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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D47ED it is the complementary color #72B812. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D47ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D47ED shade: #9247E8, #A359FB, #B46BFF, #C57DFF and #D68FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D47ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D47ED shade: #8D47ED, #7C35DA, #6B23C7, #5A11B4 and #4900A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D47ED shade: #8C45ED, #B945ED, #E645ED, #ED45C6 and #ED4599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D47ED shade: #8C45ED, #5F45ED and #4545ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D47ED shade matches the following richer shades: #8C45ED and #8935FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D47ED shade: #8C45ED, #8E56DC, #9166CC, #9477BB and #9687AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D47ED shade: #4559ED, #5E45ED, #8B45ED, #B845ED and #E445ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D47ED shade: #6114CB, #7520E9, #8C45ED, #A36BF0 and #BA90F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D47ED shade: #8D47ED, #ED4585 and #45ED48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D47ED shade: #8D47ED, #ED8B45 and #45ED8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D47ED shade: #8D47ED, #ED4585, #A7ED45 and #45EDAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D47ED shade: #8D47ED, #ED4553, #A7ED45 and #45EDDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 70 / 0 / 7

HEX #8D47ED

RGB 141 71 237

HSL 265.3, 0.82%, 0.6%

LAB 47.34, 61.72, -72.57

 

Complementary color

CMYK 38 / 0 / 90 / 28

HEX #72B812

RGB 114 184 18

HSL 85.3, 0.82%, 0.4%

LAB 67.95, -44.99, 66.12

 

CMYK 37 / 69 / 0 / 9

HEX #9247E8

RGB 146 71 232

HSL 267.95, 0.78%, 0.59%

LAB 47.55, 61.41, -69.39

 

CMYK 35 / 65 / 0 / 2

HEX #A359FB

RGB 163 89 251

HSL 267.41, 0.95%, 0.67%

LAB 53.92, 60.7, -69.61

 

CMYK 29 / 58 / 0 / 0

HEX #B46BFF

RGB 180 107 255

HSL 269.59, 1%, 0.71%

LAB 59.38, 56.32, -62.93

 

CMYK 23 / 51 / 0 / 0

HEX #C57DFF

RGB 197 125 255

HSL 273.23, 1%, 0.75%

LAB 64.77, 51.16, -54.22

 

CMYK 16 / 44 / 0 / 0

HEX #D68FFF

RGB 214 143 255

HSL 278.04, 1%, 0.78%

LAB 70.29, 46.24, -45.39

 

CMYK 41 / 70 / 0 / 7

HEX #8D47ED

RGB 141 71 237

HSL 265.3, 0.82%, 0.6%

LAB 47.34, 61.72, -72.57

 

CMYK 43 / 76 / 0 / 15

HEX #7C35DA

RGB 124 53 218

HSL 265.82, 0.69%, 0.53%

LAB 41.05, 62.22, -72.14

 

CMYK 46 / 82 / 0 / 22

HEX #6B23C7

RGB 107 35 199

HSL 266.34, 0.7%, 0.46%

LAB 34.91, 62.14, -71.29

 

CMYK 50 / 91 / 0 / 29

HEX #5A11B4

RGB 90 17 180

HSL 266.87, 0.83%, 0.39%

LAB 29.08, 61, -69.74

 

CMYK 55 / 100 / 0 / 37

HEX #4900A1

RGB 73 0 161

HSL 267.2, 1%, 0.32%

LAB 23.64, 58.56, -67.35

 

CMYK 41 / 71 / 0 / 7

HEX #8C45ED

RGB 140 69 237

HSL 265.36, 0.82%, 0.6%

LAB 46.9, 62.46, -73.29

 

CMYK 22 / 71 / 0 / 7

HEX #B945ED

RGB 185 69 237

HSL 281.43, 0.82%, 0.6%

LAB 52.6, 70.76, -63.79

 

CMYK 3 / 71 / 0 / 7

HEX #E645ED

RGB 230 69 237

HSL 297.5, 0.82%, 0.6%

LAB 59.15, 79.82, -52.93

 

CMYK 0 / 71 / 16 / 7

HEX #ED45C6

RGB 237 69 198

HSL 313.93, 0.82%, 0.6%

LAB 58.36, 75.57, -32.06

 

CMYK 0 / 71 / 35 / 7

HEX #ED4599

RGB 237 69 153

HSL 330, 0.82%, 0.6%

LAB 56.64, 70.13, -8.58

 

CMYK 41 / 71 / 0 / 7

HEX #8C45ED

RGB 140 69 237

HSL 265.36, 0.82%, 0.6%

LAB 46.9, 62.46, -73.29

 

CMYK 60 / 71 / 0 / 7

HEX #5F45ED

RGB 95 69 237

HSL 249.29, 0.82%, 0.6%

LAB 42.47, 55.61, -80.73

 

CMYK 71 / 71 / 0 / 7

HEX #4545ED

RGB 69 69 237

HSL 240, 0.82%, 0.6%

LAB 40.63, 52.64, -83.82

 

CMYK 41 / 71 / 0 / 7

HEX #8C45ED

RGB 140 69 237

HSL 265.36, 0.82%, 0.6%

LAB 46.9, 62.46, -73.29

 

CMYK 46 / 79 / 0 / 1

HEX #8935FD

RGB 137 53 253

HSL 265.2, 0.98%, 0.6%

LAB 45.57, 72.43, -84.46

 

CMYK 41 / 71 / 0 / 7

HEX #8C45ED

RGB 140 69 237

HSL 265.36, 0.82%, 0.6%

LAB 46.9, 62.46, -73.29

 

CMYK 35 / 61 / 0 / 14

HEX #8E56DC

RGB 142 86 220

HSL 265.07, 0.66%, 0.6%

LAB 48.97, 50.24, -60.31

 

CMYK 29 / 50 / 0 / 20

HEX #9166CC

RGB 145 102 204

HSL 265.29, 0.5%, 0.6%

LAB 51.7, 38.18, -46.8

 

CMYK 21 / 36 / 0 / 27

HEX #9477BB

RGB 148 119 187

HSL 265.59, 0.33%, 0.6%

LAB 55.15, 25.13, -31.63

 

CMYK 12 / 21 / 0 / 33

HEX #9687AB

RGB 150 135 171

HSL 265, 0.18%, 0.6%

LAB 58.74, 12.85, -16.93

 

CMYK 71 / 62 / 0 / 7

HEX #4559ED

RGB 69 89 237

HSL 232.86, 0.82%, 0.6%

LAB 44.98, 40.94, -76.68

 

CMYK 60 / 71 / 0 / 7

HEX #5E45ED

RGB 94 69 237

HSL 248.93, 0.82%, 0.6%

LAB 42.38, 55.48, -80.87

 

CMYK 41 / 71 / 0 / 7

HEX #8B45ED

RGB 139 69 237

HSL 265, 0.82%, 0.6%

LAB 46.79, 62.29, -73.48

 

CMYK 22 / 71 / 0 / 7

HEX #B845ED

RGB 184 69 237

HSL 281.07, 0.82%, 0.6%

LAB 52.47, 70.57, -64.01

 

CMYK 4 / 71 / 0 / 7

HEX #E445ED

RGB 228 69 237

HSL 296.79, 0.82%, 0.6%

LAB 58.85, 79.41, -53.43

 

CMYK 52 / 90 / 0 / 20

HEX #6114CB

RGB 97 20 203

HSL 265.25, 0.82%, 0.44%

LAB 32.6, 66.37, -77.47

 

CMYK 50 / 86 / 0 / 9

HEX #7520E9

RGB 117 32 233

HSL 265.37, 0.82%, 0.52%

LAB 39.07, 72.22, -83.98

 

CMYK 41 / 71 / 0 / 7

HEX #8C45ED

RGB 140 69 237

HSL 265.36, 0.82%, 0.6%

LAB 46.9, 62.46, -73.29

 

CMYK 32 / 55 / 0 / 6

HEX #A36BF0

RGB 163 107 240

HSL 265.26, 0.82%, 0.68%

LAB 56.68, 48.8, -59.05

 

CMYK 24 / 41 / 0 / 4

HEX #BA90F4

RGB 186 144 244

HSL 265.2, 0.82%, 0.76%

LAB 67.21, 35.44, -44.4

 

CMYK 41 / 70 / 0 / 7

HEX #8D47ED

RGB 141 71 237

HSL 265.3, 0.82%, 0.6%

LAB 47.34, 61.72, -72.57

 

CMYK 0 / 71 / 44 / 7

HEX #ED4585

RGB 237 69 133

HSL 337.14, 0.82%, 0.6%

LAB 56.04, 68.14, 2.34

 

CMYK 71 / 0 / 70 / 7

HEX #45ED48

RGB 69 237 72

HSL 121.07, 0.82%, 0.6%

LAB 83.07, -72.42, 64.47

 

CMYK 41 / 70 / 0 / 7

HEX #8D47ED

RGB 141 71 237

HSL 265.3, 0.82%, 0.6%

LAB 47.34, 61.72, -72.57

 

CMYK 0 / 41 / 71 / 7

HEX #ED8B45

RGB 237 139 69

HSL 25, 0.82%, 0.6%

LAB 67.2, 31.74, 52.12

 

CMYK 71 / 0 / 41 / 7

HEX #45ED8B

RGB 69 237 139

HSL 145, 0.82%, 0.6%

LAB 83.81, -63.82, 35.41

 

CMYK 41 / 70 / 0 / 7

HEX #8D47ED

RGB 141 71 237

HSL 265.3, 0.82%, 0.6%

LAB 47.34, 61.72, -72.57

 

CMYK 0 / 71 / 44 / 7

HEX #ED4585

RGB 237 69 133

HSL 337.14, 0.82%, 0.6%

LAB 56.04, 68.14, 2.34

 

CMYK 30 / 0 / 71 / 7

HEX #A7ED45

RGB 167 237 69

HSL 85, 0.82%, 0.6%

LAB 86.61, -46.07, 70.29

 

CMYK 71 / 0 / 27 / 7

HEX #45EDAD

RGB 69 237 173

HSL 157.14, 0.82%, 0.6%

LAB 84.41, -57.22, 18.89

 

CMYK 41 / 70 / 0 / 7

HEX #8D47ED

RGB 141 71 237

HSL 265.3, 0.82%, 0.6%

LAB 47.34, 61.72, -72.57

 

CMYK 0 / 71 / 65 / 7

HEX #ED4553

RGB 237 69 83

HSL 355, 0.82%, 0.6%

LAB 54.95, 64.48, 30.43

 

CMYK 30 / 0 / 71 / 7

HEX #A7ED45

RGB 167 237 69

HSL 85, 0.82%, 0.6%

LAB 86.61, -46.07, 70.29

 

CMYK 71 / 0 / 6 / 7

HEX #45EDDF

RGB 69 237 223

HSL 175, 0.82%, 0.6%

LAB 85.59, -45.14, -5.58

 

Description

Color code: HEX #8D47ED | qconv.com Color code: HEX #8D47ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 71 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 71 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 70 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 70% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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