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Color name
HEX #8D226F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D226F it is the complementary color #72DD90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D226F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D226F shade: #92226A, #A3347D, #B44690, #C558A3 and #D66AB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D226F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D226F shade: #8D226F, #7C105C, #6B0049, #5A0036 and #490023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D226F shade: #8C226E, #8C2251, #8C2235 and #8C2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D226F shade: #8C226E, #8C228A, #70228C, #54228C and #37228C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D226F shade matches the following richer shades: #8C226E, #9A1474 and #A8067A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D226F shade: #8C226E, #7E3068, #703E62, #624C5B and #535A55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D226F shade: #6F228C, #8C228C, #8C226F, #8C2253 and #8C2237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D226F shade: #49123A, #6A1A54, #8C226E, #AD2A88 and #CD32A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D226F shade: #8D226F, #8C5322 and #228C7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D226F shade: #8D226F, #6F8C22 and #226F8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D226F shade: #8D226F, #8C5322, #228C3E and #225A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D226F shade: #8D226F, #8C7322, #228C3E and #223A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 21 / 45

HEX #8D226F

RGB 141 34 111

HSL 316.82, 0.61%, 0.34%

LAB 33.89, 51.67, -19.12

 

Complementary color

CMYK 48 / 0 / 35 / 13

HEX #72DD90

RGB 114 221 144

HSL 136.82, 0.61%, 0.66%

LAB 80.35, -47.51, 28.53

 

CMYK 0 / 77 / 27 / 43

HEX #92226A

RGB 146 34 106

HSL 321.43, 0.62%, 0.35%

LAB 34.59, 52.3, -14.78

 

CMYK 0 / 68 / 23 / 36

HEX #A3347D

RGB 163 52 125

HSL 320.54, 0.52%, 0.42%

LAB 40.77, 52.85, -16.95

 

CMYK 0 / 61 / 20 / 29

HEX #B44690

RGB 180 70 144

HSL 319.64, 0.44%, 0.49%

LAB 47.1, 52.78, -18.57

 

CMYK 0 / 55 / 17 / 23

HEX #C558A3

RGB 197 88 163

HSL 318.72, 0.48%, 0.56%

LAB 53.49, 52.36, -19.83

 

CMYK 0 / 50 / 15 / 16

HEX #D66AB6

RGB 214 106 182

HSL 317.78, 0.57%, 0.63%

LAB 59.87, 51.76, -20.85

 

CMYK 0 / 76 / 21 / 45

HEX #8D226F

RGB 141 34 111

HSL 316.82, 0.61%, 0.34%

LAB 33.89, 51.67, -19.12

 

CMYK 0 / 87 / 26 / 51

HEX #7C105C

RGB 124 16 92

HSL 317.78, 0.77%, 0.27%

LAB 27.92, 50.05, -16.35

 

CMYK 0 / 100 / 32 / 58

HEX #6B0049

RGB 107 0 73

HSL 319.07, 1%, 0.21%

LAB 22.33, 47, -12.55

 

CMYK 0 / 100 / 40 / 65

HEX #5A0036

RGB 90 0 54

HSL 324, 1%, 0.18%

LAB 17.65, 40.84, -6.79

 

CMYK 0 / 100 / 52 / 71

HEX #490023

RGB 73 0 35

HSL 331.23, 1%, 0.14%

LAB 12.85, 34.57, -0.51

 

CMYK 0 / 76 / 21 / 45

HEX #8C226E

RGB 140 34 110

HSL 316.98, 0.61%, 0.34%

LAB 33.66, 51.27, -18.85

 

CMYK 0 / 76 / 42 / 45

HEX #8C2251

RGB 140 34 81

HSL 333.4, 0.61%, 0.34%

LAB 32.51, 47.67, -1.9

 

CMYK 0 / 76 / 62 / 45

HEX #8C2235

RGB 140 34 53

HSL 349.25, 0.61%, 0.34%

LAB 31.75, 45.21, 15.4

 

CMYK 0 / 76 / 76 / 45

HEX #8C2222

RGB 140 34 34

HSL 0, 0.61%, 0.34%

LAB 31.43, 44.12, 27.16

 

CMYK 0 / 76 / 21 / 45

HEX #8C226E

RGB 140 34 110

HSL 316.98, 0.61%, 0.34%

LAB 33.66, 51.27, -18.85

 

CMYK 0 / 76 / 1 / 45

HEX #8C228A

RGB 140 34 138

HSL 301.13, 0.61%, 0.34%

LAB 35.11, 55.62, -34.11

 

CMYK 20 / 76 / 0 / 45

HEX #70228C

RGB 112 34 140

HSL 284.15, 0.61%, 0.34%

LAB 30.6, 49.89, -42.83

 

CMYK 40 / 76 / 0 / 45

HEX #54228C

RGB 84 34 140

HSL 268.3, 0.61%, 0.34%

LAB 26.51, 44.33, -49.64

 

CMYK 61 / 76 / 0 / 45

HEX #37228C

RGB 55 34 140

HSL 251.89, 0.61%, 0.34%

LAB 23.17, 39.56, -55.25

 

CMYK 0 / 76 / 21 / 45

HEX #8C226E

RGB 140 34 110

HSL 316.98, 0.61%, 0.34%

LAB 33.66, 51.27, -18.85

 

CMYK 0 / 87 / 25 / 40

HEX #9A1474

RGB 154 20 116

HSL 317.01, 0.77%, 0.34%

LAB 35.26, 59.24, -19.95

 

CMYK 0 / 96 / 27 / 34

HEX #A8067A

RGB 168 6 122

HSL 317.04, 0.93%, 0.34%

LAB 37.59, 65.04, -19.9

 

CMYK 0 / 76 / 21 / 45

HEX #8C226E

RGB 140 34 110

HSL 316.98, 0.61%, 0.34%

LAB 33.66, 51.27, -18.85

 

CMYK 0 / 62 / 17 / 51

HEX #7E3068

RGB 126 48 104

HSL 316.92, 0.45%, 0.34%

LAB 33.03, 40.63, -16.21

 

CMYK 0 / 45 / 13 / 56

HEX #703E62

RGB 112 62 98

HSL 316.8, 0.29%, 0.34%

LAB 33.5, 27.37, -11.84

 

CMYK 0 / 22 / 7 / 62

HEX #624C5B

RGB 98 76 91

HSL 319.09, 0.13%, 0.34%

LAB 35.04, 12.1, -5.26

 

CMYK 8 / 0 / 6 / 65

HEX #535A55

RGB 83 90 85

HSL 137.14, 0.04%, 0.34%

LAB 37.49, -3.84, 1.94

 

CMYK 21 / 76 / 0 / 45

HEX #6F228C

RGB 111 34 140

HSL 283.58, 0.61%, 0.34%

LAB 30.44, 49.68, -43.09

 

CMYK 0 / 76 / 0 / 45

HEX #8C228C

RGB 140 34 140

HSL 300, 0.61%, 0.34%

LAB 35.23, 55.96, -35.15

 

CMYK 0 / 76 / 21 / 45

HEX #8C226F

RGB 140 34 111

HSL 316.42, 0.61%, 0.34%

LAB 33.7, 51.42, -19.41

 

CMYK 0 / 76 / 41 / 45

HEX #8C2253

RGB 140 34 83

HSL 332.26, 0.61%, 0.34%

LAB 32.58, 47.89, -3.1

 

CMYK 0 / 76 / 61 / 45

HEX #8C2237

RGB 140 34 55

HSL 348.11, 0.61%, 0.34%

LAB 31.8, 45.35, 14.15

 

CMYK 0 / 75 / 21 / 71

HEX #49123A

RGB 73 18 58

HSL 316.36, 0.6%, 0.18%

LAB 16.28, 30.75, -12.04

 

CMYK 0 / 75 / 21 / 58

HEX #6A1A54

RGB 106 26 84

HSL 316.5, 0.61%, 0.26%

LAB 25.09, 41.24, -15.73

 

CMYK 0 / 76 / 21 / 45

HEX #8C226E

RGB 140 34 110

HSL 316.98, 0.61%, 0.34%

LAB 33.66, 51.27, -18.85

 

CMYK 0 / 76 / 21 / 32

HEX #AD2A88

RGB 173 42 136

HSL 316.95, 0.61%, 0.42%

LAB 41.72, 60.55, -22.11

 

CMYK 0 / 76 / 21 / 20

HEX #CD32A2

RGB 205 50 162

HSL 316.65, 0.61%, 0.5%

LAB 49.34, 69.23, -25.52

 

CMYK 0 / 76 / 21 / 45

HEX #8D226F

RGB 141 34 111

HSL 316.82, 0.61%, 0.34%

LAB 33.89, 51.67, -19.12

 

CMYK 0 / 41 / 76 / 45

HEX #8C5322

RGB 140 83 34

HSL 27.74, 0.61%, 0.34%

LAB 41.02, 19.51, 37.52

 

CMYK 76 / 0 / 11 / 45

HEX #228C7D

RGB 34 140 125

HSL 171.51, 0.61%, 0.34%

LAB 52.48, -32.78, -0.43

 

CMYK 0 / 76 / 21 / 45

HEX #8D226F

RGB 141 34 111

HSL 316.82, 0.61%, 0.34%

LAB 33.89, 51.67, -19.12

 

CMYK 21 / 0 / 76 / 45

HEX #6F8C22

RGB 111 140 34

HSL 76.42, 0.61%, 0.34%

LAB 54.29, -25.63, 49.8

 

CMYK 76 / 21 / 0 / 45

HEX #226F8C

RGB 34 111 140

HSL 196.42, 0.61%, 0.34%

LAB 43.66, -12.91, -22.56

 

CMYK 0 / 76 / 21 / 45

HEX #8D226F

RGB 141 34 111

HSL 316.82, 0.61%, 0.34%

LAB 33.89, 51.67, -19.12

 

CMYK 0 / 41 / 76 / 45

HEX #8C5322

RGB 140 83 34

HSL 27.74, 0.61%, 0.34%

LAB 41.02, 19.51, 37.52

 

CMYK 76 / 0 / 56 / 45

HEX #228C3E

RGB 34 140 62

HSL 135.85, 0.61%, 0.34%

LAB 51.2, -46.69, 33.03

 

CMYK 76 / 36 / 0 / 45

HEX #225A8C

RGB 34 90 140

HSL 208.3, 0.61%, 0.34%

LAB 37.01, -0.2, -32.96

 

CMYK 0 / 76 / 21 / 45

HEX #8D226F

RGB 141 34 111

HSL 316.82, 0.61%, 0.34%

LAB 33.89, 51.67, -19.12

 

CMYK 0 / 18 / 76 / 45

HEX #8C7322

RGB 140 115 34

HSL 45.85, 0.61%, 0.34%

LAB 49.44, 0.94, 45.95

 

CMYK 76 / 0 / 56 / 45

HEX #228C3E

RGB 34 140 62

HSL 135.85, 0.61%, 0.34%

LAB 51.2, -46.69, 33.03

 

CMYK 76 / 59 / 0 / 45

HEX #223A8C

RGB 34 58 140

HSL 226.42, 0.61%, 0.34%

LAB 27.46, 21.31, -48.28

 

Description

Color code: HEX #8D226F | qconv.com Color code: HEX #8D226F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 34 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 34 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 21 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 21% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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