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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D466F it is the complementary color #72B990. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D466F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D466F shade: #92466A, #A3587D, #B46A90, #C57CA3 and #D68EB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D466F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D466F shade: #8D466F, #7C345C, #6B2249, #5A1036 and #490023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D466F shade: #8C456E, #8C455B, #8C4548 and #8C4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D466F shade: #8C456E, #8C4581, #84458C, #71458C and #5D458C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D466F shade matches the following richer shades: #8C456E, #9D3471, #AE2373, #BF1276 and #D00179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D466F shade: #8C456E, #7B566B, #6A6769, #597866 and #488964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D466F shade: #84458C, #8C4581, #8C456E, #8C455C and #8C4549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D466F shade: #552A43, #703758, #8C456E, #A85384 and #B76D98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D466F shade: #8D466F, #8C7145 and #458B8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D466F shade: #8D466F, #6E8C45 and #456E8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D466F shade: #8D466F, #8C7145, #458C63 and #45608C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D466F shade: #8D466F, #8C8645, #458C63 and #454B8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 21 / 45

HEX #8D466F

RGB 141 70 111

HSL 325.35, 0.34%, 0.41%

LAB 39.9, 35.38, -9.93

 

Complementary color

CMYK 38 / 0 / 22 / 27

HEX #72B990

RGB 114 185 144

HSL 145.35, 0.34%, 0.59%

LAB 69.67, -31.44, 13.89

 

CMYK 0 / 52 / 27 / 43

HEX #92466A

RGB 146 70 106

HSL 331.58, 0.35%, 0.42%

LAB 40.46, 36.37, -5.91

 

CMYK 0 / 46 / 23 / 36

HEX #A3587D

RGB 163 88 125

HSL 330.4, 0.3%, 0.49%

LAB 47.3, 35.53, -7.08

 

CMYK 0 / 41 / 20 / 29

HEX #B46A90

RGB 180 106 144

HSL 329.19, 0.33%, 0.56%

LAB 54.05, 34.69, -8.06

 

CMYK 0 / 37 / 17 / 23

HEX #C57CA3

RGB 197 124 163

HSL 327.95, 0.39%, 0.63%

LAB 60.72, 33.88, -8.9

 

CMYK 0 / 34 / 15 / 16

HEX #D68EB6

RGB 214 142 182

HSL 326.67, 0.47%, 0.7%

LAB 67.29, 33.11, -9.64

 

CMYK 0 / 50 / 21 / 45

HEX #8D466F

RGB 141 70 111

HSL 325.35, 0.34%, 0.41%

LAB 39.9, 35.38, -9.93

 

CMYK 0 / 58 / 26 / 51

HEX #7C345C

RGB 124 52 92

HSL 326.67, 0.41%, 0.35%

LAB 32.95, 36.11, -8.67

 

CMYK 0 / 68 / 32 / 58

HEX #6B2249

RGB 107 34 73

HSL 327.95, 0.52%, 0.28%

LAB 26.01, 36.54, -6.94

 

CMYK 0 / 82 / 40 / 65

HEX #5A1036

RGB 90 16 54

HSL 329.19, 0.7%, 0.21%

LAB 19.27, 36.17, -4.35

 

CMYK 0 / 100 / 52 / 71

HEX #490023

RGB 73 0 35

HSL 331.23, 1%, 0.14%

LAB 12.85, 34.57, -0.51

 

CMYK 0 / 51 / 21 / 45

HEX #8C456E

RGB 140 69 110

HSL 325.35, 0.34%, 0.41%

LAB 39.51, 35.42, -9.91

 

CMYK 0 / 51 / 35 / 45

HEX #8C455B

RGB 140 69 91

HSL 341.41, 0.34%, 0.41%

LAB 38.88, 32.65, 1.02

 

CMYK 0 / 51 / 49 / 45

HEX #8C4548

RGB 140 69 72

HSL 357.46, 0.34%, 0.41%

LAB 38.37, 30.39, 12.22

 

CMYK 0 / 51 / 51 / 45

HEX #8C4545

RGB 140 69 69

HSL 0, 0.34%, 0.41%

LAB 38.31, 30.08, 14

 

CMYK 0 / 51 / 21 / 45

HEX #8C456E

RGB 140 69 110

HSL 325.35, 0.34%, 0.41%

LAB 39.51, 35.42, -9.91

 

CMYK 0 / 51 / 8 / 45

HEX #8C4581

RGB 140 69 129

HSL 309.3, 0.34%, 0.41%

LAB 40.27, 38.63, -20.48

 

CMYK 6 / 51 / 0 / 45

HEX #84458C

RGB 132 69 140

HSL 293.24, 0.34%, 0.41%

LAB 39.67, 38.26, -28.22

 

CMYK 19 / 51 / 0 / 45

HEX #71458C

RGB 113 69 140

HSL 277.18, 0.34%, 0.41%

LAB 37.23, 32.56, -32.24

 

CMYK 34 / 51 / 0 / 45

HEX #5D458C

RGB 93 69 140

HSL 260.28, 0.34%, 0.41%

LAB 34.96, 26.77, -35.98

 

CMYK 0 / 51 / 21 / 45

HEX #8C456E

RGB 140 69 110

HSL 325.35, 0.34%, 0.41%

LAB 39.51, 35.42, -9.91

 

CMYK 0 / 67 / 28 / 38

HEX #9D3471

RGB 157 52 113

HSL 325.14, 0.5%, 0.41%

LAB 39.27, 49.5, -11.88

 

CMYK 0 / 80 / 34 / 32

HEX #AE2373

RGB 174 35 115

HSL 325.47, 0.67%, 0.41%

LAB 40.31, 60.28, -11.27

 

CMYK 0 / 91 / 38 / 25

HEX #BF1276

RGB 191 18 118

HSL 325.32, 0.83%, 0.41%

LAB 42.49, 68.14, -9.53

 

CMYK 0 / 100 / 42 / 18

HEX #D00179

RGB 208 1 121

HSL 325.22, 0.99%, 0.41%

LAB 45.38, 73.88, -6.71

 

CMYK 0 / 51 / 21 / 45

HEX #8C456E

RGB 140 69 110

HSL 325.35, 0.34%, 0.41%

LAB 39.51, 35.42, -9.91

 

CMYK 0 / 30 / 13 / 52

HEX #7B566B

RGB 123 86 107

HSL 325.95, 0.18%, 0.41%

LAB 41.1, 18.87, -5.9

 

CMYK 0 / 3 / 1 / 58

HEX #6A6769

RGB 106 103 105

HSL 320, 0.01%, 0.41%

LAB 43.92, 1.58, -0.71

 

CMYK 26 / 0 / 15 / 53

HEX #597866

RGB 89 120 102

HSL 145.16, 0.15%, 0.41%

LAB 47.64, -15.17, 6.3

 

CMYK 47 / 0 / 27 / 46

HEX #488964

RGB 72 137 100

HSL 145.85, 0.31%, 0.41%

LAB 52.05, -29.78, 13.53

 

CMYK 6 / 51 / 0 / 45

HEX #84458C

RGB 132 69 140

HSL 293.24, 0.34%, 0.41%

LAB 39.67, 38.26, -28.22

 

CMYK 0 / 51 / 8 / 45

HEX #8C4581

RGB 140 69 129

HSL 309.3, 0.34%, 0.41%

LAB 40.27, 38.63, -20.48

 

CMYK 0 / 51 / 21 / 45

HEX #8C456E

RGB 140 69 110

HSL 325.35, 0.34%, 0.41%

LAB 39.51, 35.42, -9.91

 

CMYK 0 / 51 / 34 / 45

HEX #8C455C

RGB 140 69 92

HSL 340.56, 0.34%, 0.41%

LAB 38.91, 32.79, 0.43

 

CMYK 0 / 51 / 48 / 45

HEX #8C4549

RGB 140 69 73

HSL 356.62, 0.34%, 0.41%

LAB 38.4, 30.5, 11.63

 

CMYK 0 / 51 / 21 / 67

HEX #552A43

RGB 85 42 67

HSL 325.12, 0.34%, 0.25%

LAB 23.65, 23.52, -6.84

 

CMYK 0 / 51 / 21 / 56

HEX #703758

RGB 112 55 88

HSL 325.26, 0.34%, 0.33%

LAB 31.54, 29.64, -8.41

 

CMYK 0 / 51 / 21 / 45

HEX #8C456E

RGB 140 69 110

HSL 325.35, 0.34%, 0.41%

LAB 39.51, 35.42, -9.91

 

CMYK 0 / 51 / 21 / 34

HEX #A85384

RGB 168 83 132

HSL 325.41, 0.34%, 0.49%

LAB 47.21, 40.96, -11.36

 

CMYK 0 / 40 / 17 / 28

HEX #B76D98

RGB 183 109 152

HSL 325.14, 0.34%, 0.57%

LAB 55.35, 35.38, -10.75

 

CMYK 0 / 50 / 21 / 45

HEX #8D466F

RGB 141 70 111

HSL 325.35, 0.34%, 0.41%

LAB 39.9, 35.38, -9.93

 

CMYK 0 / 19 / 51 / 45

HEX #8C7145

RGB 140 113 69

HSL 37.18, 0.34%, 0.41%

LAB 49.27, 4.69, 28.31

 

CMYK 51 / 1 / 0 / 45

HEX #458B8C

RGB 69 139 140

HSL 180.85, 0.34%, 0.41%

LAB 53.63, -21.64, -7.32

 

CMYK 0 / 50 / 21 / 45

HEX #8D466F

RGB 141 70 111

HSL 325.35, 0.34%, 0.41%

LAB 39.9, 35.38, -9.93

 

CMYK 21 / 0 / 51 / 45

HEX #6E8C45

RGB 110 140 69

HSL 85.35, 0.34%, 0.41%

LAB 54.55, -23.05, 34.26

 

CMYK 51 / 21 / 0 / 45

HEX #456E8C

RGB 69 110 140

HSL 205.35, 0.34%, 0.41%

LAB 44.68, -5.48, -20.88

 

CMYK 0 / 50 / 21 / 45

HEX #8D466F

RGB 141 70 111

HSL 325.35, 0.34%, 0.41%

LAB 39.9, 35.38, -9.93

 

CMYK 0 / 19 / 51 / 45

HEX #8C7145

RGB 140 113 69

HSL 37.18, 0.34%, 0.41%

LAB 49.27, 4.69, 28.31

 

CMYK 51 / 0 / 29 / 45

HEX #458C63

RGB 69 140 99

HSL 145.35, 0.34%, 0.41%

LAB 52.86, -32.24, 15.21

 

CMYK 51 / 31 / 0 / 45

HEX #45608C

RGB 69 96 140

HSL 217.18, 0.34%, 0.41%

LAB 40.45, 3.05, -27.44

 

CMYK 0 / 50 / 21 / 45

HEX #8D466F

RGB 141 70 111

HSL 325.35, 0.34%, 0.41%

LAB 39.9, 35.38, -9.93

 

CMYK 0 / 4 / 51 / 45

HEX #8C8645

RGB 140 134 69

HSL 54.93, 0.34%, 0.41%

LAB 55.13, -7.16, 35.5

 

CMYK 51 / 0 / 29 / 45

HEX #458C63

RGB 69 140 99

HSL 145.35, 0.34%, 0.41%

LAB 52.86, -32.24, 15.21

 

CMYK 51 / 46 / 0 / 45

HEX #454B8C

RGB 69 75 140

HSL 234.93, 0.34%, 0.41%

LAB 34.38, 16.55, -37.03

 

Description

Color code: HEX #8D466F | qconv.com Color code: HEX #8D466F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 70 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 70 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 21 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 21% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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