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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D2D8C it is the complementary color #72D273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D2D8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D2D8C shade: #922D87, #A33F9A, #B451AD, #C563C0 and #D675D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D2D8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D2D8C shade: #8D2D8C, #7C1B79, #6B0966, #5A0053 and #490040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D2D8C shade: #8C2C8B, #8C2C71, #8C2C57, #8C2C3D and #8C2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D2D8C shade: #8C2C8B, #732C8C, #592C8C, #3F2C8C and #2C2C8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D2D8C shade matches the following richer shades: #8C2C8B, #9A1D99 and #A90EA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D2D8C shade: #8C2C8B, #7D3B7C, #6E4A6D, #5F595F and #506750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D2D8C shade: #592C8C, #722C8C, #8C2C8C, #8C2C72 and #8C2C59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D2D8C shade: #4D184C, #6C226B, #8C2C8B, #AB36AA and #C446C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D2D8C shade: #8D2D8C, #8C3F2C and #2C8C65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D2D8C shade: #8D2D8C, #8C8C2C and #2C8C8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D2D8C shade: #8D2D8C, #8C3F2C, #2C8C2C and #2C788C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D2D8C shade: #8D2D8C, #8C5C2C, #2C8C2C and #2C5C8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 1 / 45

HEX #8D2D8C

RGB 141 45 140

HSL 300.63, 0.52%, 0.36%

LAB 36.8, 52.2, -32.64

 

Complementary color

CMYK 46 / 0 / 45 / 18

HEX #72D273

RGB 114 210 115

HSL 120.63, 0.52%, 0.64%

LAB 76.62, -47.53, 38.38

 

CMYK 0 / 69 / 8 / 43

HEX #922D87

RGB 146 45 135

HSL 306.53, 0.53%, 0.37%

LAB 37.37, 52.6, -28.63

 

CMYK 0 / 61 / 6 / 36

HEX #A33F9A

RGB 163 63 154

HSL 305.4, 0.44%, 0.44%

LAB 43.76, 52.69, -29.95

 

CMYK 0 / 55 / 4 / 29

HEX #B451AD

RGB 180 81 173

HSL 304.24, 0.4%, 0.51%

LAB 50.22, 52.35, -30.93

 

CMYK 0 / 50 / 3 / 23

HEX #C563C0

RGB 197 99 192

HSL 303.06, 0.46%, 0.58%

LAB 56.68, 51.8, -31.68

 

CMYK 0 / 45 / 1 / 16

HEX #D675D3

RGB 214 117 211

HSL 301.86, 0.54%, 0.65%

LAB 63.11, 51.14, -32.29

 

CMYK 0 / 68 / 1 / 45

HEX #8D2D8C

RGB 141 45 140

HSL 300.63, 0.52%, 0.36%

LAB 36.8, 52.2, -32.64

 

CMYK 0 / 78 / 2 / 51

HEX #7C1B79

RGB 124 27 121

HSL 301.86, 0.64%, 0.3%

LAB 30.52, 51.4, -30.95

 

CMYK 0 / 92 / 5 / 58

HEX #6B0966

RGB 107 9 102

HSL 303.06, 0.84%, 0.23%

LAB 24.58, 49.21, -28.38

 

CMYK 0 / 100 / 8 / 65

HEX #5A0053

RGB 90 0 83

HSL 304.67, 1%, 0.18%

LAB 19.22, 44.8, -24.49

 

CMYK 0 / 100 / 12 / 71

HEX #490040

RGB 73 0 64

HSL 307.4, 1%, 0.14%

LAB 14.33, 38.33, -19.34

 

CMYK 0 / 69 / 1 / 45

HEX #8C2C8B

RGB 140 44 139

HSL 300.63, 0.52%, 0.36%

LAB 36.44, 52.17, -32.61

 

CMYK 0 / 69 / 19 / 45

HEX #8C2C71

RGB 140 44 113

HSL 316.88, 0.52%, 0.36%

LAB 35.14, 47.93, -18.46

 

CMYK 0 / 69 / 38 / 45

HEX #8C2C57

RGB 140 44 87

HSL 333.13, 0.52%, 0.36%

LAB 34.12, 44.44, -3.42

 

CMYK 0 / 69 / 56 / 45

HEX #8C2C3D

RGB 140 44 61

HSL 349.38, 0.52%, 0.36%

LAB 33.38, 41.82, 12.38

 

CMYK 0 / 69 / 69 / 45

HEX #8C2C2C

RGB 140 44 44

HSL 0, 0.52%, 0.36%

LAB 33.05, 40.61, 22.84

 

CMYK 0 / 69 / 1 / 45

HEX #8C2C8B

RGB 140 44 139

HSL 300.63, 0.52%, 0.36%

LAB 36.44, 52.17, -32.61

 

CMYK 18 / 69 / 0 / 45

HEX #732C8C

RGB 115 44 140

HSL 284.38, 0.52%, 0.36%

LAB 32.57, 46.3, -39.63

 

CMYK 36 / 69 / 0 / 45

HEX #592C8C

RGB 89 44 140

HSL 268.13, 0.52%, 0.36%

LAB 28.95, 40.34, -45.65

 

CMYK 55 / 69 / 0 / 45

HEX #3F2C8C

RGB 63 44 140

HSL 251.88, 0.52%, 0.36%

LAB 26.01, 35.1, -50.55

 

CMYK 69 / 69 / 0 / 45

HEX #2C2C8C

RGB 44 44 140

HSL 240, 0.52%, 0.36%

LAB 24.42, 32.05, -53.23

 

CMYK 0 / 69 / 1 / 45

HEX #8C2C8B

RGB 140 44 139

HSL 300.63, 0.52%, 0.36%

LAB 36.44, 52.17, -32.61

 

CMYK 0 / 81 / 1 / 40

HEX #9A1D99

RGB 154 29 153

HSL 300.48, 0.68%, 0.36%

LAB 37.93, 62.52, -38.66

 

CMYK 0 / 92 / 1 / 34

HEX #A90EA8

RGB 169 14 168

HSL 300.39, 0.85%, 0.36%

LAB 40.53, 70.52, -43.38

 

CMYK 0 / 69 / 1 / 45

HEX #8C2C8B

RGB 140 44 139

HSL 300.63, 0.52%, 0.36%

LAB 36.44, 52.17, -32.61

 

CMYK 0 / 53 / 1 / 51

HEX #7D3B7C

RGB 125 59 124

HSL 300.91, 0.36%, 0.36%

LAB 35.87, 38.3, -24.39

 

CMYK 0 / 33 / 1 / 57

HEX #6E4A6D

RGB 110 74 109

HSL 301.67, 0.2%, 0.36%

LAB 36.59, 21.63, -14.1

 

CMYK 0 / 6 / 0 / 63

HEX #5F595F

RGB 95 89 95

HSL 300, 0.03%, 0.36%

LAB 38.56, 3.66, -2.59

 

CMYK 22 / 0 / 22 / 60

HEX #506750

RGB 80 103 80

HSL 120, 0.13%, 0.36%

LAB 41.19, -13.61, 10.23

 

CMYK 36 / 69 / 0 / 45

HEX #592C8C

RGB 89 44 140

HSL 268.13, 0.52%, 0.36%

LAB 28.95, 40.34, -45.65

 

CMYK 19 / 69 / 0 / 45

HEX #722C8C

RGB 114 44 140

HSL 283.75, 0.52%, 0.36%

LAB 32.42, 46.07, -39.88

 

CMYK 0 / 69 / 0 / 45

HEX #8C2C8C

RGB 140 44 140

HSL 300, 0.52%, 0.36%

LAB 36.5, 52.35, -33.14

 

CMYK 0 / 69 / 19 / 45

HEX #8C2C72

RGB 140 44 114

HSL 316.25, 0.52%, 0.36%

LAB 35.19, 48.08, -19.02

 

CMYK 0 / 69 / 36 / 45

HEX #8C2C59

RGB 140 44 89

HSL 331.88, 0.52%, 0.36%

LAB 34.19, 44.68, -4.61

 

CMYK 0 / 69 / 1 / 70

HEX #4D184C

RGB 77 24 76

HSL 301.13, 0.52%, 0.2%

LAB 19.03, 32.44, -20.19

 

CMYK 0 / 69 / 1 / 58

HEX #6C226B

RGB 108 34 107

HSL 300.81, 0.52%, 0.28%

LAB 27.83, 42.39, -26.46

 

CMYK 0 / 69 / 1 / 45

HEX #8C2C8B

RGB 140 44 139

HSL 300.63, 0.52%, 0.36%

LAB 36.44, 52.17, -32.61

 

CMYK 0 / 68 / 1 / 33

HEX #AB36AA

RGB 171 54 170

HSL 300.51, 0.52%, 0.44%

LAB 44.52, 61.08, -38.22

 

CMYK 0 / 64 / 1 / 23

HEX #C446C3

RGB 196 70 195

HSL 300.48, 0.52%, 0.52%

LAB 51.9, 65.04, -40.91

 

CMYK 0 / 68 / 1 / 45

HEX #8D2D8C

RGB 141 45 140

HSL 300.63, 0.52%, 0.36%

LAB 36.8, 52.2, -32.64

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2C

RGB 140 63 44

HSL 11.88, 0.52%, 0.36%

LAB 36.58, 31.3, 27.11

 

CMYK 69 / 0 / 28 / 45

HEX #2C8C65

RGB 44 140 101

HSL 155.63, 0.52%, 0.36%

LAB 52.1, -37.47, 12.88

 

CMYK 0 / 68 / 1 / 45

HEX #8D2D8C

RGB 141 45 140

HSL 300.63, 0.52%, 0.36%

LAB 36.8, 52.2, -32.64

 

CMYK 0 / 0 / 69 / 45

HEX #8C8C2C

RGB 140 140 44

HSL 60, 0.52%, 0.36%

LAB 56.6, -12.35, 48.95

 

CMYK 69 / 0 / 0 / 45

HEX #2C8C8C

RGB 44 140 140

HSL 180, 0.52%, 0.36%

LAB 53.15, -26.97, -8.11

 

CMYK 0 / 68 / 1 / 45

HEX #8D2D8C

RGB 141 45 140

HSL 300.63, 0.52%, 0.36%

LAB 36.8, 52.2, -32.64

 

CMYK 0 / 55 / 69 / 45

HEX #8C3F2C

RGB 140 63 44

HSL 11.88, 0.52%, 0.36%

LAB 36.58, 31.3, 27.11

 

CMYK 69 / 0 / 69 / 45

HEX #2C8C2C

RGB 44 140 44

HSL 120, 0.52%, 0.36%

LAB 51.24, -47.1, 41.69

 

CMYK 69 / 14 / 0 / 45

HEX #2C788C

RGB 44 120 140

HSL 192.5, 0.52%, 0.36%

LAB 46.79, -16.47, -17.72

 

CMYK 0 / 68 / 1 / 45

HEX #8D2D8C

RGB 141 45 140

HSL 300.63, 0.52%, 0.36%

LAB 36.8, 52.2, -32.64

 

CMYK 0 / 34 / 69 / 45

HEX #8C5C2C

RGB 140 92 44

HSL 30, 0.52%, 0.36%

LAB 43.38, 14.85, 34.93

 

CMYK 69 / 0 / 69 / 45

HEX #2C8C2C

RGB 44 140 44

HSL 120, 0.52%, 0.36%

LAB 51.24, -47.1, 41.69

 

CMYK 69 / 34 / 0 / 45

HEX #2C5C8C

RGB 44 92 140

HSL 210, 0.52%, 0.36%

LAB 37.99, 0.13, -31.39

 

Description

Color code: HEX #8D2D8C | qconv.com Color code: HEX #8D2D8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 45 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 45 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 1 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 1% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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