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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CF75C it is the complementary color #7308A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CF75C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CF75C shade: #91F757, #A2FF6A, #B3FF7D, #C4FF90 and #D5FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CF75C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CF75C shade: #8CF75C, #7BE549, #6AD336, #59C123 and #48AF10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CF75C shade: #8AF759, #B5F759, #DFF759, #F7E459 and #F7BA59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CF75C shade: #8AF759, #60F759, #59F77E, #59F7A8 and #59F7D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CF75C shade matches the following richer shades: #8AF759

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CF75C shade: #8AF759, #90E967, #95DB75, #9ACD83 and #A0BF92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CF75C shade: #E0F759, #B5F759, #8BF759, #61F759 and #59F77C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CF75C shade: #53F30B, #6EF532, #8AF759, #A6F981 and #C2FBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CF75C shade: #8CF75C, #59F7E5 and #F759CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CF75C shade: #8CF75C, #598BF7 and #F7598B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CF75C shade: #8CF75C, #59F7E5, #C559F7 and #F7596C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CF75C shade: #8CF75C, #59DAF7, #C559F7 and #F77659

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 63 / 3

HEX #8CF75C

RGB 140 247 92

HSL 101.42, 0.91%, 0.66%

LAB 88.39, -57.35, 63.03

 

Complementary color

CMYK 29 / 95 / 0 / 36

HEX #7308A3

RGB 115 8 163

HSL 281.42, 0.91%, 0.34%

LAB 30.55, 61.94, -56.97

 

CMYK 41 / 0 / 65 / 3

HEX #91F757

RGB 145 247 87

HSL 98.25, 0.91%, 0.65%

LAB 88.56, -56.25, 65.28

 

CMYK 36 / 0 / 58 / 0

HEX #A2FF6A

RGB 162 255 106

HSL 97.45, 1%, 0.71%

LAB 91.79, -52.41, 61.27

 

CMYK 30 / 0 / 51 / 0

HEX #B3FF7D

RGB 179 255 125

HSL 95.08, 1%, 0.75%

LAB 92.83, -44.88, 54.28

 

CMYK 23 / 0 / 44 / 0

HEX #C4FF90

RGB 196 255 144

HSL 91.89, 1%, 0.78%

LAB 94, -36.9, 47.02

 

CMYK 16 / 0 / 36 / 0

HEX #D5FFA3

RGB 213 255 163

HSL 87.39, 1%, 0.82%

LAB 95.29, -28.58, 39.65

 

CMYK 43 / 0 / 63 / 3

HEX #8CF75C

RGB 140 247 92

HSL 101.42, 0.91%, 0.66%

LAB 88.39, -57.35, 63.03

 

CMYK 46 / 0 / 68 / 10

HEX #7BE549

RGB 123 229 73

HSL 100.77, 0.75%, 0.59%

LAB 82.23, -57.06, 63.71

 

CMYK 50 / 0 / 74 / 17

HEX #6AD336

RGB 106 211 54

HSL 100.13, 0.64%, 0.52%

LAB 76.02, -56.57, 63.98

 

CMYK 54 / 0 / 82 / 24

HEX #59C123

RGB 89 193 35

HSL 99.49, 0.69%, 0.45%

LAB 69.74, -55.79, 63.56

 

CMYK 59 / 0 / 91 / 31

HEX #48AF10

RGB 72 175 16

HSL 98.87, 0.83%, 0.37%

LAB 63.4, -54.62, 61.97

 

CMYK 44 / 0 / 64 / 3

HEX #8AF759

RGB 138 247 89

HSL 101.39, 0.91%, 0.66%

LAB 88.28, -58.21, 64.1

 

CMYK 27 / 0 / 64 / 3

HEX #B5F759

RGB 181 247 89

HSL 85.06, 0.91%, 0.66%

LAB 90.35, -43.99, 66.95

 

CMYK 10 / 0 / 64 / 3

HEX #DFF759

RGB 223 247 89

HSL 69.11, 0.91%, 0.66%

LAB 92.98, -28.13, 70.53

 

CMYK 0 / 8 / 64 / 3

HEX #F7E459

RGB 247 228 89

HSL 52.78, 0.91%, 0.66%

LAB 89.85, -9.27, 67.8

 

CMYK 0 / 25 / 64 / 3

HEX #F7BA59

RGB 247 186 89

HSL 36.84, 0.91%, 0.66%

LAB 79.39, 12.24, 56.47

 

CMYK 44 / 0 / 64 / 3

HEX #8AF759

RGB 138 247 89

HSL 101.39, 0.91%, 0.66%

LAB 88.28, -58.21, 64.1

 

CMYK 61 / 0 / 64 / 3

HEX #60F759

RGB 96 247 89

HSL 117.34, 0.91%, 0.66%

LAB 86.86, -69.04, 62.15

 

CMYK 64 / 0 / 49 / 3

HEX #59F77E

RGB 89 247 126

HSL 134.05, 0.91%, 0.66%

LAB 87.07, -66.03, 45.98

 

CMYK 64 / 0 / 32 / 3

HEX #59F7A8

RGB 89 247 168

HSL 150, 0.91%, 0.66%

LAB 87.71, -58.94, 26.08

 

CMYK 64 / 0 / 15 / 3

HEX #59F7D3

RGB 89 247 211

HSL 166.33, 0.91%, 0.66%

LAB 88.61, -49.63, 5.17

 

CMYK 44 / 0 / 64 / 3

HEX #8AF759

RGB 138 247 89

HSL 101.39, 0.91%, 0.66%

LAB 88.28, -58.21, 64.1

 

CMYK 44 / 0 / 64 / 3

HEX #8AF759

RGB 138 247 89

HSL 101.39, 0.91%, 0.66%

LAB 88.28, -58.21, 64.1

 

CMYK 38 / 0 / 56 / 9

HEX #90E967

RGB 144 233 103

HSL 101.08, 0.75%, 0.66%

LAB 84.58, -49.43, 54.06

 

CMYK 32 / 0 / 47 / 14

HEX #95DB75

RGB 149 219 117

HSL 101.18, 0.59%, 0.66%

LAB 80.93, -40.19, 43.14

 

CMYK 25 / 0 / 36 / 20

HEX #9ACD83

RGB 154 205 131

HSL 101.35, 0.43%, 0.66%

LAB 77.38, -30.16, 31.63

 

CMYK 16 / 0 / 24 / 25

HEX #A0BF92

RGB 160 191 146

HSL 101.33, 0.26%, 0.66%

LAB 74.07, -18.86, 19.33

 

CMYK 9 / 0 / 64 / 3

HEX #E0F759

RGB 224 247 89

HSL 68.73, 0.91%, 0.66%

LAB 93.05, -27.73, 70.63

 

CMYK 27 / 0 / 64 / 3

HEX #B5F759

RGB 181 247 89

HSL 85.06, 0.91%, 0.66%

LAB 90.35, -43.99, 66.95

 

CMYK 44 / 0 / 64 / 3

HEX #8BF759

RGB 139 247 89

HSL 101.01, 0.91%, 0.66%

LAB 88.32, -57.91, 64.16

 

CMYK 61 / 0 / 64 / 3

HEX #61F759

RGB 97 247 89

HSL 116.96, 0.91%, 0.66%

LAB 86.89, -68.82, 62.19

 

CMYK 64 / 0 / 50 / 3

HEX #59F77C

RGB 89 247 124

HSL 133.29, 0.91%, 0.66%

LAB 87.05, -66.32, 46.89

 

CMYK 66 / 0 / 95 / 5

HEX #53F30B

RGB 83 243 11

HSL 101.38, 0.91%, 0.5%

LAB 84.98, -74.57, 80.48

 

CMYK 55 / 0 / 80 / 4

HEX #6EF532

RGB 110 245 50

HSL 101.54, 0.91%, 0.58%

LAB 86.43, -67.88, 75.14

 

CMYK 44 / 0 / 64 / 3

HEX #8AF759

RGB 138 247 89

HSL 101.39, 0.91%, 0.66%

LAB 88.28, -58.21, 64.1

 

CMYK 33 / 0 / 48 / 2

HEX #A6F981

RGB 166 249 129

HSL 101.5, 0.91%, 0.74%

LAB 90.53, -46.16, 49.47

 

CMYK 23 / 0 / 33 / 2

HEX #C2FBA8

RGB 194 251 168

HSL 101.2, 0.91%, 0.82%

LAB 93.14, -32.62, 34.12

 

CMYK 43 / 0 / 63 / 3

HEX #8CF75C

RGB 140 247 92

HSL 101.42, 0.91%, 0.66%

LAB 88.39, -57.35, 63.03

 

CMYK 64 / 0 / 7 / 3

HEX #59F7E5

RGB 89 247 229

HSL 173.16, 0.91%, 0.66%

LAB 89.07, -45.18, -3.55

 

CMYK 0 / 64 / 18 / 3

HEX #F759CA

RGB 247 89 202

HSL 317.09, 0.91%, 0.66%

LAB 62.66, 71.42, -27.54

 

CMYK 43 / 0 / 63 / 3

HEX #8CF75C

RGB 140 247 92

HSL 101.42, 0.91%, 0.66%

LAB 88.39, -57.35, 63.03

 

CMYK 64 / 44 / 0 / 3

HEX #598BF7

RGB 89 139 247

HSL 221.01, 0.91%, 0.66%

LAB 59.26, 16.59, -59.11

 

CMYK 0 / 64 / 44 / 3

HEX #F7598B

RGB 247 89 139

HSL 341.01, 0.91%, 0.66%

LAB 60.59, 64.11, 5.59

 

CMYK 43 / 0 / 63 / 3

HEX #8CF75C

RGB 140 247 92

HSL 101.42, 0.91%, 0.66%

LAB 88.39, -57.35, 63.03

 

CMYK 64 / 0 / 7 / 3

HEX #59F7E5

RGB 89 247 229

HSL 173.16, 0.91%, 0.66%

LAB 89.07, -45.18, -3.55

 

CMYK 20 / 64 / 0 / 3

HEX #C559F7

RGB 197 89 247

HSL 281.01, 0.91%, 0.66%

LAB 57.78, 66.97, -60.96

 

CMYK 0 / 64 / 56 / 3

HEX #F7596C

RGB 247 89 108

HSL 352.78, 0.91%, 0.66%

LAB 59.89, 61.53, 22.65

 

CMYK 43 / 0 / 63 / 3

HEX #8CF75C

RGB 140 247 92

HSL 101.42, 0.91%, 0.66%

LAB 88.39, -57.35, 63.03

 

CMYK 64 / 12 / 0 / 3

HEX #59DAF7

RGB 89 218 247

HSL 191.01, 0.91%, 0.66%

LAB 81.28, -26.81, -24.69

 

CMYK 20 / 64 / 0 / 3

HEX #C559F7

RGB 197 89 247

HSL 281.01, 0.91%, 0.66%

LAB 57.78, 66.97, -60.96

 

CMYK 0 / 52 / 64 / 3

HEX #F77659

RGB 247 118 89

HSL 11.01, 0.91%, 0.66%

LAB 64.53, 47.28, 39.23

 

Description

Color code: HEX #8CF75C | qconv.com Color code: HEX #8CF75C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 247 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 247 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 63 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 63% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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