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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D2F71 it is the complementary color #72D08E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D2F71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D2F71 shade: #922F6C, #A3417F, #B45392, #C565A5 and #D677B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D2F71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D2F71 shade: #8D2F71, #7C1D5E, #6B0B4B, #5A0038 and #490025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D2F71 shade: #8E2F71, #8E2F58, #8E2F3F and #8E2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D2F71 shade: #8E2F71, #8E2F8B, #772F8E, #5D2F8E and #442F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D2F71 shade matches the following richer shades: #8E2F71, #9D2078, #AC117E and #BB0184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D2F71 shade: #8E2F71, #7E3E6B, #6F4E65, #605D5F and #506C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D2F71 shade: #762F8E, #8E2F8C, #8E2F73, #8E2F5A and #8E2F40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D2F71 shade: #501B40, #6F2559, #8E2F71, #AC398A and #C34CA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D2F71 shade: #8D2F71, #8E5D2F and #2F8E83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D2F71 shade: #8D2F71, #738E2F and #2F738E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D2F71 shade: #8D2F71, #8E5D2F, #2F8E4A and #2F608E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D2F71 shade: #8D2F71, #8E792F, #2F8E4A and #2F448E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 20 / 45

HEX #8D2F71

RGB 141 47 113

HSL 317.87, 0.5%, 0.37%

LAB 35.77, 46.95, -17.48

 

Complementary color

CMYK 45 / 0 / 32 / 18

HEX #72D08E

RGB 114 208 142

HSL 137.87, 0.5%, 0.63%

LAB 76.46, -42.3, 24.33

 

CMYK 0 / 68 / 26 / 43

HEX #922F6C

RGB 146 47 108

HSL 323.03, 0.51%, 0.38%

LAB 36.42, 47.69, -13.26

 

CMYK 0 / 60 / 22 / 36

HEX #A3417F

RGB 163 65 127

HSL 322.04, 0.43%, 0.45%

LAB 42.91, 47.5, -14.91

 

CMYK 0 / 54 / 19 / 29

HEX #B45392

RGB 180 83 146

HSL 321.03, 0.39%, 0.52%

LAB 49.45, 46.98, -16.17

 

CMYK 0 / 49 / 16 / 23

HEX #C565A5

RGB 197 101 165

HSL 320, 0.45%, 0.58%

LAB 55.98, 46.3, -17.19

 

CMYK 0 / 44 / 14 / 16

HEX #D677B8

RGB 214 119 184

HSL 318.95, 0.54%, 0.65%

LAB 62.47, 45.56, -18.04

 

CMYK 0 / 67 / 20 / 45

HEX #8D2F71

RGB 141 47 113

HSL 317.87, 0.5%, 0.37%

LAB 35.77, 46.95, -17.48

 

CMYK 0 / 77 / 24 / 51

HEX #7C1D5E

RGB 124 29 94

HSL 318.95, 0.62%, 0.3%

LAB 29.34, 46.53, -15.46

 

CMYK 0 / 90 / 30 / 58

HEX #6B0B4B

RGB 107 11 75

HSL 320, 0.81%, 0.23%

LAB 23.25, 44.84, -12.5

 

CMYK 0 / 100 / 38 / 65

HEX #5A0038

RGB 90 0 56

HSL 322.67, 1%, 0.18%

LAB 17.73, 41.07, -8.08

 

CMYK 0 / 100 / 49 / 71

HEX #490025

RGB 73 0 37

HSL 329.59, 1%, 0.14%

LAB 12.92, 34.77, -1.89

 

CMYK 0 / 67 / 20 / 44

HEX #8E2F71

RGB 142 47 113

HSL 318.32, 0.5%, 0.37%

LAB 35.94, 47.24, -17.2

 

CMYK 0 / 67 / 38 / 44

HEX #8E2F58

RGB 142 47 88

HSL 334.11, 0.5%, 0.37%

LAB 34.98, 43.9, -2.75

 

CMYK 0 / 67 / 56 / 44

HEX #8E2F3F

RGB 142 47 63

HSL 349.89, 0.5%, 0.37%

LAB 34.28, 41.35, 12.37

 

CMYK 0 / 67 / 67 / 44

HEX #8E2F2F

RGB 142 47 47

HSL 0, 0.5%, 0.37%

LAB 33.96, 40.17, 22.17

 

CMYK 0 / 67 / 20 / 44

HEX #8E2F71

RGB 142 47 113

HSL 318.32, 0.5%, 0.37%

LAB 35.94, 47.24, -17.2

 

CMYK 0 / 67 / 2 / 44

HEX #8E2F8B

RGB 142 47 139

HSL 301.89, 0.5%, 0.37%

LAB 37.2, 51.46, -31.39

 

CMYK 16 / 67 / 0 / 44

HEX #772F8E

RGB 119 47 142

HSL 285.47, 0.5%, 0.37%

LAB 33.79, 46.31, -38.88

 

CMYK 35 / 67 / 0 / 44

HEX #5D2F8E

RGB 93 47 142

HSL 269.05, 0.5%, 0.37%

LAB 30.19, 40.16, -44.86

 

CMYK 52 / 67 / 0 / 44

HEX #442F8E

RGB 68 47 142

HSL 253.26, 0.5%, 0.37%

LAB 27.34, 34.87, -49.61

 

CMYK 0 / 67 / 20 / 44

HEX #8E2F71

RGB 142 47 113

HSL 318.32, 0.5%, 0.37%

LAB 35.94, 47.24, -17.2

 

CMYK 0 / 80 / 24 / 38

HEX #9D2078

RGB 157 32 120

HSL 317.76, 0.66%, 0.37%

LAB 37.04, 57.52, -19.68

 

CMYK 0 / 90 / 27 / 33

HEX #AC117E

RGB 172 17 126

HSL 317.81, 0.82%, 0.37%

LAB 39.03, 64.96, -20.11

 

CMYK 0 / 99 / 29 / 27

HEX #BB0184

RGB 187 1 132

HSL 317.74, 0.99%, 0.37%

LAB 41.61, 70.6, -19.59

 

CMYK 0 / 67 / 20 / 44

HEX #8E2F71

RGB 142 47 113

HSL 318.32, 0.5%, 0.37%

LAB 35.94, 47.24, -17.2

 

CMYK 0 / 51 / 15 / 51

HEX #7E3E6B

RGB 126 62 107

HSL 317.81, 0.34%, 0.37%

LAB 35.87, 33.9, -13.75

 

CMYK 0 / 30 / 9 / 56

HEX #6F4E65

RGB 111 78 101

HSL 318.18, 0.17%, 0.37%

LAB 37.42, 17.95, -7.83

 

CMYK 0 / 3 / 1 / 62

HEX #605D5F

RGB 96 93 95

HSL 320, 0.02%, 0.37%

LAB 39.82, 1.61, -0.72

 

CMYK 26 / 0 / 18 / 58

HEX #506C59

RGB 80 108 89

HSL 139.29, 0.15%, 0.37%

LAB 42.99, -14.56, 7.34

 

CMYK 17 / 67 / 0 / 44

HEX #762F8E

RGB 118 47 142

HSL 284.84, 0.5%, 0.37%

LAB 33.64, 46.06, -39.12

 

CMYK 0 / 67 / 1 / 44

HEX #8E2F8C

RGB 142 47 140

HSL 301.26, 0.5%, 0.37%

LAB 37.26, 51.63, -31.92

 

CMYK 0 / 67 / 19 / 44

HEX #8E2F73

RGB 142 47 115

HSL 317.05, 0.5%, 0.37%

LAB 36.03, 47.54, -18.32

 

CMYK 0 / 67 / 37 / 44

HEX #8E2F5A

RGB 142 47 90

HSL 332.84, 0.5%, 0.37%

LAB 35.05, 44.14, -3.93

 

CMYK 0 / 67 / 55 / 44

HEX #8E2F40

RGB 142 47 64

HSL 349.26, 0.5%, 0.37%

LAB 34.3, 41.44, 11.76

 

CMYK 0 / 66 / 20 / 69

HEX #501B40

RGB 80 27 64

HSL 318.11, 0.5%, 0.21%

LAB 19.47, 29.65, -11.21

 

CMYK 0 / 67 / 20 / 56

HEX #6F2559

RGB 111 37 89

HSL 317.84, 0.5%, 0.29%

LAB 27.91, 38.8, -14.6

 

CMYK 0 / 67 / 20 / 44

HEX #8E2F71

RGB 142 47 113

HSL 318.32, 0.5%, 0.37%

LAB 35.94, 47.24, -17.2

 

CMYK 0 / 67 / 20 / 33

HEX #AC398A

RGB 172 57 138

HSL 317.74, 0.5%, 0.45%

LAB 43.55, 55.17, -20.5

 

CMYK 0 / 61 / 18 / 24

HEX #C34CA0

RGB 195 76 160

HSL 317.65, 0.5%, 0.53%

LAB 51.05, 56.78, -21.83

 

CMYK 0 / 67 / 20 / 45

HEX #8D2F71

RGB 141 47 113

HSL 317.87, 0.5%, 0.37%

LAB 35.77, 46.95, -17.48

 

CMYK 0 / 35 / 67 / 44

HEX #8E5D2F

RGB 142 93 47

HSL 29.05, 0.5%, 0.37%

LAB 43.92, 15.37, 34.02

 

CMYK 67 / 0 / 8 / 44

HEX #2F8E83

RGB 47 142 131

HSL 173.05, 0.5%, 0.37%

LAB 53.59, -30.1, -2.25

 

CMYK 0 / 67 / 20 / 45

HEX #8D2F71

RGB 141 47 113

HSL 317.87, 0.5%, 0.37%

LAB 35.77, 46.95, -17.48

 

CMYK 19 / 0 / 67 / 44

HEX #738E2F

RGB 115 142 47

HSL 77.05, 0.5%, 0.37%

LAB 55.27, -24.09, 45.71

 

CMYK 67 / 19 / 0 / 44

HEX #2F738E

RGB 47 115 142

HSL 197.05, 0.5%, 0.37%

LAB 45.39, -12.47, -21.06

 

CMYK 0 / 67 / 20 / 45

HEX #8D2F71

RGB 141 47 113

HSL 317.87, 0.5%, 0.37%

LAB 35.77, 46.95, -17.48

 

CMYK 0 / 35 / 67 / 44

HEX #8E5D2F

RGB 142 93 47

HSL 29.05, 0.5%, 0.37%

LAB 43.92, 15.37, 34.02

 

CMYK 67 / 0 / 48 / 44

HEX #2F8E4A

RGB 47 142 74

HSL 137.05, 0.5%, 0.37%

LAB 52.34, -43.16, 28.23

 

CMYK 67 / 32 / 0 / 44

HEX #2F608E

RGB 47 96 142

HSL 209.05, 0.5%, 0.37%

LAB 39.45, -1.11, -30.29

 

CMYK 0 / 67 / 20 / 45

HEX #8D2F71

RGB 141 47 113

HSL 317.87, 0.5%, 0.37%

LAB 35.77, 46.95, -17.48

 

CMYK 0 / 15 / 67 / 44

HEX #8E792F

RGB 142 121 47

HSL 46.74, 0.5%, 0.37%

LAB 51.42, -0.79, 42.29

 

CMYK 67 / 0 / 48 / 44

HEX #2F8E4A

RGB 47 142 74

HSL 137.05, 0.5%, 0.37%

LAB 52.34, -43.16, 28.23

 

CMYK 67 / 52 / 0 / 44

HEX #2F448E

RGB 47 68 142

HSL 226.74, 0.5%, 0.37%

LAB 31.09, 17.24, -43.6

 

Description

Color code: HEX #8D2F71 | qconv.com Color code: HEX #8D2F71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 47 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 47 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 20 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 20% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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