 55.38, 26.33, 22.53

 

CMYK 0 / 45 / 57 / 45

HEX #8D4D3C

RGB 141 77 60

HSL 12.59, 0.4%, 0.39%

LAB 40.08, 25.18, 21.89

 

CMYK 23 / 0 / 57 / 45

HEX #6B8B3C

RGB 107 139 60

HSL 84.3, 0.4%, 0.39%

LAB 53.94, -24.74, 38.04

 

CMYK 57 / 45 / 0 / 45

HEX #3C4C8B

RGB 60 76 139

HSL 227.85, 0.4%, 0.39%

LAB 33.97, 13.42, -37.11

 

CMYK 0 / 45 / 57 / 45

HEX #8D4D3C

RGB 141 77 60

HSL 12.59, 0.4%, 0.39%

LAB 40.08, 25.18, 21.89

 

CMYK 57 / 0 / 45 / 45

HEX #3C8B4C

RGB 60 139 76

HSL 132.15, 0.4%, 0.39%

LAB 51.78, -38.55, 26.52

 

CMYK 45 / 57 / 0 / 45

HEX #4C3C8B

RGB 76 60 139

HSL 252.15, 0.4%, 0.39%

LAB 30.95, 27.65, -41.87

 

CMYK 0 / 45 / 57 / 45

HEX #8D4D3C

RGB 141 77 60

HSL 12.59, 0.4%, 0.39%

LAB 40.08, 25.18, 21.89

 

CMYK 23 / 0 / 57 / 45

HEX #6B8B3C

RGB 107 139 60

HSL 84.3, 0.4%, 0.39%

LAB 53.94, -24.74, 38.04

 

CMYK 57 / 12 / 0 / 45

HEX #3C7B8B

RGB 60 123 139

HSL 192.15, 0.4%, 0.39%

LAB 48.25, -15.37, -14.86

 

CMYK 35 / 57 / 0 / 45

HEX #5B3C8B

RGB 91 60 139

HSL 263.54, 0.4%, 0.39%

LAB 32.52, 31.44, -39.26

 

CMYK 0 / 45 / 57 / 45

HEX #8D4D3C

RGB 141 77 60

HSL 12.59, 0.4%, 0.39%

LAB 40.08, 25.18, 21.89

 

CMYK 40 / 0 / 57 / 45

HEX #548B3C

RGB 84 139 60

HSL 101.77, 0.4%, 0.39%

LAB 52.59, -33.47, 36.12

 

CMYK 57 / 12 / 0 / 45

HEX #3C7B8B

RGB 60 123 139

HSL 192.15, 0.4%, 0.39%

LAB 48.25, -15.37, -14.86

 

CMYK 17 / 57 / 0 / 45

HEX #733C8B

RGB 115 60 139

HSL 281.77, 0.4%, 0.39%

LAB 35.48, 37.99, -34.37

 

Description

Color code: HEX #8D4D3C | qconv.com Color code: HEX #8D4D3C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 77 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 77 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 57 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 57% 45% C M Y K

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Provide designers and agencies with accurate color values.

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