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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CF09F it is the complementary color #730F60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CF09F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CF09F shade: #91F09A, #A2FFAD, #B3FFC0, #C4FFD3 and #D5FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CF09F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CF09F shade: #8CF09F, #7BDE8C, #6ACC79, #59BA66 and #48A853

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CF09F shade: #8EF0A1, #96F08E, #B0F08E, #CBF08E and #E5F08E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CF09F shade: #8EF0A1, #8EF0BB, #8EF0D6, #8EF0F0 and #8ED6F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CF09F shade matches the following richer shades: #8EF0A1 and #84FB9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CF09F shade: #8EF0A1, #98E6A7, #A3DCAE, #ADD1B4 and #B7C7BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CF09F shade: #B1F08E, #96F08E, #8EF0A0, #8EF0BA and #8EF0D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CF09F shade: #45E764, #6AEC82, #8EF0A1, #B3F5BF and #D7FADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CF09F shade: #8CF09F, #8ECBF0 and #F08EA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CF09F shade: #8CF09F, #A08EF0 and #F0A08E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CF09F shade: #8CF09F, #8ECBF0, #F08EDE and #F0B48E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CF09F shade: #8CF09F, #8EADF0, #F08EDE and #F0D18E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 34 / 6

HEX #8CF09F

RGB 140 240 159

HSL 131.4, 0.77%, 0.75%

LAB 87.19, -45.98, 30.23

 

Complementary color

CMYK 0 / 87 / 17 / 55

HEX #730F60

RGB 115 15 96

HSL 311.4, 0.77%, 0.25%

LAB 26.25, 48.73, -21.71

 

CMYK 40 / 0 / 36 / 6

HEX #91F09A

RGB 145 240 154

HSL 125.68, 0.76%, 0.75%

LAB 87.33, -45.35, 32.97

 

CMYK 36 / 0 / 32 / 0

HEX #A2FFAD

RGB 162 255 173

HSL 127.1, 1%, 0.82%

LAB 92.67, -43.82, 30.7

 

CMYK 30 / 0 / 25 / 0

HEX #B3FFC0

RGB 179 255 192

HSL 130.26, 1%, 0.85%

LAB 93.84, -35.53, 22.82

 

CMYK 23 / 0 / 17 / 0

HEX #C4FFD3

RGB 196 255 211

HSL 135.25, 1%, 0.88%

LAB 95.14, -26.93, 15.07

 

CMYK 16 / 0 / 10 / 0

HEX #D5FFE6

RGB 213 255 230

HSL 144.29, 1%, 0.92%

LAB 96.57, -18.12, 7.49

 

CMYK 42 / 0 / 34 / 6

HEX #8CF09F

RGB 140 240 159

HSL 131.4, 0.77%, 0.75%

LAB 87.19, -45.98, 30.23

 

CMYK 45 / 0 / 37 / 13

HEX #7BDE8C

RGB 123 222 140

HSL 130.3, 0.6%, 0.68%

LAB 80.93, -46.19, 31.41

 

CMYK 48 / 0 / 41 / 20

HEX #6ACC79

RGB 106 204 121

HSL 129.18, 0.49%, 0.61%

LAB 74.59, -46.35, 32.67

 

CMYK 52 / 0 / 45 / 27

HEX #59BA66

RGB 89 186 102

HSL 128.04, 0.41%, 0.54%

LAB 68.17, -46.43, 34

 

CMYK 57 / 0 / 51 / 34

HEX #48A853

RGB 72 168 83

HSL 126.88, 0.4%, 0.47%

LAB 61.66, -46.36, 35.38

 

CMYK 41 / 0 / 33 / 6

HEX #8EF0A1

RGB 142 240 161

HSL 131.63, 0.77%, 0.75%

LAB 87.31, -45.08, 29.39

 

CMYK 38 / 0 / 41 / 6

HEX #96F08E

RGB 150 240 142

HSL 115.1, 0.77%, 0.75%

LAB 87.37, -45.67, 39.05

 

CMYK 27 / 0 / 41 / 6

HEX #B0F08E

RGB 176 240 142

HSL 99.18, 0.77%, 0.75%

LAB 88.69, -37.26, 41.01

 

CMYK 15 / 0 / 41 / 6

HEX #CBF08E

RGB 203 240 142

HSL 82.65, 0.77%, 0.75%

LAB 90.31, -27.71, 43.41

 

CMYK 5 / 0 / 41 / 6

HEX #E5F08E

RGB 229 240 142

HSL 66.73, 0.77%, 0.75%

LAB 92.1, -17.98, 46.05

 

CMYK 41 / 0 / 33 / 6

HEX #8EF0A1

RGB 142 240 161

HSL 131.63, 0.77%, 0.75%

LAB 87.31, -45.08, 29.39

 

CMYK 41 / 0 / 22 / 6

HEX #8EF0BB

RGB 142 240 187

HSL 147.55, 0.77%, 0.75%

LAB 87.8, -40.38, 16.71

 

CMYK 41 / 0 / 11 / 6

HEX #8EF0D6

RGB 142 240 214

HSL 164.08, 0.77%, 0.75%

LAB 88.41, -34.78, 3.53

 

CMYK 41 / 0 / 0 / 6

HEX #8EF0F0

RGB 142 240 240

HSL 180, 0.77%, 0.75%

LAB 89.09, -28.78, -9.06

 

CMYK 41 / 11 / 0 / 6

HEX #8ED6F0

RGB 142 214 240

HSL 195.92, 0.77%, 0.75%

LAB 81.91, -15.92, -19.83

 

CMYK 41 / 0 / 33 / 6

HEX #8EF0A1

RGB 142 240 161

HSL 131.63, 0.77%, 0.75%

LAB 87.31, -45.08, 29.39

 

CMYK 47 / 0 / 39 / 2

HEX #84FB9A

RGB 132 251 154

HSL 131.09, 0.94%, 0.75%

LAB 89.97, -53.54, 36.36

 

CMYK 41 / 0 / 33 / 6

HEX #8EF0A1

RGB 142 240 161

HSL 131.63, 0.77%, 0.75%

LAB 87.31, -45.08, 29.39

 

CMYK 34 / 0 / 27 / 10

HEX #98E6A7

RGB 152 230 167

HSL 131.54, 0.61%, 0.75%

LAB 85.03, -36.68, 23.28

 

CMYK 26 / 0 / 21 / 14

HEX #A3DCAE

RGB 163 220 174

HSL 131.58, 0.45%, 0.75%

LAB 82.93, -27.31, 16.81

 

CMYK 17 / 0 / 14 / 18

HEX #ADD1B4

RGB 173 209 180

HSL 131.67, 0.28%, 0.75%

LAB 80.62, -17.53, 10.46

 

CMYK 8 / 0 / 7 / 22

HEX #B7C7BA

RGB 183 199 186

HSL 131.25, 0.13%, 0.75%

LAB 78.73, -7.9, 4.63

 

CMYK 26 / 0 / 41 / 6

HEX #B1F08E

RGB 177 240 142

HSL 98.57, 0.77%, 0.75%

LAB 88.74, -36.92, 41.09

 

CMYK 38 / 0 / 41 / 6

HEX #96F08E

RGB 150 240 142

HSL 115.1, 0.77%, 0.75%

LAB 87.37, -45.67, 39.05

 

CMYK 41 / 0 / 33 / 6

HEX #8EF0A0

RGB 142 240 160

HSL 131.02, 0.77%, 0.75%

LAB 87.29, -45.25, 29.87

 

CMYK 41 / 0 / 23 / 6

HEX #8EF0BA

RGB 142 240 186

HSL 146.94, 0.77%, 0.75%

LAB 87.78, -40.57, 17.2

 

CMYK 41 / 0 / 11 / 6

HEX #8EF0D5

RGB 142 240 213

HSL 163.47, 0.77%, 0.75%

LAB 88.39, -35, 4.02

 

CMYK 70 / 0 / 57 / 9

HEX #45E764

RGB 69 231 100

HSL 131.48, 0.77%, 0.59%

LAB 81.48, -67.57, 51.14

 

CMYK 55 / 0 / 45 / 7

HEX #6AEC82

RGB 106 236 130

HSL 131.08, 0.77%, 0.67%

LAB 84.31, -57.78, 40.68

 

CMYK 41 / 0 / 33 / 6

HEX #8EF0A1

RGB 142 240 161

HSL 131.63, 0.77%, 0.75%

LAB 87.31, -45.08, 29.39

 

CMYK 27 / 0 / 22 / 4

HEX #B3F5BF

RGB 179 245 191

HSL 130.91, 0.77%, 0.83%

LAB 91.08, -31.08, 19.49

 

CMYK 14 / 0 / 11 / 2

HEX #D7FADE

RGB 215 250 222

HSL 132, 0.78%, 0.91%

LAB 95.2, -16.46, 9.66

 

CMYK 42 / 0 / 34 / 6

HEX #8CF09F

RGB 140 240 159

HSL 131.4, 0.77%, 0.75%

LAB 87.19, -45.98, 30.23

 

CMYK 41 / 15 / 0 / 6

HEX #8ECBF0

RGB 142 203 240

HSL 202.65, 0.77%, 0.75%

LAB 78.9, -10.22, -24.4

 

CMYK 0 / 41 / 32 / 6

HEX #F08EA3

RGB 240 142 163

HSL 347.14, 0.77%, 0.75%

LAB 69.84, 39.53, 5.09

 

CMYK 42 / 0 / 34 / 6

HEX #8CF09F

RGB 140 240 159

HSL 131.4, 0.77%, 0.75%

LAB 87.19, -45.98, 30.23

 

CMYK 33 / 41 / 0 / 6

HEX #A08EF0

RGB 160 142 240

HSL 251.02, 0.77%, 0.75%

LAB 64.25, 28.47, -47.03

 

CMYK 0 / 33 / 41 / 6

HEX #F0A08E

RGB 240 160 142

HSL 11.02, 0.77%, 0.75%

LAB 73.3, 27.64, 21.57

 

CMYK 42 / 0 / 34 / 6

HEX #8CF09F

RGB 140 240 159

HSL 131.4, 0.77%, 0.75%

LAB 87.19, -45.98, 30.23

 

CMYK 41 / 15 / 0 / 6

HEX #8ECBF0

RGB 142 203 240

HSL 202.65, 0.77%, 0.75%

LAB 78.9, -10.22, -24.4

 

CMYK 0 / 41 / 8 / 6

HEX #F08EDE

RGB 240 142 222

HSL 311.02, 0.77%, 0.75%

LAB 71.65, 48.21, -24.98

 

CMYK 0 / 25 / 41 / 6

HEX #F0B48E

RGB 240 180 142

HSL 23.27, 0.77%, 0.75%

LAB 77.95, 17.05, 27.86

 

CMYK 42 / 0 / 34 / 6

HEX #8CF09F

RGB 140 240 159

HSL 131.4, 0.77%, 0.75%

LAB 87.19, -45.98, 30.23

 

CMYK 41 / 28 / 0 / 6

HEX #8EADF0

RGB 142 173 240

HSL 221.02, 0.77%, 0.75%

LAB 70.82, 6.08, -36.83

 

CMYK 0 / 41 / 8 / 6

HEX #F08EDE

RGB 240 142 222

HSL 311.02, 0.77%, 0.75%

LAB 71.65, 48.21, -24.98

 

CMYK 0 / 13 / 41 / 6

HEX #F0D18E

RGB 240 209 142

HSL 41.02, 0.77%, 0.75%

LAB 85.04, 1.87, 37.21

 

Description

Color code: HEX #8CF09F | qconv.com Color code: HEX #8CF09F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 240 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 240 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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