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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CEE4B it is the complementary color #7311B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CEE4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CEE4B shade: #91EE46, #A2FF59, #B3FF6C, #C4FF7F and #D5FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CEE4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CEE4B shade: #8CEE4B, #7BDC38, #6ACA25, #59B812 and #48A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CEE4B shade: #8AEE49, #B7EE49, #E3EE49, #EECB49 and #EE9F49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CEE4B shade: #8AEE49, #5EEE49, #49EE60, #49EE8C and #49EEB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CEE4B shade matches the following richer shades: #8AEE49 and #87FE38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CEE4B shade: #8AEE49, #8EDE59, #91CD69, #94BD79 and #97AD89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CEE4B shade: #E3EE49, #B7EE49, #8BEE49, #5FEE49 and #49EE5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CEE4B shade: #5FD113, #72EA23, #8AEE49, #A2F16E and #BBF594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CEE4B shade: #8CEE4B, #49EECD and #EE49CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CEE4B shade: #8CEE4B, #498BEE and #EE498B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CEE4B shade: #8CEE4B, #49EECD, #AC49EE and #EE496A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CEE4B shade: #8CEE4B, #49DDEE, #AC49EE and #EE5949

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 68 / 7

HEX #8CEE4B

RGB 140 238 75

HSL 96.07, 0.83%, 0.61%

LAB 85.62, -55.2, 66.71

 

Complementary color

CMYK 36 / 91 / 0 / 29

HEX #7311B4

RGB 115 17 180

HSL 276.07, 0.83%, 0.39%

LAB 32.57, 63.87, -63.87

 

CMYK 39 / 0 / 71 / 7

HEX #91EE46

RGB 145 238 70

HSL 93.21, 0.83%, 0.6%

LAB 85.81, -53.95, 68.78

 

CMYK 36 / 0 / 65 / 0

HEX #A2FF59

RGB 162 255 89

HSL 93.61, 1%, 0.67%

LAB 91.65, -53.86, 68.04

 

CMYK 30 / 0 / 58 / 0

HEX #B3FF6C

RGB 179 255 108

HSL 91.02, 1%, 0.71%

LAB 92.66, -46.56, 61.62

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF7F

RGB 196 255 127

HSL 87.66, 1%, 0.75%

LAB 93.79, -38.78, 54.74

 

CMYK 16 / 0 / 43 / 0

HEX #D5FF92

RGB 213 255 146

HSL 83.12, 1%, 0.79%

LAB 95.05, -30.63, 47.6

 

CMYK 41 / 0 / 68 / 7

HEX #8CEE4B

RGB 140 238 75

HSL 96.07, 0.83%, 0.61%

LAB 85.62, -55.2, 66.71

 

CMYK 44 / 0 / 75 / 14

HEX #7BDC38

RGB 123 220 56

HSL 95.49, 0.7%, 0.54%

LAB 79.43, -54.77, 66.89

 

CMYK 48 / 0 / 82 / 21

HEX #6ACA25

RGB 106 202 37

HSL 94.91, 0.69%, 0.47%

LAB 73.18, -54.1, 66.39

 

CMYK 52 / 0 / 90 / 28

HEX #59B812

RGB 89 184 18

HSL 94.34, 0.82%, 0.4%

LAB 66.86, -53.13, 64.77

 

CMYK 57 / 0 / 100 / 35

HEX #48A600

RGB 72 166 0

HSL 93.98, 1%, 0.33%

LAB 60.47, -51.78, 61.84

 

CMYK 42 / 0 / 69 / 7

HEX #8AEE49

RGB 138 238 73

HSL 96.36, 0.83%, 0.61%

LAB 85.52, -55.97, 67.31

 

CMYK 23 / 0 / 69 / 7

HEX #B7EE49

RGB 183 238 73

HSL 80, 0.83%, 0.61%

LAB 87.82, -40.4, 70.39

 

CMYK 5 / 0 / 69 / 7

HEX #E3EE49

RGB 227 238 73

HSL 64, 0.83%, 0.61%

LAB 90.76, -23.18, 74.29

 

CMYK 0 / 15 / 69 / 7

HEX #EECB49

RGB 238 203 73

HSL 47.27, 0.83%, 0.61%

LAB 82.58, -1.25, 66.43

 

CMYK 0 / 33 / 69 / 7

HEX #EE9F49

RGB 238 159 73

HSL 31.27, 0.83%, 0.61%

LAB 71.86, 21.82, 55.29

 

CMYK 42 / 0 / 69 / 7

HEX #8AEE49

RGB 138 238 73

HSL 96.36, 0.83%, 0.61%

LAB 85.52, -55.97, 67.31

 

CMYK 61 / 0 / 69 / 7

HEX #5EEE49

RGB 94 238 73

HSL 112.36, 0.83%, 0.61%

LAB 83.97, -67.83, 65.22

 

CMYK 69 / 0 / 60 / 7

HEX #49EE60

RGB 73 238 96

HSL 128.36, 0.83%, 0.61%

LAB 83.66, -69.7, 55.47

 

CMYK 69 / 0 / 41 / 7

HEX #49EE8C

RGB 73 238 140

HSL 144.36, 0.83%, 0.61%

LAB 84.2, -63.39, 35.44

 

CMYK 69 / 0 / 22 / 7

HEX #49EEB9

RGB 73 238 185

HSL 160.73, 0.83%, 0.61%

LAB 85.03, -54.4, 13.54

 

CMYK 42 / 0 / 69 / 7

HEX #8AEE49

RGB 138 238 73

HSL 96.36, 0.83%, 0.61%

LAB 85.52, -55.97, 67.31

 

CMYK 47 / 0 / 78 / 0

HEX #87FE38

RGB 135 254 56

HSL 96.06, 0.99%, 0.61%

LAB 90.01, -63.95, 77.14

 

CMYK 42 / 0 / 69 / 7

HEX #8AEE49

RGB 138 238 73

HSL 96.36, 0.83%, 0.61%

LAB 85.52, -55.97, 67.31

 

CMYK 36 / 0 / 60 / 13

HEX #8EDE59

RGB 142 222 89

HSL 96.09, 0.67%, 0.61%

LAB 81.13, -46.88, 56.25

 

CMYK 29 / 0 / 49 / 20

HEX #91CD69

RGB 145 205 105

HSL 96, 0.5%, 0.61%

LAB 76.5, -36.74, 43.47

 

CMYK 22 / 0 / 36 / 26

HEX #94BD79

RGB 148 189 121

HSL 96.18, 0.34%, 0.61%

LAB 72.28, -26.05, 30.04

 

CMYK 13 / 0 / 21 / 32

HEX #97AD89

RGB 151 173 137

HSL 96.67, 0.18%, 0.61%

LAB 68.22, -14.39, 16

 

CMYK 5 / 0 / 69 / 7

HEX #E3EE49

RGB 227 238 73

HSL 64, 0.83%, 0.61%

LAB 90.76, -23.18, 74.29

 

CMYK 23 / 0 / 69 / 7

HEX #B7EE49

RGB 183 238 73

HSL 80, 0.83%, 0.61%

LAB 87.82, -40.4, 70.39

 

CMYK 42 / 0 / 69 / 7

HEX #8BEE49

RGB 139 238 73

HSL 96, 0.83%, 0.61%

LAB 85.56, -55.66, 67.37

 

CMYK 60 / 0 / 69 / 7

HEX #5FEE49

RGB 95 238 73

HSL 112, 0.83%, 0.61%

LAB 84, -67.61, 65.26

 

CMYK 69 / 0 / 60 / 7

HEX #49EE5F

RGB 73 238 95

HSL 128, 0.83%, 0.61%

LAB 83.65, -69.82, 55.89

 

CMYK 55 / 0 / 91 / 18

HEX #5FD113

RGB 95 209 19

HSL 96, 0.83%, 0.45%

LAB 74.88, -60.46, 71.41

 

CMYK 51 / 0 / 85 / 8

HEX #72EA23

RGB 114 234 35

HSL 96.18, 0.83%, 0.53%

LAB 83.2, -63.62, 75.87

 

CMYK 42 / 0 / 69 / 7

HEX #8AEE49

RGB 138 238 73

HSL 96.36, 0.83%, 0.61%

LAB 85.52, -55.97, 67.31

 

CMYK 33 / 0 / 54 / 5

HEX #A2F16E

RGB 162 241 110

HSL 96.18, 0.82%, 0.69%

LAB 87.83, -46.17, 54.94

 

CMYK 24 / 0 / 40 / 4

HEX #BBF594

RGB 187 245 148

HSL 95.88, 0.83%, 0.77%

LAB 90.78, -34.98, 40.88

 

CMYK 41 / 0 / 68 / 7

HEX #8CEE4B

RGB 140 238 75

HSL 96.07, 0.83%, 0.61%

LAB 85.62, -55.2, 66.71

 

CMYK 69 / 0 / 14 / 7

HEX #49EECD

RGB 73 238 205

HSL 168, 0.83%, 0.61%

LAB 85.49, -49.67, 3.74

 

CMYK 0 / 69 / 14 / 7

HEX #EE49CD

RGB 238 73 205

HSL 312, 0.83%, 0.61%

LAB 59.3, 75.44, -34.57

 

CMYK 41 / 0 / 68 / 7

HEX #8CEE4B

RGB 140 238 75

HSL 96.07, 0.83%, 0.61%

LAB 85.62, -55.2, 66.71

 

CMYK 69 / 42 / 0 / 7

HEX #498BEE

RGB 73 139 238

HSL 216, 0.83%, 0.61%

LAB 58.09, 11, -56.03

 

CMYK 0 / 69 / 42 / 7

HEX #EE498B

RGB 238 73 139

HSL 336, 0.83%, 0.61%

LAB 56.89, 67.59, 0.04

 

CMYK 41 / 0 / 68 / 7

HEX #8CEE4B

RGB 140 238 75

HSL 96.07, 0.83%, 0.61%

LAB 85.62, -55.2, 66.71

 

CMYK 69 / 0 / 14 / 7

HEX #49EECD

RGB 73 238 205

HSL 168, 0.83%, 0.61%

LAB 85.49, -49.67, 3.74

 

CMYK 28 / 69 / 0 / 7

HEX #AC49EE

RGB 172 73 238

HSL 276, 0.83%, 0.61%

LAB 51.51, 66.82, -66.2

 

CMYK 0 / 69 / 55 / 7

HEX #EE496A

RGB 238 73 106

HSL 348, 0.83%, 0.61%

LAB 56.07, 64.81, 18.4

 

CMYK 41 / 0 / 68 / 7

HEX #8CEE4B

RGB 140 238 75

HSL 96.07, 0.83%, 0.61%

LAB 85.62, -55.2, 66.71

 

CMYK 69 / 7 / 0 / 7

HEX #49DDEE

RGB 73 221 238

HSL 186.18, 0.83%, 0.61%

LAB 81.46, -33.18, -19.68

 

CMYK 28 / 69 / 0 / 7

HEX #AC49EE

RGB 172 73 238

HSL 276, 0.83%, 0.61%

LAB 51.51, 66.82, -66.2

 

CMYK 0 / 63 / 69 / 7

HEX #EE5949

RGB 238 89 73

HSL 5.82, 0.83%, 0.61%

LAB 57.85, 56.49, 39.65

 

Description

Color code: HEX #8CEE4B | qconv.com Color code: HEX #8CEE4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 238 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 238 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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