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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D17A2 it is the complementary color #72E85D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D17A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D17A2 shade: #92179D, #A329B0, #B43BC3, #C54DD6 and #D65FE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D17A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D17A2 shade: #8D17A2, #7C058F, #6B007C, #5A0069 and #490056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D17A2 shade: #8B16A0, #A01690, #A0166B, #A01646 and #A01620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D17A2 shade: #8B16A0, #6616A0, #4116A0, #1C16A0 and #1616A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D17A2 shade matches the following richer shades: #8B16A0 and #9608AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D17A2 shade: #8B16A0, #812591, #773482, #6C4374 and #625265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D17A2 shade: #4016A0, #6416A0, #8916A0, #A01692 and #A0166E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D17A2 shade: #4C0C58, #6C117C, #8B16A0, #AB1CC4 and #C429E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D17A2 shade: #8D17A2, #A01B16 and #16A052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D17A2 shade: #8D17A2, #A08916 and #16A089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D17A2 shade: #8D17A2, #A01B16, #2DA016 and #169CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D17A2 shade: #8D17A2, #A04416, #2DA016 and #1672A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 86 / 0 / 36

HEX #8D17A2

RGB 141 23 162

HSL 290.94, 0.75%, 0.36%

LAB 35.76, 63.03, -47.71

 

Complementary color

CMYK 51 / 0 / 60 / 9

HEX #72E85D

RGB 114 232 93

HSL 110.94, 0.75%, 0.64%

LAB 82.96, -58.93, 56.27

 

CMYK 7 / 85 / 0 / 38

HEX #92179D

RGB 146 23 157

HSL 295.07, 0.74%, 0.35%

LAB 36.29, 63.06, -43.79

 

CMYK 7 / 77 / 0 / 31

HEX #A329B0

RGB 163 41 176

HSL 294.22, 0.62%, 0.43%

LAB 42.01, 64.81, -45.84

 

CMYK 8 / 70 / 0 / 24

HEX #B43BC3

RGB 180 59 195

HSL 293.38, 0.54%, 0.5%

LAB 47.97, 65.59, -47.3

 

CMYK 8 / 64 / 0 / 16

HEX #C54DD6

RGB 197 77 214

HSL 292.55, 0.63%, 0.57%

LAB 54.06, 65.76, -48.36

 

CMYK 8 / 59 / 0 / 9

HEX #D65FE9

RGB 214 95 233

HSL 291.74, 0.76%, 0.64%

LAB 60.22, 65.55, -49.15

 

CMYK 13 / 86 / 0 / 36

HEX #8D17A2

RGB 141 23 162

HSL 290.94, 0.75%, 0.36%

LAB 35.76, 63.03, -47.71

 

CMYK 13 / 97 / 0 / 44

HEX #7C058F

RGB 124 5 143

HSL 291.74, 0.93%, 0.29%

LAB 30.34, 59.98, -44.99

 

CMYK 14 / 100 / 0 / 51

HEX #6B007C

RGB 107 0 124

HSL 291.77, 1%, 0.24%

LAB 25.51, 54.76, -41.06

 

CMYK 14 / 100 / 0 / 59

HEX #5A0069

RGB 90 0 105

HSL 291.43, 1%, 0.21%

LAB 20.8, 48.59, -36.58

 

CMYK 15 / 100 / 0 / 66

HEX #490056

RGB 73 0 86

HSL 290.93, 1%, 0.17%

LAB 15.94, 42.21, -31.96

 

CMYK 13 / 86 / 0 / 37

HEX #8B16A0

RGB 139 22 160

HSL 290.87, 0.76%, 0.36%

LAB 35.2, 62.54, -47.41

 

CMYK 0 / 86 / 10 / 37

HEX #A01690

RGB 160 22 144

HSL 306.96, 0.76%, 0.36%

LAB 37.95, 63.94, -33.07

 

CMYK 0 / 86 / 33 / 37

HEX #A0166B

RGB 160 22 107

HSL 323.04, 0.76%, 0.36%

LAB 36.19, 59.14, -12.73

 

CMYK 0 / 86 / 56 / 37

HEX #A01646

RGB 160 22 70

HSL 339.13, 0.76%, 0.36%

LAB 34.98, 55.69, 9.35

 

CMYK 0 / 86 / 80 / 37

HEX #A01620

RGB 160 22 32

HSL 355.65, 0.76%, 0.36%

LAB 34.3, 53.67, 32.69

 

CMYK 13 / 86 / 0 / 37

HEX #8B16A0

RGB 139 22 160

HSL 290.87, 0.76%, 0.36%

LAB 35.2, 62.54, -47.41

 

CMYK 36 / 86 / 0 / 37

HEX #6616A0

RGB 102 22 160

HSL 274.78, 0.76%, 0.36%

LAB 29.25, 56.56, -57.35

 

CMYK 59 / 86 / 0 / 37

HEX #4116A0

RGB 65 22 160

HSL 258.7, 0.76%, 0.36%

LAB 24.44, 52.01, -65.45

 

CMYK 83 / 86 / 0 / 37

HEX #1C16A0

RGB 28 22 160

HSL 242.61, 0.76%, 0.36%

LAB 21.43, 49.36, -70.53

 

CMYK 86 / 86 / 0 / 37

HEX #1616A0

RGB 22 22 160

HSL 240, 0.76%, 0.36%

LAB 21.14, 49.12, -71.01

 

CMYK 13 / 86 / 0 / 37

HEX #8B16A0

RGB 139 22 160

HSL 290.87, 0.76%, 0.36%

LAB 35.2, 62.54, -47.41

 

CMYK 14 / 95 / 0 / 31

HEX #9608AF

RGB 150 8 175

HSL 291.02, 0.91%, 0.36%

LAB 37.4, 69.22, -52.79

 

CMYK 13 / 86 / 0 / 37

HEX #8B16A0

RGB 139 22 160

HSL 290.87, 0.76%, 0.36%

LAB 35.2, 62.54, -47.41

 

CMYK 11 / 74 / 0 / 43

HEX #812591

RGB 129 37 145

HSL 291.11, 0.59%, 0.36%

LAB 34.05, 53.4, -40.21

 

CMYK 8 / 60 / 0 / 49

HEX #773482

RGB 119 52 130

HSL 291.54, 0.43%, 0.36%

LAB 33.96, 41.37, -31.19

 

CMYK 7 / 42 / 0 / 55

HEX #6C4374

RGB 108 67 116

HSL 290.2, 0.27%, 0.36%

LAB 34.93, 26.65, -21.05

 

CMYK 3 / 19 / 0 / 60

HEX #625265

RGB 98 82 101

HSL 290.53, 0.1%, 0.36%

LAB 37.06, 10.46, -8.52

 

CMYK 60 / 86 / 0 / 37

HEX #4016A0

RGB 64 22 160

HSL 258.26, 0.76%, 0.36%

LAB 24.33, 51.91, -65.63

 

CMYK 38 / 86 / 0 / 37

HEX #6416A0

RGB 100 22 160

HSL 273.91, 0.76%, 0.36%

LAB 28.96, 56.27, -57.85

 

CMYK 14 / 86 / 0 / 37

HEX #8916A0

RGB 137 22 160

HSL 290, 0.76%, 0.36%

LAB 34.86, 62.19, -47.98

 

CMYK 0 / 86 / 9 / 37

HEX #A01692

RGB 160 22 146

HSL 306.09, 0.76%, 0.36%

LAB 38.06, 64.23, -34.12

 

CMYK 0 / 86 / 31 / 37

HEX #A0166E

RGB 160 22 110

HSL 321.74, 0.76%, 0.36%

LAB 36.32, 59.48, -14.44

 

CMYK 14 / 86 / 0 / 65

HEX #4C0C58

RGB 76 12 88

HSL 290.53, 0.76%, 0.2%

LAB 17.94, 39.47, -30.07

 

CMYK 13 / 86 / 0 / 51

HEX #6C117C

RGB 108 17 124

HSL 291.03, 0.76%, 0.28%

LAB 26.86, 51.48, -38.86

 

CMYK 13 / 86 / 0 / 37

HEX #8B16A0

RGB 139 22 160

HSL 290.87, 0.76%, 0.36%

LAB 35.2, 62.54, -47.41

 

CMYK 13 / 86 / 0 / 23

HEX #AB1CC4

RGB 171 28 196

HSL 291.07, 0.75%, 0.44%

LAB 43.47, 73.06, -55.18

 

CMYK 13 / 82 / 0 / 12

HEX #C429E0

RGB 196 41 224

HSL 290.82, 0.75%, 0.52%

LAB 50.34, 79.18, -60.01

 

CMYK 13 / 86 / 0 / 36

HEX #8D17A2

RGB 141 23 162

HSL 290.94, 0.75%, 0.36%

LAB 35.76, 63.03, -47.71

 

CMYK 0 / 83 / 86 / 37

HEX #A01B16

RGB 160 27 22

HSL 2.17, 0.76%, 0.36%

LAB 34.63, 52.17, 38.6

 

CMYK 86 / 0 / 49 / 37

HEX #16A052

RGB 22 160 82

HSL 146.09, 0.76%, 0.36%

LAB 57.96, -52.1, 31.03

 

CMYK 13 / 86 / 0 / 36

HEX #8D17A2

RGB 141 23 162

HSL 290.94, 0.75%, 0.36%

LAB 35.76, 63.03, -47.71

 

CMYK 0 / 14 / 86 / 37

HEX #A08916

RGB 160 137 22

HSL 50, 0.76%, 0.36%

LAB 57.49, -2.54, 57.95

 

CMYK 86 / 0 / 14 / 37

HEX #16A089

RGB 22 160 137

HSL 170, 0.76%, 0.36%

LAB 59.08, -39.64, 2.3

 

CMYK 13 / 86 / 0 / 36

HEX #8D17A2

RGB 141 23 162

HSL 290.94, 0.75%, 0.36%

LAB 35.76, 63.03, -47.71

 

CMYK 0 / 83 / 86 / 37

HEX #A01B16

RGB 160 27 22

HSL 2.17, 0.76%, 0.36%

LAB 34.63, 52.17, 38.6

 

CMYK 72 / 0 / 86 / 37

HEX #2DA016

RGB 45 160 22

HSL 110, 0.76%, 0.36%

LAB 57.81, -55.35, 55.62

 

CMYK 86 / 2 / 0 / 37

HEX #169CA0

RGB 22 156 160

HSL 181.74, 0.76%, 0.36%

LAB 58.5, -31, -11.62

 

CMYK 13 / 86 / 0 / 36

HEX #8D17A2

RGB 141 23 162

HSL 290.94, 0.75%, 0.36%

LAB 35.76, 63.03, -47.71

 

CMYK 0 / 58 / 86 / 37

HEX #A04416

RGB 160 68 22

HSL 20, 0.76%, 0.36%

LAB 40.68, 35.79, 43.83

 

CMYK 72 / 0 / 86 / 37

HEX #2DA016

RGB 45 160 22

HSL 110, 0.76%, 0.36%

LAB 57.81, -55.35, 55.62

 

CMYK 86 / 29 / 0 / 37

HEX #1672A0

RGB 22 114 160

HSL 200, 0.76%, 0.36%

LAB 45.28, -8.57, -31.91

 

Description

Color code: HEX #8D17A2 | qconv.com Color code: HEX #8D17A2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 23 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 23 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 86 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 86% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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