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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D429B it is the complementary color #72BD64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D429B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D429B shade: #924296, #A354A9, #B466BC, #C578CF and #D68AE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D429B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D429B shade: #8D429B, #7C3088, #6B1E75, #5A0C62 and #49004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D429B shade: #8C429A, #9A4290, #9A4278, #9A4260 and #9A4249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D429B shade: #8C429A, #74429A, #5C429A, #45429A and #42429A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D429B shade matches the following richer shades: #8C429A, #9830AB, #A41EBD and #B00DCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D429B shade: #8C429A, #805488, #736576, #677764 and #5B8953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D429B shade: #5C429A, #73429A, #8B429A, #9A4291 and #9A4279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D429B shade: #572960, #71357D, #8C429A, #A450B4 and #B36DC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D429B shade: #8D429B, #9A4542 and #429A68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D429B shade: #8D429B, #9A8B42 and #429A8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D429B shade: #8D429B, #9A4542, #509A42 and #42979A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D429B shade: #8D429B, #9A5F42, #509A42 and #427C9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 57 / 0 / 39

HEX #8D429B

RGB 141 66 155

HSL 290.56, 0.4%, 0.43%

LAB 41.1, 45.47, -34.97

 

Complementary color

CMYK 40 / 0 / 47 / 26

HEX #72BD64

RGB 114 189 100

HSL 110.56, 0.4%, 0.57%

LAB 70.1, -40.67, 37.67

 

CMYK 3 / 56 / 0 / 41

HEX #924296

RGB 146 66 150

HSL 297.14, 0.39%, 0.42%

LAB 41.55, 45.87, -31.2

 

CMYK 4 / 50 / 0 / 34

HEX #A354A9

RGB 163 84 169

HSL 295.76, 0.34%, 0.5%

LAB 48.25, 45.27, -31.84

 

CMYK 4 / 46 / 0 / 26

HEX #B466BC

RGB 180 102 188

HSL 294.42, 0.39%, 0.57%

LAB 54.9, 44.56, -32.32

 

CMYK 5 / 42 / 0 / 19

HEX #C578CF

RGB 197 120 207

HSL 293.1, 0.48%, 0.64%

LAB 61.49, 43.8, -32.72

 

CMYK 5 / 39 / 0 / 11

HEX #D68AE2

RGB 214 138 226

HSL 291.82, 0.6%, 0.71%

LAB 67.99, 43.05, -33.07

 

CMYK 9 / 57 / 0 / 39

HEX #8D429B

RGB 141 66 155

HSL 290.56, 0.4%, 0.43%

LAB 41.1, 45.47, -34.97

 

CMYK 9 / 65 / 0 / 47

HEX #7C3088

RGB 124 48 136

HSL 291.82, 0.48%, 0.36%

LAB 34.35, 45.86, -34.25

 

CMYK 9 / 74 / 0 / 54

HEX #6B1E75

RGB 107 30 117

HSL 293.1, 0.59%, 0.29%

LAB 27.68, 45.7, -33.11

 

CMYK 8 / 88 / 0 / 62

HEX #5A0C62

RGB 90 12 98

HSL 294.42, 0.78%, 0.22%

LAB 21.28, 44.34, -31.22

 

CMYK 8 / 100 / 0 / 69

HEX #49004F

RGB 73 0 79

HSL 295.44, 1%, 0.15%

LAB 15.39, 40.9, -28.09

 

CMYK 9 / 57 / 0 / 40

HEX #8C429A

RGB 140 66 154

HSL 290.45, 0.4%, 0.43%

LAB 40.9, 44.99, -34.68

 

CMYK 0 / 57 / 6 / 40

HEX #9A4290

RGB 154 66 144

HSL 306.82, 0.4%, 0.43%

LAB 42.43, 47.06, -26.11

 

CMYK 0 / 57 / 22 / 40

HEX #9A4278

RGB 154 66 120

HSL 323.18, 0.4%, 0.43%

LAB 41.41, 43.17, -13.02

 

CMYK 0 / 57 / 38 / 40

HEX #9A4260

RGB 154 66 96

HSL 339.55, 0.4%, 0.43%

LAB 40.59, 39.9, 0.65

 

CMYK 0 / 57 / 53 / 40

HEX #9A4249

RGB 154 66 73

HSL 355.23, 0.4%, 0.43%

LAB 39.99, 37.44, 14.17

 

CMYK 9 / 57 / 0 / 40

HEX #8C429A

RGB 140 66 154

HSL 290.45, 0.4%, 0.43%

LAB 40.9, 44.99, -34.68

 

CMYK 25 / 57 / 0 / 40

HEX #74429A

RGB 116 66 154

HSL 274.09, 0.4%, 0.43%

LAB 37.74, 38.47, -39.9

 

CMYK 40 / 57 / 0 / 40

HEX #5C429A

RGB 92 66 154

HSL 257.73, 0.4%, 0.43%

LAB 35.01, 32.3, -44.42

 

CMYK 55 / 57 / 0 / 40

HEX #45429A

RGB 69 66 154

HSL 242.05, 0.4%, 0.43%

LAB 32.91, 27.07, -47.92

 

CMYK 57 / 57 / 0 / 40

HEX #42429A

RGB 66 66 154

HSL 240, 0.4%, 0.43%

LAB 32.67, 26.46, -48.31

 

CMYK 9 / 57 / 0 / 40

HEX #8C429A

RGB 140 66 154

HSL 290.45, 0.4%, 0.43%

LAB 40.9, 44.99, -34.68

 

CMYK 11 / 72 / 0 / 33

HEX #9830AB

RGB 152 48 171

HSL 290.73, 0.56%, 0.43%

LAB 40.78, 59.22, -44.94

 

CMYK 13 / 84 / 0 / 26

HEX #A41EBD

RGB 164 30 189

HSL 290.57, 0.73%, 0.43%

LAB 41.99, 70.22, -53.53

 

CMYK 15 / 94 / 0 / 19

HEX #B00DCF

RGB 176 13 207

HSL 290.41, 0.88%, 0.43%

LAB 44.27, 78.04, -60.24

 

CMYK 9 / 57 / 0 / 40

HEX #8C429A

RGB 140 66 154

HSL 290.45, 0.4%, 0.43%

LAB 40.9, 44.99, -34.68

 

CMYK 6 / 38 / 0 / 47

HEX #805488

RGB 128 84 136

HSL 290.77, 0.24%, 0.43%

LAB 42.32, 27.64, -21.71

 

CMYK 3 / 14 / 0 / 54

HEX #736576

RGB 115 101 118

HSL 289.41, 0.08%, 0.43%

LAB 44.6, 8.94, -7.47

 

CMYK 13 / 0 / 16 / 53

HEX #677764

RGB 103 119 100

HSL 110.53, 0.09%, 0.43%

LAB 48.26, -9.86, 8.48

 

CMYK 34 / 0 / 39 / 46

HEX #5B8953

RGB 91 137 83

HSL 111.11, 0.25%, 0.43%

LAB 52.66, -26.84, 24.11

 

CMYK 40 / 57 / 0 / 40

HEX #5C429A

RGB 92 66 154

HSL 257.73, 0.4%, 0.43%

LAB 35.01, 32.3, -44.42

 

CMYK 25 / 57 / 0 / 40

HEX #73429A

RGB 115 66 154

HSL 273.41, 0.4%, 0.43%

LAB 37.62, 38.2, -40.11

 

CMYK 10 / 57 / 0 / 40

HEX #8B429A

RGB 139 66 154

HSL 289.77, 0.4%, 0.43%

LAB 40.77, 44.71, -34.91

 

CMYK 0 / 57 / 6 / 40

HEX #9A4291

RGB 154 66 145

HSL 306.14, 0.4%, 0.43%

LAB 42.48, 47.24, -26.64

 

CMYK 0 / 57 / 21 / 40

HEX #9A4279

RGB 154 66 121

HSL 322.5, 0.4%, 0.43%

LAB 41.45, 43.32, -13.58

 

CMYK 9 / 57 / 0 / 62

HEX #572960

RGB 87 41 96

HSL 290.18, 0.4%, 0.27%

LAB 25.13, 30.65, -23.81

 

CMYK 10 / 58 / 0 / 51

HEX #71357D

RGB 113 53 125

HSL 290, 0.4%, 0.35%

LAB 33, 38.11, -29.65

 

CMYK 9 / 57 / 0 / 40

HEX #8C429A

RGB 140 66 154

HSL 290.45, 0.4%, 0.43%

LAB 40.9, 44.99, -34.68

 

CMYK 9 / 56 / 0 / 29

HEX #A450B4

RGB 164 80 180

HSL 290.4, 0.4%, 0.51%

LAB 48.17, 49.72, -38.41

 

CMYK 7 / 44 / 0 / 24

HEX #B36DC1

RGB 179 109 193

HSL 290, 0.4%, 0.59%

LAB 56.46, 41.52, -32.78

 

CMYK 9 / 57 / 0 / 39

HEX #8D429B

RGB 141 66 155

HSL 290.56, 0.4%, 0.43%

LAB 41.1, 45.47, -34.97

 

CMYK 0 / 55 / 57 / 40

HEX #9A4542

RGB 154 69 66

HSL 2.05, 0.4%, 0.43%

LAB 40.44, 35.29, 19.1

 

CMYK 57 / 0 / 32 / 40

HEX #429A68

RGB 66 154 104

HSL 145.91, 0.4%, 0.43%

LAB 57.34, -38.31, 18.51

 

CMYK 9 / 57 / 0 / 39

HEX #8D429B

RGB 141 66 155

HSL 290.56, 0.4%, 0.43%

LAB 41.1, 45.47, -34.97

 

CMYK 0 / 10 / 57 / 40

HEX #9A8B42

RGB 154 139 66

HSL 49.77, 0.4%, 0.43%

LAB 57.78, -4, 40.47

 

CMYK 57 / 0 / 10 / 40

HEX #429A8B

RGB 66 154 139

HSL 169.77, 0.4%, 0.43%

LAB 58.16, -30.1, -0.06

 

CMYK 9 / 57 / 0 / 39

HEX #8D429B

RGB 141 66 155

HSL 290.56, 0.4%, 0.43%

LAB 41.1, 45.47, -34.97

 

CMYK 0 / 55 / 57 / 40

HEX #9A4542

RGB 154 69 66

HSL 2.05, 0.4%, 0.43%

LAB 40.44, 35.29, 19.1

 

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

CMYK 57 / 2 / 0 / 40

HEX #42979A

RGB 66 151 154

HSL 182.05, 0.4%, 0.43%

LAB 57.68, -24.48, -9.33

 

CMYK 9 / 57 / 0 / 39

HEX #8D429B

RGB 141 66 155

HSL 290.56, 0.4%, 0.43%

LAB 41.1, 45.47, -34.97

 

CMYK 0 / 38 / 57 / 40

HEX #9A5F42

RGB 154 95 66

HSL 19.77, 0.4%, 0.43%

LAB 46.24, 20.97, 26.56

 

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

CMYK 57 / 19 / 0 / 40

HEX #427C9A

RGB 66 124 154

HSL 200.45, 0.4%, 0.43%

LAB 49.38, -9.91, -21.92

 

Description

Color code: HEX #8D429B | qconv.com Color code: HEX #8D429B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 66 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 66 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 57 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 57% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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