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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D4290 it is the complementary color #72BD6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D4290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D4290 shade: #92428B, #A3549E, #B466B1, #C578C4 and #D68AD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D4290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D4290 shade: #8D4290, #7C307D, #6B1E6A, #5A0C57 and #490044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D4290 shade: #8C428F, #8F427D, #8F4268, #8F4254 and #8F4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D4290 shade: #8C428F, #77428F, #63428F, #4E428F and #42428F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D4290 shade matches the following richer shades: #8C428F, #9C31A0, #AB20B1 and #BB0FC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D4290 shade: #8C428F, #7D537E, #6D646D, #5D755C and #4E864C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D4290 shade: #62428F, #77428F, #8B428F, #8F427E and #8F426A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D4290 shade: #552857, #713573, #8C428F, #A84FAB and #B769BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D4290 shade: #8D4290, #8F4D42 and #428F6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D4290 shade: #8D4290, #8F8B42 and #428F8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D4290 shade: #8D4290, #8F4D42, #468F42 and #42848F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D4290 shade: #8D4290, #8F6542, #468F42 and #426C8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 54 / 0 / 44

HEX #8D4290

RGB 141 66 144

HSL 297.69, 0.37%, 0.41%

LAB 40.53, 43.3, -29.22

 

Complementary color

CMYK 40 / 0 / 41 / 26

HEX #72BD6F

RGB 114 189 111

HSL 117.69, 0.37%, 0.59%

LAB 70.26, -39.09, 32.26

 

CMYK 0 / 55 / 5 / 43

HEX #92428B

RGB 146 66 139

HSL 305.25, 0.38%, 0.42%

LAB 41.01, 43.83, -25.38

 

CMYK 0 / 48 / 3 / 36

HEX #A3549E

RGB 163 84 158

HSL 303.8, 0.32%, 0.48%

LAB 47.75, 43.21, -26.13

 

CMYK 0 / 43 / 2 / 29

HEX #B466B1

RGB 180 102 177

HSL 302.31, 0.34%, 0.55%

LAB 54.43, 42.48, -26.72

 

CMYK 0 / 39 / 1 / 23

HEX #C578C4

RGB 197 120 196

HSL 300.78, 0.4%, 0.62%

LAB 61.04, 41.72, -27.22

 

CMYK 0 / 36 / 0 / 16

HEX #D68AD7

RGB 214 138 215

HSL 299.22, 0.49%, 0.69%

LAB 67.56, 40.98, -27.65

 

CMYK 2 / 54 / 0 / 44

HEX #8D4290

RGB 141 66 144

HSL 297.69, 0.37%, 0.41%

LAB 40.53, 43.3, -29.22

 

CMYK 1 / 62 / 0 / 51

HEX #7C307D

RGB 124 48 125

HSL 299.22, 0.45%, 0.34%

LAB 33.73, 43.72, -28.39

 

CMYK 0 / 72 / 1 / 58

HEX #6B1E6A

RGB 107 30 106

HSL 300.78, 0.56%, 0.27%

LAB 27, 43.62, -27.13

 

CMYK 0 / 87 / 3 / 65

HEX #5A0C57

RGB 90 12 87

HSL 302.31, 0.76%, 0.2%

LAB 20.54, 42.35, -25.08

 

CMYK 0 / 100 / 7 / 71

HEX #490044

RGB 73 0 68

HSL 304.11, 1%, 0.14%

LAB 14.59, 38.98, -21.74

 

CMYK 2 / 54 / 0 / 44

HEX #8C428F

RGB 140 66 143

HSL 297.66, 0.37%, 0.41%

LAB 40.34, 42.81, -28.93

 

CMYK 0 / 54 / 13 / 44

HEX #8F427D

RGB 143 66 125

HSL 314.03, 0.37%, 0.41%

LAB 39.94, 40.45, -18.5

 

CMYK 0 / 54 / 27 / 44

HEX #8F4268

RGB 143 66 104

HSL 330.39, 0.37%, 0.41%

LAB 39.13, 37.14, -6.7

 

CMYK 0 / 54 / 41 / 44

HEX #8F4254

RGB 143 66 84

HSL 345.97, 0.37%, 0.41%

LAB 38.51, 34.5, 4.95

 

CMYK 0 / 54 / 54 / 44

HEX #8F4242

RGB 143 66 66

HSL 0, 0.37%, 0.41%

LAB 38.07, 32.6, 15.64

 

CMYK 2 / 54 / 0 / 44

HEX #8C428F

RGB 140 66 143

HSL 297.66, 0.37%, 0.41%

LAB 40.34, 42.81, -28.93

 

CMYK 17 / 54 / 0 / 44

HEX #77428F

RGB 119 66 143

HSL 281.3, 0.37%, 0.41%

LAB 37.48, 36.72, -33.61

 

CMYK 31 / 54 / 0 / 44

HEX #63428F

RGB 99 66 143

HSL 265.71, 0.37%, 0.41%

LAB 35.07, 31.07, -37.6

 

CMYK 45 / 54 / 0 / 44

HEX #4E428F

RGB 78 66 143

HSL 249.35, 0.37%, 0.41%

LAB 32.92, 25.57, -41.16

 

CMYK 54 / 54 / 0 / 44

HEX #42428F

RGB 66 66 143

HSL 240, 0.37%, 0.41%

LAB 31.89, 22.75, -42.86

 

CMYK 2 / 54 / 0 / 44

HEX #8C428F

RGB 140 66 143

HSL 297.66, 0.37%, 0.41%

LAB 40.34, 42.81, -28.93

 

CMYK 2 / 69 / 0 / 37

HEX #9C31A0

RGB 156 49 160

HSL 297.84, 0.53%, 0.41%

LAB 40.9, 57.75, -38.14

 

CMYK 3 / 82 / 0 / 31

HEX #AB20B1

RGB 171 32 177

HSL 297.52, 0.69%, 0.41%

LAB 42.56, 69, -45.48

 

CMYK 4 / 92 / 0 / 24

HEX #BB0FC2

RGB 187 15 194

HSL 297.65, 0.86%, 0.41%

LAB 45.36, 77.46, -50.83

 

CMYK 2 / 54 / 0 / 44

HEX #8C428F

RGB 140 66 143

HSL 297.66, 0.37%, 0.41%

LAB 40.34, 42.81, -28.93

 

CMYK 1 / 34 / 0 / 51

HEX #7D537E

RGB 125 83 126

HSL 298.6, 0.21%, 0.41%

LAB 41.3, 25.11, -17.23

 

CMYK 0 / 8 / 0 / 57

HEX #6D646D

RGB 109 100 109

HSL 300, 0.04%, 0.41%

LAB 43.46, 5.37, -3.78

 

CMYK 21 / 0 / 21 / 54

HEX #5D755C

RGB 93 117 92

HSL 117.6, 0.12%, 0.41%

LAB 46.74, -14.1, 10.96

 

CMYK 42 / 0 / 43 / 47

HEX #4E864C

RGB 78 134 76

HSL 117.93, 0.28%, 0.41%

LAB 50.91, -30.98, 25.56

 

CMYK 31 / 54 / 0 / 44

HEX #62428F

RGB 98 66 143

HSL 264.94, 0.37%, 0.41%

LAB 34.96, 30.8, -37.79

 

CMYK 17 / 54 / 0 / 44

HEX #77428F

RGB 119 66 143

HSL 281.3, 0.37%, 0.41%

LAB 37.48, 36.72, -33.61

 

CMYK 3 / 54 / 0 / 44

HEX #8B428F

RGB 139 66 143

HSL 296.88, 0.37%, 0.41%

LAB 40.19, 42.52, -29.16

 

CMYK 0 / 54 / 12 / 44

HEX #8F427E

RGB 143 66 126

HSL 313.25, 0.37%, 0.41%

LAB 39.99, 40.63, -19.05

 

CMYK 0 / 54 / 26 / 44

HEX #8F426A

RGB 143 66 106

HSL 328.83, 0.37%, 0.41%

LAB 39.2, 37.43, -7.84

 

CMYK 2 / 54 / 0 / 66

HEX #552857

RGB 85 40 87

HSL 297.45, 0.37%, 0.25%

LAB 24.12, 28.62, -19.49

 

CMYK 2 / 54 / 0 / 55

HEX #713573

RGB 113 53 115

HSL 298.06, 0.37%, 0.33%

LAB 32.47, 36.05, -24.21

 

CMYK 2 / 54 / 0 / 44

HEX #8C428F

RGB 140 66 143

HSL 297.66, 0.37%, 0.41%

LAB 40.34, 42.81, -28.93

 

CMYK 2 / 54 / 0 / 33

HEX #A84FAB

RGB 168 79 171

HSL 298.04, 0.37%, 0.49%

LAB 48.08, 49.59, -33.23

 

CMYK 2 / 44 / 0 / 27

HEX #B769BA

RGB 183 105 186

HSL 297.78, 0.37%, 0.57%

LAB 55.8, 43.5, -29.75

 

CMYK 2 / 54 / 0 / 44

HEX #8D4290

RGB 141 66 144

HSL 297.69, 0.37%, 0.41%

LAB 40.53, 43.3, -29.22

 

CMYK 0 / 46 / 54 / 44

HEX #8F4D42

RGB 143 77 66

HSL 8.57, 0.37%, 0.41%

LAB 40.48, 26.56, 18.84

 

CMYK 54 / 0 / 24 / 44

HEX #428F6C

RGB 66 143 108

HSL 152.73, 0.37%, 0.41%

LAB 53.91, -32.47, 11.51

 

CMYK 2 / 54 / 0 / 44

HEX #8D4290

RGB 141 66 144

HSL 297.69, 0.37%, 0.41%

LAB 40.53, 43.3, -29.22

 

CMYK 0 / 3 / 54 / 44

HEX #8F8B42

RGB 143 139 66

HSL 56.88, 0.37%, 0.41%

LAB 56.78, -8.85, 39.06

 

CMYK 54 / 0 / 3 / 44

HEX #428F8B

RGB 66 143 139

HSL 176.88, 0.37%, 0.41%

LAB 54.73, -24.65, -5.12

 

CMYK 2 / 54 / 0 / 44

HEX #8D4290

RGB 141 66 144

HSL 297.69, 0.37%, 0.41%

LAB 40.53, 43.3, -29.22

 

CMYK 0 / 46 / 54 / 44

HEX #8F4D42

RGB 143 77 66

HSL 8.57, 0.37%, 0.41%

LAB 40.48, 26.56, 18.84

 

CMYK 51 / 0 / 54 / 44

HEX #468F42

RGB 70 143 66

HSL 116.88, 0.37%, 0.41%

LAB 53.32, -39.01, 33.8

 

CMYK 54 / 8 / 0 / 44

HEX #42848F

RGB 66 132 143

HSL 188.57, 0.37%, 0.41%

LAB 51.43, -17.74, -12.36

 

CMYK 2 / 54 / 0 / 44

HEX #8D4290

RGB 141 66 144

HSL 297.69, 0.37%, 0.41%

LAB 40.53, 43.3, -29.22

 

CMYK 0 / 29 / 54 / 44

HEX #8F6542

RGB 143 101 66

HSL 27.27, 0.37%, 0.41%

LAB 46.37, 12.7, 26.43

 

CMYK 51 / 0 / 54 / 44

HEX #468F42

RGB 70 143 66

HSL 116.88, 0.37%, 0.41%

LAB 53.32, -39.01, 33.8

 

CMYK 54 / 24 / 0 / 44

HEX #426C8F

RGB 66 108 143

HSL 207.27, 0.37%, 0.41%

LAB 44.04, -4.07, -23.67

 

Description

Color code: HEX #8D4290 | qconv.com Color code: HEX #8D4290 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 66 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 66 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 54 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 54% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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