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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D2D7A it is the complementary color #72D285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D2D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D2D7A shade: #922D75, #A33F88, #B4519B, #C563AE and #D675C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D2D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D2D7A shade: #8D2D7A, #7C1B67, #6B0954, #5A0041 and #49002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D2D7A shade: #8C2C79, #8C2C5F, #8C2C45 and #8C2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D2D7A shade: #8C2C79, #852C8C, #6B2C8C, #512C8C and #372C8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D2D7A shade matches the following richer shades: #8C2C79, #9A1D82 and #A90E8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D2D7A shade: #8C2C79, #7D3B70, #6E4A67, #5F595E and #506755

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D2D7A shade: #6A2C8C, #842C8C, #8C2C7A, #8C2C61 and #8C2C47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D2D7A shade: #4D1842, #6C225E, #8C2C79, #AB3694 and #C446AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D2D7A shade: #8D2D7A, #8C512C and #2C8C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D2D7A shade: #8D2D7A, #7A8C2C and #2C7A8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D2D7A shade: #8D2D7A, #8C512C, #2C8C3E and #2C678C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D2D7A shade: #8D2D7A, #8C6D2C, #2C8C3E and #2C4A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 13 / 45

HEX #8D2D7A

RGB 141 45 122

HSL 311.88, 0.52%, 0.36%

LAB 35.88, 49.18, -22.95

 

Complementary color

CMYK 46 / 0 / 37 / 18

HEX #72D285

RGB 114 210 133

HSL 131.88, 0.52%, 0.64%

LAB 76.9, -44.73, 29.6

 

CMYK 0 / 69 / 20 / 43

HEX #922D75

RGB 146 45 117

HSL 317.23, 0.53%, 0.37%

LAB 36.5, 49.79, -18.79

 

CMYK 0 / 61 / 17 / 36

HEX #A33F88

RGB 163 63 136

HSL 316.2, 0.44%, 0.44%

LAB 42.94, 49.76, -20.35

 

CMYK 0 / 55 / 14 / 29

HEX #B4519B

RGB 180 81 155

HSL 315.15, 0.4%, 0.51%

LAB 49.44, 49.35, -21.54

 

CMYK 0 / 50 / 12 / 23

HEX #C563AE

RGB 197 99 174

HSL 314.08, 0.46%, 0.58%

LAB 55.94, 48.74, -22.47

 

CMYK 0 / 45 / 10 / 16

HEX #D675C1

RGB 214 117 193

HSL 312.99, 0.54%, 0.65%

LAB 62.4, 48.05, -23.25

 

CMYK 0 / 68 / 13 / 45

HEX #8D2D7A

RGB 141 45 122

HSL 311.88, 0.52%, 0.36%

LAB 35.88, 49.18, -22.95

 

CMYK 0 / 78 / 17 / 51

HEX #7C1B67

RGB 124 27 103

HSL 312.99, 0.64%, 0.3%

LAB 29.53, 48.52, -21

 

CMYK 0 / 92 / 21 / 58

HEX #6B0954

RGB 107 9 84

HSL 314.08, 0.84%, 0.23%

LAB 23.54, 46.48, -18.11

 

CMYK 0 / 100 / 28 / 65

HEX #5A0041

RGB 90 0 65

HSL 316.67, 1%, 0.18%

LAB 18.17, 42.18, -13.75

 

CMYK 0 / 100 / 37 / 71

HEX #49002E

RGB 73 0 46

HSL 322.19, 1%, 0.14%

LAB 13.31, 35.78, -7.96

 

CMYK 0 / 69 / 14 / 45

HEX #8C2C79

RGB 140 44 121

HSL 311.88, 0.52%, 0.36%

LAB 35.51, 49.16, -22.91

 

CMYK 0 / 69 / 32 / 45

HEX #8C2C5F

RGB 140 44 95

HSL 328.13, 0.52%, 0.36%

LAB 34.4, 45.43, -8.14

 

CMYK 0 / 69 / 51 / 45

HEX #8C2C45

RGB 140 44 69

HSL 344.38, 0.52%, 0.36%

LAB 33.58, 42.53, 7.46

 

CMYK 0 / 69 / 69 / 45

HEX #8C2C2C

RGB 140 44 44

HSL 0, 0.52%, 0.36%

LAB 33.05, 40.61, 22.84

 

CMYK 0 / 69 / 14 / 45

HEX #8C2C79

RGB 140 44 121

HSL 311.88, 0.52%, 0.36%

LAB 35.51, 49.16, -22.91

 

CMYK 5 / 69 / 0 / 45

HEX #852C8C

RGB 133 44 140

HSL 295.63, 0.52%, 0.36%

LAB 35.36, 50.64, -35.01

 

CMYK 24 / 69 / 0 / 45

HEX #6B2C8C

RGB 107 44 140

HSL 279.38, 0.52%, 0.36%

LAB 31.39, 44.42, -41.58

 

CMYK 42 / 69 / 0 / 45

HEX #512C8C

RGB 81 44 140

HSL 263.13, 0.52%, 0.36%

LAB 27.96, 38.63, -47.29

 

CMYK 61 / 69 / 0 / 45

HEX #372C8C

RGB 55 44 140

HSL 246.88, 0.52%, 0.36%

LAB 25.28, 33.72, -51.78

 

CMYK 0 / 69 / 14 / 45

HEX #8C2C79

RGB 140 44 121

HSL 311.88, 0.52%, 0.36%

LAB 35.51, 49.16, -22.91

 

CMYK 0 / 81 / 16 / 40

HEX #9A1D82

RGB 154 29 130

HSL 311.52, 0.68%, 0.36%

LAB 36.67, 59.02, -26.53

 

CMYK 0 / 92 / 18 / 34

HEX #A90E8B

RGB 169 14 139

HSL 311.61, 0.85%, 0.36%

LAB 38.92, 66.4, -28.36

 

CMYK 0 / 69 / 14 / 45

HEX #8C2C79

RGB 140 44 121

HSL 311.88, 0.52%, 0.36%

LAB 35.51, 49.16, -22.91

 

CMYK 0 / 53 / 10 / 51

HEX #7D3B70

RGB 125 59 112

HSL 311.82, 0.36%, 0.36%

LAB 35.32, 36.07, -17.76

 

CMYK 0 / 33 / 6 / 57

HEX #6E4A67

RGB 110 74 103

HSL 311.67, 0.2%, 0.36%

LAB 36.35, 20.4, -10.71

 

CMYK 0 / 6 / 1 / 63

HEX #5F595E

RGB 95 89 94

HSL 310, 0.03%, 0.36%

LAB 38.53, 3.45, -2.01

 

CMYK 22 / 0 / 17 / 60

HEX #506755

RGB 80 103 85

HSL 133.04, 0.13%, 0.36%

LAB 41.31, -12.6, 7.38

 

CMYK 24 / 69 / 0 / 45

HEX #6A2C8C

RGB 106 44 140

HSL 278.75, 0.52%, 0.36%

LAB 31.25, 44.19, -41.82

 

CMYK 6 / 69 / 0 / 45

HEX #842C8C

RGB 132 44 140

HSL 295, 0.52%, 0.36%

LAB 35.2, 50.4, -35.28

 

CMYK 0 / 69 / 13 / 45

HEX #8C2C7A

RGB 140 44 122

HSL 311.25, 0.52%, 0.36%

LAB 35.56, 49.32, -23.46

 

CMYK 0 / 69 / 31 / 45

HEX #8C2C61

RGB 140 44 97

HSL 326.88, 0.52%, 0.36%

LAB 34.48, 45.69, -9.31

 

CMYK 0 / 69 / 49 / 45

HEX #8C2C47

RGB 140 44 71

HSL 343.13, 0.52%, 0.36%

LAB 33.63, 42.72, 6.24

 

CMYK 0 / 69 / 14 / 70

HEX #4D1842

RGB 77 24 66

HSL 312.45, 0.52%, 0.2%

LAB 18.47, 30.54, -14.18

 

CMYK 0 / 69 / 13 / 58

HEX #6C225E

RGB 108 34 94

HSL 311.35, 0.52%, 0.28%

LAB 27.13, 40.09, -19.12

 

CMYK 0 / 69 / 14 / 45

HEX #8C2C79

RGB 140 44 121

HSL 311.88, 0.52%, 0.36%

LAB 35.51, 49.16, -22.91

 

CMYK 0 / 68 / 13 / 33

HEX #AB3694

RGB 171 54 148

HSL 311.79, 0.52%, 0.44%

LAB 43.41, 57.56, -26.8

 

CMYK 0 / 64 / 13 / 23

HEX #C446AB

RGB 196 70 171

HSL 311.9, 0.52%, 0.52%

LAB 50.75, 61.21, -28.75

 

CMYK 0 / 68 / 13 / 45

HEX #8D2D7A

RGB 141 45 122

HSL 311.88, 0.52%, 0.36%

LAB 35.88, 49.18, -22.95

 

CMYK 0 / 42 / 69 / 45

HEX #8C512C

RGB 140 81 44

HSL 23.13, 0.52%, 0.36%

LAB 40.64, 21.24, 31.84

 

CMYK 69 / 0 / 15 / 45

HEX #2C8C77

RGB 44 140 119

HSL 166.88, 0.52%, 0.36%

LAB 52.54, -32.95, 3.15

 

CMYK 0 / 68 / 13 / 45

HEX #8D2D7A

RGB 141 45 122

HSL 311.88, 0.52%, 0.36%

LAB 35.88, 49.18, -22.95

 

CMYK 13 / 0 / 69 / 45

HEX #7A8C2C

RGB 122 140 44

HSL 71.25, 0.52%, 0.36%

LAB 55.15, -20.3, 47.01

 

CMYK 69 / 13 / 0 / 45

HEX #2C7A8C

RGB 44 122 140

HSL 191.25, 0.52%, 0.36%

LAB 47.43, -17.56, -16.75

 

CMYK 0 / 68 / 13 / 45

HEX #8D2D7A

RGB 141 45 122

HSL 311.88, 0.52%, 0.36%

LAB 35.88, 49.18, -22.95

 

CMYK 0 / 42 / 69 / 45

HEX #8C512C

RGB 140 81 44

HSL 23.13, 0.52%, 0.36%

LAB 40.64, 21.24, 31.84

 

CMYK 69 / 0 / 56 / 45

HEX #2C8C3E

RGB 44 140 62

HSL 131.25, 0.52%, 0.36%

LAB 51.43, -44.88, 33.36

 

CMYK 69 / 26 / 0 / 45

HEX #2C678C

RGB 44 103 140

HSL 203.13, 0.52%, 0.36%

LAB 41.42, -6.66, -26.01

 

CMYK 0 / 68 / 13 / 45

HEX #8D2D7A

RGB 141 45 122

HSL 311.88, 0.52%, 0.36%

LAB 35.88, 49.18, -22.95

 

CMYK 0 / 22 / 69 / 45

HEX #8C6D2C

RGB 140 109 44

HSL 40.63, 0.52%, 0.36%

LAB 47.87, 4.95, 39.85

 

CMYK 69 / 0 / 56 / 45

HEX #2C8C3E

RGB 44 140 62

HSL 131.25, 0.52%, 0.36%

LAB 51.43, -44.88, 33.36

 

CMYK 69 / 47 / 0 / 45

HEX #2C4A8C

RGB 44 74 140

HSL 221.25, 0.52%, 0.36%

LAB 32.54, 11.9, -40.06

 

Description

Color code: HEX #8D2D7A | qconv.com Color code: HEX #8D2D7A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 45 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 45 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 13 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 13% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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